Basurama: a framework for designing collectively with waste
1 like2,954 views
The document outlines the Basurama framework for collectively working with waste, emphasizing it as a valuable resource rather than mere trash. It discusses various approaches to analyzing, reusing, and collaborating on waste management while highlighting case studies and projects in different cities. Key principles include community involvement, public space reactivation, and the importance of a multimedia approach to understanding waste's impact and potential.
Basurama: a framework for designing collectively with waste
- 1. April 3rd 2013 Cambridge, MA, USA. Cultural Agents Initiative Harvard Humanitarian Initiative Read full paper at http://basurama.org/txt/basurama-a-framework -for-designing-collectively-with-waste Basurama: a framework for designing collectively with waste Pablo Rey Mazón. Basurama. basurama.org Contents, unless noted, by Basurama under license: Creative Commons Atribución-NoComercial-CompartirIgual 3.0 Unported.
- 2. Matthias Kabel. CC Attribution-Share Alike 3.0 Unported
- 3. Establish a framework to work collectively with waste.
- 4. Basurama: a framework for designing collectively with waste April 3rd 2013 Pablo Rey Mazón. Basurama. Cultural Agents Initiative and Harvard Humanitarian Initiative
- 5. Waste is a powerful affordable resource. Working collectively requires: Listening to the others needs Taking time, location, material constrains in account
- 6. Basura = trash ama = love -orama = wide view of Basurama = wide view of + love trash
- 7. 1. What is waste? 2. What can we do with waste? 3. How to work collaboratively with waste?
- 8. 1. What is waste? Natural resources that have been wasted.
- 9. Waste is a resource in the wrong place.
- 10. Things that have lost their name. “The process by which something is turned into trash can be described as a process of disqualification: things turn into trash when their service makes them lose the properties that described them as these or those things, and so on and so forth, and turn only into that "thingness", fluid and without attributes, that accumulates in trash tips and whose regeneration depends, we could say, on acquiring their lost properties again”. José Luis Pardo
- 11. Whatever is tagged as waste. #Waste
- 12. Whatever is tagged as waste. #Waste
- 13. Whatever is tagged as waste. #Waste
- 14. Whatever is tagged as waste. #Waste
- 15. Whatever is tagged as waste. #Waste
- 16. "Through the garbage collection system of Mexico City it is possible to make an accurate radiograph of the entire political system of the republic, its power relations, their corrupt situations, etc.." Héctor Castillo Berthier Waste is information.
- 17. "Through the garbage collection system of Mexico City it is possible to make an accurate radiograph of the entire political system of the republic, its power relations, their corrupt situations, etc.." Héctor Castillo Berthier Waste is information.
- 18. Recycling vs Upcycling/downcycling
- 19. Recycling vs Reduce Reuse Recovery Repair Rehabilitation
- 20. Waste is a relative concept. Waste doesn't exist. Waste has many scales/sizes/shapes.
- 21. Waste = People that work with waste
- 23. Waste picker, Cambridge MA, 2010
- 24. 1. What is waste? 2. What can we do with waste? 3. Working collaboratively with waste?
- 25. 2. What can we do with waste? A. Analyze + Visualize B. Reuse
- 26. A. Analyze + Visualize Multimedia approach: from objects to landscape Trash Safari. Madrid, 2005
- 27. You are what you throw away. Benicassim, Spain. 2007
- 28. You are what you throw away. Benicassim, 2007 with Iris Giménez Gil
- 29. Waste Packaging Index. Berlin, 2012 with Dietmar Offenhuber
- 30. Packaging Waste Packaging Index (WPI) = Total Weight of the product Waste Packaging Index. Berlin, 2012
- 31. Waste Packaging Index. Berlin, 2012
- 32. How to visualize Madrid's Big Dig? I ♥ M30. Madrid 2006 (Yo amo M30, with Areaciega and Sauro Pixels
- 33. Video trailer YO amo M30 http://youtu.be/hCpepJFR8rE I ♥ M30. Madrid 2006
- 34. I ♥ M30. Madrid 2006
- 35. I ♥ M30. Madrid 2006. Video trailer 2 http://youtu.be/n7Y48k8TrV8
- 37. Urb. Francisco Hernández. Seseña, Toledo. Ciduad de Valdeluz. Guadalajara, Spain.
- 39. 6000km.org + meipi.org/6000km 2006-2011
- 41. PAU Ensanche de Vallecas.
- 42. PAU Ensanche de Vallecas.
- 43. PAU Ensanche de Vallecas. 2013
- 45. PAU Ensanche de Vallecas. 2013
- 47. PAU Ensanche de Vallecas.
- 60. B. Reuse Reusing materials and public space
- 61. Juego Chachi. Leandro Lattes. 2005
- 62. Juego Chachi. Leandro Lattes. 2005
- 63. Spermöla = Yard sale in public space Spermöla 2004, 2005, 2006
- 64. Spermöla 2004, 2005, 2006
- 66. Free Shop. Manresa, Spain. 2010
- 67. Free Shop. Manresa, Spain. 2010
- 74. 3. Working collaboratively with waste?
- 75. RUS RESIDUOS URBANOS SÓLIDOS URBAN SOLID WASTE
- 76. RUS A series of chained projects developed by Basurama and the local cultural-social collaborators of every iteration of the project. Every time the project ended with an action or intervention in the public space, usually degraded, and was centered in working urban waste (Basurama 2011). Funded by the Spanish Agency for International Development Cooperation (AECID) through the Red de Centros Culturales de la Cooperación Española in Latin America.
- 78. Timeline of a RUS project 1. Research trip -Materials -Techniques and tools -Intervention spaces -Urban conflicts -Contact local agents: artists, neighbors, municipality. 2. Review information and pre-design -Establish a local main collaborator 3. Intervention trip -Production: materials, tools. -Design and co-design: iterations depending on negotiations, materials and actors -Construction: Workshop and prototype with locals -Action/intervention/installation -Unmount.
- 79. RUS is based on: -Reactivation of public space -Local community -Waste -Reuse
- 80. Public Space -In danger/threaten -Inadequate or poor maintenance -Privatization -Lack of use -Abandondment
- 81. Local Community -Wide range of stakeholders -Different involvement: punctual support to full Involvement
- 82. Waste -Source of information -Low cost -Location: harvest map -Value vs Price
- 83. Reuse Ubiquity of industrialized products
- 84. RUS Asunción. Paraguay. 2008 with Sonia Carísimo and Francisco Tomboly
- 85. RUS Asunción. Paraguay. 2008 with Sonia Carísimo and Francisco Tomboly
- 86. RUS Asunción + Varsaw 2010
- 87. Varsaw 2010
- 88. RUS Buenos Aires. Todos somos cartoneros (We are all waste pickers) 2009
- 89. RUS Buenos Aires. Guide to create cooperatives. With Eloisa Cartonera.
- 90. RUS Buenos Aires. Guide to create cooperatives. With Eloisa Cartonera.
- 91. La ciudad de los niños. Cabanyal, Valencia (2009) with Arquitectura se mueve.
- 92. RUS Córdoba. Tejedoras Urbanas (Urban knitters) (2009) with Quinua Photos: Quinua
- 93. RUS Córdoba. Tejedoras Urbanas (Urban knitters) (2009) with Quinua
- 94. Video: Juan Andres Mancuello http://youtu.be/v3uM1cNpOMc
- 95. RUS Córdoba. Tejedoras Urbanas (Urban knitters) (2009) with Quinua
- 97. RUS Mexico City. 2008
- 100. Car Tires
- 103. RUS LIMA SELF MADE AMUSEMENT “GHOST TRAIN” PARK
- 104. Initial research
- 105. Harvest map
- 107. Uncompleted Metropolitan railway. Foto: Sara Fernández Deustch
- 108. “El Tren fantasma” (ghost train) -Elevated metropolitan railway project -Started construction in 1986 -Opened 10km in 1990. -For 20 years abandoned elevated infrastructure. -Promised public transportation system that never arrived.
- 111. Collaborators -Christians Luna (visual artist) -Sandra Nakamura (visual artist) -Camila Bustamante (graphic designer) -El Cartón (architecture students collective) -C.H.O.L.O. (artist collective based on Lima suburbs) -El Cartón (architecture students collective) -Playstationvagon (graffiti writers/urban artists) -El Codo (graffiti writer/urban artist) -Motivando Corazones collective (non profit organization) -María Pía Raschio and Diego Alonso -Rossell (artist) -Local group of boy scouts -Surquillo District Municipality
- 112. RUS Lima, Peru. 2010
- 113. RUS Lima, Peru. 2010
- 115. Aucahuasi. Creative Commons Attribution-Share Alike 3.0 Unported commons.wikimedia.org/wiki/File:Tren_Eléctrico_viaducto_inconcluso.jpg
- 116. C.H.O.L.O.
- 117. Parque Autoarmable (Self made playground) “Nueva Esperanza” in Pachacutec, Ventanilla. Developed by C.H.O.L.O., Christians Luna y the community of sector C1 de Pachacutec Photos: C.H.O.L.O.
- 118. Parque Autoarmable Nueva Esperanza. Lima Photos: C.H.O.L.O.
- 119. … and now, what's going on in Basurama?
- 120. Long term involvement. Autobarrios. San Cristobal de los Ángeles, Madrid. 2013
- 121. Real estate bubble in São Paulo. Brazil. 2013