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Making the Match
     UTCE
  Teri S. Lesesne
  @professornana
What are some of our best
       practices?
           
Building community
Reading aloud
Offering choice in reading material
Authentic literature
Real response
If you build it,
     they will come…
            
          Building Community

Connect with other readers
Have models of literacy in the room
Make readers more aware of what they do
Importance of community
           
Community Leaders
      
Extend beyond the
    classroom
        
Nerdy Book Club
       

http://www.nerdybookclub.com
How does community assist
     us with CCSS?
           
Comprehension and Collaboration
1. Prepare for and participate effectively in a range of conversations and collaborations
with diverse partners, building on others’ ideas and expressing their own clearly and
persuasively.
2. Integrate and evaluate information presented in diverse media and formats,
including visually, quantitatively, and
orally.
3. Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric.

Presentation of Knowledge and Ideas
4. Present information, findings, and supporting evidence such that listeners can
follow the line of reasoning and the organization, development, and style are
appropriate to task, purpose, and audience.
5. Make strategic use of digital media and visual displays of data to express
information and enhance understanding of presentations.
6. Adapt speech to a variety of contexts and communicative tasks, demonstrating
command of formal English when indicated or appropriate.
Read alouds beyond primary grades
This read aloud brought to you by Mo Willems

“Once upon a time there were three dinosaurs: Papa Dinosaur,
Mama Dinosaur, and some other Dinosaur who happened to be
visiting from Norway.”
What does the opening
  sentence tell readers?
            
 Setting                Plus it addresses this
                         CCSS (anchor standard):
 Main characters
                         Write narratives to
 Motif                  develop real or imagined
                         experiences or events
 Archetype              using effective technique,
                         well-chosen details,
 And…it’s going to be   and well-structured event
  funny!                 sequences
Brought to you by Charles Benoit

       Opening lines
You’re surprised at all the blood.
He looks at you, eyes wide, mouth dropping
Open, his face almost as white as his shirt.
He’s surprised, too.



There’s not a lot of broken glass, though, just some
tiny slivers around his feet and one big piece
busted into sharp peaks like a spiking line graph,
the blood washing down it like rain on a
windshield.
In two paragraphs, what do
         we learn?
            
                            CCSS Anchor Standards for
  Simile and metaphor      Reading:

                            4. Interpret words and phrases as they are
                            used in a text, including determining
  Strong verbs             technical, connotative, and figurative
                            meanings, and analyze how specific word
                            choices shape meaning or tone.

  Use of second person     5. Analyze the structure of texts, including
                            how specific sentences, paragraphs, and
                            larger portions of the text
                            (e.g., a section, chapter, scene, or stanza)
  How details contribute   relate to each other and the whole.

   to overall effect        6. Assess how point of view or purpose
                            shapes the content and style of a text.
Why read aloud?
              
 Closes achievement gap since students can generally
  listen above their reading comprehension level.

 Offers model of fluency and prosody.

 Serves to assist with listening and speaking elements
  of CCSS.

 Motivates K-12 to read and read more. (research)
Widening the curriculum
   to narrow the gap
           
Offering choices

Ensuring that choices reflect developmental
 needs of kids

Books as mirrors

Books as windows
Extensive vs. Intensive
            
 Extensive                      Intensive
                                (not to be confused with
    Central text
                                close reading)
    Shorter selections to
     accompany central text
    Different genres, forms,       Focus on one text
     and formats
                                    Dissect it


CCSS calls this model
framework
Extensive research
              
 Kids read more

 Kids performed as well on tests at the end of the unit
  of study

 Kids’ attitudes toward books and reading was
  higher

                       Research covers 1940s forward
Example of a Model
           Framework
               


Core text
Add to Core Text
               
       Informational                   Literary
 Advances in cancer          Catcher in the Rye
  treatment                   “Death Be not Proud”
 Cancer in teens              (poem)
 Side effects of cancer      Other Printz award
  treatments
                               winners
 Self help groups
                              Short story collections
 Biographies of reclusive
  authors                      with YA authors
How this aligns to CCSS
              
Integration of Knowledge and Ideas
7. Integrate and evaluate content presented in diverse formats and
media, including visually and quantitatively, as well as in words.*
8. Delineate and evaluate the argument and specific claims in a text,
including the validity of the reasoning as well as
the relevance and sufficiency of the evidence.
9. Analyze how two or more texts address similar themes or topics in
order to build knowledge or to compare the approaches the authors
take.

Range of Reading and Level of Text Complexity
10. Read and comprehend complex literary and informational texts
independently and proficiently.
Real Response
      
                 Personal/emotive




evaluative              interpretive



             critical
Levels of Response
              
 Personal/Emotive
    What is your gut reaction to the text?

 Interpretive
    If you were one of the characters, what would you
     have done differently?

 Critical
    How does the author demonstrate her or his craft?

 Evaluative
    What makes this a “good” or “bad” book?
CCSS
                                      
            Note on range and content of student reading

To become college and career ready, students must grapple with works of exceptional craft
and thought whose range extends across genres, cultures, and centuries. Such works offer
profound insights into the human condition and serve as models for students’ own thinking
and writing.



Through wide and deep reading of literature and literary nonfiction of steadily increasing
sophistication, students gain a reservoir of literary and cultural knowledge, references,
and images; the ability to evaluate intricate arguments; and the capacity to surmount the
challenges posed by complex texts.
What qualities are essential?
                             
  Quantitative Measures
    Lexile
    Reading level(s)

  Qualitative Measures
      Levels of Meaning
      Narrative structure
      Language Conventionality and Clarity
      Knowledge Demands
Problems with Quantitative
    Analysis of Books
           
  Reading levels
     Syllables
     Sentences

  Lexile Levels
       Syllables
       Sentences
       Semantics
       Syntax

  All of these rate only how students perform on tests
Higher or Lower?
       
Guess Again!
      
4.8 790    4.0 680
Higher or Lower?
       
Hmmm….
      
5.7 920   5.7 960
Higher or Lower?
       
Guess again!
      
5.7 990      5.9 850
Higher or Lower
      
Guess again!
      
n/a 620     4.1 630
One More Time
     
Huh?
       
4.2          5.0
Qualitative Measures
            
Qualitative measures complement
quantitative measures:

  Purpose
  Language conventionality and clarity
  Text structures
  Knowledge demands
Translation
 Narrative structure
                      
   Shifts in time (flashback and foreshadowing)
   Point of view (multiple narrators, unreliable narrator)

 Language
   Figurative devices
   Irony
   Parody

 Knowledge Demands
   Cultural
   intertextuality
Consider the qualitative
    elements now
Higher or Lower?
       
Higher or Lower?
       
Higher or Lower?
       
Higher or Lower
      
One More Time
     
Finally
                  
Grade Levels   RL          Lexiles
2-3            2.7-5.1     420-820
4-5            4.9-7.1     740-1010
6-8            7.0-10.0    925-1185
9-10           9.7-12      1050-1335
11-12          11.0-14.0   1185-1385
Here are recommendations
     from lexile.com
            
  Grades 2-3 Fiction
      Alabama Moon
      Cleopatra’s Moon
      Under the Baseball Moon
      NEW MOON

  Grades 4-5 Humor
    Jake Reinvented
    I Want to Grow Hair
    Hero by Perry Moore
Here are recommendations
     from lexile.com
            
  Grades 6-8 Graphic Novels
    Sparky
    11 other titles, none familiar

  Grades 9-10 Mystery
    Koontz, Poe, Bunting

  Grades 11-12 Biography
    Pocohantas, Shakespeare, Joan of Arc, Zane Grey
Using the resources we have at our fingertips
                      &
       Not all these formulaic means
Common core and best practices
Conventional Wisdom
           
 Where do we go to get ideas about what to read?

 How can we narrow it down from the 7500+ books
  published annually?

 How can we determine which books for which kids?

 How do we then provide proof of rigor?
Where to get
      recommendations?
             
 Lists
   Awards lists
      Newbery
      Printz
   State reading lists
         Bluebonnet
         Lone Star
         TAYSHAS
         Maverick
   Starred Review lists
   Teens Top Ten
But also…
                  
 BFYA
 QP
 Notables
 Orbis Pictus
 Sibert
 YALSA Excellence in Nonfiction
 Morris
 Great Graphic Novels for Teens
 Stonewall
Starred Reviews
                
 SIX STARS
   Code Name Verity. Elizabeth Wein.
   Fault in Our Stars, The. John Green.
   Z Is for Moose. Kelly Bingham, illus. by Paul O.
    Zelinsky.

 FIVE STARS
   Green. Laura Vaccaro Seeger.
Seeing Stars
                  
 FOUR STARS
   Black Hole Is NOT a Hole, A. Carolyn Cinami
    DeCristofano, illus. by Michael Carroll
   Grave Mercy. Robin LaFevers

 THREE STARS
   Curveball: The Year I Lost My Grip. Jordan
    Sonnenblick
   Lions of Little Rock, The. Kristin Levine
   Wonder. R.J. Palacio
Qualitative
                  
 Narrative Structure



   Simple vs. complex

   Explicit vs. implicit

   Chronological vs. non-linear
Narrative Structure
        
Qualitative
                  
 Language conventionality and clarity



     Dialect
     Conversational
     Rich
     Vivid
Language Usage
      
Qualitative
                  
 Knowledge demands


   Sophisticated themes

   Experience and perspective (close reading conflict)

   Context

   Social milieu


 What we want are
lifelong readers and
      learners…
Because this is not the
     problem…
          
This is…
   

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Common core and best practices

  • 1. Making the Match UTCE Teri S. Lesesne @professornana
  • 2. What are some of our best practices?  Building community Reading aloud Offering choice in reading material Authentic literature Real response
  • 3. If you build it, they will come…  Building Community Connect with other readers Have models of literacy in the room Make readers more aware of what they do
  • 6. Extend beyond the classroom 
  • 7. Nerdy Book Club  http://www.nerdybookclub.com
  • 8. How does community assist us with CCSS?  Comprehension and Collaboration 1. Prepare for and participate effectively in a range of conversations and collaborations with diverse partners, building on others’ ideas and expressing their own clearly and persuasively. 2. Integrate and evaluate information presented in diverse media and formats, including visually, quantitatively, and orally. 3. Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric. Presentation of Knowledge and Ideas 4. Present information, findings, and supporting evidence such that listeners can follow the line of reasoning and the organization, development, and style are appropriate to task, purpose, and audience. 5. Make strategic use of digital media and visual displays of data to express information and enhance understanding of presentations. 6. Adapt speech to a variety of contexts and communicative tasks, demonstrating command of formal English when indicated or appropriate.
  • 9. Read alouds beyond primary grades
  • 10. This read aloud brought to you by Mo Willems “Once upon a time there were three dinosaurs: Papa Dinosaur, Mama Dinosaur, and some other Dinosaur who happened to be visiting from Norway.”
  • 11. What does the opening sentence tell readers?   Setting Plus it addresses this CCSS (anchor standard):  Main characters Write narratives to  Motif develop real or imagined experiences or events  Archetype using effective technique, well-chosen details,  And…it’s going to be and well-structured event funny! sequences
  • 12. Brought to you by Charles Benoit Opening lines
  • 13. You’re surprised at all the blood. He looks at you, eyes wide, mouth dropping Open, his face almost as white as his shirt. He’s surprised, too. There’s not a lot of broken glass, though, just some tiny slivers around his feet and one big piece busted into sharp peaks like a spiking line graph, the blood washing down it like rain on a windshield.
  • 14. In two paragraphs, what do we learn?  CCSS Anchor Standards for  Simile and metaphor Reading: 4. Interpret words and phrases as they are used in a text, including determining  Strong verbs technical, connotative, and figurative meanings, and analyze how specific word choices shape meaning or tone.  Use of second person 5. Analyze the structure of texts, including how specific sentences, paragraphs, and larger portions of the text (e.g., a section, chapter, scene, or stanza)  How details contribute relate to each other and the whole. to overall effect 6. Assess how point of view or purpose shapes the content and style of a text.
  • 15. Why read aloud?   Closes achievement gap since students can generally listen above their reading comprehension level.  Offers model of fluency and prosody.  Serves to assist with listening and speaking elements of CCSS.  Motivates K-12 to read and read more. (research)
  • 16. Widening the curriculum to narrow the gap  Offering choices Ensuring that choices reflect developmental needs of kids Books as mirrors Books as windows
  • 17. Extensive vs. Intensive   Extensive  Intensive (not to be confused with  Central text close reading)  Shorter selections to accompany central text  Different genres, forms,  Focus on one text and formats  Dissect it CCSS calls this model framework
  • 18. Extensive research   Kids read more  Kids performed as well on tests at the end of the unit of study  Kids’ attitudes toward books and reading was higher  Research covers 1940s forward
  • 19. Example of a Model Framework  Core text
  • 20. Add to Core Text  Informational Literary  Advances in cancer  Catcher in the Rye treatment  “Death Be not Proud”  Cancer in teens (poem)  Side effects of cancer  Other Printz award treatments winners  Self help groups  Short story collections  Biographies of reclusive authors with YA authors
  • 21. How this aligns to CCSS  Integration of Knowledge and Ideas 7. Integrate and evaluate content presented in diverse formats and media, including visually and quantitatively, as well as in words.* 8. Delineate and evaluate the argument and specific claims in a text, including the validity of the reasoning as well as the relevance and sufficiency of the evidence. 9. Analyze how two or more texts address similar themes or topics in order to build knowledge or to compare the approaches the authors take. Range of Reading and Level of Text Complexity 10. Read and comprehend complex literary and informational texts independently and proficiently.
  • 22. Real Response  Personal/emotive evaluative interpretive critical
  • 23. Levels of Response   Personal/Emotive  What is your gut reaction to the text?  Interpretive  If you were one of the characters, what would you have done differently?  Critical  How does the author demonstrate her or his craft?  Evaluative  What makes this a “good” or “bad” book?
  • 24. CCSS  Note on range and content of student reading To become college and career ready, students must grapple with works of exceptional craft and thought whose range extends across genres, cultures, and centuries. Such works offer profound insights into the human condition and serve as models for students’ own thinking and writing. Through wide and deep reading of literature and literary nonfiction of steadily increasing sophistication, students gain a reservoir of literary and cultural knowledge, references, and images; the ability to evaluate intricate arguments; and the capacity to surmount the challenges posed by complex texts.
  • 25. What qualities are essential?   Quantitative Measures  Lexile  Reading level(s)  Qualitative Measures  Levels of Meaning  Narrative structure  Language Conventionality and Clarity  Knowledge Demands
  • 26. Problems with Quantitative Analysis of Books   Reading levels  Syllables  Sentences  Lexile Levels  Syllables  Sentences  Semantics  Syntax  All of these rate only how students perform on tests
  • 28. Guess Again!  4.8 790 4.0 680
  • 30. Hmmm….  5.7 920 5.7 960
  • 32. Guess again!  5.7 990 5.9 850
  • 34. Guess again!  n/a 620 4.1 630
  • 36. Huh?  4.2 5.0
  • 37. Qualitative Measures  Qualitative measures complement quantitative measures: Purpose Language conventionality and clarity Text structures Knowledge demands
  • 38. Translation  Narrative structure   Shifts in time (flashback and foreshadowing)  Point of view (multiple narrators, unreliable narrator)  Language  Figurative devices  Irony  Parody  Knowledge Demands  Cultural  intertextuality
  • 39. Consider the qualitative elements now
  • 45. Finally  Grade Levels RL Lexiles 2-3 2.7-5.1 420-820 4-5 4.9-7.1 740-1010 6-8 7.0-10.0 925-1185 9-10 9.7-12 1050-1335 11-12 11.0-14.0 1185-1385
  • 46. Here are recommendations from lexile.com   Grades 2-3 Fiction  Alabama Moon  Cleopatra’s Moon  Under the Baseball Moon  NEW MOON  Grades 4-5 Humor  Jake Reinvented  I Want to Grow Hair  Hero by Perry Moore
  • 47. Here are recommendations from lexile.com   Grades 6-8 Graphic Novels  Sparky  11 other titles, none familiar  Grades 9-10 Mystery  Koontz, Poe, Bunting  Grades 11-12 Biography  Pocohantas, Shakespeare, Joan of Arc, Zane Grey
  • 48. Using the resources we have at our fingertips & Not all these formulaic means
  • 50. Conventional Wisdom   Where do we go to get ideas about what to read?  How can we narrow it down from the 7500+ books published annually?  How can we determine which books for which kids?  How do we then provide proof of rigor?
  • 51. Where to get recommendations?   Lists  Awards lists  Newbery  Printz  State reading lists  Bluebonnet  Lone Star  TAYSHAS  Maverick  Starred Review lists  Teens Top Ten
  • 52. But also…   BFYA  QP  Notables  Orbis Pictus  Sibert  YALSA Excellence in Nonfiction  Morris  Great Graphic Novels for Teens  Stonewall
  • 53. Starred Reviews   SIX STARS  Code Name Verity. Elizabeth Wein.  Fault in Our Stars, The. John Green.  Z Is for Moose. Kelly Bingham, illus. by Paul O. Zelinsky.  FIVE STARS  Green. Laura Vaccaro Seeger.
  • 54. Seeing Stars   FOUR STARS  Black Hole Is NOT a Hole, A. Carolyn Cinami DeCristofano, illus. by Michael Carroll  Grave Mercy. Robin LaFevers  THREE STARS  Curveball: The Year I Lost My Grip. Jordan Sonnenblick  Lions of Little Rock, The. Kristin Levine  Wonder. R.J. Palacio
  • 55. Qualitative   Narrative Structure  Simple vs. complex  Explicit vs. implicit  Chronological vs. non-linear
  • 57. Qualitative   Language conventionality and clarity  Dialect  Conversational  Rich  Vivid
  • 59. Qualitative   Knowledge demands  Sophisticated themes  Experience and perspective (close reading conflict)  Context  Social milieu
  • 60.
  • 61.  What we want are lifelong readers and learners…
  • 62. Because this is not the problem… 
  • 63. This is…