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Chapter 7—Cooperative Strategy
7–1
CHAPTER SUMMARY
This chapter discusses the reasons cooperative strategies are important in the current
competitive environment. The topic is examined generally as well as by market type.
Examples of various cooperative strategy types are provided on the basis of their primary
strategic objectives, with strategic alliances highlighted as a frequently-used form of cooperative
strategy.
Associated risks and effective management to overcome risks are presented to complete
the discussion of cooperative strategies.
CHAPTER OUTLINE
The Importance of Cooperative Strategy
Strategic Alliances in Slow-Cycle Markets
Strategic Alliances in Fast-Cycle Markets
Strategic Alliances in Standard-Cycle Markets
Types of Alliances and Other Cooperative Strategies
Cooperative Strategies That Enhance Differentiation or Reduce Costs
Complementary Strategic Alliances
Network Cooperative Strategies
Cooperative Strategies That Address Forces in the External Environment
Competitive Response Alliances
Uncertainty-Reducing Alliances
Competition-Reducing Cooperative Strategies
Associations and Consortia
Cooperative Strategies That Promote Growth and/or Diversification
Diversifying Strategic Alliances
Franchising
International Cooperative Strategies
Competitive Risks of Cooperative Strategies
Implementing and Managing Cooperative Strategies
Summary
Ethics Questions
KNOWLEDGE OBJECTIVES
1. Define cooperative strategies and explain why they are important in the current competitive
environment.
2. Explain how the primary reasons for the use of cooperative strategy differ depending on
market context (fast-cycle, slow-cycle, or standard cycle).
3. Define and discuss equity and nonequity strategic alliances.
4. Discuss the types of cooperative strategies that are formed primarily to reduce costs or
increase differentiation.
5. Identify and describe cooperative strategies that help a firm address forces in the external
environment.
6. Explain the cooperative strategies that firms use primarily to foster growth.
Chapter 7—Cooperative Strategy
7–2
7. Discuss the risks associated with cooperative strategies.
8. Describe how firms can effectively implement and manage their cooperative strategies.
LECTURE NOTES
Cooperative Strategy – This section describes how today’s business environment is conducive
to interorganizational cooperation and opens the discussion of forming cooperative relationships
with other firms for strategic purposes.
See slide 1.
Introduction
Competing for Advantage
PART III: CREATING COMPETITIVE ADVANTAGE
Chapter 7: Cooperative Strategy
See slide 2.
Figure 1.6
The Strategic Management Process – Overview
Creating Competitive Advantage
• Business-level strategy – competitive advantages the firm will
use to effectively compete in specific product markets
• Competitive rivalry and dynamics – analysis of competitor
actions and responses is relevant input for selecting and using
specific strategies
• Cooperative strategy – an important trend of forming
partnerships to share and develop competitive resources
• Corporate-level strategy – concerns the businesses in which the
company intends to compete and the allocation of resources in
diversified organizations
• Acquisition and restructuring strategies – primary means used
by diversified firms to create corporate-level competitive
advantages
• International strategy – significant sources of value creation and
above-average returns
See slide 3.
Key Terms
Key Terms
▪ Cooperative strategy - strategy in which firms work together to
achieve a shared objective
▪ Relational advantage - condition which exists when a firm’s
relationships with other firms put it at an advantage relative to
rival firms
▪ Strategic alliance - cooperative strategy in which firms combine
resources and capabilities to create a competitive advantage
Chapter 7—Cooperative Strategy
7–3
Cooperative Strategy – Conditions in the competitive landscape have
created a business environment in which interorganizational cooperation
is required, because firms rarely possess all of the knowledge, abilities,
and resources needed for success.
Increasingly, firms form cooperative relationships with other
organizations to develop new sources of competitive advantage.
Discussion points:
- Firms that use cooperative strategies successfully gain
relational advantages that allow them to out-perform their
rivals in terms of strategic competitiveness and above-average
returns.
- Strategic alliances are the most common form of cooperative
strategy.
Importance of Cooperative Strategy – This section discusses how cooperative strategies have
become integral to the competitive landscape and central to the success of partnered companies.
See slides 4-5.
Discussion
The Importance of Cooperative Strategy – Cooperative strategies
have become integral to the competitive landscape and central to the
success of partnered companies.
Discussion points:
- They are used to leverage company resources and capabilities.
- They are used to develop new resources and capabilities.
- They enable companies to leverage or build resources and
capabilities more quickly than if they were acting
independently.
- They are a powerful mechanism for aligning interests and
reducing uncertainty in the external environment.
Example: Cooperative relationships of automobile
manufacturers and their suppliers
- They enhance strategic flexibility, as they tend to not be
permanent arrangements.
- Firms can enter and exit cooperative strategies more easily than
they can start up or shut down parts of their internal operations.
- Consistent with the stakeholder perspective (from Chapter 1),
organizations, as inherently cooperative systems, are inclined to
act with partners to achieve common objectives.
Chapter 7—Cooperative Strategy
7–4
See slide 6.
Key Terms
Key Terms
▪ Co-opetition - condition that exists when firms that have formed
cooperative strategies also compete against one another in the
marketplace
The Importance of Cooperative Strategy – Increasingly, cooperative
strategies are formed by firms who also compete against one another.
Example: Samsung Electronics and Sony Corp.
Discussion points:
- Co-opetition between firms encourages co-opetition among
other firms in the same industry.
- Despite potential advantages, some research suggests that
cooperating with a competitor may be associated with lower
levels of ground-breaking innovation in the service sector.
Example: One study found that firms using their own R&D
produce more market innovations than those who rely on
information from competitors
- In some industries, alliance v. alliance competition is becoming
more common than firm v. firm competition.
Example: Global airline industry
1. Why might service firms that use information from their own
research and development processes as well as firms who are
involved in science-based product innovation collaborations be
more likely to introduce new-to-the-market innovations than
firms that rely on information coming from competitors?
Firms are probably unlikely to release genuinely novel ideas
and technologies to their biggest rivals.
See slide 7.
Table 7.1
Reasons for Strategic Alliances by Market Type – The individually
unique competitive conditions of slow-cycle, fast-cycle, and standard-
cycle markets (discussed in Chapter 6) lead to firms using cooperative
strategies for slightly different reasons. This chapter focuses
specifically on the most common form of cooperative strategy, strategic
alliances, to describe how purposes tend to vary across the three market
types.
Chapter 7—Cooperative Strategy
7–5
2. What types of conditions in new markets might alliance partners
better understand than the firm entering the market for the first
time?
a. Sociocultural conditions
b. Legal and regulatory conditions
c. Economic conditions
d. Industry influences
e. Existing relationships among customers and suppliers
Strategic Alliances in Slow-Cycle Markets – This section discusses why firms use strategic
alliances in slow-cycle markets and how low-velocity environments affect business strategy.
See slide 8.
Discussion
Strategic Alliances in Slow-Cycle Markets
Discussion points:
- These markets have close to monopolistic conditions.
Examples: Railroads and, historically, telecommunications,
utilities, and financial services
- Strategic alliances are often used to enter restricted markets or
to establish franchises in new markets.
- Alliance allows quicker entry into these markets because the
partner firm has experience in the market of interest,
understands conditions in the new market, and can provide
knowledge of and relationships with key stakeholders.
Example: CSX access to Pacific ports
3. Why are slow-cycle markets becoming rare in the 21st
century
competitive landscape?
a. Privatization of industries and economies
b. Rapid expansion of the Internet's capabilities
c. Quick dissemination of information
d. Advancing technologies permit quick imitation of even
complex products
Chapter 7—Cooperative Strategy
7–6
4. What are the implications of today’s competitive landscape on
firms competing in the few remaining slow-cycle markets?
a. It is important for firms competing in the few remaining
slow-cycle markets to recognize the future likelihood
that they will encounter less sustainable competitive
advantages than they have enjoyed in the past.
b. Cooperative strategies can be helpful to firms making
the transition from relatively sheltered markets to more
competitive ones.
Strategic Alliances in Fast-Cycle Markets – This section discusses why firms use strategic
alliances in fast-cycle markets and how high-velocity environments affect business strategy.
See slide 9.
Discussion
Strategic Alliances in Fast-Cycle Markets
Discussion points:
- Fast-cycle markets tend to be unstable, unpredictable, and
complex.
- Firms are forced to constantly seek new sources of competitive
advantage, while creating value by using current ones.
- Alliances between firms with excess resources and promising
capabilities aid in the transition required in evolving markets
and to gain rapid entry into new markets.
Example: IBM
5. How does focusing on a select few strategic partnerships help
businesses respond to the rapidly changing competitive
landscape in the IT industry?
a. Drives down costs
b. Integrates technologies that can provide significant
business advantages or productivity gains
c. Enables aggressive pursuit of applications that can be
shifted to more flexible and cost-effective platforms
Chapter 7—Cooperative Strategy
7–7
Strategic Alliances in Standard-Cycle Markets – This section discusses why firms use strategic
alliances in standard-cycle markets and how medium-velocity environments affect business
strategy.
See slide 10.
Discussion
Strategic Alliances in Standard-Cycle Markets
Discussion points:
- These markets are often large and oriented toward economies of
scale.
Examples: Commercial aerospace and beverage industries
- Alliances are most likely to be made by partners with
complimentary resources and capabilities to gain market power.
Example: PepsiCo distribution in China
- Alliances allow firms to learn new business techniques and
technologies from partners.
Types of Alliances and Other Cooperative Strategies – This section discusses two basic types
of strategic alliance based on legal form and introduces other cooperative strategies as they relate
to the primary strategic objectives of firms.
See slides 11-12.
Key Terms
Key Terms
▪ Equity strategic alliance - alliance in which two or more firms
own a portion of the equity in the venture they have created
▪ Nonequity strategic alliance - alliance in which two or more
firms develop a contractual relationship to share some of their
unique resources and capabilities to create a competitive
advantage
▪ Joint venture - strategic alliance in which two or more firms
create a legally independent company to share resources and
capabilities to develop a competitive advantage
▪ Tacit knowledge - knowledge which is complex and difficult to
codify
Types of Alliances and Other Cooperative Strategies – There are two
basic types of strategic alliance based on legal form, depending on
whether they involve equity or not.
Other cooperative strategies relate to the primary strategic objectives of
firms.
Chapter 7—Cooperative Strategy
7–8
Discussion points:
- Equity strategic alliances
o Many direct foreign investments are completed through
equity strategic alliances.
o Some equity strategic alliances take the form of purchasing
stock in an existing company.
Example: BMW AG purchase of 15% stake in SGL Carbon
SE
- Nonequity strategic alliances
o Firms in nonequity strategic alliances do not establish a
separate independent company.
o These alliances are less formal.
o These alliances demand fewer partner commitments.
o These alliances foster less intimate relationships between
partners.
o These alliances are not suitable for complex projects
requiring the transfer of tacit knowledge (see Slide 12)
between partners.
o Research indicates that, even under these constraints,
nonequity alliances still create value for participating
partners.
- Joint ventures
o Joint ventures also involve equity.
o Typically, partners in a joint venture own equal percentages
and contribute equally to operations.
Example: JV between Walter Energy and Peace River Coal
o Partners share resources, costs, and risks associated with the
venture.
o Joint ventures are an attractive way to deal with uncertain
competitive conditions, such as economic downturns.
o Joint ventures are effective mechanisms for establishing
long-term relationships and transferring tacit knowledge.
- Tacit knowledge
o It is learned through experience.
o It can be difficult to for rivals to duplicate, making it an
important source of competitive advantage.
6. Name some examples of contractual relationships which
exemplify nonequity strategic alliances.
a. Licensing agreements
b. Supply contracts
c. Outsourcing agreements
d. Distribution agreements
Chapter 7—Cooperative Strategy
7–9
7. What are some other forms of cooperative strategies between
firms?
a. Coalitions
b. Trade groups
c. Associations
d. Industry panels
e. Labor panels
f. Research consortia
g. Cartels (keiretsu)
h. Collusion
Cooperative Strategies That Enhance Differentiation or Reduce Costs – This section
introduces a discussion of business level cooperative strategies used to combine resources and
capabilities to improve firm performance in individual product markets and create competitive
advantages that cannot be created by the individual firm.
See slide 13.
Figure 7.1
Strategic Objectives of Cooperative Strategies – Alliances and
cooperative strategies can be divided into categories based on their
primary strategic objectives. The most common types of cooperative
strategies are listed on Figure 7.1.
See slide 14.
Major Types
Cooperative Strategies That Enhance Differentiation or Reduce
Costs – introduces a discussion of business level cooperative strategies
used to combine resources and capabilities to improve firm performance
in individual product markets and create competitive advantages that
cannot be created by the individual firm
There are two general categories of cooperative strategies which are
used to enhance differentiation or reduce costs.
Complementary Strategic Alliances – This section introduces the two types of complementary
strategic alliances used to support differentiation and low cost objectives and discusses why the
benefits of such partnerships are not always balanced evenly across partnering firms.
See slide 15.
Key Terms
Key Terms
▪ Complementary strategic alliance - business-level alliance in
which firms share some of their resources and capabilities in
complementary ways to develop competitive advantages
▪ Vertical complementary strategic alliance - when firms share
resources and capabilities from different stages of the value
chain to create a competitive advantage
Chapter 7—Cooperative Strategy
7–10
▪ Horizontal complementary strategic alliance - when firms share
resources and capabilities from the same stage of the value
chain to create a competitive advantage
Complementary Strategic Alliances – There are two types of
complementary strategic alliances used to support differentiation and
low cost objectives.
Discussion points:
- Complementary
o Even with similar investment levels, the benefits are not
always balanced evenly across partnering firms
- Vertical
o Frequently created with either a current supplier or
customer
o Often an effort to innovate as a response to environmental
changes
Example: Dairy industry
- Horizontal
o Commonly used for long-term product development and
distribution opportunities
o More likely when resource requirements to develop new
products are great and the resources available for
development are limited
Example: Worldwide aircraft industry
8. What affects the different opportunity levels and benefits that
partnering firms are able to achieve through complementary
strategic alliances?
a. Partners may learn at different rates.
b. Partners may have different capabilities to leverage
complementary resources.
c. Some firms are more effective at managing alliances
and deriving benefits from them.
d. Partners may have different reputations in the
marketplace, differentiating the types of actions they
can legitimately take.
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Chapter 7—Cooperative Strategy
7–11
Network Cooperative Strategies – This section discusses the effective use of network
cooperative strategies and the role that strategic center firms play in alliance networks.
See slide 16.
Key Terms
Key Terms
▪ Network cooperative strategy - cooperative strategy in which
multiple firms agree to form partnerships to achieve shared
objectives
Network Cooperative Strategies – More and more firms are engaging
in several cooperative strategies simultaneously, in both individual firm
alliances and multiple networks.
Discussion points:
- They are particularly effective when formed by geographically
clustered firms.
Examples: Silicon Valley and Singapore’s Silicon Island
- They facilitate the matching of firms with complementary
markets and compatible resources.
- Research suggests that the positive financial effects of network
cooperative strategies will continue to make these strategies
important to the success of both suppliers and buyers.
- However, one of the disadvantages to belonging to an alliance
network is that a firm can be locked into its partners, precluding
the development of alliances with others.
- Also, in certain types of networks, such as a Japanese keiretsu,
firms in the network are expected to help other firms in the
network whenever they need aid, which can become a burden to
the firm rendering assistance, thus reducing its performance.
See slide 17.
Discussion
Alliance Network – set of strategic alliance partnerships resulting from
the use of a network cooperative strategy
Discussion points:
- They provide information and knowledge from partners and
partners’ partners which can be used to produce more and better
innovation.
- Access to multiple collaborations increases the likelihood that
additional competitive advantages will be formed as the set of
resources and capabilities being shared expands.
- They stimulate development of product innovations that are
critical to value creation in the global economy.
Example: Lockheed Martin Cyber Security Alliance
Chapter 7—Cooperative Strategy
7–12
See slide 18.
Discussion
Alliance Network Success – Effective strategic center firms and social
relationships and interactions achieved among partners while sharing
resources and capabilities make network cooperative strategy success
more likely.
See slide 19.
Figure 7.2
A Strategic Network – Cooperative relationships in alliance networks
revolve around an effective strategic center firm which is at the core or
center of the alliance network.
See slide 20.
Discussion
Strategic Center Firms – serve as the foundation for an alliance
network's structure
See slide 21.
Major Types
Types of Alliance Networks – Alliance networks vary by industry
condition and goal orientation.
See slide 22.
Discussion
Stable Alliance Networks – Through a stable alliance network, firms
try to extend their competitive advantages to other settings while
continuing to profit from operations in their core, relatively-mature
industry.
See slide 23.
Discussion
Dynamic Alliance Networks – tend to develop where the pace of
innovation is too fast for any one company to maintain success over
time
Discussion points:
- In some cases these networks even take the form of “open
innovation,” composed of collaborators and competitors who
share knowledge in the pursuit of co-development of new
technologies.
Example: Mobile phone industry
- Members of these alliances can come and go as they please.
Cooperative Strategies That Address Forces in the External Environment – This section
introduces a discussion of business-level cooperative strategies used to combine resources and
capabilities to meet the challenges of complex and ever-changing external environments.
See slide 24.
Major Types
Cooperative Strategies That Address Forces in the External
Environment – introduces a discussion of business-level cooperative
strategies that combine resources and capabilities to meet the challenges
of complex and ever-changing external environments
Four types of cooperative strategy serve to keep firms abreast of rapid
changes in their environments.
Chapter 7—Cooperative Strategy
7–13
Competitive Response Alliances – This section describes how competitive response alliances
are used to respond to competitors’ strategic attacks.
See slide 25.
Discussion
Competitive Response Alliances
Discussion points:
- Formed primarily to deal with major strategic actions of
competitors
- Difficult to reverse
- Expensive to operate
- Can be powerful mechanisms for responding to strategic actions
of competitors
Example: Nokia and Microsoft smartphone market alliance
Uncertainty-Reducing Alliances – This section describes how uncertainty-reducing alliances are
used to reduce environmental uncertainty.
See slide 26.
Discussion
Uncertainty-Reducing Alliances
Discussion points:
- Can be a powerful mechanism to hedge against risk
- Especially useful in fast-cycle markets where technology
changes rapidly and new products develop quickly
Example: Davies Arnold Cooper LLP alliance with Seguros
Lex
9. In what types of markets can uncertainty-reducing alliances be
effective?
a. Fast-cycle markets
b. New product markets
c. Emerging economies
d. New technologies
Competition-Reducing Alliances – This section describes how competition-reducing alliances
are used to reduce competition in an industry.
See slide 27.
Discussion
Competition-Reducing Alliances – Virtually all cooperative strategies
between or among competitors reduce competition.
Chapter 7—Cooperative Strategy
7–14
Alliance networks, in particular, provide advantages to member firms
and make it harder for nonmember firms to compete.
Example: Groups of preferred suppliers in a pharmaceutical network
Discussion points:
- They give partnering firms differential advantages in their
markets.
- Collusive strategies are a more direct form of competition-
reducing strategy (see Slide 28).
See slide 28.
Discussion
Collusive Strategies – Often illegal, two types of collusion work to
reduce competition.
Discussion points:
- Explicit collusion
o Two or more competing firms negotiate directly to jointly
agree about the amount to produce as well as the prices that
will be charged for what is produced
o Illegal in the U.S. and most developed economies, where
firms can face litigation for noncompetitive actions
o Exception is regulated industries
- Tacit collusion
o Common to highly-concentrated industries
Examples: Cereal and airline industries
o When coordination of production and pricing results from
observing competitor actions and responses
o Firms recognize interdependence among industry
participants and that their competitive behavior significantly
affects each firm in the industry
o Results in less than fully competitive production levels and
prices that exceed competitive pricing models
o Mutual forebearance – one form of tacit collusion that
occurs because firms fear and avoid competitive attacks
against rivals who they compete with in multiple markets
Example: PC industry
- Governments in free market economies need to determine how
rivals can collaborate to increase competitiveness without
violating established regulations.
Examples: Global pharmaceutical and biotechnology industries
Chapter 7—Cooperative Strategy
7–15
Associations and Consortia – This section describes how associations and consortia are used to
form coalitions with stakeholders to achieve common objectives.
See slide 29.
Discussion
Associations and Consortia
Discussion points:
- Can strengthen dealings with external stakeholders
- Forms of coalition with stakeholders:
o Trade groups
o Associations
o Industry panels
o Labor panels
o Research consortia
- Can enhance creative efforts that lead to innovation
- Often used to provide a common voice when dealing with an
important external stakeholder
Example: Trade group employment of lobbyists
- Can help firms deal with changing environmental conditions
Example: Sustainability Consortium
10. What types of external stakeholders can be better managed with
the use of associations and consortia?
a. Legislators
b. Suppliers
c. Customers
11. Why do firms join associations?
a. To gain access to information
b. To obtain legitimacy
c. To gain acceptance
d. To obtain influence
Cooperative Strategies That Promote Growth and/or Diversification – This section
introduces a discussion of cooperative strategies used as an attractive alternative when the firm's
primary goal is growth and/or diversification.
See slide 30.
Major Types
Cooperative Strategies That Promote Growth and/or Diversification
– introduce a discussion of cooperative strategies that serve as an
attractive alternative when the firm's primary goal is growth and/or
diversification
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different content
surprising beauty. When the last stroke ceased, she turned to me as
if I had been there all the time.
"I wish I could hear it do that again," she said, standing where she
had stood, arms folded.
"You will, perhaps, to-morrow," I answered.
Truly, if it was to be Miggy, then she would hear the chimes to-
morrow and to-morrow; and as she turned, my emotion of finality
increased. I have never loved the tribe of the Headlongs, though I
am very sorry for any one who has not had with them an occasional
innocent tribal junket; but I hold that through our intuitions, we may
become a kind of apotheosis of the Headlongs. Who of us has not
chosen a vase, a chair, a rug, by some motive transcending taste, by
the bidding of a friendly-faithful monitor who, somewhere inside
one, nodded a choice which we obeyed? And yet a vase is a dead
thing with no little seeking tentacles that catch and cling, while in
choosing the living it is that one's friendly-faithful monitor is simply
recognizing the monitor of the other person. I, for one, am more
and more willing to trust these two to avow their own. For I think
that this monitor is, perhaps, that silent Custodian whom, if ever I
can win through her elusiveness, I shall know to be myself. As the
years pass I trust her more and more. I find that we like the same
people, she and I! And instantly we both liked Miggy.
Miggy stood regarding me intently.
"I saw you go past the Brevy's yesterday, where the crape is on the
door," she observed; "I thought it was you."
I wonder at the precision with which very little people and very big
people brush aside the minor conventions and do it in such ways
that one nature is never mistaken for the other.
"The girl who died there was your friend, then?" I asked.
"No," Miggy said; "I just knew her to speak to. And she didn't always
bother her head to speak to me. I just went in there yesterday
morning to get the feeling."
"I beg your pardon. To get—what?" I asked.
"Well," said Miggy, "you know when you look at a corpse you can
always sense your own breath better—like it was something alive
inside you. That's why I never miss seeing one if I can help. It's the
only time I'm real glad I'm living."
As I motioned her to the chair and took my own, I felt a kind of
weariness. The neurotics, I do believe, are of us all the nearest to
the truth about things, but as I grow older I find myself getting to
take a surpassing comfort in the normal. Or rather, I am always
willing to have the normal thrust upon me, but my neurotics I wish
to select for myself.
"My neighbour tells me," I said merely, "that she thinks you should
be my secretary." (It is a big word for the office, but a little hill is still
a hill.)
"I think so, too," said Miggy, simply, "I was afraid you wouldn't."
"Have you ever been anybody's secretary?" I continued.
"Never," said Miggy. "I never saw anybody before that had a
secretary."
"But something must have made her think you would do," I
suggested. "And what made you think so?"
"Well," Miggy said, "she thinks so because she wants me to get
ahead. And I think so because I generally think I can do anything—
except mathematics. Has Secretary got any mathematics about it?"
"Not my secretary work," I told her, reviewing these extraordinary
qualifications for duty; "except counting the words on a page. You
could do that?"
"Oh, that!" said Miggy. "But if you told me to multiply two fractions
you'd never see me again, no matter how much I wanted to come
back. Calliope Marsh says she's always expecting to find some folks'
heads caved in on one side—same as red and blue balloons. If mine
caved, it'd be on the mathematics corner."
I assured her that I never have a fraction in my house.
"Then I'll come," said Miggy, simply.
But immediately she leaned forward with a look of anxiety, and her
face was pointed and big-eyed, so that distress became a part of it.
"Oh," she said, "I forgot. I meant to tell you first."
"What is it? Can you not come, after all?" I inquired gravely.
"I've got a drawback," said Miggy, soberly. "A man's in love with
me."
She linked her arms before her, a hand on either shoulder—arms
whose slenderness amazes me, though at the wrist they taper and in
their extreme littleness are yet round. Because of this frailty she has
a kind of little girl look which at that moment curiously moved me.
"Who told you that?" I asked abruptly.
"About it being a drawback? Everybody 'most," said Miggy. "They all
laugh about us and act like it was a pity."
For a moment I felt a kind of anger as I felt it once when a woman
said to me of a wife of many years whose first little child was
coming, that she was "in trouble." I own that,—save with my
neighbour, and Calliope, and a few more whom I love—here in the
village I miss the simple good breeding of the perception that
nothing is nobler than the emotions, and the simple good taste of
taking seriously love among its young. Taking it seriously, I say. Not,
heaven forbid, taking it for granted, as do the cities.
"Other things being equal, I prefer folk who are in love," I told
Miggy. Though I observe that I instance a commercialization which I
deplore by not insisting on this secretarial qualification to anything
like the extent with which I insist on, say, spelling.
Miggy nodded—three little nods which seemed to settle everything.
"Then I'll come," she repeated. "Anyhow, it isn't me that's in love at
all. It's Peter. But of course I have to have some of the blame."
So! It was, then, not "all Peter with Miggy." Poor Peter. It must be a
terrific problem to be a Peter to such a Miggy. I must have looked
"Poor Peter," because the girl's face took on its first smile. Such a
smile as it was, brilliant, sparkling, occupying her features instead of
informing them.
"He won't interfere much," she observed. "He's in the cannery all
day and then he practises violin and tinkers. I only see him one or
two evenings a week; and I never think of him at all."
"As my secretary," said I, "you may make a mental note for me:
remind me that I wish sometime to meet Peter."
"He'll be real pleased," said Miggy, "and real scared. Now about my
being your secretary: do I have to take down everything you do?"
"My dear child!" I exclaimed.
"Don't I?" said Miggy. "Why, the Ladies' Aid has a secretary and she
takes down every single thing the society does. I thought that was
being one."
I told her, as well as might be, what I should require of her—not by
now, I own, with any particularity of idea that I had a secretary, but
rather that I had surprisingly acquired a Miggy, who might be of use
in many a little mechanical task. She listened, and, when I had made
an end, gave her three little nods; but her face fell.
"It's just doing as you're told," she summed it up with a sigh.
"Everything is, ain't it? I thought maybe Secretary was doing your
best."
"But it is," I told her.
"No," she said positively, "you can't do your best when you have to
do just exactly what you're told. Your best tells you how to do itself."
At this naïve putting of the personal equation which should play so
powerful a part in the economics of toil I was minded to apologize
for intending to interfere with set tasks in Miggy's possible duties
with me. She had the truth, though: that the strong creative instinct
is the chief endowment, primal as breath; for on it depend both life
and the expression of life, the life of the race and the ultimate racial
utterance.
We talked on for a little, Miggy, I observed, having that royal
indifference to time which, when it does not involve indifference to
the time of other people, I delightedly commend. For myself, I can
never understand why I should eat at one or sleep at eleven, if it is,
as it often is, my one and my eleven and nobody else's. For, as
between the clock and me alone, one and eleven and all other
o'clocks are mine and I am not theirs. But I have known men and
women living in hotels who would interrupt a sunset to go to dine,
or wave away the stars in their courses to go to sleep, merely
because the hour had struck. It must be in their blood, poor things,
as descendants from the cell, to which time and space were the only
considerations.
When Miggy was leaving, she paused on the threshold with her first
hint of shyness, a hint which I welcomed. I think that every one to
whom I am permanently drawn must have in his nature a phase of
shyness, even of unconquerable timidity.
"If I shouldn't do things," Miggy said, "like you're used to having
them done—would you tell me? I know a few nice things to do and I
do 'em. But I'm always waking up in the night and thinking what a
lot there must be that I do wrong. So if I do 'em wrong would you
mind not just squirming and keeping still about 'em—but tell me?"
"I'll tell you, child, if there is need," I promised her. And I caught her
smile—that faint, swift, solemn minute which sometimes reveals on
a face the childlike wistfulness of every one of us, under the mask,
to come as near as may be to the others.
I own that when, just now, I turned from her leave-taking, I had
that infrequent sense of emptiness-in-the-room which I have had
usually only with those I love or with some rare being, all fire and
spirit and idea, who has flamed in my presence and died into
departure. I cannot see why we do not feel this sense of emptiness
whenever we leave one another. Would you not think that it would
be so with us who live above the abyss and below the uttermost
spaces? It is not so, and there are those from whose presence I long
to be gone in a discomfort which is a kind of orison of my soul to my
body to hurry away. It is so that I long to be gone from that little
Mrs. Oliver Wheeler Johnson, and of this I am sorely ashamed. But I
think that all such dissonance is merely a failure in method, and that
the spirit of this business of being is that we long for one another to
be near.
Yes, in "this world of visible images" and patterns and schedules and
o'clocks, it is like stumbling on the true game to come on some one
who is not on any dial. And I fancy that Miggy is no o'clock. She is
not Dawn o'clock, because already she has lived so much; nor Noon
o'clock, because she is far from her high moment; nor is she Dusk
o'clock, because she is so poignantly alive. Rather, she is like the
chimes of a clock—which do not tell the time, but which almost say
something else.
IV
SPLENDOUR TOWN
Last night I went for a walk across the river, and Little Child went
with me to the other end of the bridge.
I would have expected it to be impossible to come to the fourth
chapter and to have said nothing of the river. But the reason is quite
clear: for the setting of the stories of the village as I know them is
preëminently rambling streets and trim dooryards, and neat interiors
with tidy centre-tables. Nature is merely the necessary opera-house,
not the intimate setting. Nature's speech through the trees is most
curiously taken for granted as being trees alone, and she is, as I
have shown, sometimes cut off quite rudely in the midst of an elm or
linden sentence and curtly interrupted by a sidewalk. If a grove of
trees is allowed to remain in a north dooryard it is almost certainly
because the trees break the wind. Likewise, Nature's unfoldings in
our turf and clover we incline to regard as merely lawns, the results
of seeds and autumn fertilizing. Our vines are for purposes of shade,
cheaper and prettier than awnings or porch rollers. With our
gardens, where our "table vegetables" are grown, Nature is, I think,
considered to have little or nothing to do; and we openly pride
ourselves on our early this and our prodigious that, quite as when
we cut a dress or build a lean-to. We admit the rain or the sunny
slope into partnership, but what we recognize is weather rather than
the mighty spirit of motherhood in Nature. Indeed, our flower
gardens, where are wrought such miracles of poppies and pinks, are
perhaps the only threshold on which we stand abashed, as at the
sound of a singing voice, a voice that sings believing itself to be
alone.
These things being so, it is no wonder that the river has been for so
long no integral part of village life. The river is accounted a place to
fish, a place to bathe, a thing to cross to get to the other side, an
objective point—including the new iron bridge—to which to take
guests. But of the everyday life it is no proper part. On the contrary,
the other little river, which strikes out silverly for itself to eastward, is
quite a personality in the village, for on it is a fine fleet of little
launches with which folk take delight. But this river of mine to the
west is a thing of whims and eddies and shifting sand bars, and here
not many boats adventure. So the river is accepted as a kind of
pleasant hermit living on the edge of the village. It draws few of us
as Nature can draw to herself. We know the water as a taste only
and not yet as an emotion. We say that we should enjoy going there
if we had the time. I know, I know. You see that we do not yet live
the river, as an ancient people would live their moor. But in our
launches, our camping parties, our flights to a little near lake for
dinner, in a tent here and a swing there, set to face riverward, there
lies the thrill of process, and by these things Nature is wooing us
surely to her heart. Already the Pump pasture has for us the quality
of individuality, and we have picnics there and speak of the pasture
almost as of a host. Presently we shall be companioned by all our
calm stretches of meadow, our brown sand bars, our Caledonia hills,
our quiet lakes, our unnavigable river, as the Northmen were
fellowed of the sea.
Little Child has at once a wilder and a tamer instinct. She has this
fellowship and the fellowship of more.
"Where shall we go to-day?" I ask her, and she always says, "Far
away for a party"—in a combination, it would seem, of the blood of
shepherd kings with certain corpuscles of modernity. And when we
are in the woods she instances the same dual quality by, "Now let's
sit down in a roll and wait for a fairy, and be a society."
We always go along the levee, Little Child and I, and I watch the
hour have its way with her, and I do not deny that occasionally I try
to improve on the hour by a tale of magic or by the pastime of
teaching her a lyric. I love to hear her pretty treble in "Who is
Sylvia? What is she?" and "She dwelt among th' untrodden ways,"
and "April, April, laugh thy girlish laughter," and in Pippa's song. Last
night, to be sure, the lyrics rather gave way to some talk about the
circus to be to-day, an unwonted benison on the village. But even
the reality of the circus could not long keep Little Child from certain
sweet vagaries, and I love best to hear her in these fancyings.
"Here," she said to me last night, "is her sponge."
I had no need to ask whose sponge. We are always finding the
fairy's cast-off ornaments and articles of toilet. On occasion we have
found her crown, her comb, her scarf, her powder-puff, her cup, her
plumed fan, her parasol—a skirtful of fancies which next day Little
Child has brought to me in a shoe box for safe keeping so that
"They" would not throw the things away: that threatening "They"
which overhangs childhood, casting away its treasures, despoiling its
fastnesses, laying a ladder straight through a distinct and
recognizable fairy ring in the back yard. I can visualize that "They"
as I believe it seems to some children, something dark and beetling
and menacing and imminent, less like the Family than like Fate. Is it
not sad that this precious idea of the Family, to conserve which is
one of our chief hopes, should so often be made to appear to its
youngest member in the general semblance of a phalanx?
We sat down for a little at the south terminal of the bridge, where a
steep bank and a few desperately clinging trees have arranged a
little shrine to the sunset. It was sunset then. All the way across the
bridge I had been watching against the gold the majestic or
apathetic or sodden profiles of the farmers jogging homeward on
empty carts, not one face, it had chanced, turned to the west even
to utilize it to forecast the weather. Such a procession I want to see
painted upon a sovereign sky and called "The Sunset." I want to
have painted a giant carpenter of the village as I once saw him, his
great bare arms upholding a huge white pillar, while blue figures
hung above and set the acanthus capital. And there is a picture, too,
in the dull red of the butcher's cart halted in snow while a tawny-
jerseyed boy lifts high his yellow light to find a parcel. Some day we
shall see these things in their own surprising values and fresco our
village libraries with them—yes, and our drug stores, too.
The story that I told Little Child while we rested had the symbolism
which I often choose for her: that of a girl keeping a garden for the
coming of a child. All her life she has been making ready and
nothing has been badly done. In one green room of the garden she
has put fair thoughts, in another fair words, and in the innermost
fastnesses of the garden fair deeds. Here she has laid colour, there
sweet sound, there something magic which is a special kind of
seeing. When the child comes, these things will be first toys, then
tools, then weapons. Sometimes the old witch of the wood tries to
blow into the garden a thistle of discord or bubbles of delight to be
followed, and these must be warded away. All day the spirit of the
child to come wanders through the garden, telling the girl what to
do here or here, keeping her from guile or from idleness-without-
dreams. She knows its presence and I think that she has even
named it. If it shall be a little girl, then it is to be Dagmar, Mother of
Day, or Dawn; but if a little boy, then it shall be called for one whom
she has not yet seen. Meanwhile, outside the door of the garden
many would speak with the girl. On these she looks, sometimes she
even leans from her casement, and once, it may be, she reaches out
her hand, ever so swiftly, and some one without there touches it.
But at that she snatches back her hand and bars the garden, and for
a time the spirit of the little child does not come very near. So she
goes serenely on toward the day when a far horn sounds and
somebody comes down the air from heaven, as it has occurred to
nobody else to do. And they hear the voice of the little child, singing
in the garden.
"The girl is me," says little Little Child, as she always says when I
have finished this story.
"Yes," I tell her.
"I'd like to see that garden," she says thoughtfully.
Then I show her the village in the trees of the other shore, roof
upon roof pricked by a slim steeple; for that is the garden.
"I don't care about just bein' good," she says, "but I'd like to
housekeep that garden."
"For a sometime-little-child of your own," I tell her.
"Yes," she assents, "an' make dresses for."
I cannot understand how mothers let them grow up not knowing,
these little mothers-to-be who so often never guess their vocation. It
is a reason for everything commonly urged on the ground of
conduct, a ground so lifeless to youth. But quicken every desert
space with "It must be done so for the sake of the little child you will
have some day," and there rises a living spirit. Morals, civics, town
and home economics, learning—there is the concrete reason for
them all; and the abstract understanding of these things for their
own sakes will follow, flower-wise, fruit-wise, for the healing of the
times.
I had told to that old Aunt Effie who keeps house for Miggy and
Little Child something of what I thought to do—breaking in upon the
old woman's talk of linoleum and beans and other things having, so
to say, one foot in the universe.
"Goodness," that old woman had answered, with her worried turn of
head, "I'm real glad you're going to be here. I dread saying
anything."
Here too we must look to the larger day when the state shall train
for parenthood and for citizenship, when the schools and the
universities shall speak for the state the cosmic truths, and when by
comparison botany and differential calculus shall be regarded as
somewhat less vital in ushering in the kingdom of God.
The water reservoir rose slim against the woods to the north; to the
south was a crouching hop house covered with old vines. I said to
Little Child:—
"Look everywhere and tell me where you think a princess would live
if she lived here."
She looked everywhere and answered:—
"In the water tower in those woods."
"And where would the old witch live?" I asked her.
"In the Barden's hop house," she answered.
"And where would the spirit of the little child be?" I tested her.
She looked long out across the water.
"I think in the sunset," she said at last. And then of her own will she
said over the Sunset Spell I have taught her:—
"I love to stand in this great air
And see the sun go down.
It shows me a bright veil to wear
And such a pretty gown.
Oh, I can see a playmate there
Far up in Splendour Town."
I could hardly bear to let her go home, but eight o'clock is very
properly Little Child's bedtime, and so I sent her across the bridge
waving her hand every little way in that fashion of children who, I
think, are hoping thus to save the moment that has just died. I have
known times when I, too, have wanted to wave my hand at a
moment and keep it looking at me as long as possible. But presently
the moment almost always turned away.
Last night I half thought that the sunset itself would like to have
stayed. It went so delicately about its departure, taking to itself first
a shawl of soft dyes, then a painted scarf, then frail iris wings. It
mounted far up the heavens, testing its strength for flight and
shaking brightness from its garments. And it slipped lingeringly away
as if the riot of colour were after all the casual part, and the real
business of the moment were to stay on with everybody. In the
tenuity of the old anthropomorphisms I marvel that they did not find
the sunset a living thing, tender of mortals, forever loth to step from
out one moment into the cherishing arms of the next. Think! The
sunset that the Greeks knew has been flaming round the world,
dying from moment to moment and from mile to mile, with no more
of pause than the human heart, since sunset flamed for Hero and
Helen and Ariadne.
If the sunset was made for lovers, and in our midland summers
lingers on their account, then last night it was lingering partly for
Miggy and Peter. At the end of the bridge I came on them together.
Miggy did not flush when she saw me, and though I would not have
expected that she would flush I was yet disappointed. I take an old-
fashioned delight in women whose high spirit is compatible with a
sensibility which causes them the little agonizings proper to this
moment, and to that.
But Miggy introduced Peter with all composure.
"This," she said, "is Peter. His last name is Cary."
"How do you do, Peter?" I said very heartily.
I thought that Peter did something the rationale of which might have
been envied of courts. He turned to Miggy and said "Thank you."
Secretly I congratulated him on his embarrassment. In a certain
milieu social shyness is as authentic a patent of perception as in
another milieu is taste.
"Come home with me," I besought them. "We can find cake. We can
make lemonade. We can do some reading aloud." For I will not ask
the mere cake and lemonade folk to my house. They must be, in
addition, good or wise or not averse to becoming either.
I conceived Peter's evident agony to rise from his need to reply.
Instead, it rose from his need to refuse.
"I take my violin lesson," he explained miserably.
"He takes his violin lesson," Miggy added, with a pretty, somewhat
maternal manner of translating. I took note of this faint manner of
proprietorship, for it is my belief that when a woman assumes it she
means more than she knows that she means.
"I'm awful sorry," said Peter, from his heart; "I was just having to go
back this minute."
"To-morrow's his regular lesson day," Miggy explained, "but to-
morrow he's going to take me to the circus, so he has his lesson to-
night. Go on," she added, "you'll be late and you'll have to pay just
the same anyway." I took note of this frank fashion of protection of
interests, for it is my belief that matters are advancing when the lady
practises economics in courtship. But I saw that Miggy was
manifesting no symptoms of accompanying Peter, and I begged
them not to let me spoil their walk.
"It's all right," Miggy said; "he'll have to hurry and I don't want to go
in yet anyway. I'll walk back with you." And of this I took note with
less satisfaction. It was as if Miggy had not come alive.
Peter smiled at us, caught off his hat, and went away with it in his
hand, and the moment that he left my presence he became another
being. I could see by his back that he was himself, free again, under
no bondage of manner. It is a terrific problem, this enslavement of
speech and trivial conduct which to some of us provides a pleasant
medium and for some of us furnishes fetters. When will they
manage a wireless society? I am tired waiting. For be it a pleasant
medium or be it fetters, the present communication keeps us all
apart. "I hope," I said once at dinner, "that I shall be living when
they think they get the first sign from Mars." "I hope," said my
companion, "that I shall be living when I think I get the first sign
from you—and you—and you, about this table." If this young Shelley
could really have made some sign, what might it not have been?
"Everybody's out walking to-night," Miggy observed. "There's Liva
Vesey and Timothy Toplady ahead of us."
"They are going to be married, are they not?" I asked.
Miggy looked as if I had said something indelicate.
"Well," she answered, "not out loud yet."
Then, fearing that she had rebuked me, "He's going to take her to
the circus to-morrow in their new buckboard," she volunteered. And
I find in Friendship that the circus is accounted a kind of official
trysting-place for all sweethearts.
We kept a little way back of the lovers, the sun making Liva Vesey's
pink frock like a vase-shaped lamp of rose. Timothy was looking
down at her and straightway looking away again when Liva had
summoned her courage to look up. They were extremely pleasant to
watch, but this Miggy did not know and she was intent upon me.
She had met Little Child running home.
"She's nice to take a walk with," Miggy said; "but I like to walk
around by myself too. Only to-night Peter came."
"Miggy," said I, "I want to congratulate you that Peter is in love with
you."
She looked up with puzzled eyes.
"Why, that was nothing," she said; "he seemed to do it real easy."
"But it is not easy," I assured her, "to find many such fine young
fellows as Peter seems to be. I hope you will be very happy
together."
"I'm not engaged," said Miggy, earnestly; "I'm only invited."
"Ah, well," I said, "if I may be allowed—I hope you are not sending
regrets."
Miggy laughed out suddenly.
"Married isn't like a party," she said; "I know that much about
society. Party you either accept or regret. Married you do both."
I could have been no more amazed if the rosewood clock had said it.
"Who has been talking to you, child?" I asked in distress.
"I got it out of living," said Miggy, solemnly. "You live along and you
live along and you find out 'most everything."
I looked away across the Pump pasture where the railway tracks cut
the Plank Road, that comes on and on until it is modified into
Daphne Street. I remembered a morning of mist and dogwood when
I had walked that road through the gateway into an earthly
paradise. Have I not said that since that time we two have been, as
it were, set to music and sung; so that the silences of separation are
difficult to beguile save by the companionship of the village—the
village that has somehow taught Miggy its bourgeoise lesson of
doubt?
My silence laid on her some vague burden of proof.
"Besides," she said, "I'm not like the women who marry people.
Most of 'em that's married ain't all married, anyway."
"What do you mean, child?" I demanded.
"They're not," protested Miggy. "They marry like they pick out a way
to have a dress made when they don't admire any of the styles very
much, and they've wore out everything else. Women like some
things about somebody, and that much they marry. Then the rest of
him never is married at all, and by and by that rest starts to get
lonesome."
"But Miggy," I said to all this, "I should think you might like Peter
entirely."
She surprised me by her seriousness.
"Anyhow, I've got my little sister to bring up," she said; "Aunt Effie
hasn't anything. And I couldn't put two on him to support."
I wondered why not, but I said nothing.
"And besides," Miggy said after a pause, "there's Peter's father. You
know about him?"
I did know—who in the village did not know? Since my neighbour
had told me of him I had myself seen him singing through the
village streets, shouting out and disturbing the serene evenings,
drunken, piteous....
"Peter has him all the time," I suggested.
She must have found a hint of resistance in my voice, for her look
questioned me.
"I never could stand it to have anybody like that in the house," she
said defensively. "I've told Peter. I've told him both reasons...."
Miggy threw out her arms and stood still, facing the sunset.
"Anyway, I want to keep on feeling all free and liberty-like!" she said.
This intense individualism of youth, passioning only for far spaces,
taking no account of the common lot nor as yet urgent to share it is,
like the panther grace in the tread of the cat, a survival of the
ancient immunity from accountabilities. To note it is to range down
the evolution of ages. To tame it—there is a task for all the servants
of the new order.
Miggy was like some little bright creature caught unaware in the net
of living and still remembering the colonnades of otherwhere,
renowned for their shining. She was looking within the sunset,
where it was a thing of wings and doors ajar and fair corridors. I
saw the great freedoms of sunset in her face—the sunset where
Little Child and I had agreed that a certain spirit lived.... Perhaps it
was that that little vagrant spirit signalled to me—and the Custodian
understood it. Perhaps it was that I saw, beneath the freedoms, the
woman-tenderness in the girl's face. In any case I spoke abruptly
and half without intention.
"But you don't want to be free from Little Child. It is almost as if she
were your little girl, is it not?" I said.
Miggy's eyes did not leave the sunset. It was rather as if she saw
some answer there.
"Well, I like to pretend she is," she said simply.
"That," I said quietly, "is pleasant to pretend."
And now her mood had changed as if some one had come to take
her place.
"But if she was—that," she said, "her name, then, would most likely
be Margaret, like mine, wouldn't it?"
"It would be very well to have it Margaret," I agreed.
Her step was quickened as by sudden shyness.
"It's funny to think about," she said. "Sometimes I most think of—
her, till she seems in the room. Not quite my sister. I mean
Margaret."
It made my heart beat somewhat. I wondered if anything of my
story to Little Child was left in my mind, and if subconsciously Miggy
was reading it. This has sometimes happened to me with a
definiteness which would be surprising if the supernatural were to
me less natural. But I think that it was merely because Miggy had no
idea of the sanctity of what she felt that she was speaking of it.
"How does she look?" I asked.
"Like me," said Miggy, readily; "I don't want her to either. I want her
to be pretty and I'm not. But when I think of her running 'round in
the house or on the street, I always make her look like me. Only
little."
"Running 'round in the house." That was the way my neighbour had
put it. Perhaps it is the way that every woman puts it.
"Does she seem like you, too?" I tempted her on.
"Oh, better," Miggy said confidently; "learning to play on the piano
and not much afraid of folks and real happy."
"Don't you ever pretend about a boy?" I asked.
She shook her head.
"No," she said; "if I do—I never can think him out real plain.
Margaret I can most see."
And this, too, was like the girl in the garden and the spirit of that
one to be called by a name of one whom she had not seen.
I think that I have never hoped so much that I might know the right
thing to say. And when most I wish this I do as I did then: I keep
my impulse silent and I see if that vague Custodian within,
somewhere between the seeing and the knowing, will not speak for
me. I wonder if she did? At all events, what either she or I said was:
—
"Miggy! Look everywhere and tell me the most beautiful thing you
can see."
She was not an instant in deciding.
"Why, sunset," she said.
"Promise me," said I—said we!—"that you will remember Now. And
that after to-night, when you see a sunset—always, always, till she
comes—you will think about her. About Margaret."
Because this caught her fancy she promised readily enough. And
then we lingered a little, while the moment gave up its full argosy. I
have a fancy for these times when I say "I will remember," and I am
always selecting them and knowing, as if I had tied a knot in them,
that I will remember. These times become the moments at which I
keep waving my hand in the hope that they will never turn away.
And it was this significance which I wished the hour to have for
Miggy, so that for her the sunset should forever hold, as Little Child
had said that it holds, that tiny, wandering spirit....
Liva Vesey and Timothy had lingered, too, and we passed them on
the bridge, he still trying to win her eyes, and his own eyes fleeing
precipitantly whenever she looked up. The two seemed leaning upon
the winged light, the calm stretches of the Pump pasture, the brown
sand bar, the Caledonia hills. And the lovers and the quiet river and
the village, roof upon roof, in the trees of the other shore, and most
of all Miggy and her shadowy Margaret seemed to me like the words
of some mighty cosmic utterance, with the country evening for its
tranquil voice.
V
DIFFERENT
Those who had expected the circus procession to arrive from across
the canal to-day were amazed to observe it filing silently across the
tracks from the Plank Road. The Eight Big Shows Combined had
arrived in the gray dawn; and word had not yet gone the rounds
that, the Fair Ground being too wet, the performance would "show"
in the Pump pasture, beyond the mill. There was to be no evening
amusement. It was a wait between trains that conferred the circus
on Friendship at all.
Half the country-side, having brought its lunch into town to make a
day of it, trailed as a matter of course after the clown's cart at the
end of the parade, and about noon arrived in the pasture with the
pleasurable sense of entering familiar territory to find it transformed
into unknown ground. Who in the vicinity of the village had not
known the Pump pasture of old? Haunted of Jerseys and Guernseys
and orioles, it had lain expressionless as the hills, for as long as
memory. When in spring, "Where you goin'? Don't you go far in the
hot sun!" from Friendship mothers was answered by, "We're just
goin' up to the Pump pasture for vi'lets" from Friendship young, no
more was to be said. The pasture was as dependable as a nurse, as
a great, faithful Newfoundland dog; and about it was something of
the safety of silence and warmth and night-in-a-trundle-bed.
And lo, now it was suddenly as if the pasture were articulate. The
great elliptical tent, the strange gold chariots casually disposed, the
air of the hurrying men, so amazingly used to what they were doing
—these gave to the place the aspect of having from the first been
secretly familiar with more than one had suspected.
"Ain't it the divil?" demanded Timothy Toplady, Jr., ecstatically, as the
glory of the scene burst upon him.
Liva Vesey, in rose-pink cambric, beside him in the buckboard,
looked up at his brown Adam's apple—she hardly ever lifted her shy
eyes as far as her sweetheart's face—and rejoined:—
"Oh, Timmie! ain't it just what you might say great?"
"You'd better believe," said Timothy, solemnly, "that it is that."
He looked down in her face with a lifting of eyebrows and an honest
fatuity of mouth. Liva Vesey knew the look—without ever having met
it squarely, she could tell when it was there, and she promptly
turned her head, displaying to Timothy's ardent eyes tight coils of
beautiful blond crinkly hair, a little ear, and a line of white throat with
a silver locket chain. At which Timothy now collapsed with the mien
of a man who is unwillingly having second thoughts.
"My!" he said.
They drove into the meadow, and when the horse had been loosed
and cared for, they found a great cottonwood tree, its leaves
shimmering and moving like little banners, and there they spread
their lunch. The sunny slope was dotted with other lunchers. The
look of it all was very gay, partly because the trees were in June
green, and among them windmills were whirling like gaunt and
acrobatic witches, and partly because it was the season when the
women were brave in new hats, very pink and very perishable.
The others observed the two good-humouredly from afar, and once
or twice a tittering group of girls, unescorted, passed the
cottonwood tree, making elaborate detours to avoid it. At which Liva
flushed, pretending not to notice; and Timothy looked wistfully in
her face to see if she wished that she had not come with him.
However, Timothy never dared look at her long enough to find out
anything at all; for the moment that she seemed about to meet his
look he always dropped his eyes precipitantly to her little round chin
and so to the silver chain and locket. And then he was miserable.
It was strange that a plain heart-shaped locket, having no initials,
could make a man so utterly, extravagantly unhappy. Three months
earlier, Liva, back from a visit in the city, had appeared with her
locket. Up to that time the only personality in which Timothy had
ever indulged was to mention to her that her eyes were the colour of
his sister's eyes, whose eyes were the colour of their mother's eyes
and their father's eyes, and of Timothy's own, and "Our eyes match,
mine and yours," he had blurted out, crimson. And yet, even on
these terms, he had taken the liberty of being wretched because of
her. How much more now when he was infinitely nearer to her? For
with the long spring evenings upon them, when he had sat late at
the Vesey farm, matters had so far advanced with Timothy that, with
his own hand, he had picked a green measuring-worm from Liva's
throat. Every time he looked at her throat he thought of that worm
with rapture. But also every time he looked at her throat he saw the
silver chain and locket. And on circus day, if the oracles seemed
auspicious, he meant to find out whose picture was worn in that
locket, even though the knowledge made him a banished man.
If only she would ever mention the locket! he thought disconsolately
over lunch. If only she would "bring up the subject," then he could
find courage. But she never did mention it. And the talk ran now:—
"Would you ever, ever think this was the Pump pasture?" from Liva.
"No, you wouldn't, would you? It don't look the same, does it? You'd
think you was in a city or somewheres, wouldn't you now? Ain't it
differ'nt?"
"Did you count the elephants?"
"I bet I did. Didn't you? Ten, wa'n't it? Did you count the cages?
Neither did I. And they was too many of 'em shut up. I don't know
whether it's much of a circus or not—" with gloomy superiority
—"they not bein' any calliope, so."
"A good many cute fellows in the band," observed Liva. For Liva
would have teased a bit if Timothy would have teased too. But
Timothy replied in mere misery:—
"You can't tell much about these circus men, Liva. They're apt to be
the kind that carouse around. I guess they ain't much to 'em but
their swell way."
"Oh, I don't know," said Liva.
Then a silence fell, resembling nothing so much as the breath of
hesitation following a faux pas, save that this silence was longer, and
was terminated by Liva humming a little snatch of song to symbolize
how wholly delightful everything was.
"My!" said Timothy, finally. "You wouldn't think this was the Pump
pasture at all, it looks so differ'nt."
"That's so," Liva said. "You wouldn't."
It was almost as if the two were inarticulate, as the pasture had
been until the strange influences of the day had come to quicken it.
While Liva, with housewifely hands, put away the lunch things in
their basket, Timothy nibbled along lengths of grass and hugged his
knees and gloomed at the locket. It was then that Miggy and Peter
passed them and the four greeted one another with the delicate,
sheepish enjoyment of lovers who look on and understand other
lovers. Then Timothy's look went back to Liva. Liva's rose-pink dress
was cut distractingly without a collar, and the chain seemed to
caress her little throat. Moreover, the locket had a way of hiding
beneath a fold of ruffle, as if it were her locket and as if Timothy had
no share in it.
"Oh," cried Liva, "Timmie! That was the lion roared. Did you hear?"
Timothy nodded darkly, as if there were worse than lions.
"Wasn't it the lion?" she insisted.
Timothy nodded again; he thought it might have been the lion.
"What you so glum about, Timmie?" his sweetheart asked, glancing
at him fleetingly.
Timothy flushed to the line of his hair.
"Gosh," he said, "this here pasture looks so differ'nt I can't get over
it."
"Yes," said Liva, "it does look differ'nt, don't it?"
Before one o'clock they drifted with the rest toward the animal tent.
They went incuriously past the snake show, the Eats-'em-alive show,
and the Eastern vaudeville. But hard by the red wagon where tickets
were sold Timothy halted spellbound. What he had heard was:—
"Types. Types. Right this way AND in this direction for Types. No,
Ladies, and no, Gents: Not Tin-types. But Photo-types. Photographs
put up in Tintype style AT Tintype price. Three for a quarter. The
fourth of a dozen for the fourth of a dollar. Elegant pictures, elegant
finish, refined, up-to-date. Of yourself, Gents, of yourself. Or of any
one you see around you. And WHILE you wait."
Timothy said it before he had any idea that he meant to say it:—
"Liva," he begged, "come on. You."
When she understood and when Timothy saw the momentary
abashment in her eyes, it is certain that he had never loved her
more. But the very next moment she was far more adorable.
"Not unless you will, Timmie," she said, "and trade."
He followed her into the hot little tent as if the waiting chair were a
throne of empire. And perhaps it was. For presently Timothy had in
his pocket a tiny blurry bit of paper at which he had hardly dared so
much as glance, and he had given another blurry bit into her
keeping. But that was not all. When she thanked him she had met
his eyes. And he thought—oh, no matter what he thought. But it
was as if there were established a throne of empire with Timothy
lord of his world.
Then they stepped along the green way of the Pump pasture and
they entered the animal tent, and Strange Things closed about
them. There underfoot lay the green of the meadow, verdant grass
and not infrequent moss, plantain and sorrel and clover, all as yet
hardly trampled and still sweet with the breath of kine and sheep.
And three feet above, foregathered from the Antipodes, crouched
and snarled the striped and spotted things of the wild, with teeth
and claws quick to kill, and with generations of the jungle in their
shifting eyes. The bright wings of unknown birds, the scream of
some harsh throat of an alien wood, the monkeys chattering, the
soft stamp and padding of the elephants chained in a stately central
line along the clover—it was certain, one would have said, that these
must change the humour of the pasture as the companionship of the
grotesque and the vast alters the humour of the mind. That the
pasture, indeed, would never be the same, and that its influence
would be breathed on all who entered there. Already Liva and
Timothy, each with the other's picture in a pocket, moved down that
tent of the field in another world. Or had that world begun at the
door of the stuffy little phototype tent?
It was the cage of bright-winged birds that held the two. Timothy
stood grasping his elbows and looking at that flitting flame and
orange. Dare he ask her if she would wear his phototype in her
locket—dare he—dare he——
He turned to look at her. Oh, and the rose-pink cambric was so near
his elbow! Her face, upturned to the birds, was flushed, her lips
were parted, her eyes that matched Timothy's were alight; but there
was always in Timothy's eyes a look, a softness, a kind of speech
that Liva's could not match. He longed inexpressibly to say to her
what was in his heart concerning the locket—the phototype—
themselves. And Liva herself was longing to say something about
the sheer glory of the hour. So she looked up at his brown Adam's
apple, and,
"Think, Timmie," she said, "they're all in the Pump pasture where
nothin' but cows an' robins an' orioles ever was before!"
"I know it—I know it!" breathed Timothy fervently. "Don't seem like
it could be the same place, does it?"
Liva barely lifted her eyes.
"It makes us seem differ'nt, too," she said, and flushed a little, and
turned to hurry on.
"I was thinkin' that too!" he cried ecstatically, overtaking her. But all
that Timothy could see was tight coils of blond, crinkled hair, and a
little ear and a curve of white throat, with a silver locket chain.
Down the majestic line of the elephants, towering in the apotheosis
of mere bulk to preach ineffectually that spirit is apocryphal and
mass alone is potent; past the panthers that sniffed as if they
guessed the nearness of the grazing herd in the next pasture; past
the cage in which the lioness lay snarling and baring her teeth above
her cubs, so pathetically akin to the meadow in her motherhood;
past unknown creatures with surprising horns and shaggy necks and
lolling tongues—it was a wonderful progress. But it was as if Liva
had found something more wonderful than these when, before the
tigers' cage, she stepped forward, stooped a little beneath the rope,
and stood erect with shining eyes.
"Look!" she said. "Look, Timmie."
She was holding a blue violet.
"In front of the tigers; it was growing!"
"Why don't you give it to me?" was Timothy's only answer.
She laid it in his hand, laughing a little at her daring.
"It won't ever be the same," she said. "Tigers have walked over it.
My, ain't everything in the pasture differ'nt?"
"Just as differ'nt as differ'nt can be," Timothy admitted.
"Here we are back to the birds again," Liva said, sighing.
Timothy had put the violet in his coat pocket and he stood staring at
the orange and flame in the cage: Her phototype and a violet—her
phototype and a violet.
But all he said, not daring to look at her at all, was:—
"I can't make it seem like the Pump pasture to save me."
There is something, as they have said of a bugle, "winged and
warlike" about a circus—the confusions, the tramplings, the shapes,
the keen flavour of the Impending, and above all the sense of the
Untoward, which is eternal and which survives glamour as his grave
survives a man. Liva and Timothy sat on the top row of seats and
felt it all, and believed it to be merely honest mirth. Occasionally Liva
turned and peered out through the crack in the canvas where the
side met the roof, for the pure joy of feeling herself alien to the long
green fields with their grazing herds and their orioles, and at one
with the colour and music and life within. And she was glad of it all,
glad to be there with Timothy. But all she said was:—
"Oh, Timmie, I hope it ain't half over yet. Do you s'pose it is? When
I look outside it makes me feel as if it was over."
And Timothy, his heart beating, a great hope living in his breast,
answered only:—
"No, I guess it'll be quite some time yet. It's a nice show. Nice
performance for the money, right through. Ain't it?"
When at length it really was over and they left the tent, the wagons
from town and country-side and the "depot busses" had made such
a place of dust and confusion that he took her back to the
cottonwood on the slope to wait until he brought the buckboard
round. He left her leaning against the tree, the sun burnishing her
hair and shining dazzlingly on the smooth silver locket. And when he
drove back, and reached down a hand to draw her up to the seat
beside him, and saw her for a moment, as she mounted, with all the
panorama of the field behind her, he perceived instantly that the
locket was gone. Oh, and at that his heart leaped up! What more
natural than to dream that she had taken it off to slip his phototype
inside and that he had come back too soon? What more natural than
to divine the reality of dreams?
His trembling hope held him silent until they reached the highway.
Then he looked at the field, elliptical tent, fluttering pennons,
streaming crowds, and he observed as well as he could for the
thumping of his heart:—
"I kind o' hate to go off an' leave it. To-morrow when I go to town
with the pie-plant, it'll look just like nothin' but a pasture again."
Liva glanced up at him and dropped her eyes.
"I ain't sure," she said.
"What do you mean?" he asked her, wondering.
But Liva shook her head.
"I ain't sure," she said evasively, "but I don't think somehow the
Pump pasture'll ever be the same again."
Timothy mulled that for a moment. Oh, could she possibly mean
because....
Yet what he said was, "Well, the old pasture looks differ'nt enough
now, all right."
"Yes," assented Liva, "don't it?"
Timothy had supper at the Vesey farm. It was eight o'clock and the
elder Veseys had been gone to prayer-meeting for an hour when
Liva discovered that she had lost her locket.
"Lost your locket!" Timothy repeated. It was the first time, for all his
striving, that he had been able to mention the locket in her
presence. He had tried, all the way home that afternoon, to call her
attention innocently to its absence, but the thing that he hoped held
fast his intention. "Why," he cried now, in the crash of that hope,
"you had it on when I left you under the cottonwood."
"You sure?" Liva demanded.
"Sure," Timothy said earnestly; "didn't—didn't you have it off while I
was gone?" he asked wistfully.
"No," Liva replied blankly; she had not taken it off.
When they had looked in the buckboard and had found nothing,
Timothy spoke tentatively.
"Tell you what," he said. "We'll light a lantern and hitch up and drive
back to the Pump pasture and look."
"Could we?" Liva hesitated.
It was gloriously starlight when the buckboard rattled out on the
Plank Road. Timothy, wretched as he was at her concern over the
locket, was yet recklessly, magnificently happy in being alone by her
side in the warm dusk, and on her ministry. She was silent, and, for
almost the first time since he had known her, Timothy was silent too
—as if he were giving his inarticulateness honest expression instead
of forcing it continually to antics of speech.
From the top of the hill they looked down on the Pump pasture. It
lay there, silent and dark, but no longer expressionless; for instantly
their imagination quickened it with all the music and colour and life
of the afternoon. Just as Timothy's silence was now of the pattern of
dreams.
He tied the horse, and together they entered the field by the great
open place where the fence had not yet been replaced. The turf was
still soft and yielding, in spite of all the treading feet. The pasture
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Competing for Advantage 3rd Edition Hoskisson Solutions Manual

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  • 5. Chapter 7—Cooperative Strategy 7–1 CHAPTER SUMMARY This chapter discusses the reasons cooperative strategies are important in the current competitive environment. The topic is examined generally as well as by market type. Examples of various cooperative strategy types are provided on the basis of their primary strategic objectives, with strategic alliances highlighted as a frequently-used form of cooperative strategy. Associated risks and effective management to overcome risks are presented to complete the discussion of cooperative strategies. CHAPTER OUTLINE The Importance of Cooperative Strategy Strategic Alliances in Slow-Cycle Markets Strategic Alliances in Fast-Cycle Markets Strategic Alliances in Standard-Cycle Markets Types of Alliances and Other Cooperative Strategies Cooperative Strategies That Enhance Differentiation or Reduce Costs Complementary Strategic Alliances Network Cooperative Strategies Cooperative Strategies That Address Forces in the External Environment Competitive Response Alliances Uncertainty-Reducing Alliances Competition-Reducing Cooperative Strategies Associations and Consortia Cooperative Strategies That Promote Growth and/or Diversification Diversifying Strategic Alliances Franchising International Cooperative Strategies Competitive Risks of Cooperative Strategies Implementing and Managing Cooperative Strategies Summary Ethics Questions KNOWLEDGE OBJECTIVES 1. Define cooperative strategies and explain why they are important in the current competitive environment. 2. Explain how the primary reasons for the use of cooperative strategy differ depending on market context (fast-cycle, slow-cycle, or standard cycle). 3. Define and discuss equity and nonequity strategic alliances. 4. Discuss the types of cooperative strategies that are formed primarily to reduce costs or increase differentiation. 5. Identify and describe cooperative strategies that help a firm address forces in the external environment. 6. Explain the cooperative strategies that firms use primarily to foster growth.
  • 6. Chapter 7—Cooperative Strategy 7–2 7. Discuss the risks associated with cooperative strategies. 8. Describe how firms can effectively implement and manage their cooperative strategies. LECTURE NOTES Cooperative Strategy – This section describes how today’s business environment is conducive to interorganizational cooperation and opens the discussion of forming cooperative relationships with other firms for strategic purposes. See slide 1. Introduction Competing for Advantage PART III: CREATING COMPETITIVE ADVANTAGE Chapter 7: Cooperative Strategy See slide 2. Figure 1.6 The Strategic Management Process – Overview Creating Competitive Advantage • Business-level strategy – competitive advantages the firm will use to effectively compete in specific product markets • Competitive rivalry and dynamics – analysis of competitor actions and responses is relevant input for selecting and using specific strategies • Cooperative strategy – an important trend of forming partnerships to share and develop competitive resources • Corporate-level strategy – concerns the businesses in which the company intends to compete and the allocation of resources in diversified organizations • Acquisition and restructuring strategies – primary means used by diversified firms to create corporate-level competitive advantages • International strategy – significant sources of value creation and above-average returns See slide 3. Key Terms Key Terms ▪ Cooperative strategy - strategy in which firms work together to achieve a shared objective ▪ Relational advantage - condition which exists when a firm’s relationships with other firms put it at an advantage relative to rival firms ▪ Strategic alliance - cooperative strategy in which firms combine resources and capabilities to create a competitive advantage
  • 7. Chapter 7—Cooperative Strategy 7–3 Cooperative Strategy – Conditions in the competitive landscape have created a business environment in which interorganizational cooperation is required, because firms rarely possess all of the knowledge, abilities, and resources needed for success. Increasingly, firms form cooperative relationships with other organizations to develop new sources of competitive advantage. Discussion points: - Firms that use cooperative strategies successfully gain relational advantages that allow them to out-perform their rivals in terms of strategic competitiveness and above-average returns. - Strategic alliances are the most common form of cooperative strategy. Importance of Cooperative Strategy – This section discusses how cooperative strategies have become integral to the competitive landscape and central to the success of partnered companies. See slides 4-5. Discussion The Importance of Cooperative Strategy – Cooperative strategies have become integral to the competitive landscape and central to the success of partnered companies. Discussion points: - They are used to leverage company resources and capabilities. - They are used to develop new resources and capabilities. - They enable companies to leverage or build resources and capabilities more quickly than if they were acting independently. - They are a powerful mechanism for aligning interests and reducing uncertainty in the external environment. Example: Cooperative relationships of automobile manufacturers and their suppliers - They enhance strategic flexibility, as they tend to not be permanent arrangements. - Firms can enter and exit cooperative strategies more easily than they can start up or shut down parts of their internal operations. - Consistent with the stakeholder perspective (from Chapter 1), organizations, as inherently cooperative systems, are inclined to act with partners to achieve common objectives.
  • 8. Chapter 7—Cooperative Strategy 7–4 See slide 6. Key Terms Key Terms ▪ Co-opetition - condition that exists when firms that have formed cooperative strategies also compete against one another in the marketplace The Importance of Cooperative Strategy – Increasingly, cooperative strategies are formed by firms who also compete against one another. Example: Samsung Electronics and Sony Corp. Discussion points: - Co-opetition between firms encourages co-opetition among other firms in the same industry. - Despite potential advantages, some research suggests that cooperating with a competitor may be associated with lower levels of ground-breaking innovation in the service sector. Example: One study found that firms using their own R&D produce more market innovations than those who rely on information from competitors - In some industries, alliance v. alliance competition is becoming more common than firm v. firm competition. Example: Global airline industry 1. Why might service firms that use information from their own research and development processes as well as firms who are involved in science-based product innovation collaborations be more likely to introduce new-to-the-market innovations than firms that rely on information coming from competitors? Firms are probably unlikely to release genuinely novel ideas and technologies to their biggest rivals. See slide 7. Table 7.1 Reasons for Strategic Alliances by Market Type – The individually unique competitive conditions of slow-cycle, fast-cycle, and standard- cycle markets (discussed in Chapter 6) lead to firms using cooperative strategies for slightly different reasons. This chapter focuses specifically on the most common form of cooperative strategy, strategic alliances, to describe how purposes tend to vary across the three market types.
  • 9. Chapter 7—Cooperative Strategy 7–5 2. What types of conditions in new markets might alliance partners better understand than the firm entering the market for the first time? a. Sociocultural conditions b. Legal and regulatory conditions c. Economic conditions d. Industry influences e. Existing relationships among customers and suppliers Strategic Alliances in Slow-Cycle Markets – This section discusses why firms use strategic alliances in slow-cycle markets and how low-velocity environments affect business strategy. See slide 8. Discussion Strategic Alliances in Slow-Cycle Markets Discussion points: - These markets have close to monopolistic conditions. Examples: Railroads and, historically, telecommunications, utilities, and financial services - Strategic alliances are often used to enter restricted markets or to establish franchises in new markets. - Alliance allows quicker entry into these markets because the partner firm has experience in the market of interest, understands conditions in the new market, and can provide knowledge of and relationships with key stakeholders. Example: CSX access to Pacific ports 3. Why are slow-cycle markets becoming rare in the 21st century competitive landscape? a. Privatization of industries and economies b. Rapid expansion of the Internet's capabilities c. Quick dissemination of information d. Advancing technologies permit quick imitation of even complex products
  • 10. Chapter 7—Cooperative Strategy 7–6 4. What are the implications of today’s competitive landscape on firms competing in the few remaining slow-cycle markets? a. It is important for firms competing in the few remaining slow-cycle markets to recognize the future likelihood that they will encounter less sustainable competitive advantages than they have enjoyed in the past. b. Cooperative strategies can be helpful to firms making the transition from relatively sheltered markets to more competitive ones. Strategic Alliances in Fast-Cycle Markets – This section discusses why firms use strategic alliances in fast-cycle markets and how high-velocity environments affect business strategy. See slide 9. Discussion Strategic Alliances in Fast-Cycle Markets Discussion points: - Fast-cycle markets tend to be unstable, unpredictable, and complex. - Firms are forced to constantly seek new sources of competitive advantage, while creating value by using current ones. - Alliances between firms with excess resources and promising capabilities aid in the transition required in evolving markets and to gain rapid entry into new markets. Example: IBM 5. How does focusing on a select few strategic partnerships help businesses respond to the rapidly changing competitive landscape in the IT industry? a. Drives down costs b. Integrates technologies that can provide significant business advantages or productivity gains c. Enables aggressive pursuit of applications that can be shifted to more flexible and cost-effective platforms
  • 11. Chapter 7—Cooperative Strategy 7–7 Strategic Alliances in Standard-Cycle Markets – This section discusses why firms use strategic alliances in standard-cycle markets and how medium-velocity environments affect business strategy. See slide 10. Discussion Strategic Alliances in Standard-Cycle Markets Discussion points: - These markets are often large and oriented toward economies of scale. Examples: Commercial aerospace and beverage industries - Alliances are most likely to be made by partners with complimentary resources and capabilities to gain market power. Example: PepsiCo distribution in China - Alliances allow firms to learn new business techniques and technologies from partners. Types of Alliances and Other Cooperative Strategies – This section discusses two basic types of strategic alliance based on legal form and introduces other cooperative strategies as they relate to the primary strategic objectives of firms. See slides 11-12. Key Terms Key Terms ▪ Equity strategic alliance - alliance in which two or more firms own a portion of the equity in the venture they have created ▪ Nonequity strategic alliance - alliance in which two or more firms develop a contractual relationship to share some of their unique resources and capabilities to create a competitive advantage ▪ Joint venture - strategic alliance in which two or more firms create a legally independent company to share resources and capabilities to develop a competitive advantage ▪ Tacit knowledge - knowledge which is complex and difficult to codify Types of Alliances and Other Cooperative Strategies – There are two basic types of strategic alliance based on legal form, depending on whether they involve equity or not. Other cooperative strategies relate to the primary strategic objectives of firms.
  • 12. Chapter 7—Cooperative Strategy 7–8 Discussion points: - Equity strategic alliances o Many direct foreign investments are completed through equity strategic alliances. o Some equity strategic alliances take the form of purchasing stock in an existing company. Example: BMW AG purchase of 15% stake in SGL Carbon SE - Nonequity strategic alliances o Firms in nonequity strategic alliances do not establish a separate independent company. o These alliances are less formal. o These alliances demand fewer partner commitments. o These alliances foster less intimate relationships between partners. o These alliances are not suitable for complex projects requiring the transfer of tacit knowledge (see Slide 12) between partners. o Research indicates that, even under these constraints, nonequity alliances still create value for participating partners. - Joint ventures o Joint ventures also involve equity. o Typically, partners in a joint venture own equal percentages and contribute equally to operations. Example: JV between Walter Energy and Peace River Coal o Partners share resources, costs, and risks associated with the venture. o Joint ventures are an attractive way to deal with uncertain competitive conditions, such as economic downturns. o Joint ventures are effective mechanisms for establishing long-term relationships and transferring tacit knowledge. - Tacit knowledge o It is learned through experience. o It can be difficult to for rivals to duplicate, making it an important source of competitive advantage. 6. Name some examples of contractual relationships which exemplify nonequity strategic alliances. a. Licensing agreements b. Supply contracts c. Outsourcing agreements d. Distribution agreements
  • 13. Chapter 7—Cooperative Strategy 7–9 7. What are some other forms of cooperative strategies between firms? a. Coalitions b. Trade groups c. Associations d. Industry panels e. Labor panels f. Research consortia g. Cartels (keiretsu) h. Collusion Cooperative Strategies That Enhance Differentiation or Reduce Costs – This section introduces a discussion of business level cooperative strategies used to combine resources and capabilities to improve firm performance in individual product markets and create competitive advantages that cannot be created by the individual firm. See slide 13. Figure 7.1 Strategic Objectives of Cooperative Strategies – Alliances and cooperative strategies can be divided into categories based on their primary strategic objectives. The most common types of cooperative strategies are listed on Figure 7.1. See slide 14. Major Types Cooperative Strategies That Enhance Differentiation or Reduce Costs – introduces a discussion of business level cooperative strategies used to combine resources and capabilities to improve firm performance in individual product markets and create competitive advantages that cannot be created by the individual firm There are two general categories of cooperative strategies which are used to enhance differentiation or reduce costs. Complementary Strategic Alliances – This section introduces the two types of complementary strategic alliances used to support differentiation and low cost objectives and discusses why the benefits of such partnerships are not always balanced evenly across partnering firms. See slide 15. Key Terms Key Terms ▪ Complementary strategic alliance - business-level alliance in which firms share some of their resources and capabilities in complementary ways to develop competitive advantages ▪ Vertical complementary strategic alliance - when firms share resources and capabilities from different stages of the value chain to create a competitive advantage
  • 14. Chapter 7—Cooperative Strategy 7–10 ▪ Horizontal complementary strategic alliance - when firms share resources and capabilities from the same stage of the value chain to create a competitive advantage Complementary Strategic Alliances – There are two types of complementary strategic alliances used to support differentiation and low cost objectives. Discussion points: - Complementary o Even with similar investment levels, the benefits are not always balanced evenly across partnering firms - Vertical o Frequently created with either a current supplier or customer o Often an effort to innovate as a response to environmental changes Example: Dairy industry - Horizontal o Commonly used for long-term product development and distribution opportunities o More likely when resource requirements to develop new products are great and the resources available for development are limited Example: Worldwide aircraft industry 8. What affects the different opportunity levels and benefits that partnering firms are able to achieve through complementary strategic alliances? a. Partners may learn at different rates. b. Partners may have different capabilities to leverage complementary resources. c. Some firms are more effective at managing alliances and deriving benefits from them. d. Partners may have different reputations in the marketplace, differentiating the types of actions they can legitimately take.
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  • 16. Chapter 7—Cooperative Strategy 7–11 Network Cooperative Strategies – This section discusses the effective use of network cooperative strategies and the role that strategic center firms play in alliance networks. See slide 16. Key Terms Key Terms ▪ Network cooperative strategy - cooperative strategy in which multiple firms agree to form partnerships to achieve shared objectives Network Cooperative Strategies – More and more firms are engaging in several cooperative strategies simultaneously, in both individual firm alliances and multiple networks. Discussion points: - They are particularly effective when formed by geographically clustered firms. Examples: Silicon Valley and Singapore’s Silicon Island - They facilitate the matching of firms with complementary markets and compatible resources. - Research suggests that the positive financial effects of network cooperative strategies will continue to make these strategies important to the success of both suppliers and buyers. - However, one of the disadvantages to belonging to an alliance network is that a firm can be locked into its partners, precluding the development of alliances with others. - Also, in certain types of networks, such as a Japanese keiretsu, firms in the network are expected to help other firms in the network whenever they need aid, which can become a burden to the firm rendering assistance, thus reducing its performance. See slide 17. Discussion Alliance Network – set of strategic alliance partnerships resulting from the use of a network cooperative strategy Discussion points: - They provide information and knowledge from partners and partners’ partners which can be used to produce more and better innovation. - Access to multiple collaborations increases the likelihood that additional competitive advantages will be formed as the set of resources and capabilities being shared expands. - They stimulate development of product innovations that are critical to value creation in the global economy. Example: Lockheed Martin Cyber Security Alliance
  • 17. Chapter 7—Cooperative Strategy 7–12 See slide 18. Discussion Alliance Network Success – Effective strategic center firms and social relationships and interactions achieved among partners while sharing resources and capabilities make network cooperative strategy success more likely. See slide 19. Figure 7.2 A Strategic Network – Cooperative relationships in alliance networks revolve around an effective strategic center firm which is at the core or center of the alliance network. See slide 20. Discussion Strategic Center Firms – serve as the foundation for an alliance network's structure See slide 21. Major Types Types of Alliance Networks – Alliance networks vary by industry condition and goal orientation. See slide 22. Discussion Stable Alliance Networks – Through a stable alliance network, firms try to extend their competitive advantages to other settings while continuing to profit from operations in their core, relatively-mature industry. See slide 23. Discussion Dynamic Alliance Networks – tend to develop where the pace of innovation is too fast for any one company to maintain success over time Discussion points: - In some cases these networks even take the form of “open innovation,” composed of collaborators and competitors who share knowledge in the pursuit of co-development of new technologies. Example: Mobile phone industry - Members of these alliances can come and go as they please. Cooperative Strategies That Address Forces in the External Environment – This section introduces a discussion of business-level cooperative strategies used to combine resources and capabilities to meet the challenges of complex and ever-changing external environments. See slide 24. Major Types Cooperative Strategies That Address Forces in the External Environment – introduces a discussion of business-level cooperative strategies that combine resources and capabilities to meet the challenges of complex and ever-changing external environments Four types of cooperative strategy serve to keep firms abreast of rapid changes in their environments.
  • 18. Chapter 7—Cooperative Strategy 7–13 Competitive Response Alliances – This section describes how competitive response alliances are used to respond to competitors’ strategic attacks. See slide 25. Discussion Competitive Response Alliances Discussion points: - Formed primarily to deal with major strategic actions of competitors - Difficult to reverse - Expensive to operate - Can be powerful mechanisms for responding to strategic actions of competitors Example: Nokia and Microsoft smartphone market alliance Uncertainty-Reducing Alliances – This section describes how uncertainty-reducing alliances are used to reduce environmental uncertainty. See slide 26. Discussion Uncertainty-Reducing Alliances Discussion points: - Can be a powerful mechanism to hedge against risk - Especially useful in fast-cycle markets where technology changes rapidly and new products develop quickly Example: Davies Arnold Cooper LLP alliance with Seguros Lex 9. In what types of markets can uncertainty-reducing alliances be effective? a. Fast-cycle markets b. New product markets c. Emerging economies d. New technologies Competition-Reducing Alliances – This section describes how competition-reducing alliances are used to reduce competition in an industry. See slide 27. Discussion Competition-Reducing Alliances – Virtually all cooperative strategies between or among competitors reduce competition.
  • 19. Chapter 7—Cooperative Strategy 7–14 Alliance networks, in particular, provide advantages to member firms and make it harder for nonmember firms to compete. Example: Groups of preferred suppliers in a pharmaceutical network Discussion points: - They give partnering firms differential advantages in their markets. - Collusive strategies are a more direct form of competition- reducing strategy (see Slide 28). See slide 28. Discussion Collusive Strategies – Often illegal, two types of collusion work to reduce competition. Discussion points: - Explicit collusion o Two or more competing firms negotiate directly to jointly agree about the amount to produce as well as the prices that will be charged for what is produced o Illegal in the U.S. and most developed economies, where firms can face litigation for noncompetitive actions o Exception is regulated industries - Tacit collusion o Common to highly-concentrated industries Examples: Cereal and airline industries o When coordination of production and pricing results from observing competitor actions and responses o Firms recognize interdependence among industry participants and that their competitive behavior significantly affects each firm in the industry o Results in less than fully competitive production levels and prices that exceed competitive pricing models o Mutual forebearance – one form of tacit collusion that occurs because firms fear and avoid competitive attacks against rivals who they compete with in multiple markets Example: PC industry - Governments in free market economies need to determine how rivals can collaborate to increase competitiveness without violating established regulations. Examples: Global pharmaceutical and biotechnology industries
  • 20. Chapter 7—Cooperative Strategy 7–15 Associations and Consortia – This section describes how associations and consortia are used to form coalitions with stakeholders to achieve common objectives. See slide 29. Discussion Associations and Consortia Discussion points: - Can strengthen dealings with external stakeholders - Forms of coalition with stakeholders: o Trade groups o Associations o Industry panels o Labor panels o Research consortia - Can enhance creative efforts that lead to innovation - Often used to provide a common voice when dealing with an important external stakeholder Example: Trade group employment of lobbyists - Can help firms deal with changing environmental conditions Example: Sustainability Consortium 10. What types of external stakeholders can be better managed with the use of associations and consortia? a. Legislators b. Suppliers c. Customers 11. Why do firms join associations? a. To gain access to information b. To obtain legitimacy c. To gain acceptance d. To obtain influence Cooperative Strategies That Promote Growth and/or Diversification – This section introduces a discussion of cooperative strategies used as an attractive alternative when the firm's primary goal is growth and/or diversification. See slide 30. Major Types Cooperative Strategies That Promote Growth and/or Diversification – introduce a discussion of cooperative strategies that serve as an attractive alternative when the firm's primary goal is growth and/or diversification
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  • 22. surprising beauty. When the last stroke ceased, she turned to me as if I had been there all the time. "I wish I could hear it do that again," she said, standing where she had stood, arms folded. "You will, perhaps, to-morrow," I answered. Truly, if it was to be Miggy, then she would hear the chimes to- morrow and to-morrow; and as she turned, my emotion of finality increased. I have never loved the tribe of the Headlongs, though I am very sorry for any one who has not had with them an occasional innocent tribal junket; but I hold that through our intuitions, we may become a kind of apotheosis of the Headlongs. Who of us has not chosen a vase, a chair, a rug, by some motive transcending taste, by the bidding of a friendly-faithful monitor who, somewhere inside one, nodded a choice which we obeyed? And yet a vase is a dead thing with no little seeking tentacles that catch and cling, while in choosing the living it is that one's friendly-faithful monitor is simply recognizing the monitor of the other person. I, for one, am more and more willing to trust these two to avow their own. For I think that this monitor is, perhaps, that silent Custodian whom, if ever I can win through her elusiveness, I shall know to be myself. As the years pass I trust her more and more. I find that we like the same people, she and I! And instantly we both liked Miggy. Miggy stood regarding me intently. "I saw you go past the Brevy's yesterday, where the crape is on the door," she observed; "I thought it was you." I wonder at the precision with which very little people and very big people brush aside the minor conventions and do it in such ways that one nature is never mistaken for the other. "The girl who died there was your friend, then?" I asked. "No," Miggy said; "I just knew her to speak to. And she didn't always bother her head to speak to me. I just went in there yesterday
  • 23. morning to get the feeling." "I beg your pardon. To get—what?" I asked. "Well," said Miggy, "you know when you look at a corpse you can always sense your own breath better—like it was something alive inside you. That's why I never miss seeing one if I can help. It's the only time I'm real glad I'm living." As I motioned her to the chair and took my own, I felt a kind of weariness. The neurotics, I do believe, are of us all the nearest to the truth about things, but as I grow older I find myself getting to take a surpassing comfort in the normal. Or rather, I am always willing to have the normal thrust upon me, but my neurotics I wish to select for myself. "My neighbour tells me," I said merely, "that she thinks you should be my secretary." (It is a big word for the office, but a little hill is still a hill.) "I think so, too," said Miggy, simply, "I was afraid you wouldn't." "Have you ever been anybody's secretary?" I continued. "Never," said Miggy. "I never saw anybody before that had a secretary." "But something must have made her think you would do," I suggested. "And what made you think so?" "Well," Miggy said, "she thinks so because she wants me to get ahead. And I think so because I generally think I can do anything— except mathematics. Has Secretary got any mathematics about it?" "Not my secretary work," I told her, reviewing these extraordinary qualifications for duty; "except counting the words on a page. You could do that?" "Oh, that!" said Miggy. "But if you told me to multiply two fractions you'd never see me again, no matter how much I wanted to come
  • 24. back. Calliope Marsh says she's always expecting to find some folks' heads caved in on one side—same as red and blue balloons. If mine caved, it'd be on the mathematics corner." I assured her that I never have a fraction in my house. "Then I'll come," said Miggy, simply. But immediately she leaned forward with a look of anxiety, and her face was pointed and big-eyed, so that distress became a part of it. "Oh," she said, "I forgot. I meant to tell you first." "What is it? Can you not come, after all?" I inquired gravely. "I've got a drawback," said Miggy, soberly. "A man's in love with me." She linked her arms before her, a hand on either shoulder—arms whose slenderness amazes me, though at the wrist they taper and in their extreme littleness are yet round. Because of this frailty she has a kind of little girl look which at that moment curiously moved me. "Who told you that?" I asked abruptly. "About it being a drawback? Everybody 'most," said Miggy. "They all laugh about us and act like it was a pity." For a moment I felt a kind of anger as I felt it once when a woman said to me of a wife of many years whose first little child was coming, that she was "in trouble." I own that,—save with my neighbour, and Calliope, and a few more whom I love—here in the village I miss the simple good breeding of the perception that nothing is nobler than the emotions, and the simple good taste of taking seriously love among its young. Taking it seriously, I say. Not, heaven forbid, taking it for granted, as do the cities. "Other things being equal, I prefer folk who are in love," I told Miggy. Though I observe that I instance a commercialization which I
  • 25. deplore by not insisting on this secretarial qualification to anything like the extent with which I insist on, say, spelling. Miggy nodded—three little nods which seemed to settle everything. "Then I'll come," she repeated. "Anyhow, it isn't me that's in love at all. It's Peter. But of course I have to have some of the blame." So! It was, then, not "all Peter with Miggy." Poor Peter. It must be a terrific problem to be a Peter to such a Miggy. I must have looked "Poor Peter," because the girl's face took on its first smile. Such a smile as it was, brilliant, sparkling, occupying her features instead of informing them. "He won't interfere much," she observed. "He's in the cannery all day and then he practises violin and tinkers. I only see him one or two evenings a week; and I never think of him at all." "As my secretary," said I, "you may make a mental note for me: remind me that I wish sometime to meet Peter." "He'll be real pleased," said Miggy, "and real scared. Now about my being your secretary: do I have to take down everything you do?" "My dear child!" I exclaimed. "Don't I?" said Miggy. "Why, the Ladies' Aid has a secretary and she takes down every single thing the society does. I thought that was being one." I told her, as well as might be, what I should require of her—not by now, I own, with any particularity of idea that I had a secretary, but rather that I had surprisingly acquired a Miggy, who might be of use in many a little mechanical task. She listened, and, when I had made an end, gave her three little nods; but her face fell. "It's just doing as you're told," she summed it up with a sigh. "Everything is, ain't it? I thought maybe Secretary was doing your best."
  • 26. "But it is," I told her. "No," she said positively, "you can't do your best when you have to do just exactly what you're told. Your best tells you how to do itself." At this naïve putting of the personal equation which should play so powerful a part in the economics of toil I was minded to apologize for intending to interfere with set tasks in Miggy's possible duties with me. She had the truth, though: that the strong creative instinct is the chief endowment, primal as breath; for on it depend both life and the expression of life, the life of the race and the ultimate racial utterance. We talked on for a little, Miggy, I observed, having that royal indifference to time which, when it does not involve indifference to the time of other people, I delightedly commend. For myself, I can never understand why I should eat at one or sleep at eleven, if it is, as it often is, my one and my eleven and nobody else's. For, as between the clock and me alone, one and eleven and all other o'clocks are mine and I am not theirs. But I have known men and women living in hotels who would interrupt a sunset to go to dine, or wave away the stars in their courses to go to sleep, merely because the hour had struck. It must be in their blood, poor things, as descendants from the cell, to which time and space were the only considerations. When Miggy was leaving, she paused on the threshold with her first hint of shyness, a hint which I welcomed. I think that every one to whom I am permanently drawn must have in his nature a phase of shyness, even of unconquerable timidity. "If I shouldn't do things," Miggy said, "like you're used to having them done—would you tell me? I know a few nice things to do and I do 'em. But I'm always waking up in the night and thinking what a lot there must be that I do wrong. So if I do 'em wrong would you mind not just squirming and keeping still about 'em—but tell me?"
  • 27. "I'll tell you, child, if there is need," I promised her. And I caught her smile—that faint, swift, solemn minute which sometimes reveals on a face the childlike wistfulness of every one of us, under the mask, to come as near as may be to the others. I own that when, just now, I turned from her leave-taking, I had that infrequent sense of emptiness-in-the-room which I have had usually only with those I love or with some rare being, all fire and spirit and idea, who has flamed in my presence and died into departure. I cannot see why we do not feel this sense of emptiness whenever we leave one another. Would you not think that it would be so with us who live above the abyss and below the uttermost spaces? It is not so, and there are those from whose presence I long to be gone in a discomfort which is a kind of orison of my soul to my body to hurry away. It is so that I long to be gone from that little Mrs. Oliver Wheeler Johnson, and of this I am sorely ashamed. But I think that all such dissonance is merely a failure in method, and that the spirit of this business of being is that we long for one another to be near. Yes, in "this world of visible images" and patterns and schedules and o'clocks, it is like stumbling on the true game to come on some one who is not on any dial. And I fancy that Miggy is no o'clock. She is not Dawn o'clock, because already she has lived so much; nor Noon o'clock, because she is far from her high moment; nor is she Dusk o'clock, because she is so poignantly alive. Rather, she is like the chimes of a clock—which do not tell the time, but which almost say something else.
  • 28. IV SPLENDOUR TOWN Last night I went for a walk across the river, and Little Child went with me to the other end of the bridge. I would have expected it to be impossible to come to the fourth chapter and to have said nothing of the river. But the reason is quite clear: for the setting of the stories of the village as I know them is preëminently rambling streets and trim dooryards, and neat interiors with tidy centre-tables. Nature is merely the necessary opera-house, not the intimate setting. Nature's speech through the trees is most curiously taken for granted as being trees alone, and she is, as I have shown, sometimes cut off quite rudely in the midst of an elm or linden sentence and curtly interrupted by a sidewalk. If a grove of trees is allowed to remain in a north dooryard it is almost certainly because the trees break the wind. Likewise, Nature's unfoldings in our turf and clover we incline to regard as merely lawns, the results of seeds and autumn fertilizing. Our vines are for purposes of shade, cheaper and prettier than awnings or porch rollers. With our gardens, where our "table vegetables" are grown, Nature is, I think, considered to have little or nothing to do; and we openly pride ourselves on our early this and our prodigious that, quite as when we cut a dress or build a lean-to. We admit the rain or the sunny slope into partnership, but what we recognize is weather rather than the mighty spirit of motherhood in Nature. Indeed, our flower gardens, where are wrought such miracles of poppies and pinks, are perhaps the only threshold on which we stand abashed, as at the sound of a singing voice, a voice that sings believing itself to be alone. These things being so, it is no wonder that the river has been for so long no integral part of village life. The river is accounted a place to
  • 29. fish, a place to bathe, a thing to cross to get to the other side, an objective point—including the new iron bridge—to which to take guests. But of the everyday life it is no proper part. On the contrary, the other little river, which strikes out silverly for itself to eastward, is quite a personality in the village, for on it is a fine fleet of little launches with which folk take delight. But this river of mine to the west is a thing of whims and eddies and shifting sand bars, and here not many boats adventure. So the river is accepted as a kind of pleasant hermit living on the edge of the village. It draws few of us as Nature can draw to herself. We know the water as a taste only and not yet as an emotion. We say that we should enjoy going there if we had the time. I know, I know. You see that we do not yet live the river, as an ancient people would live their moor. But in our launches, our camping parties, our flights to a little near lake for dinner, in a tent here and a swing there, set to face riverward, there lies the thrill of process, and by these things Nature is wooing us surely to her heart. Already the Pump pasture has for us the quality of individuality, and we have picnics there and speak of the pasture almost as of a host. Presently we shall be companioned by all our calm stretches of meadow, our brown sand bars, our Caledonia hills, our quiet lakes, our unnavigable river, as the Northmen were fellowed of the sea. Little Child has at once a wilder and a tamer instinct. She has this fellowship and the fellowship of more. "Where shall we go to-day?" I ask her, and she always says, "Far away for a party"—in a combination, it would seem, of the blood of shepherd kings with certain corpuscles of modernity. And when we are in the woods she instances the same dual quality by, "Now let's sit down in a roll and wait for a fairy, and be a society." We always go along the levee, Little Child and I, and I watch the hour have its way with her, and I do not deny that occasionally I try to improve on the hour by a tale of magic or by the pastime of teaching her a lyric. I love to hear her pretty treble in "Who is Sylvia? What is she?" and "She dwelt among th' untrodden ways,"
  • 30. and "April, April, laugh thy girlish laughter," and in Pippa's song. Last night, to be sure, the lyrics rather gave way to some talk about the circus to be to-day, an unwonted benison on the village. But even the reality of the circus could not long keep Little Child from certain sweet vagaries, and I love best to hear her in these fancyings. "Here," she said to me last night, "is her sponge." I had no need to ask whose sponge. We are always finding the fairy's cast-off ornaments and articles of toilet. On occasion we have found her crown, her comb, her scarf, her powder-puff, her cup, her plumed fan, her parasol—a skirtful of fancies which next day Little Child has brought to me in a shoe box for safe keeping so that "They" would not throw the things away: that threatening "They" which overhangs childhood, casting away its treasures, despoiling its fastnesses, laying a ladder straight through a distinct and recognizable fairy ring in the back yard. I can visualize that "They" as I believe it seems to some children, something dark and beetling and menacing and imminent, less like the Family than like Fate. Is it not sad that this precious idea of the Family, to conserve which is one of our chief hopes, should so often be made to appear to its youngest member in the general semblance of a phalanx? We sat down for a little at the south terminal of the bridge, where a steep bank and a few desperately clinging trees have arranged a little shrine to the sunset. It was sunset then. All the way across the bridge I had been watching against the gold the majestic or apathetic or sodden profiles of the farmers jogging homeward on empty carts, not one face, it had chanced, turned to the west even to utilize it to forecast the weather. Such a procession I want to see painted upon a sovereign sky and called "The Sunset." I want to have painted a giant carpenter of the village as I once saw him, his great bare arms upholding a huge white pillar, while blue figures hung above and set the acanthus capital. And there is a picture, too, in the dull red of the butcher's cart halted in snow while a tawny- jerseyed boy lifts high his yellow light to find a parcel. Some day we
  • 31. shall see these things in their own surprising values and fresco our village libraries with them—yes, and our drug stores, too. The story that I told Little Child while we rested had the symbolism which I often choose for her: that of a girl keeping a garden for the coming of a child. All her life she has been making ready and nothing has been badly done. In one green room of the garden she has put fair thoughts, in another fair words, and in the innermost fastnesses of the garden fair deeds. Here she has laid colour, there sweet sound, there something magic which is a special kind of seeing. When the child comes, these things will be first toys, then tools, then weapons. Sometimes the old witch of the wood tries to blow into the garden a thistle of discord or bubbles of delight to be followed, and these must be warded away. All day the spirit of the child to come wanders through the garden, telling the girl what to do here or here, keeping her from guile or from idleness-without- dreams. She knows its presence and I think that she has even named it. If it shall be a little girl, then it is to be Dagmar, Mother of Day, or Dawn; but if a little boy, then it shall be called for one whom she has not yet seen. Meanwhile, outside the door of the garden many would speak with the girl. On these she looks, sometimes she even leans from her casement, and once, it may be, she reaches out her hand, ever so swiftly, and some one without there touches it. But at that she snatches back her hand and bars the garden, and for a time the spirit of the little child does not come very near. So she goes serenely on toward the day when a far horn sounds and somebody comes down the air from heaven, as it has occurred to nobody else to do. And they hear the voice of the little child, singing in the garden. "The girl is me," says little Little Child, as she always says when I have finished this story. "Yes," I tell her. "I'd like to see that garden," she says thoughtfully.
  • 32. Then I show her the village in the trees of the other shore, roof upon roof pricked by a slim steeple; for that is the garden. "I don't care about just bein' good," she says, "but I'd like to housekeep that garden." "For a sometime-little-child of your own," I tell her. "Yes," she assents, "an' make dresses for." I cannot understand how mothers let them grow up not knowing, these little mothers-to-be who so often never guess their vocation. It is a reason for everything commonly urged on the ground of conduct, a ground so lifeless to youth. But quicken every desert space with "It must be done so for the sake of the little child you will have some day," and there rises a living spirit. Morals, civics, town and home economics, learning—there is the concrete reason for them all; and the abstract understanding of these things for their own sakes will follow, flower-wise, fruit-wise, for the healing of the times. I had told to that old Aunt Effie who keeps house for Miggy and Little Child something of what I thought to do—breaking in upon the old woman's talk of linoleum and beans and other things having, so to say, one foot in the universe. "Goodness," that old woman had answered, with her worried turn of head, "I'm real glad you're going to be here. I dread saying anything." Here too we must look to the larger day when the state shall train for parenthood and for citizenship, when the schools and the universities shall speak for the state the cosmic truths, and when by comparison botany and differential calculus shall be regarded as somewhat less vital in ushering in the kingdom of God. The water reservoir rose slim against the woods to the north; to the south was a crouching hop house covered with old vines. I said to Little Child:—
  • 33. "Look everywhere and tell me where you think a princess would live if she lived here." She looked everywhere and answered:— "In the water tower in those woods." "And where would the old witch live?" I asked her. "In the Barden's hop house," she answered. "And where would the spirit of the little child be?" I tested her. She looked long out across the water. "I think in the sunset," she said at last. And then of her own will she said over the Sunset Spell I have taught her:— "I love to stand in this great air And see the sun go down. It shows me a bright veil to wear And such a pretty gown. Oh, I can see a playmate there Far up in Splendour Town." I could hardly bear to let her go home, but eight o'clock is very properly Little Child's bedtime, and so I sent her across the bridge waving her hand every little way in that fashion of children who, I think, are hoping thus to save the moment that has just died. I have known times when I, too, have wanted to wave my hand at a moment and keep it looking at me as long as possible. But presently the moment almost always turned away. Last night I half thought that the sunset itself would like to have stayed. It went so delicately about its departure, taking to itself first a shawl of soft dyes, then a painted scarf, then frail iris wings. It mounted far up the heavens, testing its strength for flight and shaking brightness from its garments. And it slipped lingeringly away
  • 34. as if the riot of colour were after all the casual part, and the real business of the moment were to stay on with everybody. In the tenuity of the old anthropomorphisms I marvel that they did not find the sunset a living thing, tender of mortals, forever loth to step from out one moment into the cherishing arms of the next. Think! The sunset that the Greeks knew has been flaming round the world, dying from moment to moment and from mile to mile, with no more of pause than the human heart, since sunset flamed for Hero and Helen and Ariadne. If the sunset was made for lovers, and in our midland summers lingers on their account, then last night it was lingering partly for Miggy and Peter. At the end of the bridge I came on them together. Miggy did not flush when she saw me, and though I would not have expected that she would flush I was yet disappointed. I take an old- fashioned delight in women whose high spirit is compatible with a sensibility which causes them the little agonizings proper to this moment, and to that. But Miggy introduced Peter with all composure. "This," she said, "is Peter. His last name is Cary." "How do you do, Peter?" I said very heartily. I thought that Peter did something the rationale of which might have been envied of courts. He turned to Miggy and said "Thank you." Secretly I congratulated him on his embarrassment. In a certain milieu social shyness is as authentic a patent of perception as in another milieu is taste. "Come home with me," I besought them. "We can find cake. We can make lemonade. We can do some reading aloud." For I will not ask the mere cake and lemonade folk to my house. They must be, in addition, good or wise or not averse to becoming either. I conceived Peter's evident agony to rise from his need to reply. Instead, it rose from his need to refuse.
  • 35. "I take my violin lesson," he explained miserably. "He takes his violin lesson," Miggy added, with a pretty, somewhat maternal manner of translating. I took note of this faint manner of proprietorship, for it is my belief that when a woman assumes it she means more than she knows that she means. "I'm awful sorry," said Peter, from his heart; "I was just having to go back this minute." "To-morrow's his regular lesson day," Miggy explained, "but to- morrow he's going to take me to the circus, so he has his lesson to- night. Go on," she added, "you'll be late and you'll have to pay just the same anyway." I took note of this frank fashion of protection of interests, for it is my belief that matters are advancing when the lady practises economics in courtship. But I saw that Miggy was manifesting no symptoms of accompanying Peter, and I begged them not to let me spoil their walk. "It's all right," Miggy said; "he'll have to hurry and I don't want to go in yet anyway. I'll walk back with you." And of this I took note with less satisfaction. It was as if Miggy had not come alive. Peter smiled at us, caught off his hat, and went away with it in his hand, and the moment that he left my presence he became another being. I could see by his back that he was himself, free again, under no bondage of manner. It is a terrific problem, this enslavement of speech and trivial conduct which to some of us provides a pleasant medium and for some of us furnishes fetters. When will they manage a wireless society? I am tired waiting. For be it a pleasant medium or be it fetters, the present communication keeps us all apart. "I hope," I said once at dinner, "that I shall be living when they think they get the first sign from Mars." "I hope," said my companion, "that I shall be living when I think I get the first sign from you—and you—and you, about this table." If this young Shelley could really have made some sign, what might it not have been?
  • 36. "Everybody's out walking to-night," Miggy observed. "There's Liva Vesey and Timothy Toplady ahead of us." "They are going to be married, are they not?" I asked. Miggy looked as if I had said something indelicate. "Well," she answered, "not out loud yet." Then, fearing that she had rebuked me, "He's going to take her to the circus to-morrow in their new buckboard," she volunteered. And I find in Friendship that the circus is accounted a kind of official trysting-place for all sweethearts. We kept a little way back of the lovers, the sun making Liva Vesey's pink frock like a vase-shaped lamp of rose. Timothy was looking down at her and straightway looking away again when Liva had summoned her courage to look up. They were extremely pleasant to watch, but this Miggy did not know and she was intent upon me. She had met Little Child running home. "She's nice to take a walk with," Miggy said; "but I like to walk around by myself too. Only to-night Peter came." "Miggy," said I, "I want to congratulate you that Peter is in love with you." She looked up with puzzled eyes. "Why, that was nothing," she said; "he seemed to do it real easy." "But it is not easy," I assured her, "to find many such fine young fellows as Peter seems to be. I hope you will be very happy together." "I'm not engaged," said Miggy, earnestly; "I'm only invited." "Ah, well," I said, "if I may be allowed—I hope you are not sending regrets."
  • 37. Miggy laughed out suddenly. "Married isn't like a party," she said; "I know that much about society. Party you either accept or regret. Married you do both." I could have been no more amazed if the rosewood clock had said it. "Who has been talking to you, child?" I asked in distress. "I got it out of living," said Miggy, solemnly. "You live along and you live along and you find out 'most everything." I looked away across the Pump pasture where the railway tracks cut the Plank Road, that comes on and on until it is modified into Daphne Street. I remembered a morning of mist and dogwood when I had walked that road through the gateway into an earthly paradise. Have I not said that since that time we two have been, as it were, set to music and sung; so that the silences of separation are difficult to beguile save by the companionship of the village—the village that has somehow taught Miggy its bourgeoise lesson of doubt? My silence laid on her some vague burden of proof. "Besides," she said, "I'm not like the women who marry people. Most of 'em that's married ain't all married, anyway." "What do you mean, child?" I demanded. "They're not," protested Miggy. "They marry like they pick out a way to have a dress made when they don't admire any of the styles very much, and they've wore out everything else. Women like some things about somebody, and that much they marry. Then the rest of him never is married at all, and by and by that rest starts to get lonesome." "But Miggy," I said to all this, "I should think you might like Peter entirely." She surprised me by her seriousness.
  • 38. "Anyhow, I've got my little sister to bring up," she said; "Aunt Effie hasn't anything. And I couldn't put two on him to support." I wondered why not, but I said nothing. "And besides," Miggy said after a pause, "there's Peter's father. You know about him?" I did know—who in the village did not know? Since my neighbour had told me of him I had myself seen him singing through the village streets, shouting out and disturbing the serene evenings, drunken, piteous.... "Peter has him all the time," I suggested. She must have found a hint of resistance in my voice, for her look questioned me. "I never could stand it to have anybody like that in the house," she said defensively. "I've told Peter. I've told him both reasons...." Miggy threw out her arms and stood still, facing the sunset. "Anyway, I want to keep on feeling all free and liberty-like!" she said. This intense individualism of youth, passioning only for far spaces, taking no account of the common lot nor as yet urgent to share it is, like the panther grace in the tread of the cat, a survival of the ancient immunity from accountabilities. To note it is to range down the evolution of ages. To tame it—there is a task for all the servants of the new order. Miggy was like some little bright creature caught unaware in the net of living and still remembering the colonnades of otherwhere, renowned for their shining. She was looking within the sunset, where it was a thing of wings and doors ajar and fair corridors. I saw the great freedoms of sunset in her face—the sunset where Little Child and I had agreed that a certain spirit lived.... Perhaps it was that that little vagrant spirit signalled to me—and the Custodian understood it. Perhaps it was that I saw, beneath the freedoms, the
  • 39. woman-tenderness in the girl's face. In any case I spoke abruptly and half without intention. "But you don't want to be free from Little Child. It is almost as if she were your little girl, is it not?" I said. Miggy's eyes did not leave the sunset. It was rather as if she saw some answer there. "Well, I like to pretend she is," she said simply. "That," I said quietly, "is pleasant to pretend." And now her mood had changed as if some one had come to take her place. "But if she was—that," she said, "her name, then, would most likely be Margaret, like mine, wouldn't it?" "It would be very well to have it Margaret," I agreed. Her step was quickened as by sudden shyness. "It's funny to think about," she said. "Sometimes I most think of— her, till she seems in the room. Not quite my sister. I mean Margaret." It made my heart beat somewhat. I wondered if anything of my story to Little Child was left in my mind, and if subconsciously Miggy was reading it. This has sometimes happened to me with a definiteness which would be surprising if the supernatural were to me less natural. But I think that it was merely because Miggy had no idea of the sanctity of what she felt that she was speaking of it. "How does she look?" I asked. "Like me," said Miggy, readily; "I don't want her to either. I want her to be pretty and I'm not. But when I think of her running 'round in the house or on the street, I always make her look like me. Only little."
  • 40. "Running 'round in the house." That was the way my neighbour had put it. Perhaps it is the way that every woman puts it. "Does she seem like you, too?" I tempted her on. "Oh, better," Miggy said confidently; "learning to play on the piano and not much afraid of folks and real happy." "Don't you ever pretend about a boy?" I asked. She shook her head. "No," she said; "if I do—I never can think him out real plain. Margaret I can most see." And this, too, was like the girl in the garden and the spirit of that one to be called by a name of one whom she had not seen. I think that I have never hoped so much that I might know the right thing to say. And when most I wish this I do as I did then: I keep my impulse silent and I see if that vague Custodian within, somewhere between the seeing and the knowing, will not speak for me. I wonder if she did? At all events, what either she or I said was: — "Miggy! Look everywhere and tell me the most beautiful thing you can see." She was not an instant in deciding. "Why, sunset," she said. "Promise me," said I—said we!—"that you will remember Now. And that after to-night, when you see a sunset—always, always, till she comes—you will think about her. About Margaret." Because this caught her fancy she promised readily enough. And then we lingered a little, while the moment gave up its full argosy. I have a fancy for these times when I say "I will remember," and I am always selecting them and knowing, as if I had tied a knot in them,
  • 41. that I will remember. These times become the moments at which I keep waving my hand in the hope that they will never turn away. And it was this significance which I wished the hour to have for Miggy, so that for her the sunset should forever hold, as Little Child had said that it holds, that tiny, wandering spirit.... Liva Vesey and Timothy had lingered, too, and we passed them on the bridge, he still trying to win her eyes, and his own eyes fleeing precipitantly whenever she looked up. The two seemed leaning upon the winged light, the calm stretches of the Pump pasture, the brown sand bar, the Caledonia hills. And the lovers and the quiet river and the village, roof upon roof, in the trees of the other shore, and most of all Miggy and her shadowy Margaret seemed to me like the words of some mighty cosmic utterance, with the country evening for its tranquil voice.
  • 42. V DIFFERENT Those who had expected the circus procession to arrive from across the canal to-day were amazed to observe it filing silently across the tracks from the Plank Road. The Eight Big Shows Combined had arrived in the gray dawn; and word had not yet gone the rounds that, the Fair Ground being too wet, the performance would "show" in the Pump pasture, beyond the mill. There was to be no evening amusement. It was a wait between trains that conferred the circus on Friendship at all. Half the country-side, having brought its lunch into town to make a day of it, trailed as a matter of course after the clown's cart at the end of the parade, and about noon arrived in the pasture with the pleasurable sense of entering familiar territory to find it transformed into unknown ground. Who in the vicinity of the village had not known the Pump pasture of old? Haunted of Jerseys and Guernseys and orioles, it had lain expressionless as the hills, for as long as memory. When in spring, "Where you goin'? Don't you go far in the hot sun!" from Friendship mothers was answered by, "We're just goin' up to the Pump pasture for vi'lets" from Friendship young, no more was to be said. The pasture was as dependable as a nurse, as a great, faithful Newfoundland dog; and about it was something of the safety of silence and warmth and night-in-a-trundle-bed. And lo, now it was suddenly as if the pasture were articulate. The great elliptical tent, the strange gold chariots casually disposed, the air of the hurrying men, so amazingly used to what they were doing —these gave to the place the aspect of having from the first been secretly familiar with more than one had suspected.
  • 43. "Ain't it the divil?" demanded Timothy Toplady, Jr., ecstatically, as the glory of the scene burst upon him. Liva Vesey, in rose-pink cambric, beside him in the buckboard, looked up at his brown Adam's apple—she hardly ever lifted her shy eyes as far as her sweetheart's face—and rejoined:— "Oh, Timmie! ain't it just what you might say great?" "You'd better believe," said Timothy, solemnly, "that it is that." He looked down in her face with a lifting of eyebrows and an honest fatuity of mouth. Liva Vesey knew the look—without ever having met it squarely, she could tell when it was there, and she promptly turned her head, displaying to Timothy's ardent eyes tight coils of beautiful blond crinkly hair, a little ear, and a line of white throat with a silver locket chain. At which Timothy now collapsed with the mien of a man who is unwillingly having second thoughts. "My!" he said. They drove into the meadow, and when the horse had been loosed and cared for, they found a great cottonwood tree, its leaves shimmering and moving like little banners, and there they spread their lunch. The sunny slope was dotted with other lunchers. The look of it all was very gay, partly because the trees were in June green, and among them windmills were whirling like gaunt and acrobatic witches, and partly because it was the season when the women were brave in new hats, very pink and very perishable. The others observed the two good-humouredly from afar, and once or twice a tittering group of girls, unescorted, passed the cottonwood tree, making elaborate detours to avoid it. At which Liva flushed, pretending not to notice; and Timothy looked wistfully in her face to see if she wished that she had not come with him. However, Timothy never dared look at her long enough to find out anything at all; for the moment that she seemed about to meet his
  • 44. look he always dropped his eyes precipitantly to her little round chin and so to the silver chain and locket. And then he was miserable. It was strange that a plain heart-shaped locket, having no initials, could make a man so utterly, extravagantly unhappy. Three months earlier, Liva, back from a visit in the city, had appeared with her locket. Up to that time the only personality in which Timothy had ever indulged was to mention to her that her eyes were the colour of his sister's eyes, whose eyes were the colour of their mother's eyes and their father's eyes, and of Timothy's own, and "Our eyes match, mine and yours," he had blurted out, crimson. And yet, even on these terms, he had taken the liberty of being wretched because of her. How much more now when he was infinitely nearer to her? For with the long spring evenings upon them, when he had sat late at the Vesey farm, matters had so far advanced with Timothy that, with his own hand, he had picked a green measuring-worm from Liva's throat. Every time he looked at her throat he thought of that worm with rapture. But also every time he looked at her throat he saw the silver chain and locket. And on circus day, if the oracles seemed auspicious, he meant to find out whose picture was worn in that locket, even though the knowledge made him a banished man. If only she would ever mention the locket! he thought disconsolately over lunch. If only she would "bring up the subject," then he could find courage. But she never did mention it. And the talk ran now:— "Would you ever, ever think this was the Pump pasture?" from Liva. "No, you wouldn't, would you? It don't look the same, does it? You'd think you was in a city or somewheres, wouldn't you now? Ain't it differ'nt?" "Did you count the elephants?" "I bet I did. Didn't you? Ten, wa'n't it? Did you count the cages? Neither did I. And they was too many of 'em shut up. I don't know whether it's much of a circus or not—" with gloomy superiority —"they not bein' any calliope, so."
  • 45. "A good many cute fellows in the band," observed Liva. For Liva would have teased a bit if Timothy would have teased too. But Timothy replied in mere misery:— "You can't tell much about these circus men, Liva. They're apt to be the kind that carouse around. I guess they ain't much to 'em but their swell way." "Oh, I don't know," said Liva. Then a silence fell, resembling nothing so much as the breath of hesitation following a faux pas, save that this silence was longer, and was terminated by Liva humming a little snatch of song to symbolize how wholly delightful everything was. "My!" said Timothy, finally. "You wouldn't think this was the Pump pasture at all, it looks so differ'nt." "That's so," Liva said. "You wouldn't." It was almost as if the two were inarticulate, as the pasture had been until the strange influences of the day had come to quicken it. While Liva, with housewifely hands, put away the lunch things in their basket, Timothy nibbled along lengths of grass and hugged his knees and gloomed at the locket. It was then that Miggy and Peter passed them and the four greeted one another with the delicate, sheepish enjoyment of lovers who look on and understand other lovers. Then Timothy's look went back to Liva. Liva's rose-pink dress was cut distractingly without a collar, and the chain seemed to caress her little throat. Moreover, the locket had a way of hiding beneath a fold of ruffle, as if it were her locket and as if Timothy had no share in it. "Oh," cried Liva, "Timmie! That was the lion roared. Did you hear?" Timothy nodded darkly, as if there were worse than lions. "Wasn't it the lion?" she insisted.
  • 46. Timothy nodded again; he thought it might have been the lion. "What you so glum about, Timmie?" his sweetheart asked, glancing at him fleetingly. Timothy flushed to the line of his hair. "Gosh," he said, "this here pasture looks so differ'nt I can't get over it." "Yes," said Liva, "it does look differ'nt, don't it?" Before one o'clock they drifted with the rest toward the animal tent. They went incuriously past the snake show, the Eats-'em-alive show, and the Eastern vaudeville. But hard by the red wagon where tickets were sold Timothy halted spellbound. What he had heard was:— "Types. Types. Right this way AND in this direction for Types. No, Ladies, and no, Gents: Not Tin-types. But Photo-types. Photographs put up in Tintype style AT Tintype price. Three for a quarter. The fourth of a dozen for the fourth of a dollar. Elegant pictures, elegant finish, refined, up-to-date. Of yourself, Gents, of yourself. Or of any one you see around you. And WHILE you wait." Timothy said it before he had any idea that he meant to say it:— "Liva," he begged, "come on. You." When she understood and when Timothy saw the momentary abashment in her eyes, it is certain that he had never loved her more. But the very next moment she was far more adorable. "Not unless you will, Timmie," she said, "and trade." He followed her into the hot little tent as if the waiting chair were a throne of empire. And perhaps it was. For presently Timothy had in his pocket a tiny blurry bit of paper at which he had hardly dared so much as glance, and he had given another blurry bit into her keeping. But that was not all. When she thanked him she had met his eyes. And he thought—oh, no matter what he thought. But it
  • 47. was as if there were established a throne of empire with Timothy lord of his world. Then they stepped along the green way of the Pump pasture and they entered the animal tent, and Strange Things closed about them. There underfoot lay the green of the meadow, verdant grass and not infrequent moss, plantain and sorrel and clover, all as yet hardly trampled and still sweet with the breath of kine and sheep. And three feet above, foregathered from the Antipodes, crouched and snarled the striped and spotted things of the wild, with teeth and claws quick to kill, and with generations of the jungle in their shifting eyes. The bright wings of unknown birds, the scream of some harsh throat of an alien wood, the monkeys chattering, the soft stamp and padding of the elephants chained in a stately central line along the clover—it was certain, one would have said, that these must change the humour of the pasture as the companionship of the grotesque and the vast alters the humour of the mind. That the pasture, indeed, would never be the same, and that its influence would be breathed on all who entered there. Already Liva and Timothy, each with the other's picture in a pocket, moved down that tent of the field in another world. Or had that world begun at the door of the stuffy little phototype tent? It was the cage of bright-winged birds that held the two. Timothy stood grasping his elbows and looking at that flitting flame and orange. Dare he ask her if she would wear his phototype in her locket—dare he—dare he—— He turned to look at her. Oh, and the rose-pink cambric was so near his elbow! Her face, upturned to the birds, was flushed, her lips were parted, her eyes that matched Timothy's were alight; but there was always in Timothy's eyes a look, a softness, a kind of speech that Liva's could not match. He longed inexpressibly to say to her what was in his heart concerning the locket—the phototype— themselves. And Liva herself was longing to say something about the sheer glory of the hour. So she looked up at his brown Adam's apple, and,
  • 48. "Think, Timmie," she said, "they're all in the Pump pasture where nothin' but cows an' robins an' orioles ever was before!" "I know it—I know it!" breathed Timothy fervently. "Don't seem like it could be the same place, does it?" Liva barely lifted her eyes. "It makes us seem differ'nt, too," she said, and flushed a little, and turned to hurry on. "I was thinkin' that too!" he cried ecstatically, overtaking her. But all that Timothy could see was tight coils of blond, crinkled hair, and a little ear and a curve of white throat, with a silver locket chain. Down the majestic line of the elephants, towering in the apotheosis of mere bulk to preach ineffectually that spirit is apocryphal and mass alone is potent; past the panthers that sniffed as if they guessed the nearness of the grazing herd in the next pasture; past the cage in which the lioness lay snarling and baring her teeth above her cubs, so pathetically akin to the meadow in her motherhood; past unknown creatures with surprising horns and shaggy necks and lolling tongues—it was a wonderful progress. But it was as if Liva had found something more wonderful than these when, before the tigers' cage, she stepped forward, stooped a little beneath the rope, and stood erect with shining eyes. "Look!" she said. "Look, Timmie." She was holding a blue violet. "In front of the tigers; it was growing!" "Why don't you give it to me?" was Timothy's only answer. She laid it in his hand, laughing a little at her daring. "It won't ever be the same," she said. "Tigers have walked over it. My, ain't everything in the pasture differ'nt?"
  • 49. "Just as differ'nt as differ'nt can be," Timothy admitted. "Here we are back to the birds again," Liva said, sighing. Timothy had put the violet in his coat pocket and he stood staring at the orange and flame in the cage: Her phototype and a violet—her phototype and a violet. But all he said, not daring to look at her at all, was:— "I can't make it seem like the Pump pasture to save me." There is something, as they have said of a bugle, "winged and warlike" about a circus—the confusions, the tramplings, the shapes, the keen flavour of the Impending, and above all the sense of the Untoward, which is eternal and which survives glamour as his grave survives a man. Liva and Timothy sat on the top row of seats and felt it all, and believed it to be merely honest mirth. Occasionally Liva turned and peered out through the crack in the canvas where the side met the roof, for the pure joy of feeling herself alien to the long green fields with their grazing herds and their orioles, and at one with the colour and music and life within. And she was glad of it all, glad to be there with Timothy. But all she said was:— "Oh, Timmie, I hope it ain't half over yet. Do you s'pose it is? When I look outside it makes me feel as if it was over." And Timothy, his heart beating, a great hope living in his breast, answered only:— "No, I guess it'll be quite some time yet. It's a nice show. Nice performance for the money, right through. Ain't it?" When at length it really was over and they left the tent, the wagons from town and country-side and the "depot busses" had made such a place of dust and confusion that he took her back to the cottonwood on the slope to wait until he brought the buckboard round. He left her leaning against the tree, the sun burnishing her hair and shining dazzlingly on the smooth silver locket. And when he
  • 50. drove back, and reached down a hand to draw her up to the seat beside him, and saw her for a moment, as she mounted, with all the panorama of the field behind her, he perceived instantly that the locket was gone. Oh, and at that his heart leaped up! What more natural than to dream that she had taken it off to slip his phototype inside and that he had come back too soon? What more natural than to divine the reality of dreams? His trembling hope held him silent until they reached the highway. Then he looked at the field, elliptical tent, fluttering pennons, streaming crowds, and he observed as well as he could for the thumping of his heart:— "I kind o' hate to go off an' leave it. To-morrow when I go to town with the pie-plant, it'll look just like nothin' but a pasture again." Liva glanced up at him and dropped her eyes. "I ain't sure," she said. "What do you mean?" he asked her, wondering. But Liva shook her head. "I ain't sure," she said evasively, "but I don't think somehow the Pump pasture'll ever be the same again." Timothy mulled that for a moment. Oh, could she possibly mean because.... Yet what he said was, "Well, the old pasture looks differ'nt enough now, all right." "Yes," assented Liva, "don't it?" Timothy had supper at the Vesey farm. It was eight o'clock and the elder Veseys had been gone to prayer-meeting for an hour when Liva discovered that she had lost her locket.
  • 51. "Lost your locket!" Timothy repeated. It was the first time, for all his striving, that he had been able to mention the locket in her presence. He had tried, all the way home that afternoon, to call her attention innocently to its absence, but the thing that he hoped held fast his intention. "Why," he cried now, in the crash of that hope, "you had it on when I left you under the cottonwood." "You sure?" Liva demanded. "Sure," Timothy said earnestly; "didn't—didn't you have it off while I was gone?" he asked wistfully. "No," Liva replied blankly; she had not taken it off. When they had looked in the buckboard and had found nothing, Timothy spoke tentatively. "Tell you what," he said. "We'll light a lantern and hitch up and drive back to the Pump pasture and look." "Could we?" Liva hesitated. It was gloriously starlight when the buckboard rattled out on the Plank Road. Timothy, wretched as he was at her concern over the locket, was yet recklessly, magnificently happy in being alone by her side in the warm dusk, and on her ministry. She was silent, and, for almost the first time since he had known her, Timothy was silent too —as if he were giving his inarticulateness honest expression instead of forcing it continually to antics of speech. From the top of the hill they looked down on the Pump pasture. It lay there, silent and dark, but no longer expressionless; for instantly their imagination quickened it with all the music and colour and life of the afternoon. Just as Timothy's silence was now of the pattern of dreams. He tied the horse, and together they entered the field by the great open place where the fence had not yet been replaced. The turf was still soft and yielding, in spite of all the treading feet. The pasture
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