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C omposition in photography Presented by Mariam asfour
C omposition in photography Composition is the arrangement of visual  elements   within the frame of a photograph.
S napshot  vs.  P hotograph S napshot is just a memory of  something, event, person  or an object.
S napshot  vs.  P hotograph P hotograph is an artistic interpretation of an event or person  or object.
C omposition Depends on : S tructure   B alance D ynamic
S tructure structural  elements Position  Line  Shape non-structural  elements Light  Texture  Perspective  Motion
the   N ine-Grid Zone - Theorem of thirds. - Each zone needs to produce a  different effect in order to  be doing its Job. - Most of the zones may be  exactly the same with one or  two different zone.  (ex) - Weighing a photograph
the   N ine-Grid Zone Some effects we can  achieve by positioning weighing toward the  bottom
the   N ine-Grid Zone center-weighted photograph   (static subject)
the   N ine-Grid Zone S lightly off-center whieghted toward the top, bottom, one side,….
L ine and  S hape Line and Shape are the building blocks of the photograph. Control them and Don’t allow them to control you. They can help You a lot to control the eye of the viewer  when exploring your photograph.
L ine We have 3 types of lines : H orizontal  V ertical  D iagonal
H OriZontal line M akes you feel relax Ex:  the distant horizon. A Question: Why do you think he had put the line on the upper line zone and didn’t used the lower ?
V ertiCal line  Makes you feel the power of  Height   Specially when the photo is in the portrait format (ex) a building, a tree, a person.
D iaGonal line The strongest type, Use it to guide your viewers eye to your main subject  Also, imagine it makes the flat 2D plane of a photograph into a 3D sense
S hape The  shape  affect the photograph by two ways  : where it is  +ve where it isn't  –ve  Composition takes care to make the –ve space interesting
S hape What is the  negative  space? The area between the borders of the shape and the borders of the frames The closer these borders to each others the more interesting the negative space will be
B alance
B alance B alance  is an equal relationship between two things or more. A photograph is balanced when various elements weigh the same  That don’t mean they should take the same amount.
B alance
D ynamic Dynamic  is the movement of a viewer's eye as it explores a photograph.
D ynamic I deal dynamic, 1-Move begin with the most important subject (primary subject) 2-Proceeds to less Important ones (secondary subjects) 3-Makes a full circle back to the primary subject again
D ynamic In a  poorly composed  photograph The eye of the viewer may stuck to one of the secondary objects
D ynamic How can we do to control dynamic -Try to  arrange  your subjects  in the frame -Try to make your main Subject   big -Try to make it  near -Try to make your main different   (ex) by light intensity by colors -Use  lines   to guid the viewer
D ynamic Using  lines  in dynamic In this case the diagonal helps a lot Look at the photograph don’t you feel these diagonal lines leading your eye to this train
D ynamic Implied lines (ex) Some one looking
Top 10 tips… 1-  Back Ground, Back Ground, Back  Ground…..  2-   keep it simple. 3-   get in close. 4-  Personalize it   . 5-  Get into the habit of scanning the  edges of the frame.
Top 10 tips… 6-  Edit your image. 7-  shoot a lot of frames 8-  Raise your aspiration .  9-  study photography. 10-  Always carry a camera with you.
 

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composition in Photography

  • 1.  
  • 2. C omposition in photography Presented by Mariam asfour
  • 3. C omposition in photography Composition is the arrangement of visual elements within the frame of a photograph.
  • 4. S napshot vs. P hotograph S napshot is just a memory of something, event, person or an object.
  • 5. S napshot vs. P hotograph P hotograph is an artistic interpretation of an event or person or object.
  • 6. C omposition Depends on : S tructure B alance D ynamic
  • 7. S tructure structural elements Position Line Shape non-structural elements Light Texture Perspective Motion
  • 8. the N ine-Grid Zone - Theorem of thirds. - Each zone needs to produce a different effect in order to be doing its Job. - Most of the zones may be exactly the same with one or two different zone. (ex) - Weighing a photograph
  • 9. the N ine-Grid Zone Some effects we can achieve by positioning weighing toward the bottom
  • 10. the N ine-Grid Zone center-weighted photograph (static subject)
  • 11. the N ine-Grid Zone S lightly off-center whieghted toward the top, bottom, one side,….
  • 12. L ine and S hape Line and Shape are the building blocks of the photograph. Control them and Don’t allow them to control you. They can help You a lot to control the eye of the viewer when exploring your photograph.
  • 13. L ine We have 3 types of lines : H orizontal V ertical D iagonal
  • 14. H OriZontal line M akes you feel relax Ex: the distant horizon. A Question: Why do you think he had put the line on the upper line zone and didn’t used the lower ?
  • 15. V ertiCal line Makes you feel the power of Height Specially when the photo is in the portrait format (ex) a building, a tree, a person.
  • 16. D iaGonal line The strongest type, Use it to guide your viewers eye to your main subject Also, imagine it makes the flat 2D plane of a photograph into a 3D sense
  • 17. S hape The shape affect the photograph by two ways : where it is +ve where it isn't –ve Composition takes care to make the –ve space interesting
  • 18. S hape What is the negative space? The area between the borders of the shape and the borders of the frames The closer these borders to each others the more interesting the negative space will be
  • 20. B alance B alance is an equal relationship between two things or more. A photograph is balanced when various elements weigh the same That don’t mean they should take the same amount.
  • 22. D ynamic Dynamic is the movement of a viewer's eye as it explores a photograph.
  • 23. D ynamic I deal dynamic, 1-Move begin with the most important subject (primary subject) 2-Proceeds to less Important ones (secondary subjects) 3-Makes a full circle back to the primary subject again
  • 24. D ynamic In a poorly composed photograph The eye of the viewer may stuck to one of the secondary objects
  • 25. D ynamic How can we do to control dynamic -Try to arrange your subjects in the frame -Try to make your main Subject big -Try to make it near -Try to make your main different (ex) by light intensity by colors -Use lines to guid the viewer
  • 26. D ynamic Using lines in dynamic In this case the diagonal helps a lot Look at the photograph don’t you feel these diagonal lines leading your eye to this train
  • 27. D ynamic Implied lines (ex) Some one looking
  • 28. Top 10 tips… 1- Back Ground, Back Ground, Back Ground….. 2- keep it simple. 3- get in close. 4- Personalize it . 5- Get into the habit of scanning the edges of the frame.
  • 29. Top 10 tips… 6- Edit your image. 7- shoot a lot of frames 8- Raise your aspiration . 9- study photography. 10- Always carry a camera with you.
  • 30.