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Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
Copy of Copy of E4. ELEMENTS OF  MUSIC.ppt
ELEMENTS OF MUSIC
ELEMENTS OF MUSIC
There are several key elements of music. When
combined and used correctly they express emotion
and provide us with “singable”, enjoyable pieces that
can represent time, place and even become what we
use to describe who we are and what we represent.
Rhythm
Rhythm
 Definition: The patterns of long and short
sounds and silences in music.
 To create a rhythm combine any variety of
notes and rests together (see your note and
rest value chart).
 Rhythms can and are performed throughout
any piece of music by any instrument,
however, we can mostly recognize a rhythm
when it is performed on a percussion
instrument.
Beat
Beat
 Definition: A steady pulse contained in
music.
 Music is organized with time signatures
that indicate how many beats are found
within one measure of music.
 The top number of the time signature
indicates how many beats will appear in
one measure/bar of music.
2 3 4 6 6 over 8 means 6 beats per
bar
4 4 4 8 4 over 4 means 4 beats per bar
 The bottom number of the time signature
indicates what type of note receives one
beat.
The 8 in 6/8 time means an eighth note receives one beat
2 3 4 6
4 4 4 8
The 4 in 4/4 time means a quarter notes receives one beat
 The time signature appears at the
beginning of the music after the clef
(treble or bass).
 It does not appear in any other measure
unless there is a time change throughout
the piece.
Tempo
Tempo
 Definition: The pace or speed at which a
piece of music is performed.
 Tempo markings are traditionally given in
Italian and the words that refer to tempo
can be categorized in the following ways:
SLOW
SLOW
 Grave – extremely slow and solemn
 Adagio – very slow
 Lento – slow
 Largo – slow and broad
 Larghetto – less slow than largo
MEDIUM
MEDIUM
 Andante – rather slow, at a moderate
walking pace
 Andantino – a little faster than andante
 Moderato – at a moderate pace
 Allegretto – fairly quick, slightly slower
than allegro
FAST
FAST
 Con moto – with movement, or a certain quickness
 Allegro – lively, rather quick
 Vivace – quick and lively
 Veloce – with velocity
 Rapido – rapid
 Presto – very quick
 Prestissimo – as quick as possible
Other words that refer to Tempo
Other words that refer to Tempo
 Accelerando – gradually getting quicker
 Meno mosso – less movement, slower
 Ritardando – gradually getting slower
 Rallentando – gradually getting slower
 Tempo rubato – robbed time
DYNAMICS
DYNAMICS
 Definition: The volume of the sound, as well
as the style in which the performer plays the
instrument/music.
 It is important to not confuse how loud or soft
something is on a recorded performance. It is
easy to turn up (or down) the volume using an
electronic device.
Dynamics
Dynamics
 When dynamics are discussed in regards
to orchestration we are referring to how
loud or soft each instrument can perform
on its own, the stylistic elements that
support that sound and finally what
dynamics they can create when
combining and performing as an ensemble
or orchestra.
Italian Terminology
Italian Terminology
Italian
Terminology
SYMBOL Translation
pianissimo pp (ppp) As soft as possible
piano P Soft
mezzo piano mp Medium soft
mezzo forte mf Medium loud
forte f Loud
fortissimo ff (fff) As loud as possible
Variations in Volume
Variations in Volume
Italian Terminology SYMBOL Translation
Crescendo Gradually louder
Decrescendo Gradually softer
Sforzando sfz or sf Strongly accented
Forte – piano fp Loud, then immediately soft
Terminology referring to “style” of playing
Terminology referring to “style” of playing
Italian Terminology Translation
brilliante or con brio With brilliance or vivacity
cantabile In a singing style
dolce Sweetly
legato Smoothly
scherzando Playfully
staccato Detached
tenuto Held
vivace Lively
TIMBRE
TIMBRE
 Definition: The unique quality or
qualities inherent in sounds that allow us
to distinguish between them.
 Timber (TAMBOUR – as in
“tambourine”) has also been referred to
as the tone colouring of an instrument.
 The distinct tone quality of an instrument
can be represented by the colour that
matches the sound.
 Let us consider the Flute.
What colour(s) would you think best
represents the sound quality of this
instrument?
 It is also important to consider how the
instrument is being played.
 Quickly review in your notes some of the
Italian terminology that is used to
describe the styles of how one can
perform on their instrument...
 At this point, depending on the style in
which the instrument is being played,
specific colours and/or descriptive words
could be used to best interpret the
sounds you hear!
 There are major differences between the
families of instruments and how they
sound.
 There are also differences that occur
within each family. For example Flute vs.
Bassoon (both Woodwind), however
very different tone qualities.
PITCH
PITCH
 Definition: The degree of highness or
lowness of a sound.
The Staff
The Staff
 Music is written on a STAFF of five lines
and the four spaces between
5
4
3
2
1
It is important to remember to count from the bottom
up!
Music Notation
Music Notation
 Music notes are oval shaped symbols that
are placed on the lines and in the spaces.
They represent musical sounds, called
PITCHES.
 If the notes appear higher on the staff
they sound higher in pitch.
 If the notes appear lower on the staff
they sound lower in pitch.
Organizing Musical Sounds
Organizing Musical Sounds
 Musical notes are named after the first
seven letters of the alphabet:
 A B C D E F G A B C D E F G A B C ...
they keep repeating over and over and by
their position on the staff they can
represent the entire range of musical
sound.
Clefs in Music Notation
Clefs in Music Notation
 Clef signs help to organize the staff so
notes can easily be read.
Treble Clef
Treble Clef
 The treble clef is used for notes in the
higher pitch ranges. The treble clef (or G
clef) has evolved from a stylized letter G
into the present:
 The curl of the treble clef circles the line
on which the note G is placed. This G is
above middle C (The C nearest the
middle of the keyboard).
Note naming patterns – drawing and
Note naming patterns – drawing and
naming notes!
naming notes!
 Take out a pencil and on a new sheet of
paper create the following – a blank staff:
 Use a ruler if you have one to ensure they
are straight and even!
 Now draw the treble clef and create 5
notes, one on each line (leave some space
between each note so that they do not
stack on top of each other). Somewhat
like this...
 Do not colour them in and only draw
them on the five lines!
 Now let’s name the five line notes that
appear in the treble clef...
Note naming patterns
Note naming patterns
 In the treble staff the names of the line
notes from bottom to top are:
E G B D F
 This order can be memorized with the
saying:
Every, Good, Boy, Deserves, Fudge
Or...
 Now recreate a new staff (including the
treble clef) and fill in the four spaces
using whole notes...
 Get ready to name them...
 The names of notes in the spaces spell
the word:
F A C E
The Bass Clef
The Bass Clef
 The Bass clef (pronounced “base”) is
used for notes in the lower pitch ranges.
The bass clef (or F clef) has evolved from
the stylized letter f into:
 The two dots of the bass clef surround
the fourth line, the line on which the note
F is played.
 For a third time create a staff on your
paper only this time practice drawing the
bass clef – try to place the two dots
directly in the 3rd
and 4th
space
surrounding that fourth line.
 It is very important to indicate the dots in
those exact spaces or you are not
drawing the symbol correctly!
 Now draw on the 5 line notes leaving
room in between (no “snowman” or
stacking!)
 Let’s name these notes...
 In the bass staff the names of the notes on
the lines from bottom to top are:
G B D F A
 The phrase that can help you memorize
this order is:
Good, Boys, Do, Fine, Always
Or...
 Finally, one last time create a staff
(including the bass clef) and draw on the
four space notes
 Unfortunately the space note names do
not combine to make a word.
 Do you know a phrase that can be used
as a way to identify the notes of the bass
clef?
 The space notes appear from bottom to
top as:
A C E G
 The phrase that can help you memorize
this order is:
All, Cows, Eat, Grass
Or...
MELODY
MELODY
 Definition: A series of pitches that move
forward (the sing-able part) within a piece
of music.
Types of Melody
Types of Melody
 There are two types of Melody.
CONJUNCT
CONJUNCT
 A conjunct melody is a melody that
moves in stepwise motion.
DISJUNCT
DISJUNCT
 A Disjunct melody is one that moves with
more leaps (jumps) than steps.
HARMONY
HARMONY
 Definition: Combinations of pitches
sounding simultaneously.
 Consider two performers presenting a
piece to an audience. If one instrument is
performing on whole notes while the
other is playing the main melody there
will be harmony.
 Instruments that have strings (violin, harp)
or tuned percussion (piano, xylophone) can
play harmony on their own.
 However, instruments like Flute, Clarinet,
or Trumpet, need to have other performers
playing with them for the harmony to occur.
FORM
FORM
 Definition: The structure of a piece of
music, the way a piece of music is
organized.
 There are many forms in music, but the
main elements you need to consider
when defining a piece of music is the
repetition and contrast that occurs in the
melody.
 Forms have been categorized based on
letter names, for example A B form is
known as BINARY Form
 ABA form is known as TERNARY Form
where there is a repeat of an entire
section – the A section of the melody.
 In Modern or 20th
Century music sections
or musical ideas have been categorized
using the terms “Chorus” (or Refrain)
and “Verse”.
 There may even be a “Bridge” which is
sometimes a completely different idea
within the melody that often occurs near
the end of the song.
 Example:
Verse1 Chorus Verse2 Chorus Bridge Chorus
Chorus
 The text of most Modern music can
easily organize the sections of the melody
as we can (almost always) understand the
language and therefore identify where the
repetition of the melody occurs.
TEXTURE
TEXTURE
 Definition: The fabric or layering of
sound created by melody, harmony and
tone colouring (timbre).
 Consider all of the instrumentation that
can be combined to create a single piece
of music.
 Each instrument is responsible for a
melodic and/or rhythmic line.
 When each instrument combines
together with the ensemble (orchestra)
the texture is specific to what and how
they are performing.
Different Textures
Different Textures
 Homophonic:
A soloist performing a melody.
 Monophonic:
A soloist performing a melody with
accompaniment (for example Flute with
Piano).
 Polyphonic:
Many musicians performing/combining
rhythmic and melodic patterns together.
Resources for images:
Resources for images:
 world-of-songwriting.com

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Copy of Copy of E4. ELEMENTS OF MUSIC.ppt

  • 10. ELEMENTS OF MUSIC ELEMENTS OF MUSIC There are several key elements of music. When combined and used correctly they express emotion and provide us with “singable”, enjoyable pieces that can represent time, place and even become what we use to describe who we are and what we represent.
  • 11. Rhythm Rhythm  Definition: The patterns of long and short sounds and silences in music.  To create a rhythm combine any variety of notes and rests together (see your note and rest value chart).  Rhythms can and are performed throughout any piece of music by any instrument, however, we can mostly recognize a rhythm when it is performed on a percussion instrument.
  • 12. Beat Beat  Definition: A steady pulse contained in music.  Music is organized with time signatures that indicate how many beats are found within one measure of music.
  • 13.  The top number of the time signature indicates how many beats will appear in one measure/bar of music. 2 3 4 6 6 over 8 means 6 beats per bar 4 4 4 8 4 over 4 means 4 beats per bar
  • 14.  The bottom number of the time signature indicates what type of note receives one beat. The 8 in 6/8 time means an eighth note receives one beat 2 3 4 6 4 4 4 8 The 4 in 4/4 time means a quarter notes receives one beat
  • 15.  The time signature appears at the beginning of the music after the clef (treble or bass).  It does not appear in any other measure unless there is a time change throughout the piece.
  • 16. Tempo Tempo  Definition: The pace or speed at which a piece of music is performed.  Tempo markings are traditionally given in Italian and the words that refer to tempo can be categorized in the following ways:
  • 17. SLOW SLOW  Grave – extremely slow and solemn  Adagio – very slow  Lento – slow  Largo – slow and broad  Larghetto – less slow than largo
  • 18. MEDIUM MEDIUM  Andante – rather slow, at a moderate walking pace  Andantino – a little faster than andante  Moderato – at a moderate pace  Allegretto – fairly quick, slightly slower than allegro
  • 19. FAST FAST  Con moto – with movement, or a certain quickness  Allegro – lively, rather quick  Vivace – quick and lively  Veloce – with velocity  Rapido – rapid  Presto – very quick  Prestissimo – as quick as possible
  • 20. Other words that refer to Tempo Other words that refer to Tempo  Accelerando – gradually getting quicker  Meno mosso – less movement, slower  Ritardando – gradually getting slower  Rallentando – gradually getting slower  Tempo rubato – robbed time
  • 21. DYNAMICS DYNAMICS  Definition: The volume of the sound, as well as the style in which the performer plays the instrument/music.  It is important to not confuse how loud or soft something is on a recorded performance. It is easy to turn up (or down) the volume using an electronic device.
  • 22. Dynamics Dynamics  When dynamics are discussed in regards to orchestration we are referring to how loud or soft each instrument can perform on its own, the stylistic elements that support that sound and finally what dynamics they can create when combining and performing as an ensemble or orchestra.
  • 23. Italian Terminology Italian Terminology Italian Terminology SYMBOL Translation pianissimo pp (ppp) As soft as possible piano P Soft mezzo piano mp Medium soft mezzo forte mf Medium loud forte f Loud fortissimo ff (fff) As loud as possible
  • 24. Variations in Volume Variations in Volume Italian Terminology SYMBOL Translation Crescendo Gradually louder Decrescendo Gradually softer Sforzando sfz or sf Strongly accented Forte – piano fp Loud, then immediately soft
  • 25. Terminology referring to “style” of playing Terminology referring to “style” of playing Italian Terminology Translation brilliante or con brio With brilliance or vivacity cantabile In a singing style dolce Sweetly legato Smoothly scherzando Playfully staccato Detached tenuto Held vivace Lively
  • 26. TIMBRE TIMBRE  Definition: The unique quality or qualities inherent in sounds that allow us to distinguish between them.  Timber (TAMBOUR – as in “tambourine”) has also been referred to as the tone colouring of an instrument.
  • 27.  The distinct tone quality of an instrument can be represented by the colour that matches the sound.  Let us consider the Flute. What colour(s) would you think best represents the sound quality of this instrument?
  • 28.  It is also important to consider how the instrument is being played.  Quickly review in your notes some of the Italian terminology that is used to describe the styles of how one can perform on their instrument...
  • 29.  At this point, depending on the style in which the instrument is being played, specific colours and/or descriptive words could be used to best interpret the sounds you hear!
  • 30.  There are major differences between the families of instruments and how they sound.  There are also differences that occur within each family. For example Flute vs. Bassoon (both Woodwind), however very different tone qualities.
  • 31. PITCH PITCH  Definition: The degree of highness or lowness of a sound.
  • 32. The Staff The Staff  Music is written on a STAFF of five lines and the four spaces between 5 4 3 2 1 It is important to remember to count from the bottom up!
  • 33. Music Notation Music Notation  Music notes are oval shaped symbols that are placed on the lines and in the spaces. They represent musical sounds, called PITCHES.
  • 34.  If the notes appear higher on the staff they sound higher in pitch.  If the notes appear lower on the staff they sound lower in pitch.
  • 35. Organizing Musical Sounds Organizing Musical Sounds  Musical notes are named after the first seven letters of the alphabet:  A B C D E F G A B C D E F G A B C ... they keep repeating over and over and by their position on the staff they can represent the entire range of musical sound.
  • 36. Clefs in Music Notation Clefs in Music Notation  Clef signs help to organize the staff so notes can easily be read.
  • 37. Treble Clef Treble Clef  The treble clef is used for notes in the higher pitch ranges. The treble clef (or G clef) has evolved from a stylized letter G into the present:
  • 38.  The curl of the treble clef circles the line on which the note G is placed. This G is above middle C (The C nearest the middle of the keyboard).
  • 39. Note naming patterns – drawing and Note naming patterns – drawing and naming notes! naming notes!  Take out a pencil and on a new sheet of paper create the following – a blank staff:  Use a ruler if you have one to ensure they are straight and even!
  • 40.  Now draw the treble clef and create 5 notes, one on each line (leave some space between each note so that they do not stack on top of each other). Somewhat like this...  Do not colour them in and only draw them on the five lines!
  • 41.  Now let’s name the five line notes that appear in the treble clef...
  • 42. Note naming patterns Note naming patterns  In the treble staff the names of the line notes from bottom to top are: E G B D F  This order can be memorized with the saying: Every, Good, Boy, Deserves, Fudge Or...
  • 43.  Now recreate a new staff (including the treble clef) and fill in the four spaces using whole notes...
  • 44.  Get ready to name them...
  • 45.  The names of notes in the spaces spell the word: F A C E
  • 46. The Bass Clef The Bass Clef  The Bass clef (pronounced “base”) is used for notes in the lower pitch ranges. The bass clef (or F clef) has evolved from the stylized letter f into:
  • 47.  The two dots of the bass clef surround the fourth line, the line on which the note F is played.
  • 48.  For a third time create a staff on your paper only this time practice drawing the bass clef – try to place the two dots directly in the 3rd and 4th space surrounding that fourth line.  It is very important to indicate the dots in those exact spaces or you are not drawing the symbol correctly!
  • 49.  Now draw on the 5 line notes leaving room in between (no “snowman” or stacking!)
  • 50.  Let’s name these notes...
  • 51.  In the bass staff the names of the notes on the lines from bottom to top are: G B D F A  The phrase that can help you memorize this order is: Good, Boys, Do, Fine, Always Or...
  • 52.  Finally, one last time create a staff (including the bass clef) and draw on the four space notes
  • 53.  Unfortunately the space note names do not combine to make a word.  Do you know a phrase that can be used as a way to identify the notes of the bass clef?
  • 54.  The space notes appear from bottom to top as: A C E G  The phrase that can help you memorize this order is: All, Cows, Eat, Grass Or...
  • 55. MELODY MELODY  Definition: A series of pitches that move forward (the sing-able part) within a piece of music.
  • 56. Types of Melody Types of Melody  There are two types of Melody.
  • 57. CONJUNCT CONJUNCT  A conjunct melody is a melody that moves in stepwise motion.
  • 58. DISJUNCT DISJUNCT  A Disjunct melody is one that moves with more leaps (jumps) than steps.
  • 59. HARMONY HARMONY  Definition: Combinations of pitches sounding simultaneously.  Consider two performers presenting a piece to an audience. If one instrument is performing on whole notes while the other is playing the main melody there will be harmony.
  • 60.  Instruments that have strings (violin, harp) or tuned percussion (piano, xylophone) can play harmony on their own.  However, instruments like Flute, Clarinet, or Trumpet, need to have other performers playing with them for the harmony to occur.
  • 61. FORM FORM  Definition: The structure of a piece of music, the way a piece of music is organized.
  • 62.  There are many forms in music, but the main elements you need to consider when defining a piece of music is the repetition and contrast that occurs in the melody.
  • 63.  Forms have been categorized based on letter names, for example A B form is known as BINARY Form  ABA form is known as TERNARY Form where there is a repeat of an entire section – the A section of the melody.
  • 64.  In Modern or 20th Century music sections or musical ideas have been categorized using the terms “Chorus” (or Refrain) and “Verse”.  There may even be a “Bridge” which is sometimes a completely different idea within the melody that often occurs near the end of the song.
  • 65.  Example: Verse1 Chorus Verse2 Chorus Bridge Chorus Chorus  The text of most Modern music can easily organize the sections of the melody as we can (almost always) understand the language and therefore identify where the repetition of the melody occurs.
  • 66. TEXTURE TEXTURE  Definition: The fabric or layering of sound created by melody, harmony and tone colouring (timbre).
  • 67.  Consider all of the instrumentation that can be combined to create a single piece of music.
  • 68.  Each instrument is responsible for a melodic and/or rhythmic line.  When each instrument combines together with the ensemble (orchestra) the texture is specific to what and how they are performing.
  • 69. Different Textures Different Textures  Homophonic: A soloist performing a melody.  Monophonic: A soloist performing a melody with accompaniment (for example Flute with Piano).  Polyphonic: Many musicians performing/combining rhythmic and melodic patterns together.
  • 70. Resources for images: Resources for images:  world-of-songwriting.com