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The basicsby Sabrina Nespeca for LT 100 Fall 20091Copyright and Libraries
United States Copyrightby Sabrina Nespeca for LT 100 Fall 20092[Clause 8, 1] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
What does copyright protect?by Sabrina Nespeca for LT 100 Fall 20093©
Not protected: Free to shareby Sabrina Nespeca for LT 100 Fall 20094
What are copyrights for the owner?by Sabrina Nespeca for LT 100 Fall 20095
Who is the owner?by Sabrina Nespeca for LT 100 Fall 20096Author(s)Author’s EmployerOther
Ask for permission	by Sabrina Nespeca for LT 100 Fall 20097Books and journal articlesForeignNewspaperImagesFreelance writer (author retains ©)Music performanceMusic recordingOnline musical performancePlay rightsMovie
Libraries’  loopholesby Sabrina Nespeca for LT 100 Fall 20098Unprotected Exceptions
Exception: Public Domainby Sabrina Nespeca for LT 100 Fall 20099When does copyright start and end?Copyright protection by datehttp://librarycopyright.net/digitalslider/
10
Etool for Fair Useby Sabrina Nespeca for LT 100 Fall 200911Learn More about Fair UseFair Use Evaluatorhttp://librarycopyright.net/fairuse/© Michael Brewer & ALA Office for Information Technology PolicyIs using this Etool “fair use”?My Results of Fair Use Evaluator
20th century library rights: fair and balancedby Sabrina Nespeca for LT 100 Fall 200912
New Milleniumby Sabrina Nespeca for LT 100 Fall 200913
I found it on the Internet!by Sabrina Nespeca for LT 100 Fall 200914No one cares what I do with it, right?ExceptionsPublic DomainCustom licenses (CC)Fair UseSmall portions of multimediaNo agreement on images
Distance Educationby Sabrina Nespeca for LT 100 Fall 200915TEACH Act (Technology Education and Copyright Harmonization) 2002Films in the Classroom:  Exceptions for Instructors (etool)Created by the ALAFor more complex scenarios, tryThe TEACH Toolkit, maintained by Peggy E. Hoonhttp://www.lib.ncsu.edu/dspc/legislative/teachkit/
Digitizing Analog Imagesby Sabrina Nespeca for LT 100 Fall 200916I’ll just scan this…
New Stuff from Old stuffby Sabrina Nespeca for LT 100 Fall 200917
Electronic Reservesby Sabrina Nespeca for LT 100 Fall 200918Like “Reserve Book Room”Need permission
Copying by Sabrina Nespeca for LT 100 Fall 200919Digital archiving and for replacementPatron requestsResearchCourse reservesInterlibrary Loanhttp://www.nmrls.org/ill/illcode.shtmlDocument DeliveryNew technology transforms ILL to Doc Delivery.  No consensus on fair practice.Moving to Database Licenses
Licensing: emerging trendby Sabrina Nespeca for LT 100 Fall 200920Old: Just sign it and send it back!Ugly consequencesNew: Fully negotiable
Solutionby Sabrina Nespeca for LT 100 Fall 2009Fair use questionPublic DomainDigital copyingFuture of librariesAnalyze and defendBy DateInterim: licensingOutsourced?21Current best practicesProblem
Thank you!by Sabrina Nespeca for LT 100 Fall 200922FIN

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Copyright basics for library staff

  • 1. The basicsby Sabrina Nespeca for LT 100 Fall 20091Copyright and Libraries
  • 2. United States Copyrightby Sabrina Nespeca for LT 100 Fall 20092[Clause 8, 1] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
  • 3. What does copyright protect?by Sabrina Nespeca for LT 100 Fall 20093©
  • 4. Not protected: Free to shareby Sabrina Nespeca for LT 100 Fall 20094
  • 5. What are copyrights for the owner?by Sabrina Nespeca for LT 100 Fall 20095
  • 6. Who is the owner?by Sabrina Nespeca for LT 100 Fall 20096Author(s)Author’s EmployerOther
  • 7. Ask for permission by Sabrina Nespeca for LT 100 Fall 20097Books and journal articlesForeignNewspaperImagesFreelance writer (author retains ©)Music performanceMusic recordingOnline musical performancePlay rightsMovie
  • 8. Libraries’ loopholesby Sabrina Nespeca for LT 100 Fall 20098Unprotected Exceptions
  • 9. Exception: Public Domainby Sabrina Nespeca for LT 100 Fall 20099When does copyright start and end?Copyright protection by datehttp://librarycopyright.net/digitalslider/
  • 10. 10
  • 11. Etool for Fair Useby Sabrina Nespeca for LT 100 Fall 200911Learn More about Fair UseFair Use Evaluatorhttp://librarycopyright.net/fairuse/© Michael Brewer & ALA Office for Information Technology PolicyIs using this Etool “fair use”?My Results of Fair Use Evaluator
  • 12. 20th century library rights: fair and balancedby Sabrina Nespeca for LT 100 Fall 200912
  • 13. New Milleniumby Sabrina Nespeca for LT 100 Fall 200913
  • 14. I found it on the Internet!by Sabrina Nespeca for LT 100 Fall 200914No one cares what I do with it, right?ExceptionsPublic DomainCustom licenses (CC)Fair UseSmall portions of multimediaNo agreement on images
  • 15. Distance Educationby Sabrina Nespeca for LT 100 Fall 200915TEACH Act (Technology Education and Copyright Harmonization) 2002Films in the Classroom: Exceptions for Instructors (etool)Created by the ALAFor more complex scenarios, tryThe TEACH Toolkit, maintained by Peggy E. Hoonhttp://www.lib.ncsu.edu/dspc/legislative/teachkit/
  • 16. Digitizing Analog Imagesby Sabrina Nespeca for LT 100 Fall 200916I’ll just scan this…
  • 17. New Stuff from Old stuffby Sabrina Nespeca for LT 100 Fall 200917
  • 18. Electronic Reservesby Sabrina Nespeca for LT 100 Fall 200918Like “Reserve Book Room”Need permission
  • 19. Copying by Sabrina Nespeca for LT 100 Fall 200919Digital archiving and for replacementPatron requestsResearchCourse reservesInterlibrary Loanhttp://www.nmrls.org/ill/illcode.shtmlDocument DeliveryNew technology transforms ILL to Doc Delivery. No consensus on fair practice.Moving to Database Licenses
  • 20. Licensing: emerging trendby Sabrina Nespeca for LT 100 Fall 200920Old: Just sign it and send it back!Ugly consequencesNew: Fully negotiable
  • 21. Solutionby Sabrina Nespeca for LT 100 Fall 2009Fair use questionPublic DomainDigital copyingFuture of librariesAnalyze and defendBy DateInterim: licensingOutsourced?21Current best practicesProblem
  • 22. Thank you!by Sabrina Nespeca for LT 100 Fall 200922FIN

Editor's Notes

  • #2: Hello my name is and your instructor invited me here today to talk about 2 things: the basics of copyright and afterward answers about being a student in the SJSU SLIS.I’ll spend several minutes with a slide show presentation on copyright issues and if you have Internet available at your stations I’d like to let you experiment with one of the sites I mention in the presentation.Since I am not a lawyer or a copyright specialist, I’m not qualified to field specific questions about copyright, but I may be able to get back to you with hints on getting the right answer.I am an expert at being a library science student, so I’ll take any and all questions on this. Ok, shall we get started?
  • #3: Basis of copyright law today:Copyright was considered so important to the progress of the country that it was stated explicitly on the first page of the United States Constitution!The specific clause is Clause 8, section 1: “To promote the progress of science and useful arts, by securing for a limited time to authors and inventors the exclusive rights to their respective writings and discoveries;”Like many statements in our Constitution, it is open in part to interpretation. For instance, ‘rights’ are exclusive for a limited time, but exactly for how long has changed several times in legislation passed over the last 200 years. I’d also like to point out that the founders recognized that ensuring creators’ rights and profits would stimulate creativity, which they considered vital for a democratic nation.
  • #4: So, what do these exclusive rights protect?Broad definition: Copyright is automatic for intellectual property the moment it is in a fixed format; as soon as it is written or recorded. Web content, Articles, Published Reports, Photos, Music, Film, Software, Books, Architecture, Drama, Choreography(Basically, everything and anything that libraries collect).The copyright symbol is not required, though it is a good idea for authors to remind readers or listeners of the creator’s copyright.