Katy Raines
CRM – Why
bother?
Christiansand, January 2012
CRM – Why bother?

 A reminder   of CRM
 The   changing marketing environment
 What   CRM Can deliver
 Building   a picture of the customer
 A Good     CRM system
A reminder of CRM


1.   Not all customers are equally valuable
2.   It costs 5 times more to acquire a
     customer than keep an existing one
3.   Customers have different needs, which
     need to be reflected in your marketing
     communications with them
Frequency
1. All customers are not equally valuable
                      8+ times
                      per year   2%
                                                 60%




                                                                   year
                                                                   % of income in 1
                5-7 times
                per year         4%

         2-4 times                                     25%
         per year                26%

    Once
                                                             15%
   per year                      68%

                        % of bookers in 1 year
Retention
2. Keeping customers costs 5x less


              New audiences




               Retained customers




            Lost / lapsed customers
Segmentation
 3. Customers have different needs

                                 These people have
            2%                   different needs
                                 From these people
            4%

           26%

           68%

% of bookers by frequency band
Ulster Orchestra,
Belfast
 ‘Old’   model
  Were sending all their customer the same thing – a
   large 32-page season brochure, costing £1 per issue
  Return on investment 1.6:1

 ‘New    model’
  Sent different customers different things
  For 90% of the customers this meant sending them
   LESS information, but more RELEVANT
  Return on Investment increased to 21:1
The changing marketing
environment
Digital
      explosion = Consumers
 bombarded with content
Growthof tools and sites to ‘aggregate’
 and make sense of content for
 consumers to digest
Expectation of content matched to
 need and preference
NB. This is no longer a ‘nice to have’ –
it’s essential!
email content - relevant


                             Tailored to match
                             my previous
                             purchases
General
message
to
everyone
Web content - relevant
And what about Social Media?
                                                             Customer

                                                                   ‘tunes in’ at
                                                                  various points




                                           Organisation
                                       Broadcasts messages

Social Media




                                       Sends direct
                        Organisation    messages          Customer

 CRM / Direct
 Marketing

                They are different tools for different purposes
The results
Opportunity  – to build loyalty and affinity
 by reflecting their needs back to them
 with relevant (and personalised) content
Threat – customers will ignore your
 content as it isn’t relevant, and you will
 lose them
What a good CRM programme can
deliver
 Increased   frequency from existing customers
 Keeping   more customers year on year
 Reduced  marketing costs and improved
 return on investment
 Brand   affinity and loyalty
 Improved customer insight to aid business
 planning and programme/product
 development
Building a picture of the customer
           Purchasing                   Social media behaviour
            behaviour                          Re-tweets
            Frequency                            Likes
             Recency
         Types of product
                                                 Response to
                                                   comms
                                                  Purchase
                               The                  Clicks
                             Customer              Timing
                                                    Type



Attitudes and preferences
Stated comms preferences                       Profile
Stated product preferences                  Geography
   Feedback / comments                    Demographics –
                                          age, income etc.
Customised communications
                  Product choices




                      Picture of
                         the
                      customer
                                    Timing of
                                     comms


  Type of comms
Symphony Hall Birmingham



                   600    events per year
                The
                   
              Customer Mostly ‘one night’
                       shows
                   2200    seats
                      over ½ million
                       audiences each year
Symphony Hall Birmingham –
challenges
Too much ‘choice’ and information for the
 customer to make sense of
                     The
Wide   range of events
                   Customer

Events   changing daily – often going on sale
 at late notice
Customers  are annoyed if things sell out
 before they’ve heard about them
Building a picture of the customer
            Purchasing
             behaviour
           Contact details
             gathered /
            checked with
                                                  Response to
           each purchase
                                                     comms
                                                Record response
                                  The             to direct mail
                                Customer          Record ‘click’
                                                response to email



Attitudes and preferences
Data sign-up process gathers                        Profile
   preferred communication                    Geo-demographic
            method                         information ‘appended’
    Later emails encourage                 to record to show likely
 customers to tell us product                  age, income etc.
  preferences (eg. classical)
Different communications
Classical Music audiences

- Season confirmed 1 year ahead
- Like to see ‘full programme’ to make selections
- Like printed brochures rather than digital
                         Picture of
                            the
                         customer
- ‘Classical music’ brochure sent by post 3 times
  per year
- Personalised booking form and incentives to
  subscribe early
- Email used as a reminder (but sparing)
Different communications
Rock and Pop audiences

-   Events getting confirmed all the time
-   Big names can sell out in a day
-   They don’t want to miss the chance to book
                           Picture of
-   Are used to 100% digital communications from
                              the
    competitors            customer


- Weekly ‘On sale’ announcements, and ‘don’t miss
  this month’
- Reducing / minimal printed communications
Personalised e-
bulletins



                                  Picture of
                                     the
                                  customer
Events ‘match’ customer profile
based on:
- Previous product purchase
- Stated product preferences
- Clicks on previous emails


       Other events listed here
MARKETING EFFECTIVENESS



        Marketing ROI (all tix)                     Spend per seat sold (all tix)

14.00
                                            £1.40

13.50
                                            £1.35
13.00
                                            £1.30
12.50

                                            £1.25
12.00

11.50                                       £1.20


11.00                                       £1.15
          2008-09    2009-210     2010-11            2008-09   2009-2010   2010-11
What do you need from a CRM
system? (5 steps)
 Initial
      and ongoing data capture linked to
 purchasing behaviour
 Sensible     segmentation and data analysis:
    Frequency/Recency
    Value
    Product type

 Tools
  To implement personalised approach
  To measure effect
The CRM process


                        1. Gather data

                    2. Analyse and segment


                        3. Implement
     Testing and




                     - Product proposition
                   - Communications methods
     refining




                          4. Measure
The picture gets more detailed
           Purchasing
            behaviour
            Frequency
             Recency
         Types of artform /
                                                Response to
             product
                                                  comms
                                                 Purchase
                                The                Clicks
                              Customer            Timing
                                                   Type



Attitudes and preferences
Stated comms preferences                      Profile
  Stated Artform / product               Demographics –
        preferences                      age, income etc.
   Feedback / comments
The messages get more effective
                  Product choices




                      Picture of
                         the
                      customer

                                    Timing of
                                     comms
  Type of comms
Good luck!




                          Katy Raines
                     Partner, Indigo-Ltd
                    www.indigo-ltd.com
             katy.raines@indigo-ltd.com
                   twitter: @katyraines

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Customer relationship management why bother? (slideshare)

  • 1. Katy Raines CRM – Why bother? Christiansand, January 2012
  • 2. CRM – Why bother?  A reminder of CRM  The changing marketing environment  What CRM Can deliver  Building a picture of the customer  A Good CRM system
  • 3. A reminder of CRM 1. Not all customers are equally valuable 2. It costs 5 times more to acquire a customer than keep an existing one 3. Customers have different needs, which need to be reflected in your marketing communications with them
  • 4. Frequency 1. All customers are not equally valuable 8+ times per year 2% 60% year % of income in 1 5-7 times per year 4% 2-4 times 25% per year 26% Once 15% per year 68% % of bookers in 1 year
  • 5. Retention 2. Keeping customers costs 5x less New audiences Retained customers Lost / lapsed customers
  • 6. Segmentation 3. Customers have different needs These people have 2% different needs From these people 4% 26% 68% % of bookers by frequency band
  • 7. Ulster Orchestra, Belfast  ‘Old’ model  Were sending all their customer the same thing – a large 32-page season brochure, costing £1 per issue  Return on investment 1.6:1  ‘New model’  Sent different customers different things  For 90% of the customers this meant sending them LESS information, but more RELEVANT  Return on Investment increased to 21:1
  • 8. The changing marketing environment Digital explosion = Consumers bombarded with content Growthof tools and sites to ‘aggregate’ and make sense of content for consumers to digest Expectation of content matched to need and preference NB. This is no longer a ‘nice to have’ – it’s essential!
  • 9. email content - relevant Tailored to match my previous purchases General message to everyone
  • 10. Web content - relevant
  • 11. And what about Social Media? Customer ‘tunes in’ at various points Organisation Broadcasts messages Social Media Sends direct Organisation messages Customer CRM / Direct Marketing They are different tools for different purposes
  • 12. The results Opportunity – to build loyalty and affinity by reflecting their needs back to them with relevant (and personalised) content Threat – customers will ignore your content as it isn’t relevant, and you will lose them
  • 13. What a good CRM programme can deliver  Increased frequency from existing customers  Keeping more customers year on year  Reduced marketing costs and improved return on investment  Brand affinity and loyalty  Improved customer insight to aid business planning and programme/product development
  • 14. Building a picture of the customer Purchasing Social media behaviour behaviour Re-tweets Frequency Likes Recency Types of product Response to comms Purchase The Clicks Customer Timing Type Attitudes and preferences Stated comms preferences Profile Stated product preferences Geography Feedback / comments Demographics – age, income etc.
  • 15. Customised communications Product choices Picture of the customer Timing of comms Type of comms
  • 16. Symphony Hall Birmingham 600 events per year The  Customer Mostly ‘one night’ shows 2200 seats  over ½ million audiences each year
  • 17. Symphony Hall Birmingham – challenges Too much ‘choice’ and information for the customer to make sense of The Wide range of events Customer Events changing daily – often going on sale at late notice Customers are annoyed if things sell out before they’ve heard about them
  • 18. Building a picture of the customer Purchasing behaviour Contact details gathered / checked with Response to each purchase comms Record response The to direct mail Customer Record ‘click’ response to email Attitudes and preferences Data sign-up process gathers Profile preferred communication Geo-demographic method information ‘appended’ Later emails encourage to record to show likely customers to tell us product age, income etc. preferences (eg. classical)
  • 19. Different communications Classical Music audiences - Season confirmed 1 year ahead - Like to see ‘full programme’ to make selections - Like printed brochures rather than digital Picture of the customer - ‘Classical music’ brochure sent by post 3 times per year - Personalised booking form and incentives to subscribe early - Email used as a reminder (but sparing)
  • 20. Different communications Rock and Pop audiences - Events getting confirmed all the time - Big names can sell out in a day - They don’t want to miss the chance to book Picture of - Are used to 100% digital communications from the competitors customer - Weekly ‘On sale’ announcements, and ‘don’t miss this month’ - Reducing / minimal printed communications
  • 21. Personalised e- bulletins Picture of the customer Events ‘match’ customer profile based on: - Previous product purchase - Stated product preferences - Clicks on previous emails Other events listed here
  • 22. MARKETING EFFECTIVENESS Marketing ROI (all tix) Spend per seat sold (all tix) 14.00 £1.40 13.50 £1.35 13.00 £1.30 12.50 £1.25 12.00 11.50 £1.20 11.00 £1.15 2008-09 2009-210 2010-11 2008-09 2009-2010 2010-11
  • 23. What do you need from a CRM system? (5 steps)  Initial and ongoing data capture linked to purchasing behaviour  Sensible segmentation and data analysis:  Frequency/Recency  Value  Product type  Tools  To implement personalised approach  To measure effect
  • 24. The CRM process 1. Gather data 2. Analyse and segment 3. Implement Testing and - Product proposition - Communications methods refining 4. Measure
  • 25. The picture gets more detailed Purchasing behaviour Frequency Recency Types of artform / Response to product comms Purchase The Clicks Customer Timing Type Attitudes and preferences Stated comms preferences Profile Stated Artform / product Demographics – preferences age, income etc. Feedback / comments
  • 26. The messages get more effective Product choices Picture of the customer Timing of comms Type of comms
  • 27. Good luck! Katy Raines Partner, Indigo-Ltd www.indigo-ltd.com katy.raines@indigo-ltd.com twitter: @katyraines

Editor's Notes

  • #23: Going in the right direction Improved ROI is reflected in the reduced spend per seat sold
  • #26: The picture of the customer gets more and more clear