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8-week project
๋‚จ์€ ํ•™๊ธฐ๋™์•ˆ ๋ฌด์–ธ๊ฐ€ ๋งŒ๋“ค์–ด๋ณด๋Š”๊ฒŒ ๋ชฉํ‘œ๋ผ๋˜๋ฐ?
Why build something
What to build
How to build it
For whom to build it
๋ญ”๊ฐ€๋ฅผ ๋งŒ๋“ค๋ ค๋ฉด ์•Œ์•„์•ผ ํ• ๊ฒƒ๋“ค
Why build something?
       ์™œ ๋งŒ๋“ค์–ด?


 How do you decide
   what to build?
๋‚จ์€ ํ•™๊ธฐ๋™์•ˆ ๋ฌด์—‡์„ ๋งŒ๋“ค๊ณ  ์‹ถ์–ด?
Let's make it personal
๊ทธ๋ƒฅ ๋งŒ๋“ค์ง€ ๋ง๊ณ , ์›ํ•ด์„œ, ์ข‹์•„์„œ ๋งŒ๋“ค์ž๊ณ .
Personal Desire / Design Fiction
Personal Desire / Design Fiction
์ฐฝ์˜์ ์ธ ์‚ฌ๋žŒ๋“ค์€ ์–ด๋–ป๊ฒŒ ํ•˜๋ฉด ์ด ๋„“์€ ์„ธ์ƒ์—์„œ
    ๋‚ด ์กด์žฌ๊ฐ์„ ๋А๊ปด๋ณผ ์ˆ˜ ์žˆ์„๊นŒ?
    ์–ด๋–ป๊ฒŒ ์„ธ์ƒ์„ ๋ฐ”๊ฟ”๋ณผ ์ˆ˜ ์žˆ์„๊นŒ?

How can creative folks leave their mark in this world?
           How can I change the world?
์„ฑ๊ณต์„ ์–ด๋–ป๊ฒŒ ์ •์˜ํ•  ๊ฒƒ์ธ๊ฐ€?

 How do you define success?
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
Personal Desire / Design Fiction
๊ฐœ์ธ์˜ ๊ฐˆ๋ง์œผ๋กœ๋ถ€ํ„ฐ ๋ชจ๋“  ๋ณ€ํ™”์™€ ํ˜์‹ ์ด ์‹œ์ž‘๋œ๋‹ค๋Š” ๊ฒƒ.

    Personal Desires Drive Change and Innovation.
PERSONAL DESIRES DRIVE
                                           ๊ฐœ์ธ์˜ ๊ฟˆ๊ณผ, ์š•๊ตฌ, ๋ถˆ๋งŒ์œผ๋กœ๋ถ€ํ„ฐ ์„ธ์ƒ์˜ ๋ชจ๋“  ๋ณ€ํ™”
                                           ์™€ ํ˜์‹ ๋“ค์ด ์‹œ์ž‘๋ฉ๋‹ˆ๋‹ค.
                                           ๋กœ๋ด‡์˜ ๊ธฐ์›์ด๋ผ ํ• ์ˆ˜ ์žˆ๋Š” ์˜คํ† ๋งˆํƒ€๋Š” ๊ธฐ์›์ „๋ถ€ํ„ฐ



CHANGE & INNOVATION.
                                           ์กด์žฌํ–ˆ๋‹ค๊ณ  ํ•˜์ฃ . ์Šค์Šค๋กœ ์›€์ง์ด๋Š” ๊ธฐ๊ณ„๋ฅผ ๋งŒ๋“ค์–ด
                                           ๋‚ด๊ฒ ๋‹ค๋Š” ๊ดด์งœ๋“ค์ด ์žˆ์—ˆ๊ธฐ์— R2D2๋„, ASIMO๋„
                                           ๋งŒ๋“ค์–ด์ง„๊ฑฐ๋ž๋‹ˆ๋‹ค.


                                           Automata, the self-actuating machines,
                                           existed from the B.C. years. Todayโ€™s robot
                                           culture including R2D2 and ASIMO can be
                                           traced back to the wacky individuals who
                                           dreamed up dolls that can write and ducks
                                           that can poop.




       Vaucansonโ€™s Digesting Duck (1738)
                                                                      @keywonc
OUR DESIRE MAY SEEM
                                                               ์ด ๊ฐˆ๋ง์ด๋ผ๋Š” ๊ฒƒ์ด ํ™ฉ๋‹นํ•˜๊ณ  ๋ถ€์งˆ์—†์–ด ๋ณด์ด๋Š”๊ฒŒ
                                                               ๋ถ€์ง€๊ธฐ์ˆ˜์ž…๋‹ˆ๋‹ค.
                                                               ๋‹ค๋นˆ์น˜์˜ ๋น„ํ–‰๊ธฐ๊ณ„๋„ ์ •๋ง ๊ดด์งœ์ง“์„ ํ•œ๊ฑฐ์ฃ . ์ƒˆ์—



PERSONAL AND PECULIAR...
                                                               ๊ด€ํ•ด์„œ ํ•œ์ฐธ ์—ฐ๊ตฌ๊นŒ์ง€ ํ–ˆ๋‹ค๋‹ˆ๊นŒ์š”. ๊ทธ๋Ÿฌ๊ณ  ์—ฌ๋Ÿฌ ํ•ด
                                                               ๊ฐ€ ์ง€๋‚œ ์ง€๊ธˆ, ์šฐ๋ฆฌ๋Š” ์ผ์ƒ์ ์œผ๋กœ 400ํ†ค์ด ๋„˜๋Š”
                                                               ๋น„ํ–‰๊ธฐ๋ฅผ ํƒ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.

                                                               Da Vinci was obsessed with flying. He studied
                                                               how birds fly for years, and left many drawings
                                                               and manuscripts about gliders and what
                                                               appears to be a helicopter. Many years, teams
                                                               of geniuses and social changes later, we are
                                                               now routinely flying in jumbo jets of over 400t.




    Da Vinciโ€™s Flying Machine from Paris Manuscript B (1488)
                                                                                            @keywonc
BUT IT CAN BECOME A UNIVERSAL REALITY.
   ํ•˜์ง€๋งŒ ์ด๋Ÿฐ ๊ฐˆ๋ง๋“ค์ด ์‹œ๊ฐ„์ด ์ง€๋‚˜๋ฉด์„œ ๋‹น์—ฐํ•œ ํ˜„์‹ค์ด ๋˜์–ด๋ฒ„๋ฆฌ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.




Mechanical Turk (1784)           ENIAC (1946)                   Engelbartโ€™s GUI Demo (1968)        Minority Report (2002)
Automatic chess playing          Real calculating machine for   โ€œMother of all demosโ€ because      We continue to dream up ways
machine; turns out to be fake.   military tasks.                computers finally caught up with   for technology to surpass us
                                                                the way humans work and think.     (and the pitfalls too).



ํ˜„์žฌ์ง„ํ–‰ํ˜• ๊ฐˆ๋ง์ถ”๊ตฌ์˜ ์˜ˆ๋กœ ์ปดํ“จํ„ฐ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. 18์„ธ๊ธฐ                                  Hereโ€™s an example of a long-term progression of a
์˜ ๊ฐ€์งœ ์ฒด์Šค๊ธฐ๊ณ„๋ถ€ํ„ฐ 21์„ธ๊ธฐ์˜ ๋งˆ์ด๋„ˆ๋ฆฌํ‹ฐ๋ฆฌํฌํŠธ์— ์ด                                   common desire: Computing. In one sentence, the
๋ฅด๊ธฐ๊นŒ์ง€, ์ปดํ“จํ„ฐ์˜ ์—ญ์‚ฌ๋Š” ํ•œ๋งˆ๋””๋กœ ๊ธฐ๊ณ„๋ฅผ ์‚ฌ์šฉํ•ด ์ธ๊ฐ„                                  history of computing is a story of numerous people
์˜ ์ง€๋Šฅ์„ ๋ณด์™„ํ•˜๊ณ , ํ•„์ ํ•˜๊ณ , ๋„˜์–ด์„œ๊ฒ ๋‹ค๋Š” ๊ฐˆ๋ง์„ ์ˆ˜                                  pursuing their desire to build machines that
๋งŒ๋ช…์˜ ์‚ฌ๋žŒ๋“ค์ด ์ถ”๊ตฌํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ด๋ผ๊ณ  ๋ณด์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค.                                  augment, match, and surpass human intelligence.
                                                                                                                       @keywonc
Personal Desire / Design Fiction
๋‚˜์˜ ๊ฐˆ๋ง์ด ์–ผ๋งˆ๋‚˜ ์ง์ ‘์ ์œผ๋กœ ๋ฐ˜์˜๋˜์—ˆ๋Š”๊ฐ€?

    Does it directly reflect my desire?
Personal Desire / Design Fiction
Why am I doing a startup?
     And why are you building something?
To directly manifest my desires onto the world.

              ๋‚ด๊ฐ€ ์Šคํƒ€ํŠธ์—…์„ ํ•˜๊ณ  ์‹ถ์€ ์ด์œ ,

          ์—ฌ๋Ÿฌ๋ถ„์ด ๋ญ”๊ฐ€ ๋งŒ๋“ค๊ณ  ๋„์ „ํ•ด๋ณด๊ณ  ์‹ถ์€ ์ด์œ :

         ๋‚ด ๊ฐˆ๋ง์„ ์„ธ์ƒ์— ์ง์ ‘์ ์œผ๋กœ ๋ฐ˜์˜ํ•ด๋‚ด๊ธฐ ์œ„ํ•˜์—ฌ.
Be aware of my own desires.
      Express them.
    Come up with ideas.
    Pursue those ideas.
      ๋‚ด ๊ฐœ์ธ์˜ ๊ฐˆ๋ง์„ ์ž๊ฐํ•˜๊ณ 

         ๋‚จ์—๊ฒŒ ํ‘œํ˜„ํ•˜๊ณ 

    ๋ญ˜ ์–ด์ฉŒ๊ณ  ์‹ถ์€์ง€ ์•„์ด๋””์–ด๋ฅผ ๋‚ด๊ณ 

  ํ˜„์‹ค์ ์œผ๋กœ ๊ทธ ์•„์ด๋””์–ด๋ฅผ ์ถ”๊ตฌํ•˜๋Š” ๊ฒƒ.
FICTION
DESIGN FICTION
์„ธ์ƒ์— ์กด์žฌํ•˜์ง€ ์•Š๋Š” ๋ฌผ๊ฑด ๋งŒ๋“ค๊ธฐ


                         Creating (material) things that help tell a story*


           IMAGINATION                                             MATERIAL FORM                         COLLECTIVE IMAGINATION




๊ทธ๋ ‡๋‹ค๋ฉด ๋””์ž์ธ ํ”ฝ์…˜์€ ๋Œ€์ค‘์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜๋Š” ์ปจ์…‰์ด๋‚˜ ์ œํ’ˆ์„ ์„ ๋ณด์ž…๋‹ˆ                                  Then you can call design fiction affects the collective imagination of the
๋‹ค. ์ด๋Š” ๊ฒฐ๊ตญ ๊ฐœ์ธ์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜์—ฌ ์ˆœํ™˜๊ตฌ์กฐ๋ฅผ ๋ณด์ด๊ฒŒ ๋˜์ง€์š”.                                     mass. In tern it affects individual imagination in a cyclical manner.




                                                                                                                                                       5
* Based on a 2009 essay by Julian Bleecker www.nearfuturelaboratory.com
Disability artifacts?
PROAESTHETICS
๊ต์ •๊ธฐ์™€ ๊น์Šค, ๋…ธ์ธ์šฉํ’ˆ๋„ ์„น์‹œํ• ์ˆ˜ ์žˆ์„๊นŒ?




๊ต์ •๊ธฐ๋‚˜ ๊น์Šค, ๋…ธ์ธ์šฉ ์ง€ํŒก์ด๋Š” ์–ธ์ œ๋‚˜ ๋ชป์ƒ๊ธฐ๊ณ  ๋‘ํˆผํ•ด           Presenting disability artifacts in new light
์•ผ ํ• ๊นŒ์š”? โ€œDisability Artifactsโ€์˜ ๋ฏธ๊ฐ์„ ์žฌ์กฐ๋ช…   Image Credit: http://www.lanzavecchia-wai.com/
ํ•ด๋ณด์ž๋Š” ๋””์ž์ด๋„ˆ์˜ ์ž‘์—…์ž…๋‹ˆ๋‹ค.
What if we can control machines... with emotions?
BLENDIE
์‚ฌ์šฉ์ž๊ฐ€ ์œผ๋ฅด๋ ๊ฑฐ๋ฆฌ๋Š” ๋งŒํผ ๊ฐˆ์•„์ฃผ๋Š” ๋ธ”๋ Œ๋”




๊ธฐ๊ณ„๋ฅผ ๋‹ค๋ฃฐ ๋•Œ ์ด์„ฑ์ ์ด๊ณ  ๊ฑด์กฐํ•œ ๋ฒ„ํŠผ๊ณผ ํ„ฐ์น˜, ๋งˆ์šฐ์Šค   Growl into a blender to operate it; instead of dry and
๋งŒ์„ ์“ฐ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์šฐ๋ฆฌ์˜ ๊ฐ์ •์„ ์ง์ ‘์ ์œผ๋กœ ์จ์„œ    objective way of interacting with machines (buttons, touch,
์กฐ์ž‘ํ•  ์ˆ˜ ์žˆ๋‹ค๋ฉด ์–ด๋–จ๊นŒ? ํ•˜๋Š” ๋ฌผ์Œ์„ ๋˜์ง€๋Š” ๋””์ž์ธํ”ฝ   keyboard), can we use our emotion directly?
์…˜์ž…๋‹ˆ๋‹ค.                            Image Credit: http://web.media.mit.edu/~monster/blendie/
Blendie
http://www.youtube.com/watch?v=6DDkwdPaYmk




                                 @keywonc
SKETCH FURNITURE
์Šค์ผ€์น˜ํ•˜๋ฉด ๊ฐ€๊ตฌ๊ฐ€ ๋งŒ๋“ค์–ด์ง„๋‹ค?




์•„ํ‹ฐ์ŠคํŠธ์™€ ๋””์ž์ด๋„ˆ๋“ค์ด ๋งŒ๋“ค์–ด๋‚ธ ๋””์ž์ธํ”ฝ์…˜์˜ ๊ฒฝ์šฐ,     Explores personal fabrication, the boundary between
ํ˜„์กด ๊ธฐ์ˆ ์„ ์‚ฌ์šฉํ•˜์—ฌ ๊ธฐ๋Šฅํ• ์ˆ˜ ์žˆ๋„๋ก ๋งŒ๋“ค์–ด์ง„ ๊ฒฝ์šฐ๋„    design, manufacturing, and usage. Implemented but not
์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ƒ์šฉํ™”ํ•˜๊ฑฐ๋‚˜ ์ œํ’ˆํ™” ํ•˜๊ธฐ ์œ„ํ•œ ์˜๋„๊ฐ€   viable or usable.
์•„๋‹ˆ๋ผ ์šฐ๋ฆฌ์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜๋Š”๊ฒŒ ๋ชฉํ‘œ์ž…๋‹ˆ๋‹ค.        Image Credit: designfront.org
SKETCH Furniture
Implemented; not viable or usable
Explores production + fabrication + personalization
http://www.youtube.com/watch?v=8zP1em1dg5k




                                         @keywonc
Design Fiction
    ๋ญ”๊ฐ€ ๋‹ค๋ฅธ ํ˜„์‹ค ๊ฐˆ๋งํ•˜๊ธฐ

์ด ์„ธ์ƒ์˜ ๋ฌผ๊ฑด ์ค‘์—์„œ ๋ฐ”๊ฟ”๋ณด๊ณ  ์‹ถ์€๊ฒƒ์€?
Personal Desire / Design Fiction
SCIENCE FICTION
๋‹ค๋ฅธ์„ธ์ƒ์„ ํ”„๋กœํ† ํƒ€์ดํ•‘ํ•˜๊ธฐ


Prototypes of other worlds, other experiences, other contexts for life*

          IMAGINATION                                         ALTERNATIVE WORLD                                COLLECTIVE IMAGINATION




                                                                  REAL WORLD
                                                                                                                               Feeds back to affect
                                                                                                                 R&D           the real world



๋””์ž์ธ ํ”ฝ์…˜๊ณผ ์œ ์‚ฌํ•œ ๊ณต์ƒ๊ณผํ•™์—์„œ๋Š” ์šฐ๋ฆฌ์˜ ํ˜„์‹ค์„ธ๊ณ„์™€ ์กฐ๊ธˆ ๋‹ค๋ฅธ ์„ธ์ƒ์„ ํ”„                                        Similarly, science fiction, as prototypes of an alternate world, affects
๋กœํ† ํƒ€์ดํ•‘ํ•˜์—ฌ ๋ณด์—ฌ์ฃผ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ์ด ์—ญ์‹œ ๋Œ€์ค‘์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•  ๋ฟ ์•„๋‹ˆ๋ผ,                                       our collective imagination. Many of these fictional elements are
์—ฐ๊ตฌ์ž์™€ ๊ฐœ๋ฐœ์ž, ๋””์ž์ด๋„ˆ๋“ค์— ์˜ํ•ด ์—ฌ๋Ÿฌ ๋ฉด๋ชจ๊ฐ€ ํ˜„์‹ค์„ธ๊ณ„์—์„œ ๊ตฌํ˜„๋˜๊ธฐ๊นŒ์ง€                                         developed into actual technologies by researchers, engineers, and
ํ•ฉ๋‹ˆ๋‹ค.                                                                             designers like yourselves.


                                                                                                                                                            14
* See 2009 essay by Julian Bleecker www.nearfuturelaboratory.com and โ€œResistance is Futileโ€ by Dourish et al. http://www.dourish.com
Extract more data from photos afterwards?   Blade Runner (1982)
                                            ESPER photo analysis machine
                                            Indefinite focusing
                                            http://www.youtube.com/watch?v=QkcU0gwZUdg




                                                                             @keywonc
Blade Runner (1982)                     Lytro Camera (2011)
              ESPER photo analysis machine            Captures complete light field




Indefinite zoom up and focusing


                                                                                   Change focus after the fact




Look behind the object




                         Image Credit: Warner Bros.            Image Credit: Lytro.com
Star Trek (1966-)                                         Motorola StarTAC (1996)
               โ€œCommunicatorโ€                                            Clamshell mobile phones




Captain Kirk (Original series)




Lt Commander Spock (2007 movie)                           Star Trek fan turns a regular phone into Communicator

               Image Credit: Popfunk.com, Trekmovie.com            Image Credit: Trendycellular.com, Instructables.com
Simply tell the computer what I want   Star Trek (1966-present)
                                       Self-destruct the starship via voice command from
                                       the captain, first officer, and the lieutenant
                                       commander.
                                       http://www.youtube.com/watch?v=IvTfbQRnA8s




                                                                              @keywonc
Star Trek (1966-)                       Apple Siri (2011)
             Voice interface with the โ€œcomputerโ€     Voice activated personal assistant




   Auto-destruct sequence
         alpha-one.
15 minutes silent countdown.
           Enable.




                  Image Credit: Paramount Pictures          Image Credit: Siriously Weird
What if ads followed me everywhere?
                                      Minority Report (2002)
                                      Ubiquitous advertising
                                      Inescapable identity
                                      http://www.youtube.com/watch?v=ITjsb22-EwQ




                                                                            @keywonc
Minority Report (2002)                                  Facebook Plugin (2011)
Ubiquitous personalized advertising                     Inescapable identity




                        Welcome back to The Gap!
                      How did you like the tank tops?




      Image Credit: 20th Century Fox                            Image Credit: Techcrunch
Science Fiction
      ๋‹ค๋ฅธ ์„ธ์ƒ์„ ํ”„๋กœํ† ํƒ€์ดํ•‘ํ•˜๊ธฐ

๋‚˜์˜ ๋””์ž์ธ์ด, ์ œํ’ˆ์ด, ์„œ๋น„์Šค๊ฐ€ ๋„๋ฆฌ ์“ฐ์ด๋Š” ์„ธ์ƒ์€
        ์–ด๋–ป๊ฒŒ ์ƒ๊ธด ์„ธ์ƒ์ผ๊นŒ?
Personal Desire / Design Fiction
USING FICTION TO MAKE YOUR IDEA HAPPEN
ํ˜„์‹คํ™”๋ฅผ ์•ž๋‹น๊ธฐ๊ธฐ ์œ„ํ•ด ์˜๋„์ ์œผ๋กœ ํ”ฝ์…˜์„ ์‚ฌ์šฉํ•˜๊ธฐ!


                     Near-future technology scenarios

     IMAGINATION                        SCENARIOS                            COLLECTIVE IMAGINATION

                         R&D


                                      REAL WORLD




์ด์ œ๋Š” ํ•™์ˆ ์—ฐ๊ตฌ๋ถ„์•ผ์—์„œ๋„ ๋‚จ์ด ๋งŒ๋“  ์Šคํ† ๋ฆฌ์— ์˜๊ฐ์„ ๋ฐ›๋Š” ๊ฒƒ์—์„œ ๋ฒ—์–ด๋‚˜ ์Šค        Now academic research community is proactively creating these
ํ† ๋ฆฌ๋ฅผ ์ง์ ‘ ์ƒ์‚ฐํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. ์—ฐ๊ตฌ๋ฅผ ๋งˆ์น˜๊ธฐ ์ „, ์•„๋‹ˆ ์‹œ์ž‘ํ•˜๊ธฐ ์ „๋ถ€ํ„ฐ       science fiction before they have finished, or sometimes, started, their
๊ฐ€์ƒ์˜ ์ปจ์…‰์„ ๋น„๋””์˜ค ๋“ฑ ์Šคํ† ๋ฆฌํ…”๋ง ๊ธฐ๋ฒ•์œผ๋กœ ์ „๋‹ฌํ•˜๋Š” ๊ฒฝ์šฐ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.         research project.

                                 Research community is now                                                                 25
                                 initiating Sci-Fi storytelling
CLAYTRONICS FUTURE AD
๋‚˜๋…ธํ…Œํฌ ์—ฐ๊ตฌํŒ€์ด ๊ฟˆ๊พธ๋Š” ๋ฏธ๋ž˜์ƒ์„ ๊ด‘๊ณ  ํ˜•์‹์œผ๋กœ ๋งŒ๋“ค๊ธฐ




๋ฏธ๊ตญ ์นด๋„ค๊ธฐ๋ฉœ๋ก  ๊ณต๋Œ€์™€ ์ธํ…” ์—ฐ๊ตฌ์†Œ๋Š” ์ง„ํ–‰ํ•˜๊ณ  ์žˆ๋Š” ์—ฐ   Combines modular robotics, nanotechnology
๊ตฌ์˜ ๋น„์ „์„ ๋ณด์—ฌ์ฃผ๋Š” ๊ด‘๊ณ ์˜์ƒ์„ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.        and computer science to create the dynamic,
ํ”„๋กœ๊ทธ๋ž˜๋ฐ์ด ๊ฐ€๋Šฅํ•œ ๋ถ„์ž ํฌ๊ธฐ์˜ ๋กœ๋ด‡์œผ๋กœ ์•„๋ฌด ๋ฌผ๊ฑด์ด    3-D display of electronic information.
๋‚˜ ํ•„์š”ํ•œ๋Œ€๋กœ ๋งŒ๋“ค๊ณ , ์‚ฌ์šฉ์ž์™€ ํ™˜๊ฒฝ์˜ ๋ณ€ํ™”์— ๋งž์ถฐ ๋ฌผ   An over-the-top scenario and Discovery
๊ฑด์˜ ์„ฑ๊ฒฉ์„ ๋ฐ”๊ฟ€ ์ˆ˜ ์žˆ๋‹ค๋Š” ๋น„์ „์ž…๋‹ˆ๋‹ค. (2006)    channel feature for programmable matter.
                                 http://www.cs.cmu.edu/~claytronics/
Claytronics Future Ad (2006)
An over-the-top scenario and Discovery channel
feature for programmable matter.
http://www.youtube.com/watch?v=4HsUb1m27Ng




                                       @keywonc
+POOL FOR NYC                   ๋‰ด์š•์˜ ๋””์ž์ด๋„ˆ๋“ค์ด ํ—ˆ๋“œ์Šจ๊ฐ•์— ์ˆ˜์˜์žฅ์„ ๋„์šฐ์ž๊ณ  ์ œ์•ˆํ•œ
                                ์•„์ด๋””์–ด์ž…๋‹ˆ๋‹ค. ๊ฐ€์ƒ์˜ ๋น„๋””์˜ค์™€ ๋น„์ฃผ์–ผ๋“ฑ์„ ํ†ตํ•ด ๋Œ€์ค‘์—๊ฒŒ
์ธ๊ธฐ๋งŒ๋ฐœ ์‹œ๋‚˜๋ฆฌ์˜ค๋ฅผ ํ†ตํ•ด ๋Œ€์ค‘์œผ๋กœ๋ถ€ํ„ฐ ์ž๊ธˆ์„ ์กฐ๋‹ฌํ•˜๊ธฐ   ์–ดํ•„, ๊ฐ•๋ฌผ์˜ ์ •์ˆ˜๊ธฐ๋Šฅ์„ ํ…Œ์ŠคํŠธํ•ด ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ธฐ์ดˆ์ž‘์—… ๋น„์šฉ
                                ์•ฝ 4์ฒœ๋งŒ์›์„ ์กฐ๋‹ฌํ•˜์˜€์Šต๋‹ˆ๋‹ค.

                                NYC designers came up with a proposal to float a swimming
                                pool on the Hudson River, and posted hypothetical videos and
                                images on social funding site Kickstarter. Thanks to the
                                appealing visuals and social media campaign, they secured
                                $40K for initial filteration tests. (2011)
                                Image Credit: Kickstarter and PlusPool
Make it, prove it, and then promote it.
  ๋งŒ๋“ค๊ณ  ๋‚˜์„œ, ์ฆ๋ช…ํ•˜๊ณ  ๋‚˜์„œ, ํ™๋ณดํ•˜๋ผ.



    Promote it, and then make it.
 ์šฐ์„  ํ™๋ณดํ•˜๊ณ  ํ˜ธ์‘์ด ์ข‹์œผ๋ฉด ๋งŒ๋“ค์–ด๋ผ.
Make it, test it, then market it.
      ๋งŒ๋“ค๊ณ , ํ…Œ์ŠคํŒ…ํ•˜๊ณ , ๋งˆ์ผ€ํŒ…ํ•˜๋ผ.



 Promote it, then make it and market it.
์šฐ์„  ํ™๋ณดํ•˜๊ณ  ํ˜ธ์‘์ด ์ข‹์œผ๋ฉด ๋งŒ๋“ค์–ด์„œ ๋งˆ์ผ€ํŒ…ํ•˜๋ผ.
Business Fiction
ํ”ฝ์…˜์„ ์ด์šฉํ•˜์—ฌ ์‚ฌ์—… ๋ชฉํ‘œ์˜ ํ˜„์‹คํ™”๋ฅผ ์•ž๋‹น๊ธฐ๊ธฐ
BUSINESS FICTION
 ์‹œ๋‚˜๋ฆฌ์˜ค๋ฅผ ํ†ตํ•ด ์‚ฌ์—…๊ณผ ์ „๋žต์„ ๊ตฌ์ƒํ•˜๊ธฐ




Next Yearโ€™s Headline                                   Amazonโ€™s Fake Press Release
As featured in IDEOโ€™s Method Cards: โ€œPredictions can   For new initiatives, a product manager typically starts by
help you define which issues to pursue, identify       writing an internal press release announcing the finished
targets, and reveal internal values.โ€                  product.

Image Credit: IDEO Method Cards                        Image Credit: Amazon.com
Personal Fiction
ํ”ฝ์…˜์„ ์ด์šฉํ•˜์—ฌ ๊ฐœ์ธ์  ๋ชฉํ‘œ์˜ ํ˜„์‹คํ™”๋ฅผ ์•ž๋‹น๊ธฐ๊ธฐ
PERSONAL FICTION
๋‚ด ๋ฏธ๋ž˜์˜ ๊ฐ€์ƒ ํ”„๋กœํŒŒ์ผ์„ ์จ๋ณด๊ธฐ


Hypothetical Bio in 3 Years          3๋…„ ํ›„์˜ ๋‚ด ์†Œ๊ฐœ๊ธ€?
Write a fictitious blurb, article,   ์•ž์œผ๋กœ 1๋…„, 3๋…„, 5๋…„, 10๋…„ ํ›„ ์ž
or profile about yourself set in     ์‹ ์„ ์†Œ๊ฐœํ•˜๋Š” ๊ฐ€์ƒ์˜ ๊ธฐ์‚ฌ๋‚˜ ์•ฝ๋ ฅ
                                     ์„ 3์ธ์นญ ์‹œ์ ์œผ๋กœ ์จ๋ณด์„ธ์š”.
the near future.
                                     ์˜์™ธ๋กœ ์•„์ฃผ ์ž์„ธํ•œ ์žฅ๋ž˜ ๊ณ„ํš์ด ์œก
You will be surprised how            ํ•˜์›์น™์— ๋”ฐ๋ผ ํŽผ์ณ์ง€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
much concrete information it         ๊ทธ๋ฟ ์•„๋‹ˆ๋ผ ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ด๋ฅผ
contains, and how helpful it is      ์•Œ๋ฆผ์œผ๋กœ์„œ ์—ฌ๋Ÿฌ ์†Œ๊ฐœ์™€ ์กฐ์–ธ์„ ์–ป๊ฒŒ
to get introduced to those who       ๋˜๊ณ  ํ˜„์‹คํ™”๊ฐ€ ๋” ๋นจ๋ผ์งˆ์ˆ˜ ์žˆ์–ด์š”.
can help you realize it.
CURRENT (2012)
Keywon is a product and interaction designer spanning screen and gestural
interfaces, software and service prototyping.
As senior designer at renowned global innovation firm IDEO, she developed
mobile service concepts and revenue models, and advised Asian internet
companies on globalizing their offerings and internal culture. She has real-world
product shipping experience at Microsoft Office, where she helped revamp
graphical capabilities of Word, Excel, PowerPoint and Visio 2007. Her wearable
and gesture interface work from the MIT Media Lab explore augmented
experiences for the future creative class, and were featured on Showtime TV,
Gizmodo, SIGCHI and SIGGRAPH. Keywon holds a BFA in design and HCI from
Carnegie Mellon and MS in Media Arts and Sciences from MIT.
Expanding her interests beyond being a kick-ass desiger, she mentored Startup
Weekend participants, spoke at TEDx salon, AIGA Pecha Kucha, SEGD conference
and Ignite Seoul, and organized Sharing Experiences, a 1000-attendance
conference, hackacthon, and exhibition with the MIT Media Lab.
HYPOTHETICAL (2015)
Keywon is a cofounder and customer zero of XXX, where she leads the product
design and execution of the popular social investing service.
XXX encourages everyone, even college students and grandmas, to create their own
(virtual) index funds and only invest in companies that match your personal
criteria. It has taken old boysโ€™ investing world by storm, โ€œfolding investing into the
young generationโ€™s identity... as it should be,โ€ according to the Forbes magazine.
XXX is now beloved by 3M unique visitors a month, cashflow-positive since 2013,
and is valued upward of $200M by their latest investors including Fred Wilson and
Nicholas Negroponte.
Making investing personal and empowering everyman is a no-brainer for Keywon,
who loves the Lord of the Rings trilogy because it speaks against the
โ€œimpersonization and mechanization of our social systemsโ€ that she sees in the
immorality of the Wall St. Following her passion for bottom-up innovation, she has
recently invested in peer-guided travel startup YYY and launched ZZZ, a nonprofit
to provide finance and business skills to women of all ages.
Keywon Chung                            My Projectโ€™s Achievements
                                            โ€ข 3M unique visitors a month
What Project / Organization                 โ€ข cashflow-positive since 2013
โ€ข   social investing startup                โ€ข valued upward of $200M
                                            โ€ข famous investors Fred Wilson etc.
My Title and Role
โ€ข   cofounder and customer zero             Loves
โ€ข   design and execution                    โ€ข making investing personal and
                                              empowering everyman
What My Project Does                        โ€ข bottom-up innovation
โ€ข   encourages everyone to create their
    own funds and only invest in            Hates
    companies that match your               โ€ข impersonization and mechanization of
    personal criteria.                        our social systems
                                            โ€ข immorality of the Wall St.
My Projectโ€™s Impacts
โ€ข   โ€œfolding investing into the young       Related / Other Passions
    generationโ€™s identity... as it should   โ€ข   peer-guided travel
    be,โ€ Forbes magazine                    โ€ข   business skills for women
My Projectโ€™s Achievements

What Project / Organization

My Title and Role             Loves



What My Project Does
                              Hates



My Projectโ€™s Impacts
                              Related / Other Passions
Why build something?
         ์™œ ๋งŒ๋“ค์–ด?


What do you want to build?
   ๋‚จ์€ ํ•™๊ธฐ๋™์•ˆ ๋ฌด์—‡์„ ๋งŒ๋“ค๊ณ  ์‹ถ์–ด?
Let's make it personal
๊ทธ๋ƒฅ ๋งŒ๋“ค์ง€ ๋ง๊ณ , ์›ํ•ด์„œ, ์ข‹์•„์„œ ๋งŒ๋“ค์ž๊ณ .

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Personal Desire / Design Fiction

  • 1. 8-week project ๋‚จ์€ ํ•™๊ธฐ๋™์•ˆ ๋ฌด์–ธ๊ฐ€ ๋งŒ๋“ค์–ด๋ณด๋Š”๊ฒŒ ๋ชฉํ‘œ๋ผ๋˜๋ฐ?
  • 2. Why build something What to build How to build it For whom to build it ๋ญ”๊ฐ€๋ฅผ ๋งŒ๋“ค๋ ค๋ฉด ์•Œ์•„์•ผ ํ• ๊ฒƒ๋“ค
  • 3. Why build something? ์™œ ๋งŒ๋“ค์–ด? How do you decide what to build? ๋‚จ์€ ํ•™๊ธฐ๋™์•ˆ ๋ฌด์—‡์„ ๋งŒ๋“ค๊ณ  ์‹ถ์–ด?
  • 4. Let's make it personal ๊ทธ๋ƒฅ ๋งŒ๋“ค์ง€ ๋ง๊ณ , ์›ํ•ด์„œ, ์ข‹์•„์„œ ๋งŒ๋“ค์ž๊ณ .
  • 7. ์ฐฝ์˜์ ์ธ ์‚ฌ๋žŒ๋“ค์€ ์–ด๋–ป๊ฒŒ ํ•˜๋ฉด ์ด ๋„“์€ ์„ธ์ƒ์—์„œ ๋‚ด ์กด์žฌ๊ฐ์„ ๋А๊ปด๋ณผ ์ˆ˜ ์žˆ์„๊นŒ? ์–ด๋–ป๊ฒŒ ์„ธ์ƒ์„ ๋ฐ”๊ฟ”๋ณผ ์ˆ˜ ์žˆ์„๊นŒ? How can creative folks leave their mark in this world? How can I change the world?
  • 8. ์„ฑ๊ณต์„ ์–ด๋–ป๊ฒŒ ์ •์˜ํ•  ๊ฒƒ์ธ๊ฐ€? How do you define success?
  • 18. ๊ฐœ์ธ์˜ ๊ฐˆ๋ง์œผ๋กœ๋ถ€ํ„ฐ ๋ชจ๋“  ๋ณ€ํ™”์™€ ํ˜์‹ ์ด ์‹œ์ž‘๋œ๋‹ค๋Š” ๊ฒƒ. Personal Desires Drive Change and Innovation.
  • 19. PERSONAL DESIRES DRIVE ๊ฐœ์ธ์˜ ๊ฟˆ๊ณผ, ์š•๊ตฌ, ๋ถˆ๋งŒ์œผ๋กœ๋ถ€ํ„ฐ ์„ธ์ƒ์˜ ๋ชจ๋“  ๋ณ€ํ™” ์™€ ํ˜์‹ ๋“ค์ด ์‹œ์ž‘๋ฉ๋‹ˆ๋‹ค. ๋กœ๋ด‡์˜ ๊ธฐ์›์ด๋ผ ํ• ์ˆ˜ ์žˆ๋Š” ์˜คํ† ๋งˆํƒ€๋Š” ๊ธฐ์›์ „๋ถ€ํ„ฐ CHANGE & INNOVATION. ์กด์žฌํ–ˆ๋‹ค๊ณ  ํ•˜์ฃ . ์Šค์Šค๋กœ ์›€์ง์ด๋Š” ๊ธฐ๊ณ„๋ฅผ ๋งŒ๋“ค์–ด ๋‚ด๊ฒ ๋‹ค๋Š” ๊ดด์งœ๋“ค์ด ์žˆ์—ˆ๊ธฐ์— R2D2๋„, ASIMO๋„ ๋งŒ๋“ค์–ด์ง„๊ฑฐ๋ž๋‹ˆ๋‹ค. Automata, the self-actuating machines, existed from the B.C. years. Todayโ€™s robot culture including R2D2 and ASIMO can be traced back to the wacky individuals who dreamed up dolls that can write and ducks that can poop. Vaucansonโ€™s Digesting Duck (1738) @keywonc
  • 20. OUR DESIRE MAY SEEM ์ด ๊ฐˆ๋ง์ด๋ผ๋Š” ๊ฒƒ์ด ํ™ฉ๋‹นํ•˜๊ณ  ๋ถ€์งˆ์—†์–ด ๋ณด์ด๋Š”๊ฒŒ ๋ถ€์ง€๊ธฐ์ˆ˜์ž…๋‹ˆ๋‹ค. ๋‹ค๋นˆ์น˜์˜ ๋น„ํ–‰๊ธฐ๊ณ„๋„ ์ •๋ง ๊ดด์งœ์ง“์„ ํ•œ๊ฑฐ์ฃ . ์ƒˆ์— PERSONAL AND PECULIAR... ๊ด€ํ•ด์„œ ํ•œ์ฐธ ์—ฐ๊ตฌ๊นŒ์ง€ ํ–ˆ๋‹ค๋‹ˆ๊นŒ์š”. ๊ทธ๋Ÿฌ๊ณ  ์—ฌ๋Ÿฌ ํ•ด ๊ฐ€ ์ง€๋‚œ ์ง€๊ธˆ, ์šฐ๋ฆฌ๋Š” ์ผ์ƒ์ ์œผ๋กœ 400ํ†ค์ด ๋„˜๋Š” ๋น„ํ–‰๊ธฐ๋ฅผ ํƒ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. Da Vinci was obsessed with flying. He studied how birds fly for years, and left many drawings and manuscripts about gliders and what appears to be a helicopter. Many years, teams of geniuses and social changes later, we are now routinely flying in jumbo jets of over 400t. Da Vinciโ€™s Flying Machine from Paris Manuscript B (1488) @keywonc
  • 21. BUT IT CAN BECOME A UNIVERSAL REALITY. ํ•˜์ง€๋งŒ ์ด๋Ÿฐ ๊ฐˆ๋ง๋“ค์ด ์‹œ๊ฐ„์ด ์ง€๋‚˜๋ฉด์„œ ๋‹น์—ฐํ•œ ํ˜„์‹ค์ด ๋˜์–ด๋ฒ„๋ฆฌ๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. Mechanical Turk (1784) ENIAC (1946) Engelbartโ€™s GUI Demo (1968) Minority Report (2002) Automatic chess playing Real calculating machine for โ€œMother of all demosโ€ because We continue to dream up ways machine; turns out to be fake. military tasks. computers finally caught up with for technology to surpass us the way humans work and think. (and the pitfalls too). ํ˜„์žฌ์ง„ํ–‰ํ˜• ๊ฐˆ๋ง์ถ”๊ตฌ์˜ ์˜ˆ๋กœ ์ปดํ“จํ„ฐ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. 18์„ธ๊ธฐ Hereโ€™s an example of a long-term progression of a ์˜ ๊ฐ€์งœ ์ฒด์Šค๊ธฐ๊ณ„๋ถ€ํ„ฐ 21์„ธ๊ธฐ์˜ ๋งˆ์ด๋„ˆ๋ฆฌํ‹ฐ๋ฆฌํฌํŠธ์— ์ด common desire: Computing. In one sentence, the ๋ฅด๊ธฐ๊นŒ์ง€, ์ปดํ“จํ„ฐ์˜ ์—ญ์‚ฌ๋Š” ํ•œ๋งˆ๋””๋กœ ๊ธฐ๊ณ„๋ฅผ ์‚ฌ์šฉํ•ด ์ธ๊ฐ„ history of computing is a story of numerous people ์˜ ์ง€๋Šฅ์„ ๋ณด์™„ํ•˜๊ณ , ํ•„์ ํ•˜๊ณ , ๋„˜์–ด์„œ๊ฒ ๋‹ค๋Š” ๊ฐˆ๋ง์„ ์ˆ˜ pursuing their desire to build machines that ๋งŒ๋ช…์˜ ์‚ฌ๋žŒ๋“ค์ด ์ถ”๊ตฌํ•˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ด๋ผ๊ณ  ๋ณด์‹œ๋ฉด ๋ฉ๋‹ˆ๋‹ค. augment, match, and surpass human intelligence. @keywonc
  • 23. ๋‚˜์˜ ๊ฐˆ๋ง์ด ์–ผ๋งˆ๋‚˜ ์ง์ ‘์ ์œผ๋กœ ๋ฐ˜์˜๋˜์—ˆ๋Š”๊ฐ€? Does it directly reflect my desire?
  • 25. Why am I doing a startup? And why are you building something? To directly manifest my desires onto the world. ๋‚ด๊ฐ€ ์Šคํƒ€ํŠธ์—…์„ ํ•˜๊ณ  ์‹ถ์€ ์ด์œ , ์—ฌ๋Ÿฌ๋ถ„์ด ๋ญ”๊ฐ€ ๋งŒ๋“ค๊ณ  ๋„์ „ํ•ด๋ณด๊ณ  ์‹ถ์€ ์ด์œ : ๋‚ด ๊ฐˆ๋ง์„ ์„ธ์ƒ์— ์ง์ ‘์ ์œผ๋กœ ๋ฐ˜์˜ํ•ด๋‚ด๊ธฐ ์œ„ํ•˜์—ฌ.
  • 26. Be aware of my own desires. Express them. Come up with ideas. Pursue those ideas. ๋‚ด ๊ฐœ์ธ์˜ ๊ฐˆ๋ง์„ ์ž๊ฐํ•˜๊ณ  ๋‚จ์—๊ฒŒ ํ‘œํ˜„ํ•˜๊ณ  ๋ญ˜ ์–ด์ฉŒ๊ณ  ์‹ถ์€์ง€ ์•„์ด๋””์–ด๋ฅผ ๋‚ด๊ณ  ํ˜„์‹ค์ ์œผ๋กœ ๊ทธ ์•„์ด๋””์–ด๋ฅผ ์ถ”๊ตฌํ•˜๋Š” ๊ฒƒ.
  • 28. DESIGN FICTION ์„ธ์ƒ์— ์กด์žฌํ•˜์ง€ ์•Š๋Š” ๋ฌผ๊ฑด ๋งŒ๋“ค๊ธฐ Creating (material) things that help tell a story* IMAGINATION MATERIAL FORM COLLECTIVE IMAGINATION ๊ทธ๋ ‡๋‹ค๋ฉด ๋””์ž์ธ ํ”ฝ์…˜์€ ๋Œ€์ค‘์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜๋Š” ์ปจ์…‰์ด๋‚˜ ์ œํ’ˆ์„ ์„ ๋ณด์ž…๋‹ˆ Then you can call design fiction affects the collective imagination of the ๋‹ค. ์ด๋Š” ๊ฒฐ๊ตญ ๊ฐœ์ธ์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜์—ฌ ์ˆœํ™˜๊ตฌ์กฐ๋ฅผ ๋ณด์ด๊ฒŒ ๋˜์ง€์š”. mass. In tern it affects individual imagination in a cyclical manner. 5 * Based on a 2009 essay by Julian Bleecker www.nearfuturelaboratory.com
  • 30. PROAESTHETICS ๊ต์ •๊ธฐ์™€ ๊น์Šค, ๋…ธ์ธ์šฉํ’ˆ๋„ ์„น์‹œํ• ์ˆ˜ ์žˆ์„๊นŒ? ๊ต์ •๊ธฐ๋‚˜ ๊น์Šค, ๋…ธ์ธ์šฉ ์ง€ํŒก์ด๋Š” ์–ธ์ œ๋‚˜ ๋ชป์ƒ๊ธฐ๊ณ  ๋‘ํˆผํ•ด Presenting disability artifacts in new light ์•ผ ํ• ๊นŒ์š”? โ€œDisability Artifactsโ€์˜ ๋ฏธ๊ฐ์„ ์žฌ์กฐ๋ช… Image Credit: http://www.lanzavecchia-wai.com/ ํ•ด๋ณด์ž๋Š” ๋””์ž์ด๋„ˆ์˜ ์ž‘์—…์ž…๋‹ˆ๋‹ค.
  • 31. What if we can control machines... with emotions?
  • 32. BLENDIE ์‚ฌ์šฉ์ž๊ฐ€ ์œผ๋ฅด๋ ๊ฑฐ๋ฆฌ๋Š” ๋งŒํผ ๊ฐˆ์•„์ฃผ๋Š” ๋ธ”๋ Œ๋” ๊ธฐ๊ณ„๋ฅผ ๋‹ค๋ฃฐ ๋•Œ ์ด์„ฑ์ ์ด๊ณ  ๊ฑด์กฐํ•œ ๋ฒ„ํŠผ๊ณผ ํ„ฐ์น˜, ๋งˆ์šฐ์Šค Growl into a blender to operate it; instead of dry and ๋งŒ์„ ์“ฐ๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ ์šฐ๋ฆฌ์˜ ๊ฐ์ •์„ ์ง์ ‘์ ์œผ๋กœ ์จ์„œ objective way of interacting with machines (buttons, touch, ์กฐ์ž‘ํ•  ์ˆ˜ ์žˆ๋‹ค๋ฉด ์–ด๋–จ๊นŒ? ํ•˜๋Š” ๋ฌผ์Œ์„ ๋˜์ง€๋Š” ๋””์ž์ธํ”ฝ keyboard), can we use our emotion directly? ์…˜์ž…๋‹ˆ๋‹ค. Image Credit: http://web.media.mit.edu/~monster/blendie/
  • 34. SKETCH FURNITURE ์Šค์ผ€์น˜ํ•˜๋ฉด ๊ฐ€๊ตฌ๊ฐ€ ๋งŒ๋“ค์–ด์ง„๋‹ค? ์•„ํ‹ฐ์ŠคํŠธ์™€ ๋””์ž์ด๋„ˆ๋“ค์ด ๋งŒ๋“ค์–ด๋‚ธ ๋””์ž์ธํ”ฝ์…˜์˜ ๊ฒฝ์šฐ, Explores personal fabrication, the boundary between ํ˜„์กด ๊ธฐ์ˆ ์„ ์‚ฌ์šฉํ•˜์—ฌ ๊ธฐ๋Šฅํ• ์ˆ˜ ์žˆ๋„๋ก ๋งŒ๋“ค์–ด์ง„ ๊ฒฝ์šฐ๋„ design, manufacturing, and usage. Implemented but not ์žˆ์Šต๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์ƒ์šฉํ™”ํ•˜๊ฑฐ๋‚˜ ์ œํ’ˆํ™” ํ•˜๊ธฐ ์œ„ํ•œ ์˜๋„๊ฐ€ viable or usable. ์•„๋‹ˆ๋ผ ์šฐ๋ฆฌ์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜๋Š”๊ฒŒ ๋ชฉํ‘œ์ž…๋‹ˆ๋‹ค. Image Credit: designfront.org
  • 35. SKETCH Furniture Implemented; not viable or usable Explores production + fabrication + personalization http://www.youtube.com/watch?v=8zP1em1dg5k @keywonc
  • 36. Design Fiction ๋ญ”๊ฐ€ ๋‹ค๋ฅธ ํ˜„์‹ค ๊ฐˆ๋งํ•˜๊ธฐ ์ด ์„ธ์ƒ์˜ ๋ฌผ๊ฑด ์ค‘์—์„œ ๋ฐ”๊ฟ”๋ณด๊ณ  ์‹ถ์€๊ฒƒ์€?
  • 38. SCIENCE FICTION ๋‹ค๋ฅธ์„ธ์ƒ์„ ํ”„๋กœํ† ํƒ€์ดํ•‘ํ•˜๊ธฐ Prototypes of other worlds, other experiences, other contexts for life* IMAGINATION ALTERNATIVE WORLD COLLECTIVE IMAGINATION REAL WORLD Feeds back to affect R&D the real world ๋””์ž์ธ ํ”ฝ์…˜๊ณผ ์œ ์‚ฌํ•œ ๊ณต์ƒ๊ณผํ•™์—์„œ๋Š” ์šฐ๋ฆฌ์˜ ํ˜„์‹ค์„ธ๊ณ„์™€ ์กฐ๊ธˆ ๋‹ค๋ฅธ ์„ธ์ƒ์„ ํ”„ Similarly, science fiction, as prototypes of an alternate world, affects ๋กœํ† ํƒ€์ดํ•‘ํ•˜์—ฌ ๋ณด์—ฌ์ฃผ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ์ด ์—ญ์‹œ ๋Œ€์ค‘์˜ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•  ๋ฟ ์•„๋‹ˆ๋ผ, our collective imagination. Many of these fictional elements are ์—ฐ๊ตฌ์ž์™€ ๊ฐœ๋ฐœ์ž, ๋””์ž์ด๋„ˆ๋“ค์— ์˜ํ•ด ์—ฌ๋Ÿฌ ๋ฉด๋ชจ๊ฐ€ ํ˜„์‹ค์„ธ๊ณ„์—์„œ ๊ตฌํ˜„๋˜๊ธฐ๊นŒ์ง€ developed into actual technologies by researchers, engineers, and ํ•ฉ๋‹ˆ๋‹ค. designers like yourselves. 14 * See 2009 essay by Julian Bleecker www.nearfuturelaboratory.com and โ€œResistance is Futileโ€ by Dourish et al. http://www.dourish.com
  • 39. Extract more data from photos afterwards? Blade Runner (1982) ESPER photo analysis machine Indefinite focusing http://www.youtube.com/watch?v=QkcU0gwZUdg @keywonc
  • 40. Blade Runner (1982) Lytro Camera (2011) ESPER photo analysis machine Captures complete light field Indefinite zoom up and focusing Change focus after the fact Look behind the object Image Credit: Warner Bros. Image Credit: Lytro.com
  • 41. Star Trek (1966-) Motorola StarTAC (1996) โ€œCommunicatorโ€ Clamshell mobile phones Captain Kirk (Original series) Lt Commander Spock (2007 movie) Star Trek fan turns a regular phone into Communicator Image Credit: Popfunk.com, Trekmovie.com Image Credit: Trendycellular.com, Instructables.com
  • 42. Simply tell the computer what I want Star Trek (1966-present) Self-destruct the starship via voice command from the captain, first officer, and the lieutenant commander. http://www.youtube.com/watch?v=IvTfbQRnA8s @keywonc
  • 43. Star Trek (1966-) Apple Siri (2011) Voice interface with the โ€œcomputerโ€ Voice activated personal assistant Auto-destruct sequence alpha-one. 15 minutes silent countdown. Enable. Image Credit: Paramount Pictures Image Credit: Siriously Weird
  • 44. What if ads followed me everywhere? Minority Report (2002) Ubiquitous advertising Inescapable identity http://www.youtube.com/watch?v=ITjsb22-EwQ @keywonc
  • 45. Minority Report (2002) Facebook Plugin (2011) Ubiquitous personalized advertising Inescapable identity Welcome back to The Gap! How did you like the tank tops? Image Credit: 20th Century Fox Image Credit: Techcrunch
  • 46. Science Fiction ๋‹ค๋ฅธ ์„ธ์ƒ์„ ํ”„๋กœํ† ํƒ€์ดํ•‘ํ•˜๊ธฐ ๋‚˜์˜ ๋””์ž์ธ์ด, ์ œํ’ˆ์ด, ์„œ๋น„์Šค๊ฐ€ ๋„๋ฆฌ ์“ฐ์ด๋Š” ์„ธ์ƒ์€ ์–ด๋–ป๊ฒŒ ์ƒ๊ธด ์„ธ์ƒ์ผ๊นŒ?
  • 48. USING FICTION TO MAKE YOUR IDEA HAPPEN ํ˜„์‹คํ™”๋ฅผ ์•ž๋‹น๊ธฐ๊ธฐ ์œ„ํ•ด ์˜๋„์ ์œผ๋กœ ํ”ฝ์…˜์„ ์‚ฌ์šฉํ•˜๊ธฐ! Near-future technology scenarios IMAGINATION SCENARIOS COLLECTIVE IMAGINATION R&D REAL WORLD ์ด์ œ๋Š” ํ•™์ˆ ์—ฐ๊ตฌ๋ถ„์•ผ์—์„œ๋„ ๋‚จ์ด ๋งŒ๋“  ์Šคํ† ๋ฆฌ์— ์˜๊ฐ์„ ๋ฐ›๋Š” ๊ฒƒ์—์„œ ๋ฒ—์–ด๋‚˜ ์Šค Now academic research community is proactively creating these ํ† ๋ฆฌ๋ฅผ ์ง์ ‘ ์ƒ์‚ฐํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค. ์—ฐ๊ตฌ๋ฅผ ๋งˆ์น˜๊ธฐ ์ „, ์•„๋‹ˆ ์‹œ์ž‘ํ•˜๊ธฐ ์ „๋ถ€ํ„ฐ science fiction before they have finished, or sometimes, started, their ๊ฐ€์ƒ์˜ ์ปจ์…‰์„ ๋น„๋””์˜ค ๋“ฑ ์Šคํ† ๋ฆฌํ…”๋ง ๊ธฐ๋ฒ•์œผ๋กœ ์ „๋‹ฌํ•˜๋Š” ๊ฒฝ์šฐ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค. research project. Research community is now 25 initiating Sci-Fi storytelling
  • 49. CLAYTRONICS FUTURE AD ๋‚˜๋…ธํ…Œํฌ ์—ฐ๊ตฌํŒ€์ด ๊ฟˆ๊พธ๋Š” ๋ฏธ๋ž˜์ƒ์„ ๊ด‘๊ณ  ํ˜•์‹์œผ๋กœ ๋งŒ๋“ค๊ธฐ ๋ฏธ๊ตญ ์นด๋„ค๊ธฐ๋ฉœ๋ก  ๊ณต๋Œ€์™€ ์ธํ…” ์—ฐ๊ตฌ์†Œ๋Š” ์ง„ํ–‰ํ•˜๊ณ  ์žˆ๋Š” ์—ฐ Combines modular robotics, nanotechnology ๊ตฌ์˜ ๋น„์ „์„ ๋ณด์—ฌ์ฃผ๋Š” ๊ด‘๊ณ ์˜์ƒ์„ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค. and computer science to create the dynamic, ํ”„๋กœ๊ทธ๋ž˜๋ฐ์ด ๊ฐ€๋Šฅํ•œ ๋ถ„์ž ํฌ๊ธฐ์˜ ๋กœ๋ด‡์œผ๋กœ ์•„๋ฌด ๋ฌผ๊ฑด์ด 3-D display of electronic information. ๋‚˜ ํ•„์š”ํ•œ๋Œ€๋กœ ๋งŒ๋“ค๊ณ , ์‚ฌ์šฉ์ž์™€ ํ™˜๊ฒฝ์˜ ๋ณ€ํ™”์— ๋งž์ถฐ ๋ฌผ An over-the-top scenario and Discovery ๊ฑด์˜ ์„ฑ๊ฒฉ์„ ๋ฐ”๊ฟ€ ์ˆ˜ ์žˆ๋‹ค๋Š” ๋น„์ „์ž…๋‹ˆ๋‹ค. (2006) channel feature for programmable matter. http://www.cs.cmu.edu/~claytronics/
  • 50. Claytronics Future Ad (2006) An over-the-top scenario and Discovery channel feature for programmable matter. http://www.youtube.com/watch?v=4HsUb1m27Ng @keywonc
  • 51. +POOL FOR NYC ๋‰ด์š•์˜ ๋””์ž์ด๋„ˆ๋“ค์ด ํ—ˆ๋“œ์Šจ๊ฐ•์— ์ˆ˜์˜์žฅ์„ ๋„์šฐ์ž๊ณ  ์ œ์•ˆํ•œ ์•„์ด๋””์–ด์ž…๋‹ˆ๋‹ค. ๊ฐ€์ƒ์˜ ๋น„๋””์˜ค์™€ ๋น„์ฃผ์–ผ๋“ฑ์„ ํ†ตํ•ด ๋Œ€์ค‘์—๊ฒŒ ์ธ๊ธฐ๋งŒ๋ฐœ ์‹œ๋‚˜๋ฆฌ์˜ค๋ฅผ ํ†ตํ•ด ๋Œ€์ค‘์œผ๋กœ๋ถ€ํ„ฐ ์ž๊ธˆ์„ ์กฐ๋‹ฌํ•˜๊ธฐ ์–ดํ•„, ๊ฐ•๋ฌผ์˜ ์ •์ˆ˜๊ธฐ๋Šฅ์„ ํ…Œ์ŠคํŠธํ•ด ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ธฐ์ดˆ์ž‘์—… ๋น„์šฉ ์•ฝ 4์ฒœ๋งŒ์›์„ ์กฐ๋‹ฌํ•˜์˜€์Šต๋‹ˆ๋‹ค. NYC designers came up with a proposal to float a swimming pool on the Hudson River, and posted hypothetical videos and images on social funding site Kickstarter. Thanks to the appealing visuals and social media campaign, they secured $40K for initial filteration tests. (2011) Image Credit: Kickstarter and PlusPool
  • 52. Make it, prove it, and then promote it. ๋งŒ๋“ค๊ณ  ๋‚˜์„œ, ์ฆ๋ช…ํ•˜๊ณ  ๋‚˜์„œ, ํ™๋ณดํ•˜๋ผ. Promote it, and then make it. ์šฐ์„  ํ™๋ณดํ•˜๊ณ  ํ˜ธ์‘์ด ์ข‹์œผ๋ฉด ๋งŒ๋“ค์–ด๋ผ.
  • 53. Make it, test it, then market it. ๋งŒ๋“ค๊ณ , ํ…Œ์ŠคํŒ…ํ•˜๊ณ , ๋งˆ์ผ€ํŒ…ํ•˜๋ผ. Promote it, then make it and market it. ์šฐ์„  ํ™๋ณดํ•˜๊ณ  ํ˜ธ์‘์ด ์ข‹์œผ๋ฉด ๋งŒ๋“ค์–ด์„œ ๋งˆ์ผ€ํŒ…ํ•˜๋ผ.
  • 54. Business Fiction ํ”ฝ์…˜์„ ์ด์šฉํ•˜์—ฌ ์‚ฌ์—… ๋ชฉํ‘œ์˜ ํ˜„์‹คํ™”๋ฅผ ์•ž๋‹น๊ธฐ๊ธฐ
  • 55. BUSINESS FICTION ์‹œ๋‚˜๋ฆฌ์˜ค๋ฅผ ํ†ตํ•ด ์‚ฌ์—…๊ณผ ์ „๋žต์„ ๊ตฌ์ƒํ•˜๊ธฐ Next Yearโ€™s Headline Amazonโ€™s Fake Press Release As featured in IDEOโ€™s Method Cards: โ€œPredictions can For new initiatives, a product manager typically starts by help you define which issues to pursue, identify writing an internal press release announcing the finished targets, and reveal internal values.โ€ product. Image Credit: IDEO Method Cards Image Credit: Amazon.com
  • 56. Personal Fiction ํ”ฝ์…˜์„ ์ด์šฉํ•˜์—ฌ ๊ฐœ์ธ์  ๋ชฉํ‘œ์˜ ํ˜„์‹คํ™”๋ฅผ ์•ž๋‹น๊ธฐ๊ธฐ
  • 57. PERSONAL FICTION ๋‚ด ๋ฏธ๋ž˜์˜ ๊ฐ€์ƒ ํ”„๋กœํŒŒ์ผ์„ ์จ๋ณด๊ธฐ Hypothetical Bio in 3 Years 3๋…„ ํ›„์˜ ๋‚ด ์†Œ๊ฐœ๊ธ€? Write a fictitious blurb, article, ์•ž์œผ๋กœ 1๋…„, 3๋…„, 5๋…„, 10๋…„ ํ›„ ์ž or profile about yourself set in ์‹ ์„ ์†Œ๊ฐœํ•˜๋Š” ๊ฐ€์ƒ์˜ ๊ธฐ์‚ฌ๋‚˜ ์•ฝ๋ ฅ ์„ 3์ธ์นญ ์‹œ์ ์œผ๋กœ ์จ๋ณด์„ธ์š”. the near future. ์˜์™ธ๋กœ ์•„์ฃผ ์ž์„ธํ•œ ์žฅ๋ž˜ ๊ณ„ํš์ด ์œก You will be surprised how ํ•˜์›์น™์— ๋”ฐ๋ผ ํŽผ์ณ์ง€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. much concrete information it ๊ทธ๋ฟ ์•„๋‹ˆ๋ผ ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ด๋ฅผ contains, and how helpful it is ์•Œ๋ฆผ์œผ๋กœ์„œ ์—ฌ๋Ÿฌ ์†Œ๊ฐœ์™€ ์กฐ์–ธ์„ ์–ป๊ฒŒ to get introduced to those who ๋˜๊ณ  ํ˜„์‹คํ™”๊ฐ€ ๋” ๋นจ๋ผ์งˆ์ˆ˜ ์žˆ์–ด์š”. can help you realize it.
  • 58. CURRENT (2012) Keywon is a product and interaction designer spanning screen and gestural interfaces, software and service prototyping. As senior designer at renowned global innovation firm IDEO, she developed mobile service concepts and revenue models, and advised Asian internet companies on globalizing their offerings and internal culture. She has real-world product shipping experience at Microsoft Office, where she helped revamp graphical capabilities of Word, Excel, PowerPoint and Visio 2007. Her wearable and gesture interface work from the MIT Media Lab explore augmented experiences for the future creative class, and were featured on Showtime TV, Gizmodo, SIGCHI and SIGGRAPH. Keywon holds a BFA in design and HCI from Carnegie Mellon and MS in Media Arts and Sciences from MIT. Expanding her interests beyond being a kick-ass desiger, she mentored Startup Weekend participants, spoke at TEDx salon, AIGA Pecha Kucha, SEGD conference and Ignite Seoul, and organized Sharing Experiences, a 1000-attendance conference, hackacthon, and exhibition with the MIT Media Lab.
  • 59. HYPOTHETICAL (2015) Keywon is a cofounder and customer zero of XXX, where she leads the product design and execution of the popular social investing service. XXX encourages everyone, even college students and grandmas, to create their own (virtual) index funds and only invest in companies that match your personal criteria. It has taken old boysโ€™ investing world by storm, โ€œfolding investing into the young generationโ€™s identity... as it should be,โ€ according to the Forbes magazine. XXX is now beloved by 3M unique visitors a month, cashflow-positive since 2013, and is valued upward of $200M by their latest investors including Fred Wilson and Nicholas Negroponte. Making investing personal and empowering everyman is a no-brainer for Keywon, who loves the Lord of the Rings trilogy because it speaks against the โ€œimpersonization and mechanization of our social systemsโ€ that she sees in the immorality of the Wall St. Following her passion for bottom-up innovation, she has recently invested in peer-guided travel startup YYY and launched ZZZ, a nonprofit to provide finance and business skills to women of all ages.
  • 60. Keywon Chung My Projectโ€™s Achievements โ€ข 3M unique visitors a month What Project / Organization โ€ข cashflow-positive since 2013 โ€ข social investing startup โ€ข valued upward of $200M โ€ข famous investors Fred Wilson etc. My Title and Role โ€ข cofounder and customer zero Loves โ€ข design and execution โ€ข making investing personal and empowering everyman What My Project Does โ€ข bottom-up innovation โ€ข encourages everyone to create their own funds and only invest in Hates companies that match your โ€ข impersonization and mechanization of personal criteria. our social systems โ€ข immorality of the Wall St. My Projectโ€™s Impacts โ€ข โ€œfolding investing into the young Related / Other Passions generationโ€™s identity... as it should โ€ข peer-guided travel be,โ€ Forbes magazine โ€ข business skills for women
  • 61. My Projectโ€™s Achievements What Project / Organization My Title and Role Loves What My Project Does Hates My Projectโ€™s Impacts Related / Other Passions
  • 62. Why build something? ์™œ ๋งŒ๋“ค์–ด? What do you want to build? ๋‚จ์€ ํ•™๊ธฐ๋™์•ˆ ๋ฌด์—‡์„ ๋งŒ๋“ค๊ณ  ์‹ถ์–ด?
  • 63. Let's make it personal ๊ทธ๋ƒฅ ๋งŒ๋“ค์ง€ ๋ง๊ณ , ์›ํ•ด์„œ, ์ข‹์•„์„œ ๋งŒ๋“ค์ž๊ณ .