Participatory Media Arts: A TU/e DESIS Lab project
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This document describes a public media art installation called "Moon Rising from Sea" being designed for the center square of a new living and leisure area in Taicang, China. The installation consists of a 10x10m base with wall reliefs and an 8m tall structure resembling a sail with the moon rising from waves. Projectors will display images, animations and videos on the sail's surface in the evenings. The design process involved workshops to inspire designs from traditional arts. The installation will allow the public to contribute photos from social media for an interactive photo show, connecting people in Taicang to those overseas and reinstating Taicang's historical role as a port.
Participatory Media Arts: A TU/e DESIS Lab project
- 1. TU/e DESIS Lab Department of Industrial Design Eindhoven University of Technology The Netherlands Participatory Public Media Arts for Social Creativity
- 3. Context. Taicang is a city near Shanghai. It is a natural sea port. It became the number one port of the world in Ming dynasty, where Zheng He set off his voyages to explore the world. Taicang’s cultural heritage is deeply rooted in being a sea port to the world ever since. Only recently Taicang decided to exploit this past importance and fame as one of the development triggers to a new culture and creative industry in the region. One of the ongoing projects is to build a new living and leisure area at the spot of the original shipping embankment
- 4. Moon Rising from Sea. A public media art installation was designed to be located at the center square of the area. The installation is roughly 10 by 10 meters on its base and 8 meters high. The base features wall reliefs and public displays, and inside it is going to be used as an exhibition space. On top of the base are constructions that give the impressions of a large sail, and the moon rising from the waves. On the surface of the sail are reliefs of Taicang’s sea culture. The inner space of the “moon” is also used for mounting projectors. Images, animations and videos can be projected onto the inner surface of sail in the evenings. Projection mapping and edge blending techniques will be used to correct the projection results on the curved surface with reliefs on it. Together with the sound systems installed nearby, it offers a platform for presenting digital media, and for public participation.
- 5. The design process. Inspired by cultures Inspired by traditional dynamic arts Sensitizing workshops Cardboard Modelling Acting out Video prototyping
- 6. Public Participation Participatory Media Arts In this concept the installation allows the public to contribute their photos from social media, for an interactive photo show to induce the feeling of social connectedness, and to reinstate the historical values of Taicang as port to the world, the place where Zheng He left to explore the world and bring back treasures and cultural influences from overseas. People from Taicang, who live and work overseas, will be able to send back photos and show to the people of Taicang what they are doing and seeing elsewhere in the world, Local viewers are able to interact with the photo show either with a tangible steering wheel, or with their own mobile devices.
- 7. Public Participation Participatory Media Arts Participatory public media art form emerges from traditional art forms and from the technology development. It integrates the physical and digital forms and content, requires the artist to take into account the future inclusion of the contributions from the public, and opens the possibility to allow social creativity as part of the creation process, aiming at an artifact (in many cases, a system) that grows with the contributions and along with time. What the artist creates is not an artifact in its final form, but a platform for social creativity. The participation process is an interactive process, although the interaction is not necessarily real-time at the same spot, but can be over time and over distance, thanks to the new technologies of digital media and connectivity. Social Creativity
- 8. desis.id.tue.nl j.hu@tue.nl References J. Hu, F. Wang, M. Funk, J. Frens, Y. Zhang, T. van Boheemen, C. Zhang, Q. Yuan, H. Qu, and M. Rauterberg, “Participatory Public Media Arts for Social Creativity,” in 4th International Conference on Culture and Computing-ICCC 2013, Kyoto, Japan, 2013, pp. 179-180. J. Hu, M. Funk, Y. Zhang, and F. Wang, “Designing Interactive Public Art Installations: New Material Therefore New Challenges,” ICEC 2014, LNCS 8770, Series, Y. P. e. al., ed., pp. 199-206, Sydney: Springer, 2014. J. Hu, J. Frens, M. Funk, F. Wang, and Y. Zhang, “Design for Social Interaction in Public Spaces,” in 16th International Conference on Human- Computer Interaction, Creta Maris, Heraklion, Crete, Greece, 2014. TU/e DESIS Lab Department of Industrial Design Eindhoven University of Technology The Netherlands