This document discusses editing and narrative structure in film. It uses the example of Morgan Spurlock's "Supersize Me" to show how editing through ellipses allows the audience to fill in gaps. Narrative is constructed through editing footage together to tell a story. Common narrative theories discussed include Todorov's 5-stage model of equilibrium disruption, recognition, attempts to repair, new equilibrium. Propp's character archetypes are also explained. Modern 3-act structure is outlined. The document encourages testing these theories by finding examples that do and do not follow typical narrative rules.