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The   Elements   and   Principles of Art
The Elements of Art The building blocks  or  ingredients of art.
LINE A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebotte
Pablo Picasso
C O L O R Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness). Henri Matisse Alexander Calder
V A L U E The lightness or darkness of a color. MC Escher Pablo Picasso
SHAPE An enclosed area defined and determined by other art elements; 2-dimensional. Joan Miro
Gustave Caillebotte
FORM A 3-dimensional object; or something in a 2-dimensional artwork that appears to be 3-dimensional. For example, a triangle, which is 2-dimensional, is a shape, but a pyramid, which is 3-dimensional, is a form.  Jean Arp Lucien Freud
S P A C E Robert Mapplethorpe Claude Monet The distance or area between, around, above, below, or within things.  Positive (filled with something) and Negative (empty areas). Foreground, Middleground and Background (creates DEPTH)
Perspective  is the illusion of depth. Perspective
TEXTURE The surface quality or "feel" of an object, its smoothness, roughness, softness, etc. Textures may be actual or implied.
Cecil Buller
The Principles of Art What we use to organize the Elements of Art, or  the tools to make art.
B A L A N C E The way the elements are arranged to create a feeling of stability in a work.  Alexander Calder
Symmetrical Balance The parts of an image are organized so that one side mirrors the other.  Leonardo DaVinci
Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
EMPH A SIS The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
CONTRAST A large difference between two things to create interest and tension. Ansel Adams Salvador Dali
RHYTHM  RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM and MOVEMENT A regular repetition of elements to produce the look and feel of movement. Marcel Duchamp
Vincent VanGogh
P A T T E R N and Repetition Repetition of a design. Gustav Klimt
UNITY When all the elements and principles work together to create a pleasing image. Johannes Vermeer
 
V A R I E T Y The use of differences and change to increase the visual interest of the work.  Marc Chagall
P R O P O R T I O N The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE.  Gustave Caillebotte
Processes and Techniques of Art
Shading - used to change the value of colors. Drawing
Hatching and crosshatching- used to shade
Stippling  created by a pattern of dots.
Two-dimensional processes that creates multiple copies of the original work Printmaking  (Lithography process)
Relief printmaking - when an artist cuts away sections and segments from the surface of the plate.  Intaglio printmaking - the opposite of relief printmaking in the way that the design in incised on the plate.
Screen Printing  (Serigraphy) Method in which ink is applied directly to the surface to be printed
Composed of pigments, binders, solvents Painting
Mary Van Gils  :3
 
Photography
Sculpture
 
Environmental Art Jonna Pohjalainen
 
Mixed Media
Performance Art
 
Variety of art forms across cultures Craft, Folk, and Popular Art
 
 
Art of designing and building structures  Architecture
TEEHHHH EENNNDDD! :3

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Elements and Principles of art and the Processes used to create art

  • 1. The Elements and Principles of Art
  • 2. The Elements of Art The building blocks or ingredients of art.
  • 3. LINE A mark with length and direction. A continuous mark made on a surface by a moving point. Ansel Adams Gustave Caillebotte
  • 5. C O L O R Consists of Hue (another word for color), Intensity (brightness) and Value (lightness or darkness). Henri Matisse Alexander Calder
  • 6. V A L U E The lightness or darkness of a color. MC Escher Pablo Picasso
  • 7. SHAPE An enclosed area defined and determined by other art elements; 2-dimensional. Joan Miro
  • 9. FORM A 3-dimensional object; or something in a 2-dimensional artwork that appears to be 3-dimensional. For example, a triangle, which is 2-dimensional, is a shape, but a pyramid, which is 3-dimensional, is a form. Jean Arp Lucien Freud
  • 10. S P A C E Robert Mapplethorpe Claude Monet The distance or area between, around, above, below, or within things. Positive (filled with something) and Negative (empty areas). Foreground, Middleground and Background (creates DEPTH)
  • 11. Perspective is the illusion of depth. Perspective
  • 12. TEXTURE The surface quality or "feel" of an object, its smoothness, roughness, softness, etc. Textures may be actual or implied.
  • 14. The Principles of Art What we use to organize the Elements of Art, or the tools to make art.
  • 15. B A L A N C E The way the elements are arranged to create a feeling of stability in a work. Alexander Calder
  • 16. Symmetrical Balance The parts of an image are organized so that one side mirrors the other. Leonardo DaVinci
  • 17. Asymmetrical Balance When one side of a composition does not reflect the design of the other. James Whistler
  • 18. EMPH A SIS The focal point of an image, or when one area or thing stand out the most. Jim Dine Gustav Klimt
  • 19. CONTRAST A large difference between two things to create interest and tension. Ansel Adams Salvador Dali
  • 20. RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM RHYTHM and MOVEMENT A regular repetition of elements to produce the look and feel of movement. Marcel Duchamp
  • 22. P A T T E R N and Repetition Repetition of a design. Gustav Klimt
  • 23. UNITY When all the elements and principles work together to create a pleasing image. Johannes Vermeer
  • 24.  
  • 25. V A R I E T Y The use of differences and change to increase the visual interest of the work. Marc Chagall
  • 26. P R O P O R T I O N The comparative relationship of one part to another with respect to size, quantity, or degree; SCALE. Gustave Caillebotte
  • 28. Shading - used to change the value of colors. Drawing
  • 30. Stippling created by a pattern of dots.
  • 31. Two-dimensional processes that creates multiple copies of the original work Printmaking (Lithography process)
  • 32. Relief printmaking - when an artist cuts away sections and segments from the surface of the plate. Intaglio printmaking - the opposite of relief printmaking in the way that the design in incised on the plate.
  • 33. Screen Printing (Serigraphy) Method in which ink is applied directly to the surface to be printed
  • 34. Composed of pigments, binders, solvents Painting
  • 36.  
  • 39.  
  • 40. Environmental Art Jonna Pohjalainen
  • 41.  
  • 44.  
  • 45. Variety of art forms across cultures Craft, Folk, and Popular Art
  • 46.  
  • 47.  
  • 48. Art of designing and building structures Architecture