Evaluation Question 1

   In what ways does your media
 product use, develop or challenge
forms and conventions of real media
             products.
Conventions the film followed
Most of the main conventions in a horror film have been
implemented into our horror trailer, as the concepts of
suspense, jumpiness and darkness in clips are what makes
a film fit in the horror genre. The horror genre as a whole
is wide, as we found in our research, and we chose not to
go down the route of gore or psychological horrors. Due
to this, shots that would shock or disturb viewers in those
categories have not been followed.
The title of the film
Other than insidious, all of the titles we researched either gave an indication
as to what the film was about or provided anchorage over what genre the
film was. ​We researched many types of 'eroded' and 'spooky' fonts which we
thought were similar to ones seen in our researched film titles. However we
had decided that our posters were going to be composed in a periodic style, a
strong bold and simplistic font like the 'Sinister' title would be more
appropriate and in keeping with the effects. A problem occurred when
attempting to insert the texts displayed on the left hand side of this page
from 'Dafont'. Therefore we decided to use Times New Yorker and Agency FB.
We also decided to use chiller for our magazine front cover as we were
attracted to the 'spooky' fonts but thought it displayed better on the
magazine than the poster.
Setting/location
The setting of our trailer is one of the main things that breaks
typical horror conventions as most settings tend to be
rundown, dark and grungy whereas our main location for
scenes was an average family household, with the twist that
the doll house was our ‘haunted’ location. This breaks the
convention of one location for the entire film as seen in several
horror films, especially psychological. A way our trailer stays
with horror conventions is that there is a typical horror location
as opposed to contradictory light hearted locations for all of the
film.
Costumes and props
Our costumes and props in the film break conventions in the
colour scheme of the main character as she is wearing white, a
typically innocent colour. Furthermore, the dolls used in our
trailer aren’t in a poor condition or holding a dark demeanour;
the horror comes from inside the doll house and as the tagline
says: ‘murder blinded by innocence’. It does however follow
conventions of a house that looks normal on the outside but
holds dark secrets on the inside.
Camerawork and editing
Our main use of camera angles came from a zoom, a low to
high shot and then effects on all shots that have occurred from
the doll house. This follows conventions of power, but the idea
of the powerful character in the trailer being a tiny doll breaks
the convention, with the camerawork helping to maintain
normality. The editing is also conventional with quick cuts and
fade to black, but the static transitions break the conventions
as they represent a bad quality which is what most films try and
avoid, with some static even being used not for a transition.
Story and how the trailer sets it up
The story is of a young girl who finds a dolls house in
the attic and asks her mother whether she can keep
it. Unknown to her, the dolls represent members of
her family, with the cursed girl representing her and
she is forced to kill them one by one. The cursed girl
craves attention and ‘play with her’, making more
members needed for her dolls house. The film ends
with the family in the dolls house and the cursed girl
still unsatisfied with the deaths. The trailer sets this
up through establishing shots of the dolls house, a
brief dialogue and the starting of the killings. It does
not however give away the full brunt of the story or
all the deaths.
Special effects
The special effects used in our trailer are static, extreme close-
ups and opacity with fade over scenes with two things going on
at the same time as seen in the first shot and with the girl
appearing and disappearing. These are not unknown to existing
horrors and thus follow conventions, although it could be
argued it is hard to break conventions without much more
professional software and hardware. They do however follow
the connotations of horror films. Static provides a feeling of
things being broken or not right, with fade over shots and
close-ups making a ‘ghost’ type feeling.
How does your trailer challenge the
  conventions of existing media
           products?
The ways in which our trailer challenges conventions of media
products, other than in the sub-sections provided earlier, are
through the use of one music track playing through the
majority of the trailer, along with the fact it is a nursery rhyme.
Also, the static being used to effectively make the video quality
worse is challenging conventions of trying to make the highest
video quality available. Finally, our trailer ends not with the title
but with another clip, which gives the recipient a ‘what
happens next’ type feeling.

More Related Content

PPTX
Evaluation question
PPTX
Evaluation question 1
PPTX
Media evaluation 1
PPTX
Question 1
PPTX
Evaluation q1
PPT
C:\Users\Kerfi\Documents\Media Question 1
PPTX
Sound research
PDF
Codes & Conventions of Film Posters
Evaluation question
Evaluation question 1
Media evaluation 1
Question 1
Evaluation q1
C:\Users\Kerfi\Documents\Media Question 1
Sound research
Codes & Conventions of Film Posters

What's hot (20)

PPTX
Media Pitch
PPTX
Evaluation activity 1
PPTX
Codes and conventions
PPTX
Analysis of final questionnaire
PPTX
Eavaluation question 1 (1)
PPTX
Eavaluation question 1
PPTX
Eavaluation question 1 (3)
PPTX
Final poster
ODP
Research of film posters
PPTX
Codes and conventions of movie posters
PPTX
Codes and conventions of film posters
PPTX
Question 6
PPT
PPTX
Conventions of a horror film
PPTX
Cabin in the woods analysis
PPTX
Mise en-scene2
PPTX
Evaluation Q1
PPTX
Evaluation question 1
PPTX
Analysis of a title sequence
PPTX
Assignment 6 conventions of film trailers
Media Pitch
Evaluation activity 1
Codes and conventions
Analysis of final questionnaire
Eavaluation question 1 (1)
Eavaluation question 1
Eavaluation question 1 (3)
Final poster
Research of film posters
Codes and conventions of movie posters
Codes and conventions of film posters
Question 6
Conventions of a horror film
Cabin in the woods analysis
Mise en-scene2
Evaluation Q1
Evaluation question 1
Analysis of a title sequence
Assignment 6 conventions of film trailers
Ad

Viewers also liked (16)

PPTX
Unit2. 7 h movement photos
PPT
iTouch in the Classroom
PPTX
Conspiracy 365 trailer
PPT
Hugh Hefner's Impact on Sociey Through his Magazine Playboy
DOCX
Playboy magazine
PDF
Sex and the CIty Tour
PPTX
The History of The Playboy Brand
PDF
Playboy VIP Deals for Men - Manly Daily Deals
PPSX
Doble belleza
PPTX
Sex, lies and video tapes
PPSX
La Modelo más bella de Pakistán
PPSX
Ewelina Olczak
PPT
The gallery sex slideshare
PPTX
St Even ropa intima femenina
Unit2. 7 h movement photos
iTouch in the Classroom
Conspiracy 365 trailer
Hugh Hefner's Impact on Sociey Through his Magazine Playboy
Playboy magazine
Sex and the CIty Tour
The History of The Playboy Brand
Playboy VIP Deals for Men - Manly Daily Deals
Doble belleza
Sex, lies and video tapes
La Modelo más bella de Pakistán
Ewelina Olczak
The gallery sex slideshare
St Even ropa intima femenina
Ad

Similar to Evaluation question 1 (20)

PPT
A-level Media Evaluation
PPT
Evaluation3
ODP
Evaluation
PPTX
Question 1. In what ways does your media product use, develop or challenge fo...
DOCX
Evaluation question 1
PPTX
Evaluation question 1: In what way does your media product use, develop or ch...
PPTX
A2 Media Evaluation
PPTX
In what ways does your media product use
PPTX
Evaluation Question 1 - Zakaria Bougouizi
DOCX
Evaluation 1
PPT
In what ways does your media product use, develop or challenge forms and conv...
PPT
In what ways does your media product use, develop or challenge forms and conv...
PPT
In what ways does your media product use, develop or challenge forms and conv...
PPT
In what ways does your media product use, develop or challenge forms and conv...
PPTX
Evaluation question 1
PPTX
Alice new
PPTX
Evaluation question 1 a2 media
PPT
How effective is the combination of your main product and ancillary texts?
PPTX
Evaluation - Question One
PPTX
Evaluation Q1
A-level Media Evaluation
Evaluation3
Evaluation
Question 1. In what ways does your media product use, develop or challenge fo...
Evaluation question 1
Evaluation question 1: In what way does your media product use, develop or ch...
A2 Media Evaluation
In what ways does your media product use
Evaluation Question 1 - Zakaria Bougouizi
Evaluation 1
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
Evaluation question 1
Alice new
Evaluation question 1 a2 media
How effective is the combination of your main product and ancillary texts?
Evaluation - Question One
Evaluation Q1

Recently uploaded (20)

PDF
Control and coordination isdorjdmdndjke
PDF
2025CategoryRanking of technology university
PPTX
Presentation.pptx anemia in pregnancy in
PPT
aksharma-dfs.pptgfgfgdfgdgdfgdfgdgdrgdgdgdgdgdgadgdgd
PPT
Unit I Preparatory process of dyeing in textiles
PPTX
URBAN FINANCEnhynhynnnytnynnnynynyynynynyn
PDF
Timeless Interiors by PEE VEE INTERIORS
PPTX
ACL English Introductionadsfsfadf 20200612.pptx
PDF
jyg7ur7rtb7ur57vr65r7t7b7i6t7r65rb57t76bt
PDF
Instagram Marketing in 2025 Reels, Stories, and Strategy (14) (2).pdf
PPTX
Drawing as Communication for interior design
PDF
trenching-standard-drawings procedure rev
PPTX
WHY UPLOADING IS IMPORTANT TO DOWNLOAD SLIDES.pptx
PDF
Social Media USAGE .............................................................
PPTX
3 - Meeting Life Challengjrh89wyrhnadiurhjdsknhfueihru
PPT
Introduction to Research Methods - Lecture.ppt
PPTX
a group casestudy on architectural aesthetic and beauty
PPTX
Drafting equipment and its care for interior design
PDF
Humans do not die they live happily without
PDF
analisis snsistem etnga ahrfahfffffffffffffffffffff
Control and coordination isdorjdmdndjke
2025CategoryRanking of technology university
Presentation.pptx anemia in pregnancy in
aksharma-dfs.pptgfgfgdfgdgdfgdfgdgdrgdgdgdgdgdgadgdgd
Unit I Preparatory process of dyeing in textiles
URBAN FINANCEnhynhynnnytnynnnynynyynynynyn
Timeless Interiors by PEE VEE INTERIORS
ACL English Introductionadsfsfadf 20200612.pptx
jyg7ur7rtb7ur57vr65r7t7b7i6t7r65rb57t76bt
Instagram Marketing in 2025 Reels, Stories, and Strategy (14) (2).pdf
Drawing as Communication for interior design
trenching-standard-drawings procedure rev
WHY UPLOADING IS IMPORTANT TO DOWNLOAD SLIDES.pptx
Social Media USAGE .............................................................
3 - Meeting Life Challengjrh89wyrhnadiurhjdsknhfueihru
Introduction to Research Methods - Lecture.ppt
a group casestudy on architectural aesthetic and beauty
Drafting equipment and its care for interior design
Humans do not die they live happily without
analisis snsistem etnga ahrfahfffffffffffffffffffff

Evaluation question 1

  • 1. Evaluation Question 1 In what ways does your media product use, develop or challenge forms and conventions of real media products.
  • 2. Conventions the film followed Most of the main conventions in a horror film have been implemented into our horror trailer, as the concepts of suspense, jumpiness and darkness in clips are what makes a film fit in the horror genre. The horror genre as a whole is wide, as we found in our research, and we chose not to go down the route of gore or psychological horrors. Due to this, shots that would shock or disturb viewers in those categories have not been followed.
  • 3. The title of the film Other than insidious, all of the titles we researched either gave an indication as to what the film was about or provided anchorage over what genre the film was. ​We researched many types of 'eroded' and 'spooky' fonts which we thought were similar to ones seen in our researched film titles. However we had decided that our posters were going to be composed in a periodic style, a strong bold and simplistic font like the 'Sinister' title would be more appropriate and in keeping with the effects. A problem occurred when attempting to insert the texts displayed on the left hand side of this page from 'Dafont'. Therefore we decided to use Times New Yorker and Agency FB. We also decided to use chiller for our magazine front cover as we were attracted to the 'spooky' fonts but thought it displayed better on the magazine than the poster.
  • 4. Setting/location The setting of our trailer is one of the main things that breaks typical horror conventions as most settings tend to be rundown, dark and grungy whereas our main location for scenes was an average family household, with the twist that the doll house was our ‘haunted’ location. This breaks the convention of one location for the entire film as seen in several horror films, especially psychological. A way our trailer stays with horror conventions is that there is a typical horror location as opposed to contradictory light hearted locations for all of the film.
  • 5. Costumes and props Our costumes and props in the film break conventions in the colour scheme of the main character as she is wearing white, a typically innocent colour. Furthermore, the dolls used in our trailer aren’t in a poor condition or holding a dark demeanour; the horror comes from inside the doll house and as the tagline says: ‘murder blinded by innocence’. It does however follow conventions of a house that looks normal on the outside but holds dark secrets on the inside.
  • 6. Camerawork and editing Our main use of camera angles came from a zoom, a low to high shot and then effects on all shots that have occurred from the doll house. This follows conventions of power, but the idea of the powerful character in the trailer being a tiny doll breaks the convention, with the camerawork helping to maintain normality. The editing is also conventional with quick cuts and fade to black, but the static transitions break the conventions as they represent a bad quality which is what most films try and avoid, with some static even being used not for a transition.
  • 7. Story and how the trailer sets it up The story is of a young girl who finds a dolls house in the attic and asks her mother whether she can keep it. Unknown to her, the dolls represent members of her family, with the cursed girl representing her and she is forced to kill them one by one. The cursed girl craves attention and ‘play with her’, making more members needed for her dolls house. The film ends with the family in the dolls house and the cursed girl still unsatisfied with the deaths. The trailer sets this up through establishing shots of the dolls house, a brief dialogue and the starting of the killings. It does not however give away the full brunt of the story or all the deaths.
  • 8. Special effects The special effects used in our trailer are static, extreme close- ups and opacity with fade over scenes with two things going on at the same time as seen in the first shot and with the girl appearing and disappearing. These are not unknown to existing horrors and thus follow conventions, although it could be argued it is hard to break conventions without much more professional software and hardware. They do however follow the connotations of horror films. Static provides a feeling of things being broken or not right, with fade over shots and close-ups making a ‘ghost’ type feeling.
  • 9. How does your trailer challenge the conventions of existing media products? The ways in which our trailer challenges conventions of media products, other than in the sub-sections provided earlier, are through the use of one music track playing through the majority of the trailer, along with the fact it is a nursery rhyme. Also, the static being used to effectively make the video quality worse is challenging conventions of trying to make the highest video quality available. Finally, our trailer ends not with the title but with another clip, which gives the recipient a ‘what happens next’ type feeling.