Our noir film would be best distributed through smaller art house cinemas or online platforms rather than mainstream media, for three reasons:
1) Traditional film noirs from the 1940s are no longer regularly produced and their modern counterparts like "neo-noirs" are also rare in mainstream cinemas today.
2) As a stand-alone traditional noir piece set in an older time period rather than present day, it would likely not appeal to broad mainstream audiences or have potential for sequels.
3) The visual style of our noir film employing distinctive lighting and sets to depict emotion and entrapment would not be well received by mainstream audiences more familiar with modern visual conventions.