Shot list

Shot 1 – Extreme close up- Joe eyes and hat
Shot 2 – Long shot – shows Joe walking down a poorly light path, credits
superimposed over the top.
Shot 3 – Crosscut to a image of Lola dancing in a long shot, visual effects to show
it is in another time.
Shot 4 – Returns to Joe is a medium shot (Knees to head), credits still super
imposed over the top.
Shot 5- Long shot setting the scene showing the path which Joe is walking on.
Shot 6 – Medium shot showing Joe, some branches obstruct the view, idea of him
being watched.
Shot 7 – A second medium shot of Joe, from a different angle slightly low angle
gives him power.
Shot 8 – A Extreme close-up of Joe’s mouth, showing his lighting a cigarette.
Shot 9 – A graphic match shows the same extreme close-up but a female lighting
a cigarette.
Shot 10 – A medium-long shot shows a female (Lola) lounging on a sofa, shot
with a slight low angle giving her power, Femme fatale character.
Shot 11 – Over the shoulder shot, Extreme close-up on one have of Lola face
focusing on her eyes. This is shot in shallow focus and three men are seen blurry.
Shot 12 – The focus shifts ,her face out of focus and the men are seen clearly.
Shot 13 – Crosscut back to Joe, Extreme long shot right side shows Joe lent
against a tree. On the left side a unknown man approaches from the distance.
Shot 14 – An over the shoulder shot, in medium long shot, over Joe shoulder
shows the unknown man confront Joe.
Shot 15 – Shot reverse shot, Over the man shoulder, adhering to the 180 degree
rule.
Shot 16 – A close up of the mans face, he looks very happy.
Shot 17 – A close-up of Joe’s face , looking very scared and angry.
Shot 18 – Tracking him walking away. Close-up.
Shot 19 – Fade to black , Directed by
Shot 20 – The title.

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Shot list

  • 1. Shot list Shot 1 – Extreme close up- Joe eyes and hat Shot 2 – Long shot – shows Joe walking down a poorly light path, credits superimposed over the top. Shot 3 – Crosscut to a image of Lola dancing in a long shot, visual effects to show it is in another time. Shot 4 – Returns to Joe is a medium shot (Knees to head), credits still super imposed over the top. Shot 5- Long shot setting the scene showing the path which Joe is walking on. Shot 6 – Medium shot showing Joe, some branches obstruct the view, idea of him being watched. Shot 7 – A second medium shot of Joe, from a different angle slightly low angle gives him power. Shot 8 – A Extreme close-up of Joe’s mouth, showing his lighting a cigarette. Shot 9 – A graphic match shows the same extreme close-up but a female lighting a cigarette. Shot 10 – A medium-long shot shows a female (Lola) lounging on a sofa, shot with a slight low angle giving her power, Femme fatale character. Shot 11 – Over the shoulder shot, Extreme close-up on one have of Lola face focusing on her eyes. This is shot in shallow focus and three men are seen blurry. Shot 12 – The focus shifts ,her face out of focus and the men are seen clearly. Shot 13 – Crosscut back to Joe, Extreme long shot right side shows Joe lent against a tree. On the left side a unknown man approaches from the distance. Shot 14 – An over the shoulder shot, in medium long shot, over Joe shoulder shows the unknown man confront Joe. Shot 15 – Shot reverse shot, Over the man shoulder, adhering to the 180 degree rule. Shot 16 – A close up of the mans face, he looks very happy. Shot 17 – A close-up of Joe’s face , looking very scared and angry. Shot 18 – Tracking him walking away. Close-up. Shot 19 – Fade to black , Directed by Shot 20 – The title.