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AMD LAW Library presentation regarding copyright protection
   This fact sheet is intended as an
    introduction to ideas and concepts only. It
    should not be treated as a definitive guide,
    nor should it be considered to cover every
    area of concern, or be regarded as legal
    advice.
   Public libraries have
    an interest in
    safeguarding the
    creative works of
    authors and deterring
    infringement by
    facilitating copyright
    protection.
   The author has the right
    to:
     Make copies the work
     Distribute copies of the
      work
     Perform the work
      publically
     Display the work
      publically
     Make derivative works
      (making modifications,
      adaptations, or other new
      uses of a work, or
      translating the work to
      another media)
   Copyright protects "original
    works of authorship" that are
    fixed in "a tangible form of
    expression." Such as:
      Literary works (which includes
         computer software)
        Musical works, including any
         accompanying words
        Dramatic works, including any
         accompanying music
        Pantomimes and choreographic
         works
        Pictorial, graphic, and sculptural
         works
        Motion pictures and other
         audiovisual works
        Sound recordings and
        Architectural works.
   Beyond creating a
    copyrightable work,
    an author need do
    little else to gain
    copyright protection.
   Neither publication,
    nor registration with
    the Copyright Office,
    is required today to
    secure copyright.
   Generally, it is illegal
    for anyone to
    reproduce copyrighted
    work without the
    permission of the
    author, but there are
    some a few
    exceptions, the major
    one being “Fair Use”.
   The “Fair Use” doctrine allows
    limited copying of copyrighted
    works for educational and
    research purposes.
      The use must be for an
       educational/non-commercial
       purpose
      The nature of the copyrighted
       work: the more factual and less
       creative the work, the more likely
       it will be fair use;
      The amount and substantiality of
       the portion used in relation to the
       copyrighted work as a whole: the
       more taken the less likely to be
       fair use; and
      The use should not effect the
       market value of the work.
   Not everything is
    protected by copyright
    law. The following are
    categories of things not
    protected:
     Ideas, procedures, methods,
      systems, processes, concepts,
      principles, discoveries, or
      devices, (but written or recorded
      descriptions, explanations, or
      illustrations of such things are
      protected copyright)
     Titles, names, short phrases, and
      slogans;
 Works that are not fixed in a
  tangible form of expression,
  such as an improvised speech
  or performance that is not
  written down or otherwise
  recorded
 Works consisting entirely of
  information that is commonly
  available and contains no
  originality (for example,
  standard calendars, standard
  measures and rulers, lists or
  tables compiled from public
  documents or other common
  sources)
 Works by the government.
   Patrons of libraries can “check-out”
    books, DVD, CDs and other media
    items including digital audio books.

   It is important to warn the public
    against the tendency to
    inadvertently violate the copyright
    interests of the creator of the work.

    Making copies of protected work
    may be in violation of the federal
    copyright regulations, even if the
    items are received from a public
    library!
   Copyrighting creative works has
    actually turned into big business.

   Just think of all of your favorite
    books, songs, movies, plays, and
    artworks. The individuals
    responsible for creating them
    deserve to make a living from their
    creative .That's what copyright is
    all about.

   Copyright protection reflects our
    appreciation for all the hard work
    that goes into creating "original
    works of authorship“.
   Ripping a copy of a
    CD to their computer
    hard-drive.
   Scanning pictures and
    using them on the
    internet.
   Copying a book and
    distributing them.
   Place a copyright
    warning label on all
    electronic items.

   Provide patrons with
    written materials
    explaining copyright
    protection.
   It is important to
    advise patrons that
    they need to seek
    permission from the
    creator of a work that
    they intend to copy
    and use.
   Here is basic warning label
    language you could use:
“The copyright law of the United
States (Title 17, United States Code)
governs the making of photocopies or
other reproductions of copyrighted
material. Under certain conditions
specified in the law, libraries and
archives are authorized to furnish a
photocopy or other reproduction. One
of these specified conditions is that
the photocopy or reproduction is not
to be "used for any purpose other
than private study, scholarship, or
research." If a user makes a request
for, or later uses, a photocopy or
reproduction for purposes in excess
of "fair use," that user may be liable
for copyright infringement."
Contact the AMD Law
Group at
www.amdlawgroup.com
or (347)699-4AMD (4263)
An AMD Law Group Presentation
       www.amdlawgroup.com
              (800) 605-0785

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AMD LAW Library presentation regarding copyright protection

  • 2. This fact sheet is intended as an introduction to ideas and concepts only. It should not be treated as a definitive guide, nor should it be considered to cover every area of concern, or be regarded as legal advice.
  • 3. Public libraries have an interest in safeguarding the creative works of authors and deterring infringement by facilitating copyright protection.
  • 4. The author has the right to:  Make copies the work  Distribute copies of the work  Perform the work publically  Display the work publically  Make derivative works (making modifications, adaptations, or other new uses of a work, or translating the work to another media)
  • 5. Copyright protects "original works of authorship" that are fixed in "a tangible form of expression." Such as:  Literary works (which includes computer software)  Musical works, including any accompanying words  Dramatic works, including any accompanying music  Pantomimes and choreographic works  Pictorial, graphic, and sculptural works  Motion pictures and other audiovisual works  Sound recordings and  Architectural works.
  • 6. Beyond creating a copyrightable work, an author need do little else to gain copyright protection.  Neither publication, nor registration with the Copyright Office, is required today to secure copyright.
  • 7. Generally, it is illegal for anyone to reproduce copyrighted work without the permission of the author, but there are some a few exceptions, the major one being “Fair Use”.
  • 8. The “Fair Use” doctrine allows limited copying of copyrighted works for educational and research purposes.  The use must be for an educational/non-commercial purpose  The nature of the copyrighted work: the more factual and less creative the work, the more likely it will be fair use;  The amount and substantiality of the portion used in relation to the copyrighted work as a whole: the more taken the less likely to be fair use; and  The use should not effect the market value of the work.
  • 9. Not everything is protected by copyright law. The following are categories of things not protected:  Ideas, procedures, methods, systems, processes, concepts, principles, discoveries, or devices, (but written or recorded descriptions, explanations, or illustrations of such things are protected copyright)  Titles, names, short phrases, and slogans;
  • 10.  Works that are not fixed in a tangible form of expression, such as an improvised speech or performance that is not written down or otherwise recorded  Works consisting entirely of information that is commonly available and contains no originality (for example, standard calendars, standard measures and rulers, lists or tables compiled from public documents or other common sources)  Works by the government.
  • 11. Patrons of libraries can “check-out” books, DVD, CDs and other media items including digital audio books.  It is important to warn the public against the tendency to inadvertently violate the copyright interests of the creator of the work.  Making copies of protected work may be in violation of the federal copyright regulations, even if the items are received from a public library!
  • 12. Copyrighting creative works has actually turned into big business.  Just think of all of your favorite books, songs, movies, plays, and artworks. The individuals responsible for creating them deserve to make a living from their creative .That's what copyright is all about.  Copyright protection reflects our appreciation for all the hard work that goes into creating "original works of authorship“.
  • 13. Ripping a copy of a CD to their computer hard-drive.  Scanning pictures and using them on the internet.  Copying a book and distributing them.
  • 14. Place a copyright warning label on all electronic items.  Provide patrons with written materials explaining copyright protection.
  • 15. It is important to advise patrons that they need to seek permission from the creator of a work that they intend to copy and use.
  • 16. Here is basic warning label language you could use: “The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement."
  • 17. Contact the AMD Law Group at www.amdlawgroup.com or (347)699-4AMD (4263)
  • 18. An AMD Law Group Presentation www.amdlawgroup.com (800) 605-0785