Final painting project texture assemblage
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This document provides instructions for a final painting project using found objects. It discusses different types of texture that can be applied, including actual, simulated, abstract, and invented textures. It also discusses using assemblage and three-dimensional applications of texture. Students are instructed to create an original painting incorporating at least one found object and three layers, and must include an art piece, artist statement, and vocal presentation. Examples of found object art are provided for inspiration.
Final painting project texture assemblage
- 1. Final Painting Project Found object painting with added texture
- 2. Types of Texture • P. 166-181, Art Fundamentals, Theory and Practice.
- 3. Actual Texture: real thing, surface that can be experienced through the sense of touch. It is not an illusion.
- 4. Simulated Texture: looks “real”, but is not, convincing copy of surface texture
- 5. Abstract Texture: derived from the appearance of an actual surface but rearranged and/or simplified by the artist
- 6. Invented Texture: imaginative texture, no source, decorative
- 7. Three Dimensional Applications of Texture • ASSEMBLAGE: grouping actual items in a display. The items can be “found” or specially created. • In Situ: natural position or in middle of room, instead of on wall. *Also can incorporate onto a flat surface or use 3D item to paint on.
- 8. Found Object • “Readymade”
- 9. An object manufactured for some other purpose, presented by an artist as a work of art. Between 1914 and 1921, Marcel Duchamp (French, 1887-1968), who originated this concept, selected and signed, among others, a snow shovel, a comb, and a urinal. He occasionally altered readymades (sometimes called assisted readymades) — the most famous of which was a cheap reproduction of Mona Lisa on which Duchamp drew a mustache.
- 13. Your Assignment • Using one or more found objects, either flat or 3 dimensional, create an original painting. • Objects can be incorporated how you wish. • Paint directly on the object/found surface, or attach objects, or assemble parts of objects, or paint on canvas and attach objects over paint… • YOU MUST HAVE AT LEAST 3 LAYERS
- 14. Matt Small’s work has strong urban roots. Painting directly onto found objects bringing physical elements of the city directly into his work. The people he paints are filmed anonymously on the streets of London. In this way, Matthew focuses on creating portrait painting at its best, when the identity of the sitter is of lesser importance than the power and insight of the piece.
- 15. Acrylic, collage Xerox on Floppy Disk
- 16. "Gel Caps and Amniotic Sacs" - 27" x 14", acrylic paint, collage and tissue paper on canvas.
- 17. Pack Rat Painting by James Douglas Draper
- 18. Re-Purposed Kitties Painting Sculpture by Samuel Schimek
- 19. Dan Caven
- 22. Mixed Media On Salvaged Door, With Antique Anchor Padlock
- 25. Margaret Kilgallen / Redcat L.A.
- 30. barry mcgee untitled 2007 4" x 8.5" paint on glass bottle
- 31. Using trash to paint on is kind of a fun idea for found object art, especially when it is nice and funky street art. Rik Catlow (top pic) has a bit of a how to for the smashed can paintings here. And I love the pink art on smashed spray paint cans by Buff Monster (bottom pic).
- 32. Final Requirements • Art piece/painting • Artist Statement with Artist Research • Vocal presentation over research and art piece