Flight of the Conchords and Key
Media Concepts
How can FOTC be seen as a Post
Modern Text when analysed by key
media concepts.
Media Language
Media Language
Media Language
Media Language
• Is the singing diegetic/non diegetic?
• Playing with sound levels (when Sally and
Jermaine breakup and when Bret and Coco
talk)
• Montage sequences
• The conversation about what Jermaine did
wrong is cut up and we miss parts
Media Genre
Musical
• Burst into song as part of
the narrative
• Song used to explore
feelings
• Songs used as a visual event
• Use of ‘dancing’
• But what genre of Music?
• Name some of the songs…

Sit Com
• Cast of regular characters
• Reoccurring locations
• Use of humour
• 30 min format
• Narratives based around
relationships we can
understand
• Comic trap

Music Video?
Representation
• New Representations – what does it mean to
be a New Zealander according to FOTC?
Ideology
• What Ideology do we have about New York?
• ‘And because no mater who you are, if you believe in yourself and your
dream, New York will always be the place for you’ Michael Bloomberg
• For centuries, New York has served as the gateway for millions of people
from all over the world in search of the American dream’ Hillary Clinton

• What does FOTC have to say about Capitalism?
Narrative
• We never ‘see’ the equilibrium. We start right
in the middle of their lives
• Random conversation that have no real
connection to the central narrative
• Anticlimactic endings
• No happy ending
Audience - Text
• Needs to have a knowledgeable
audience – how many jokes did you
miss?
– Fitzpatrick
– The Tooth Brush Fence
– It’s a Fleetwood Mac situation
– Rumours
– ‘What I really want is an Australian’
– At the Expo
Audience - Text
• Music Knowledge
– Pet Shop Boys
– ABBA
– Cream
– Fleetwood Mac
– Daft Punk
– Michael Jackson
Audience - Institution
• Made by HBO (mass producer) but for a niche
• Expected that the audience would have some
prior knowledge

Audience - Ideas
• As Ideologies are challenged/broken there is
no ‘comfort’ offered to the audience

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Flight of the conchords and key media concepts

  • 1. Flight of the Conchords and Key Media Concepts How can FOTC be seen as a Post Modern Text when analysed by key media concepts.
  • 5. Media Language • Is the singing diegetic/non diegetic? • Playing with sound levels (when Sally and Jermaine breakup and when Bret and Coco talk) • Montage sequences • The conversation about what Jermaine did wrong is cut up and we miss parts
  • 6. Media Genre Musical • Burst into song as part of the narrative • Song used to explore feelings • Songs used as a visual event • Use of ‘dancing’ • But what genre of Music? • Name some of the songs… Sit Com • Cast of regular characters • Reoccurring locations • Use of humour • 30 min format • Narratives based around relationships we can understand • Comic trap Music Video?
  • 7. Representation • New Representations – what does it mean to be a New Zealander according to FOTC?
  • 8. Ideology • What Ideology do we have about New York? • ‘And because no mater who you are, if you believe in yourself and your dream, New York will always be the place for you’ Michael Bloomberg • For centuries, New York has served as the gateway for millions of people from all over the world in search of the American dream’ Hillary Clinton • What does FOTC have to say about Capitalism?
  • 9. Narrative • We never ‘see’ the equilibrium. We start right in the middle of their lives • Random conversation that have no real connection to the central narrative • Anticlimactic endings • No happy ending
  • 10. Audience - Text • Needs to have a knowledgeable audience – how many jokes did you miss? – Fitzpatrick – The Tooth Brush Fence – It’s a Fleetwood Mac situation – Rumours – ‘What I really want is an Australian’ – At the Expo
  • 11. Audience - Text • Music Knowledge – Pet Shop Boys – ABBA – Cream – Fleetwood Mac – Daft Punk – Michael Jackson
  • 12. Audience - Institution • Made by HBO (mass producer) but for a niche • Expected that the audience would have some prior knowledge Audience - Ideas • As Ideologies are challenged/broken there is no ‘comfort’ offered to the audience