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How did you attract/address
     your audience?
  Textual Analysis – Evaluation 5
Shot 4

• This extreme long shot connotes the isolation and desertion of the
  location, representing the effects of the nuclear war through the
  emptiness of the shot and the waste iconography. My audience will like
  this shot, as it introduces them to the disaster within the narrative, setting
  up the enigma for them to resolve - at this stage they are putting their first
  opinions on what they believe caused all this waste, preparing them to
  find out what actually caused it.
Shot 5
• This medium shot on our protagonist creates an intimidate introduction to
  our protagonist for our audience, as he is walking across the shot at a fast
  pace. The medium shot distance connotes he is surrounded by
  something, the nuclear war has consumed him – also, the darkness of the
  shot connotes mystery, suggesting there is something hidden from the
  audience, which they will find out. My audience will like this as they like
  the excitement of waiting for something to be revealed.
Shot 11
• Shot 11 is a long shot however as the protagonist walks towards the shot
  it ends on a close up connoting intensity, and represents his dominance
  linking to Levi Strauss’s Binary oppositions theory, of GOOD VS. EVIL – as
  the protagonist is good, his dominance links to the representation that
  good always defeats evil in the end. My audience will like this shot as in
  general, audience like to see good vs. evil and enjoy watching the battle in
  the process.
Shot 16
• This over the shoulder connotes our protagonist wants to keep something
  hidden, or to himself. The way he is clutching the radio represents his
  desperation for communication suggesting he has been parted from it for
  some time, the audience will like this as it is the first link to the loneliness
  in the narrative and they want to find out why he has been parted from
  communication resulting in our protagonist being so desperate to receive
  some.
Shot 20
• This close up on our protagonist writing on a map connotes the intensity
  of the situation, suggesting a plan he has just thought up and resulting to
  desperate measures that he maybe needs to escape to somewhere fast
  and is planning his route. The audience will like this shot as it connotes our
  protagonist wants to get away, linking to our enigma, where the audience
  make their first assumptions of where our protagonist wants to go.
Shot 27
• This long shot of our protagonist connotes he is trapped, in panic and
  wants to escape. The colour correction on the shot connotes it is in his
  mind, acting as a flashback. Also as it is a high angle shot it connotes
  something is looking down on him, defeating him suggesting he is hiding
  from a higher power or someone with more authority.
Shot 29
• This medium shot of our protagonist turned away connotes he is running
  away from something that is near to him, the closeness of the camera
  represents he only just gets away from the nuclear war, also shown
  through the fact he is the only one that survives the “fake” nuclear war.
  My audience will like this shot as the flashbacks are exciting and upbeat
  with their faster beat, building a climax which they want to know more
  about.
Shot 32
• This close up on our protagonist hidden, hugging himself connotes he is
  alone, afraid and wants escape. The light colour on this flashback suggest
  the theory that you “see the light” when you are about to die, suggesting
  our protagonist nearly died. The closeness of the shot connote intensity.
  Our audience will like this shot as it will excite them and leave them
  hanging as to how he survived.
Shot 34
• This over the shoulder shot connote someone is watching over our
  protagonist, and gives the audience a clear view of the message
  suggesting the importance and the horror of what our protagonist has just
  read. This sets up our disequilibrium, therefore the audience will like this
  shot as they will want to know how our narrative resolves this.
Sound
• THE SIREN – during our flashback shots we
  added in a siren sound to connote the war, a
  sense of rush a panic suggesting the need for
  our protagonist and his wife to escape fast as
  the siren symbols danger.
Lithium – our production song
• The song is royalty free music by Kevin Macleod. He
  granted us permission to use it for our production.
  The song is conventional for the sci-fi drama with a
  melody connoting an outer-world invasion, and
  chords suggesting a problem but with a melodic
  tune.
BASED ON OUR QUESTIONNAIRE
          RESULTS
Male Protagonist
• Our audience requested a male protagonist…
  a male protagonist is what they got!
Male individual antagonist

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How did you attractaaa

  • 1. How did you attract/address your audience? Textual Analysis – Evaluation 5
  • 2. Shot 4 • This extreme long shot connotes the isolation and desertion of the location, representing the effects of the nuclear war through the emptiness of the shot and the waste iconography. My audience will like this shot, as it introduces them to the disaster within the narrative, setting up the enigma for them to resolve - at this stage they are putting their first opinions on what they believe caused all this waste, preparing them to find out what actually caused it.
  • 3. Shot 5 • This medium shot on our protagonist creates an intimidate introduction to our protagonist for our audience, as he is walking across the shot at a fast pace. The medium shot distance connotes he is surrounded by something, the nuclear war has consumed him – also, the darkness of the shot connotes mystery, suggesting there is something hidden from the audience, which they will find out. My audience will like this as they like the excitement of waiting for something to be revealed.
  • 4. Shot 11 • Shot 11 is a long shot however as the protagonist walks towards the shot it ends on a close up connoting intensity, and represents his dominance linking to Levi Strauss’s Binary oppositions theory, of GOOD VS. EVIL – as the protagonist is good, his dominance links to the representation that good always defeats evil in the end. My audience will like this shot as in general, audience like to see good vs. evil and enjoy watching the battle in the process.
  • 5. Shot 16 • This over the shoulder connotes our protagonist wants to keep something hidden, or to himself. The way he is clutching the radio represents his desperation for communication suggesting he has been parted from it for some time, the audience will like this as it is the first link to the loneliness in the narrative and they want to find out why he has been parted from communication resulting in our protagonist being so desperate to receive some.
  • 6. Shot 20 • This close up on our protagonist writing on a map connotes the intensity of the situation, suggesting a plan he has just thought up and resulting to desperate measures that he maybe needs to escape to somewhere fast and is planning his route. The audience will like this shot as it connotes our protagonist wants to get away, linking to our enigma, where the audience make their first assumptions of where our protagonist wants to go.
  • 7. Shot 27 • This long shot of our protagonist connotes he is trapped, in panic and wants to escape. The colour correction on the shot connotes it is in his mind, acting as a flashback. Also as it is a high angle shot it connotes something is looking down on him, defeating him suggesting he is hiding from a higher power or someone with more authority.
  • 8. Shot 29 • This medium shot of our protagonist turned away connotes he is running away from something that is near to him, the closeness of the camera represents he only just gets away from the nuclear war, also shown through the fact he is the only one that survives the “fake” nuclear war. My audience will like this shot as the flashbacks are exciting and upbeat with their faster beat, building a climax which they want to know more about.
  • 9. Shot 32 • This close up on our protagonist hidden, hugging himself connotes he is alone, afraid and wants escape. The light colour on this flashback suggest the theory that you “see the light” when you are about to die, suggesting our protagonist nearly died. The closeness of the shot connote intensity. Our audience will like this shot as it will excite them and leave them hanging as to how he survived.
  • 10. Shot 34 • This over the shoulder shot connote someone is watching over our protagonist, and gives the audience a clear view of the message suggesting the importance and the horror of what our protagonist has just read. This sets up our disequilibrium, therefore the audience will like this shot as they will want to know how our narrative resolves this.
  • 11. Sound • THE SIREN – during our flashback shots we added in a siren sound to connote the war, a sense of rush a panic suggesting the need for our protagonist and his wife to escape fast as the siren symbols danger.
  • 12. Lithium – our production song • The song is royalty free music by Kevin Macleod. He granted us permission to use it for our production. The song is conventional for the sci-fi drama with a melody connoting an outer-world invasion, and chords suggesting a problem but with a melodic tune.
  • 13. BASED ON OUR QUESTIONNAIRE RESULTS
  • 14. Male Protagonist • Our audience requested a male protagonist… a male protagonist is what they got!