Ig1 task 2 analysis work sheet onimusha 3
- 1. Salford City College Eccles Sixth Form Centre BTEC Extended Diploma in GAMES DESIGN Unit 73: Sound For Computer Games Game Title Onimusha 3: Demon Siege Opening cutscene http://www.youtube.com/watch?v=tki5y2Llyp8 Provide detailed descriptions from chosen examples that establish… Clearly state what production technique(s) you think have been used to create specific soundtrack elements Setting As the cutscene starts and the big monster ship is revealed, an orchestral piece with a choir plays to give a feeling of the magnitude of the beast and to show its sheer power. |The orchestral pieces could have been recorded in a sound booth with an actual choir and orchestra; or it could have been created entirely with VSTi's Mood The mood is reflected throughout the cutscene with little stinger sounds to signify more enemies coming or the music kicking in again when he is spotted by the warriors. The stinger sounds could have been taken from a sound library from which they’re reused. Also, they could have been recorded with a single instrument like a violin recorded from a sound booth. Game genre Reflecting the hack and slash fighting genre of this game, there are obviously a lot of slashing and hitting noises like thuds and blade clashes. Narrative After fighting tow big pig demons, A voice is heard and the villain of the game steps out revealing that him and the main character have met before and that he wishes to kill him alone. He has an echo to his voice to make him appear to have a booming voice and to seem more powerful. The noises of thuds and metal clashing could both have been created using actual objects such as hitting two metal objects together for the clash or hitting a piece of wood for the thud. They could have also taken stock sounds from a sound library. The voice was no doubt recorded in a sound booth by his voice actor Richard Doyle. His dialogue was then probably taken and added a reverb VST onto it to give it the echoe-y sound.