Illumination Engineering.pdf

Illumination
Engineering: EE366
MODULE 1
01

SYLLABUS:
MODULE 1
Introduction of Light : Types of illumination, Day lighting,
Supplementary artificial lighting and total lighting, Quality of good
lighting, Factors affecting the lighting-shadow, glare, reflection,
Colour rendering and stroboscopic effect, Methods of artificial
lighting, Lighting systems-direct, indirect, semi direct, semi
indirect, Lighting scheme, General and localised .
Light is a form of Electromagnetic energy, radiated from a body
which is capable of being perceived by the human eye.
2

◆ Energy Consumption efficient
◆ Good Visual comfort
3

 https://www.youtube.com/watch?v=YcedXDN6a88
5

Illumination Engineering:
Deals with :
 Science & Economics
 Physiology of eye
 Peculiarities of our seeing process
 Psychological effects
Poor Lighting can cause:
 Eye Strain
 Headache
 Accidents due to insufficient lighting
 Glare
6

For Good lighting system:
 Adequate illumination of suitable colour on the
working surface
 Good maintenance
 Avoidance of hard shadows
 Avoidance of Glare.
Good illuminance ensures increased production,
effectively of work & reduced accidents.
7

◆ Light:-
◆ Electromagnetic energy
◆ Radiated from a hot body
◆ Luminous Flux:-
◆ The total quantity of light energy emitted
per second
◆ Measured in lumens
9

◆ Luminous Intensity:-
◆ Intensity of emission of luminous flux in specific
direction.
◆ Unit=Candela
◆ Illumination:-
◆ Lights falls on any surface, the phenomenon is
called Illumination.
◆ Measured in Lumens/m2
10

Lighting Schemes
1. Direct Lighting:-
◆ About 90% to 100% of thetotal light flux is made to fall directly
upon the working plane ( falls downwards) with the help of
suitable reflectors.
◆ Most commonly used for internal lighting.
◆ Mainly used for Industry & general outdoor lighting.
◆ Disadvantage: Causes hard shadows and glare.
11

2. Semi-Direct Lighting
◆ 60%-90% of the total light flux is made to fall directly
downwards with the help of semi-direct reflectors.
◆ Remaining light is used for illuminate ceilings and
walls.
◆ It is used for general lighting where ceiling also should
be illuminated
◆ Causes soothing brightness.
12

3.Indirect Lighting
◆ More than 90% of the total light flux is thrown upwards to the
ceiling for diffused reflection by bowl reflectors.
◆ Causes soft, glare-free, diffused illumination.
◆ Used for decorative purposes in cinemas, hotels, theatres, etc.
◆ Advantage; It gives a glarefree diffused
light flux with soft shadows.
13

4. Semi-Indirect Lighting:-
◆ 60%-90% of the total light flux is thrown upwards to the ceiling
for diffused reflection by using inverted reflectors.
◆ The remaining light reaches the work plane directly
except for some absorption by the reflectors.
◆ Causes soft shadows and glare free lighting scheme.
◆ Used for indoor light decorations.
14

5. General Lighting
◆ In this method the bulb and the reflector are made of diffuse glass,
so as to give uniform illumination in all direction.
◆ Causes diffused and glare-less lighting, same illumination in all
directions.
◆ Eg: Wall lights, Ceiling lights, dimmers and lower wattage lights,
fluorescent lights.
15

DESIGN OF INDOOR LIGHTING SCHEMES
I. Adequate illumination
II. Uniform light distribution all over the working
plane.
III. Light of suitable colour.
IV. Minimum hard shadow and glare.
17

Factors affecting Lighting:
 Shadow
 Glare
 Reflection
 Stroboscopic effect
 Colour Rendering
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1. Shadow
 A shadow is a dark (real image) area where light from a light source is blocked by
an opaque object. It occupies all of the three-dimensional volume behind an object
with light in front of it.
 Characteristics:
i) It depends on shape of the object. The shadow increases & decreases in
the ratio same as the shape of the object.
ii) It depends on source of light whether it is plane, parallel rays or spherical.
iii) It depends on position of the object whether it is at infinite or finite
directions.
iv) It depends on the position of source of light. If the source of light is kept
closer to the object –the shadow will be smaller & if it is Farther then,
shadow will be longer.
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2. Glare
A Glare is the loss of visual performance or discomfort produced by an
intensity of light in the visual field greater than the intensity of light to
which the eyes are adapted.
Glare occurs when too much light enters your eye and interferes with
your eye’s ability to manage it.
Glare can be distracting and even dangerous and can occur day or night
in a number of ways.
Glare may come directly from a light source or be reflected.
Two types of Glares:
i) Discomfort Glare : Results in an instinctive desire to look away from
a bright light source or difficulty while seeing a task.
ii) Disability Glare : Caused by inter-reflection of light within the eyeball.

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2. Glare… https://www.youtube.com/watch?v=PwHX
 UGR: UGR (Unified Glare Rating) is a method of calculating glare from luminaires,
light through windows and bright light sources.
 The UGR rating helps to determine how likely a luminaire is to cause discomfort to
those around it. For example, the discomfort that a LED Panel will cause the
workforce within an office. This classification ranges from 5 to 40, with low numbers
indicating low glare.
UGR ≤ 16 Technical drawing
UGR ≤ 19 Reading, writing, training,
meetings, computer-based
work
UGR ≤ 22 Craft and light industries
UGR ≤ 25 Heavy industry
UGR ≤ 28 Railway platforms, foyers

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2. Glare:
 VCP:
 It is defined as the percentage of people that will find a certain scene
(viewpoint and direction) comfortable with regard to visual glare.
 If VCP = 70%, then system is said to be glare fee.

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 3. REFLECTION:
 When a ray of light approaches a smooth polished surface
and the light ray bounces back, it is called the reflection of light.
 The incident light ray which lands upon the surface is said to be reflected off the
surface. The ray that bounces back is called the reflected ray.
 Reflection factor:
The ratio of the total amount of radiation, as of light, reflected by a surface to the total
amount of radiation incident on the surface.
 Aluminum polished: 65 – 75
 Granite 20 – 25
 Marble, polished 30 – 70
 Plaster, light 40 – 45
 Plywood, rough 25 – 40
 Concrete, rough 20 – 30
 Brick, red 10 – 15
 Paint, white 75 – 85

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 4. Stroboscopic Effect:
 The Stroboscopic Effect in Fluorescent lamp is a phenomenon which causes
running or moving equipment to appear stationary or appear to be operating
slower than they actually are.

25
 4. Stroboscopic Effect:
 The Stroboscopic Effect in Fluorescent lamp is a phenomenon which causes
running or moving equipment to appear stationary or appear to be operating
slower than they actually are.
 It can be eliminated by:
 1) Using 3 phase supply for lighting System
 2) Using frequency controllers for the supply
 3) using Twin tubes
 Two lamps are connected parallel to the supply and the lamp is connect in
series with a capacitor or choke. Therefore there exist a phase difference
between 2 currents.

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 5. Colour Rendering:
 It describes how well the light render color in an object.
 Color Rendering is expressed as a rating from 0-100 on Color Rendering
Index ( CRI).
 How a light source makes the color of an object appear in human eye
and how well the variations in color shades are reveated.
 Color Rendering relates to the object appear under a given light source.
This measure is called CRI.
 Low CRI- Object color may appear unnatural
 High CRI- Object color may appear more natural
 Street Lighting- 2.2 ( Sodium Vapor Light)
 Office- 62 ( Fluorescent Light)
 Residential- 80-90 LED
95 Incandescent Light
80-85 CFL
 https://www.khanacademy.org/computing/pixar/rendering/rendering1/v/overview-
rendering

General and Localised Lighting
 The term ‘general lighting’ or ‘ambient lighting’
refers to the background levels of light in a
particular space. In the majority of workspaces the
minimum level of general lighting is determined in
line with best practice guides to ensure safety and
enable everyday visual tasks to be performed
comfortably and efficiently.
 Localized lighting systems provide illuminance on
general work areas with a simultaneous reduced
level of illuminance in adjacent areas.
 Local lighting systems provide illuminance for
relatively small areas incorporating visual tasks.
Such systems are normally complemented by a
specified level of general lighting. Figure 1
illustrates the typical differences between the
systems described.
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 ‘General lighting’ or ‘uniform lighting’:
 Lighting system which provides an approximately
uniform illuminance on the horizontal working
plane over the entire area are called general
lighting systems.
 Simple to plan & install
 Adv: It permits complete flexibility oftask location
 Disadv: Energy is wasted illuminating the whole
area to the level needed only for the most critical
tasks.
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 Localized lighting systems
 It employ an arrangement of luminaries related to
the position of tasks and workstations.
 They provide the required service illuminance on
work areas together itha a lower level ofgeneral
illumination for the space.
 Localised systems normally consumes less energy
than general systems.
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 Local lighting systems provides illumination only
over the small area occupied by the task and its
immediate surroundings.
 Also referred as task ambient lighting
 It is a very efficient system, particularly when high
standards of task illuminance are required.
 It is normally provided by luminaires mounted on
the workstation, providing a very flexible room
layout. Such local units must be positioned
carefully to minimize shadows, veiling reflections
and glare.
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Types of Lamps
Electric lamps :-
A. Incandescent lamps
B. Discharge lamps
Incandescent lamps:-
1. Vacuum lamps
2. Gas filled lamps
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1. Vacuum lamps 3. Halogen Lamp
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2. Gas filled Lamp 4. Discharge Lamp

Candela
 Unit of luminous intensity of a source
 Defined as 1/60th of the luminous intensity per cm2 of a black body radiator at
the temperature of solidification of platinum (2045 °K)
 A source of one candela (cd) emits one lumen per steradian
 Total flux emitted by it all round is 4 π × 1 = 4π lumen

Luminous Flux (F or φ)
 It is the light energy radiated out per second from the body in
the form of luminous light waves.
 Unit of luminous flux is lumen (lm).
 Defined as the flux contained per unit solid angle of a source of
one candela or standard candle.
 Since, it is a rate of flow of energy, it is a sort of power unit.
 Approximate relation between lumen and electric unit of power
(watt) is given as
1 lumen = 0.0016 watt (approx.)

Lumen-hour
It is the quantity of light
delivered in one hour by
flux of one lumen.
It is similar to watt-hour (Wh)

Luminous Intensity (I) or Candle-power






Luminous Intensity
(I) or Candle-power



Mean Spherical
Candle-Power
(M.S.C.P.).


Mean Hemispherical
Candle-Power
(M.H.S.C.P.).


Illuminance or Illumination (E)




Coefficient of utilization or utilization factor


Maintenance factor





Plane Angle






Solid Angle






Relationship between plane angle and solid angle

Laws of Illumination or Illuminance






E ∝ 𝐼

Laws of Illumination or
Illuminance
Inverse Square Law

E ∝ 1/r^2

Laws of Illumination or
Illuminance
Inverse Square Law


Lambert’s Cosine Law



Illumination possible at a given point


Illumination possible at a given point



Horizontal Illuminance


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Horizontal Illuminance - Schematic showing various zones in an interior of a room
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Vertical Illuminance



32

The vertical illuminance at a point ‘P’
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Polar Curve
Horizontal polar Curve
To find actual
illumination
Purpose
To calculate
MHCP & MSCP
Vertical polar Curve
•Luminous intensity over a vertical plane plotted againstthe
angular position
•Luminous intensity over a horizontal plane above the vertical axis
plotted againstthe angular position
Represents the luminous intensity at different directions.
35

Polar Curves of C.P. Distribution



36

C.P. distribution in
a vertical plane
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If the polar curve is symmetrical
about the vertical axis, then it is
sufficient to give only the polar
curve within one semicircle in
order to completely define the
distribution of c.p.
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Determination of MSCP & MHCP from Polar Curve
The polar distribution curve of a
filament lamp in a horizontal plane
The polar curve represents the c.p.
distribution in a vertical plane.
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Determination of MHCP


The polar distribution curve of a
filament lamp in a horizontal plane
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Determination of MSCP

The polar curve represents the c.p.
distribution in a vertical plane.
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Determination of MSCP
= Area CSTGDBHC
Length CD
CD=YY’
DB=OK
GH=OF
The curve obtained by joining the ends of these ordinates is known as Rousseau Curve.
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Spherical Reduction Factor (f)


44

Spherical Reduction Factor (f)

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Design of Interior Lighting
MODULE 3

• Maintenance Factor / Depreciation Factor
• Ratio of illumination under normal working conditions to the
illumination when everything in clean or when the luminaire is
installed.
Always less than 1
•
• Due to the accumulation of dust, dirt and smoke on the
emit less light than they emit when clean.
Frequent cleaning will improve the maintenance factor.
Greater if the lamp fittings are cleaned regularly (0.8)
If much dust is accumulated, it is 0.6
lamps, lamps
•
•
•
• As a rule of thumb, 0.8 is chosen as a Maintenance factor.

Quick Consideration of Maintenance factor
Maintenance
Room
Classification
Lamp
Maintenance
Factor
Maintenance
Factor for dirty
lamp
Total
Factor
Very clean 0.09 0.85 0.9
Clean 0.9 0.9 0.8
Average 0.9 0.8 0.7
Dirty 0.9 0.7 0.6

Environment Activity or Task Area
clinical areas, computer centers
Very Clean
Clean rooms, semiconductor plants, hospital
Clean Offices, schools, hospital wards
Normal
dirty
Shops, laboratories, restaurants, warehouses,
assembly areas, workshops
Steelworks, chemical works, foundries, welding,
polishing, woodwork

Quick Consideration of Maintenance Factor
Enclosed fixture, clean room 0.80
Average conditions 0.70
Open fixture or dirty room 0.60

• Utilization Factor / Coefficient of Utilization
• Ratio of the total number of lumens reaching the working plane to
the total number of lumens emitting from the source
Indicates the effectiveness of the lighting scheme.
Depends on
•
•
• Mounting height of the lamps- utilization factor decreases with increase in
mounting height of lamps
Area to be Illuminated – for a given height, proportion of direct light becomes
more and more if floor area increases i.e.., utilization factor increases with
increase in area to be illuminated.
Type of lighting-more for direct lighting and low for indirect lighting
Colors of surroundings – more for light colors and less f or dark colors. Its
value range from 0.25 to 0.5 for direct lighting and 0.1 to 0.25 for indirect
lighting
•
•
•

• Uniformity Ratio
• Ratio of maximum-to-minimum illumination levels
• IESNA# recommendation is 15:1, for parking lot. This means there can
be 15 times more illumination when measured in one area of the
parking lot compared to another.
# IESNA: Illuminating Engineering Society of North America

• Direct Ratio
• Proportion of the total downward flux from the luminaires which falls
directly on the working plane.

• REFLECTION FACTOR
• The ratio of luminous flux leaving the surface to the luminous flux
incident on it.
• Value will be always less than 1

• Room Index
• Measure of the angular size of the room
Ratio of the sum of the plan areas of the F
(Floor Cavity) and C surfaces (Ceiling Cavity) to
•
the
For
by:
area of the W (Wall) surface.
rectangular rooms the room index is given
•
Where:
L – the length of the room
𝑊 – the width of the room
HM
– the height of the luminaire plane above the horizontal
reference plane.

• Space to Mounting Height
• Ratio of distance between the adjacent
luminaires (Center to center) to their
Ratio (SHR)
height above the working plane
Where, HM
- Mounting Height
A – Total floor area
N- number of luminaires
• Maximum Spacing to Height Ratio
shall not exceed the maximum
• Luminaire spacing (provided by manufacturer)
to endure uniformity.

• Light Loss Factor
• Ratio of the illuminance produced by the lighting installation at the
some specified time to the illuminance produced by the same
installation when new
• Allows for the effects such as decrease in light output caused by
•
•
•
the fall in lamp luminous flux with hours of use,
the deposition of dirt on luminaire
reflectance of room surfaces over time.
LLMF – lamp lumen maintenance factor
LMF – Luminaire maintenance factor
RSMF – room surface maintenance factor.
12

• Lamp Lumen Maintenance Factor (LLMF)
• Proportion of initial light output of a lamp produced after a set time
to those produced when new.
Allows for the decline in the lumen output from a lamp with age.
Determined by
•
•
•
•
Consulting the lamp manufacturer’s catalog for a lumen depreciation chart.
Dividing the maintained lumens by the initial lamps.
13

Lamp Lumen Maintenance Factor (LLMF)
Lamp Type
Operating Hours
4000 Hr. 6000 Hr. 8000 Hr. 10000 Hr. 12000 Hr.
High Pressure Sodium 0.98 0.97 0.94 0.91 0.9
Metal Halide 0.82 0.78 0.76 0.74 0.73
High Pressure Mercury 0.87 0.83 0.8 0.78 0.76
Low Pressure Sodium 0.98 0.96 0.93 0.9 0.87
Tubular Fluorescent 0.95 0.94 0.93 0.92 0.91
Compact Fluorescent 0.91 0.88 0.86 0.85 0.84

• Luminaire Maintenance Factor
• Proportion of light output from a luminaire
initial output from a lamp after a set time.
Constitutes the greatest loss in light output
after a set time to the
•
•
•
Mainly due to the accumulation
Factors determine LMF
of atmospheric dirt.
•
•
•
Type of luminaire
Atmospheric conditions
Maintenance level.
Dept. of Electrical and Electronics Engineering,
Engineering and Technology
Viswajyothi College of
15

Luminar Maintenance Factor (LMF)
Type of Distribution Environment Condition
Expose Time
1 Year 2 Year 3 Year 4 Year 5 Year 6 Year
Open Distribution
Very Clean 0.96 0.94 0.92 0.9 0.88 0.87
Clean 0.93 0.89 0.85 0.82 0.79 0.77
Normal 0.89 0.84 0.79 0.75 0.7 0.67
Dirty 0.83 0.78 0.73 0.69 0.65 0.62
Direct Distribution
Very Clean 0.95 0.92 0.89 0.86 0.84 0.82
Clean 0.9 0.84 0.79 0.74 0.7 0.67
Normal 0.86 0.8 0.74 0.69 0.64 0.6
Dirty 0.83 0.75 0.68 0.62 0.57 0.53
Closed Distribution
Very Clean 0.94 0.91 0.89 0.87 0.86 0.85
Clean 0.88 0.83 0.79 0.75 0.72 0.7
Normal 0.82 0.77 0.73 0.69 0.65 0.62
Dirty 0.77 0.71 0.66 0.61 0.57 0.53
Indirect-Distribution
Very Clean 0.93 0.88 0.85 0.82 0.79 0.77
Clean 0.86 0.77 0.7 0.64 0.59 0.55
Normal 0.81 0.66 0.55 0.48 0.43 0.4
Dirty 0.74 0.57 0.45 0.38 0.33 0.3

Room Surface Maintenance Factor
• The proportion of the illuminance provided by the lighting installation
in a room after a set time compared with that occurred when the
room was clean.
• Takes into account the dirt accumulates on room surfaces and
reduces surface reflectance.
Dept. of Electrical and Electronics Engineering,
Engineering and Technology
Viswajyothi College of
17

Room Surface Maintenance
Clean) – RSMF
Factor (Annual
/Indirect
Type of
Room
1 Year Room Clean 3 Year Room Clean
Direct
Luminaires
Direct
/Indirect
Luminaires
Direct
Luminaires
Direct
Luminaires
Very
Clean
0.97 0.96 0.97 0.95
Clean 0.95 0.91 0.94 0.91
Normal 0.91 0.84 0.9 0.83
Dirty 0.86 0.75 0.86 0.75

Light Output Ratio of Luminaire
• Light Output Ratio (LOR)
• A measure of light received outside the lamp
• In other words it is the measure of amount of light lust inside the lamp/luminaire
• Downward Light Output Ratio (DLOR)
• Upward Light Output Ratio (ULOR)
19

1Q : The total, upward and downward lamp output from a lamp
are 1000lm, 300lm and 500lm respectively. Calculate LOR, ULOT, DLOR
20
Amount of light absorbed in luminaire = 100-80 = 20%
A greater DLOR means a higher UF (Utilization Factor)

Selection of Utilization Factor w.r.t. Room
Reflectance and Room Index
Utilization factor
Room Reflectance Room Index
Ceiling Wall Floor 0.75 1 1.25 1.5 2 2.5 3 4 5
0.7 0.5 0.2 0.43 0.49 0.55 0.6 0.66 0.71 0.75 0.8 0.83
0.7 0.3 0.2 0.35 0.41 0.47 0.52 0.59 0.65 0.69 0.75 0.78
0.7 0.1 0.2 0.29 0.35 0.41 0.46 0.53 0.59 0.63 0.7 0.74
0.5 0.5 0.2 0.38 0.44 0.49 0.53 0.59 0.63 0.66 0.7 0.73
0.5 0.3 0.2 0.31 0.37 0.42 0.46 0.53 0.58 0.61 0.66 0.7
0.5 0.1 0.2 0.27 0.32 0.37 0.41 0.48 0.53 0.57 0.62 0.66
0.3 0.5 0.2 0.3 0.37 0.41 0.45 0.52 0.57 0.6 0.65 0.69
0.3 0.3 0.2 0.28 0.33 0.38 0.41 0.47 0.51 0.54 0.59 0.62
0.3 0.1 0.2 0.24 0.29 0.34 0.37 0.43 0.48 0.51 0.56 0.59
0 0 0 0.19 0.23 0.27 0.3 0.35 0.39 0.42 0.46 0.48

Selection of Lamp and Luminance

Types of Fixtures - Interior
•
Lighting
Recessed Cove Lighting Fixture
Recessed Lighting Fixture
Indirect Pendant Lighting Fixture
Direct/Indirect Pendant Lighting
Wall Wash Light Fixture
Wall Scone
Task Lighting
Under Cabinet Light Fixture
•
•
•
•
•
•
•
Fixture

Types of Fixturesin Interior Lighting
•
•
•
•
•
•
•
•
Recessed Cove Lighting Fixture
Recessed Lighting Fixture
Indirect Pendant Lighting Fixture
Direct/Indirect Pendant Lighting Fixture
Wall Wash Light Fixture
Wall Scone
Task Lighting
Under Cabinet Light Fixture

1.Recessed #Cove Lighting Fixture
• Mounted in a light cove, which is built above
the ceiling at the intersection of the ceiling and
the wall.
Directs the light toward the wall.
It is important that trim at the edge of the
cove is tall enough to hide the lighting fixture
otherwise the lamp may be visible, which is
unappealing.
•
•
#Cove - a concave arch or arched moulding, especially one formed at the junction of a wall with a ceiling.

2.Recessed Lighting Fixture
•
Most common fixtures used in
commercial and institutional
construction.
Fixtures are sized to work with common
ceiling tile sizes.
While fluorescent lamps have been most
popular in the past, many facilities are
shifting to LED fixtures because they last
longer and require less maintenance.
•
•

3. Indirect Pendant Lighting Fixture
• Hang from the ceiling and are usually suspended
from cables.
The lamp is completely hidden from below and a
reflector directs all of the light up toward the
ceiling.
This type of fixture offers a softer and more even
distribution of light within the space.
best used for general lighting
not appropriate for task lighting.
The ceiling color should be light so that it reflects
as much light as possible.
•
•
•
•
•

4. Direct / Indirect Lighting Fixture Pendant
• hangs from the ceiling, but it directs
light up and down.
used a lot in offices where general
lighting is required, but there is also a
need for task lighting immediately
below the fixture.
designed in variations that distribute
differing amounts of light up and down
so that a designer has control over the
light distribution.
•
•

5.Wall Wash Light Fixture
• Wall wash fixtures are recessed lights with
reflectors that direct the light toward the
wall.
• Most often used to highlight art, signage, or
other items on a wall.

6. Wall Sconce
• A wall sconce is a decorative fixture that is
mounted to a wall.
• Provide general room lighting, but are
mostly decorative.

7.Task Lighting
•
Generic description for lights that are used
to illuminate specific tasks or work that is
being done.
Can be lamps, lights mounted to desks,
under cabinet lights, or any lighting that
helps people see their work better.
•

8.Under Cabinet Light Fixture
• Lights are often mounted below cabinets so
that tasks on the counter below can be seen
easily.
Found in homes and offices
Generally controlled from a nearby switch
or a switch on the light fixture.
•
•

Lighting Calculations
1. Point-by-point method
2.Average Lumen Method

Lighting Calculations – Point by Point Method
be made in the
•
Simple but a number of assumptions must
calculations.
This method is true only for point source.
•
• For luminaries with asymmetrical Candle Power distribution, the CP
distribution curve of the required vertical angle must be used.
Application of rows of florescent lamps (linear source) will be
unsuitable.
Application of this method for interior lighting with number of
•
•
luminaires will necessitate the use of computers, since contribution of
luminaire at each location must be analyzed for all points in the room

Lighting Calculations – Point by Point Method
• This method does not take into account surface inter reflectance
Consequently, this method is most suited for large areas, especially
outdoor lighting where a few luminaires are involved and where no
surface reflectance are to be accounted
It can also be used effectively in interior where task lighting is to be
calculated on a surface lighted by a few luminaires and where the
room has negligible surface reflectance
•
•

Lighting Calculations
2. Average Lumen Method

Lighting Calculations – Average Lumen
Method
• This method offers a much more simplified way of calculating
average uniform illuminance level on a plane in interiors
In many applications complete information regarding the task
location or the type of activities may not be readily available
an
•
• In such cases it is necessary to provide an average uniform lighting
throughout the room
This method takes into account the effects of surface reflectance and
offers a simplified and accurate method of quantity evaluation for
interiors
•

Method
This method is developed from the basic definition of Lux – One lux
•
is the illuminance on a surface of one square metre having
a light flux on one lumen.
𝐴
Where
L – luminous flux in lumens
A – Area in sq. metre

Lighting Calculations –
Method
Average Lumen
• Considering the Utilization Factor (UF) and Light Loss Factor (LLF)
×
𝐴
Where
UF – Utilization Factor
LLF – Light Loss Factor

Method
• In case of more than one light source in a room, the expression is
modified as,
Where
N – Number of Luminaire
��
- Initial Lumen output per
luminaire

Method
• From the above, it is obvious that for a given level of illuminance and
area, the only means of reducing the number of luminaires is by using
the highest values of Ln, UF and LLF The lower the number of
luminaires the less the power consumption
A lighting designer must, therefore look at all aspects of luminaire
selection to determine which will offer the highest values of three
critical factors, viz Ln, UF and LLF.
•

Method
• The only way of obtaining maximum lumen is the proper selection
light source
The largest lumen producing source appears to be the immediate
choice
But this should not be the only criterion Colour rendering, lumen
of
•
•
maintenance, life and cost are some of the other features that also
have to be considered

Method
• The surface reflectance and room proportions will have marked
on CU values
effect
• Ceiling reflectance has the most significant effect on CU values with
luminaires that produce light upwards, indirect and direct indirect
type of luminaires fall in this category
Wall reflectance has significant effect on almost all luminaires, and
particularly for luminaires with wide spread distribution
Floor reflectance has least effect on CU values, since most tasks are
located above work plane
•
•

Lumen Method Calculation
• Based on the fundamental lighting calculations
• Average Illumination on a horizontal working plane,
Where,
E – average illumination over the horizontal working plane.
n – number of lamps in each luminaire
N-Number of luminaire
F – lighting design lumens per lamp, i.e.. Initial bare lamp luminous
UF – utilization factor
LLF – light loss factor
A - area of the horizontal working plane.
45

LIGHTING DESIGN BY LAMP
LUMEN METHOD
46

Steps - LAMP LUMEN METHOD
1.
2.
3.
4.
Find required lux
Select luminaire
level
Determine
Determine
room index
Number of Fixtures
Where,
N = number of lamps required. (nXN)
E = illuminance level required (lux)
A = area at working plane height (m2)
F = average luminous flux from each lamp (lm)
UF = utilization factor,
MF = maintenance factor,
5. Determine Minimum spacing between luminaire
Minimum spacing = SHR * Hm Where,
Hm= Mounting height
= Space to height ratio.
47

Contd…..Steps - LAMP LUMEN METHOD
6. Determine Number of required rows of luminaire along
room
width of the
width of the room
Number of required rows =
Minimum spacing
7. Determine Number of luminaire in each row
Total luminaire
Number of luminaire in each row=
Number of rows
8. Axial spacing along luminaire
Length of the room
Axial spacing=
Number of luminaire in each row
9. Transverse spacing between luminaire
Width of the room
Transverse spacing=
Number of luminaire in each row
48

An office has dimension 20x10x3m. Ceiling to desk height is 2m.Area to be
illuminated to a general is 250 lux using twin lamp 32 watt CFL Luminaire
with a SHR of 1.25. Each lamp has an initial output of 85 lumen per watt.
Maintenance factor is 0.63, Utilization
system for this office.
factor is 0.69. Design a lighting
3m
. 1Q.
49
2m
1m
20m

The office measures 10*7 m with a floor to ceiling height of 3m.
The working plane height is 0.8m. Office is being used for general
office duties including some computer use. Determine number of
luminaires required in this office
53
. 2Q.

1.
2.
Recommended lux level for
Luminaire selection
office = 300 ~ 500lux(standard)
: :Fluorescent lamp or LED
From the table, for a room index
0.54
of 1.87, the utilization factor will be
Considering,
UF = 0.54
reflection factor as 70% Ceiling, 50% Walls, & 20% Floor
From the Table : Average of
0.51 & 0.56 as 1.87 lies
between 1.5 & 2.0
54

4. Number of Luminaires required Assume:
1. Maintenance Factor = 0.8, that that the office
is clean and the luminaires are well
maintained.
LED lights of 30W providing 2600lumen
output, F = 2600
2.
31 luminaries are arranges in a 4X8 array,
3 rows of luminaries with each row containing 10
lamp
7m
55

An office 10X5m requires an illumination level of 300lux on the working
plane. It is proposed to use 40Watt fluorescent fittings having a rated
output of 2440lumens each. Design the lighting scheme.
56
.3Q.

Design an illumination system for an office of 150 sq. Ft. area, need
to have a specific lamp that has 2440 lumens to achieve 40 lux.
6
6
3
2
fittings of 40W fluorescent lamps
numbers
numbers
numbers
of
of
of
single lamp luminaire
double lamp luminaire
three lamp luminaire
57
.4Q.

Entrance Lighting
• Entryway to home gives guests their first impression of interior space.
• Chandeliers, ceiling fixtures, recessed lighting, table lamps, variety of light fixtures.
• Considering the scale of the entryway along with any furniture, artworks or mirrors that you might want to highlight.
• Select fixtures that complement the architecture and design of your home while casting the right glow.

Staircase lighting
• Stairs, are the most functional yet the most ignored part of our homes.
• A well-lit stairway can be more than just a beautiful piece to look at, it serves as a safety
feature while still bringing your interiors together and making it look cohesive.
• Wall light, Recessed light, Strip light, Pendant lights

Staircase Lighting
• Staircase lightening- functional and can add creative lighting.
• Problematic areas into an instant highlight with the perfect nighttime landscape.
• Adding lights in the steps is about adding highlights in décor, and is also a security measure.
• It can be as simple as adding lights on every step.
• Safety is first and for that case, therefore the lighting should show the separation between steps.
• Following are some Staircase Lighting Design:

Corridor Lighting
• Corridor lights provides wide light and makes the corridor look attractive.
• Provide economic and efficient solution by using intelligent light management system.
• Relatively high brightness is required
• All entry points are covered and there is complete coverage.
• Using ‘corridor hold’ to link illumination levels to occupancy in adjacent areas
• Whether lights should be off or at a set-back level when unoccupied.
• Availability of natural light – switch off, hold off or regulate the luminaires accordingly.

Module 4
Street / Road Lighting

Street LightDesign
• Design of street lighting such that people can safely continue their travels on the
road.
• Provide sufficient light for people to see important objects required for
traversing the road
• Reducing the risk of night-time accidents
• Assisting in the protection of buildings/property (discouraging
vandalism)
• Discouraging crime
• Creating a secure environment for habitation

Basic Features of Street LightLuminaires
• Mounted horizontally and have fixed vertical aiming.
• Have particular intensity distributions which are desired to light
long narrow horizontal stripes on one side of the luminaire, while
minimizing the intensities on the other side of the luminaire.
• The intensity distributions up and down the narrow strip are
generally the same.
• Any fixed aimed luminaire which does not have this type of
intensity distribution is called an area luminaire.

Main Objectivesof StreetLightingDesign Scheme
• Perfect visual sensation for safety
• Illuminated environment for quick movement of the vehicles
• Clear view of objects for comfortable movement of the road users.

Lamps Used in StreetLighting
• High pressure sodium lamp
• Metal Halide Lamps
• Low pressure sodium lamps
• Incandescent Lamp (not recommended)
• LED

MainFactorsin the StreetLightingDesign Scheme
• Luminance Level Should be Proper
• Luminance Uniformity must be Achieved
• Degree of Glare Llimitation is always taken into Design Scheme
• Lamp Spectra for Visual Sharpness depends on the Proper Luminaries
• Effectiveness of Visual Guidance

Luminance Level Should beProper
• Luminance always influences the contrast sensitivity of the
obstructions with respect to the back ground. If the street is brighter,
then darker surroundings makes the car driver adapted, unless the
driver will be unable to perceive the objects in the surroundings. As
per CIE, 5m away from the road on both sides will be lit by
Illuminance level at least 50% of that on the road.

LuminanceUniformity must beAchieved
• To provide visual comfort to the viewer’s eyes, enough luminous
uniformity is needed. Luminous uniformity means the ratio between
minimum luminance level to average luminance level, i.e.
• It is termed as longitudinal uniformity ratio as it
is measured along the line passing through the
viewers position in the middle of the traffic
facing the traffic flow.

Degree of GlareLimitationis alwaystakeninto
DesignScheme
• Glare means visual discomfort due to high luminance.
• 2 types of glare created by the street light luminaires,
• 1st disability glare
• 2nd discomfort glare.
• Disability glare is not a strong factor, rather discomfort glare is a common factor
due to unplanned street lighting scheme.

LampSpectraforVisual Sharpnessdepends on the
ProperLuminaries
• It is very much essential to make an object as per its size and
dimension.

Effectiveness of Visual Guidance is alsoan
important factor
• It helps a viewer to guess how far another object is from his position.

Typesof Road to Implement VariousStreet
LightingDesignSchemes
• As per CIE 12 roads are broadly classified into five types.
• Type A of Street Lighting Design
• Type B of Street Lighting Design
• Type C of Street Lighting Design
• Type D of Street Lighting Design
• Type E of Street Lighting Design

• Type A of Street Lighting Design
• Heavy and high speed traffic.
• The roads are separated with the separators.
• No crossing is allowed.
• Controlled access
• As the example: express ways.

• Type B of Street Lighting Design
• Heavy and high speed traffic.
• Separate road for slow traffic movement or pedestrians.
• As the example: Trunk road.

• Type C of Street Lighting Design
• Heavy mixed traffic with moderate speed.
• Rural and urban roads.
• As the examples: Ring Road or Radial Road.

• Type D of Street Lighting Design
• Slow traffic and pedestrians’ purpose.
• Road in the city or shopping center.
• As the example: Shopping streets.

• Type E of Street Lighting Design
• Mixed Traffic with limited speed.
• Connector road between residential areas.
• As the example: Local street.

Street LightLuminaire
• Intensity distribution of the street light luminaire is measured with
mirror Goniophotometer. And it is graphically represented by polar
intensity diagram.
• But Intensity distribution of the road light is measured following C-ɣ
photometric convention. In C-ɣ photometry, C is the angle on the
road surface plane and ɣ is the angle created between vertical axis of
the luminaire and lumen throwing direction, or in other word, ɣ is the
angle of incidence.

• Initially on the surface of the road, point specific Illuminance values
are collected.
• Then intensity I is calculated from the equation of the Illuminance,

MOD: 5
DESIGN OF OUTDOOR LIGHTING:
FLOOD LIGHTING

Outdoor Lighting
• Functional Lighting
• Decorative lighting
• Road, yard, flood lighting – Functional lighting
• Monumental lighting, facade lighting, special
festival lighting – Decorative lighting
Primary Aim – Safety & Security, Amenity, Decoration &
Commercial interior
• Pole height of more than 16 metre.

Floodlighting
• Flooding of large surfaces with light from
powerful projectors – Flood Lighting
• Flood lights are great lighting fixtures that emit a broad
beam of light.
• Flood lights are used to flood an area with light. It is the
best way to provide an enormous amount of non-
natural light to an area.
• They are used for many purposes and also allow a range
of lighting techniques.

Floodlighting
• To enhance the beauty of ancient monuments by night
• To illuminate advertisement boards and show cases
• To illuminate railway yards, sports stadium, car parks,
construction sites etc.
• Small buildings:
• Uniform flood lighting used
• Flood lights are placed o nearby buildings or on suitable
posts at distance of not more than 60 m.
• Light fall perpendicular to the building.

Flood Lighting- Features
• Large or tall building:
• Illuminated non-uniformly
• According to beam spread, projector classification:
1. Narrow beam projector – beam spread b/w 12-25 deg.
Used for distance beyond 70 m.
2. Medium beam projector – beam b/w 25 -40 deg.
Distance b/w 30 -70 m.
3. Wide Angle projector – beam b/w 40-90 deg. Used for
distance below 30 m.

Projector classification according to
beam spread.
Beam Type Beam Spread Use
Narrow
Beam
Projector
12-25⁰
Distance
beyond 70m
Medium
Beam
Projector
25-40⁰
Distance
between 30-
70m
Wide
angle
Projector
40-90⁰
Distance
below 30m

Floodlighting
• LED floodlights are highly energy efficient and have a higher lumen per
watt output than any other conventional lighting system. They are used for
many purposes and also allow a range of lighting techniques.
• Why we consider Flood Lights with LEDs?
• Energy Efficient and Maintenance Free
• High Lumen Output
• Excellent Thermal Management
• Environment-Friendly

Different types :
1. Aesthetic Floodlighting
2. Industrial and Commercial
Floodlighting
3. Advertising

1. Aesthetic Floodlighting
Enhance the beauty of building at night on
festive occasion
Public places
Ancient buildings
Religious buildings

2. Industrial & Commercial
Floodlighting
Illuminating
Railway yards
Sports stadium
Car parks
Construction
sites
Quarries

3. Advertising
Illuminating advertising boards and showcases.

Floodlight Projector
Reflectors and its housing used for concentrating
the light into a narrow beam.
Installed in remote positions
Robust
Whether proof
Reflecting surface
Made of silvered
glass
Stainless steel
Chromium steel
Efficiency
• Silvered Glass is 90%
• Polished Metal is 70%

Floodlight Projector contd…..
Inclination of beam is varied in vertical and
horizontal direction.
500W of 1000W lamps in projectors,
ventilation is provided for adequate cooling.

Location and Mounting of Projector:
•Symmetric projector kept 20 –
35m away from the surface to
be floodlighted.
•Provide approximately parallel
beam with beam spread of 35-30⁰
•Projector cannot be located
away from the building.
• unsymmetrical
reflector mounted in the basement
area or on a bracket attached to the
building
•Direct more intense light to
wards the building.

What is the main difference between Flood Light Luminaire and
Road Light Luminaire?
The main difference between the flood light and the other
luminaire used in road lighting is the former aiming direction with
respect to the light intensity axis. That means, the road light
luminaire is always aimed at a particular direction on the road
surface spot wise. But flood light covers the wide range surface of
the aimed object like buildings, hording etc and it is defined to a
proper mounting position. Whereas road light luminaire cannot
cover wide range of road surface area.

Floodlighting Calculations
1st Step : Illumination level required
depends on
Type of building
Purpose of flood lighting
Amount of conflicting light in the
vicinity.

Floodlighting Calculations, Illumination level required

2nd Step : Type of projector
Depends on
Beam size – determines the area covered by the beam
Light output – determine the illumination provided.
Beam angle is decided keeping in view the
distance of projector from the surface.

3rd Step : No. of projector
N – no. of projectors
A – Area of surface to be illuminated
E- Illumination level required in
lumens/m2

Waste Light Factor
When illuminated by multiple sources, the
amount of light wasted on account of overlapping
and falling of light beyond the edges of the area
to be illuminated.
Multiply theoretical value of lumen with
1.2 for rectangular areas
1.5 for irregular areas, statues, monuments.

Depreciation Factor
Ratio of illumination under ideal condition to
the illumination under normal conditions.
Due to the accumulation of dirt and dust on the
reflectors and in the source of the projector,
reduce the light effectiveness.
50 – 100% more light must be provided so that
illumination is adequate at the interval between
the cleaning periods.

Coefficient of Utilization
beam factor.
Ratio of beam lumens to lamp lumens.
Range between 0.3 to 0.5.
As Light emitted by the projector is not along
the direction of beam but some of it is
absorbed by the reflectorand by the front
glass.

The front of a building 45 m x 20 m is illuminated by twenty 1000-
W lamps arranged so that uniform illumination on the surface is
obtained. Assuming a luminous efficiency of 18 lumens/watt and
a coefficient of utilization of 0.4, determine the illumination on
the surface, waste light factor1.2 and depreciation factor 1.3.

The front of the building measuring 50 m * 15 m is to be
floodlighted by means of projectors placed at a distance of 25
metres away. The average illumination required is 100 lux.
Determine the number and size of projectors required. Assume
waste light factor of 1.2, depreciation factor 1.5 and coefficient of
utilization 0.5.

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