HANS -PETER KROHN




Dear Ladies and Gentlemen,


I am a munich based photographer and want
to introduce myself to the rest of the world.

I have had several opportunities to expose my
work in german galleries and other locations,
and am looking forward now to explore new
field.

Should you appreciate the work partly shown
on the following pages, I would be delighted
if there was any interest of representing me
or helping me in any other way.


Yours sincerely


Hans-Peter Krohn




    HAIMHAUSERSTR.12        80802 MUNICH
    TELEPHONE: 0049 - 89 - 388 988 99
    E MAIL ADRESS: hanspeterkrohn@yahoo.de
HANS-PETER KROHN
                    LIGHTPAINTING
                      PORTFOLIO


The Munich photographer H.P.K. likes to use the term lightpainting to make it easier to
get into what must be called abstract photographs.
In actual fact, his pictures approach more the artistic expression of the plain surface art
originating from painting or graphics, and yet they are nevertheless different. Should
the pictorial surface art require a base in order to apply the color pigments in
whatever kind of form language, Krohn’s color pictures are the framework in
themselves, and their pigmentary photographic layers are “exposed” totally freely, an
expressive expression of stringent formality.
H.P.K. obviously has a great command of the multifarious possibilities of photographic
materials. In producing his pictures, he uses tactile techniques, body moving sequences
with moving optic. Any comparisons drawn with Pollock’s painting can be made with
very good reason.
With H.P.K. as he likes to explain himself, it can well be that the artistic final product is
first created in his head. His special technique then, to a large extent, expresses this
image, thereby creating a non-repeatable and no longer to be manipulated unique
work of art.
Even those who are unfamiliar with such styles of working realize that there has been
absolutely no recourse to using any kind of ohotographic tricks such as double-
exposures or negative shifts.
The lightpainter’s convictions would not tolerate such optical superficial tricks. The final
product is therefore always the entire photo without any cuts or partial cuts.
Only when creating the final product does H.P.K. go a significant step further. This
Gemini spirit cuts his formats into double pictures or triptichons and thus creates
additional refractions of the motifs. An interesting moment of tension which the
observer can get into.
If we pursue the most recent work of the ligt painter we can see that his images point
the way to greater strictness in forms, a discipline which leads him to almost
monographic espression. The colors are more pastel, the shapes more extensive,
covering greater surfaces.
Without a doubt, the photographer and musician H.P.K., who works exclusively with
35mm camera, has touched on virgin territory with his art. We await his next steps
with excitement. It’s going to be exciting to follow.
HANS-PETER KROHN




LIONEL 100 x 100 cm             BLUE SERIES #3 100 x 150cm




BLUE SERIES #2 80 x 110cm          BLUE SERIES #1 80 x 80cm




SERIES “SPEED” #1 100 x 160cm                    SERIES WOOD’N’COLORS #1   65 x 90 cm
HANS-PETER KROHN
 THE SANDPAPER SERIES
 EDITION OF 10 IMAGES EACH SIGNED BY THE ARTIST
HANS-PETER KROHN

                      THE ORANGE BLUE SERIES
                           2 IMAGES EACH SIGNED BY THE ARTIST




ALL DOUBLE IMAGES WITH IRON FRAMES / SIZES BETWEEN 100x50 AND 140x 100 cm
HANS-PETER KROHN

                     THE USEDOM SERIES
                      2 IMAGES EACH SIGNED BY THE ARTIST




ALL IMAGES WITH IRON FRAMES / SIZES BETWEEN 100x50 AND 140x 100 cm
HANS-PETER KROHN




CV

BORN 06 07 1954 IN MUNICH/GERMANY
HIGHSCHOOL AND COLLEGE IN MUNICH
STUDIES OF ART AND HISTORY OF ART
PROFESSIONAL PHOTOGRAPHER SINCE 1980
ASSISTANT TO SEVERAL FASHION PHOTOGRAPHERS
IN PARIS, LONDON, NEW YORK
SEVERAL EXHIBITIONS IN MUNICH, HAMBURG, BERLIN
FROM 1995 ON.

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Kunstpdf

  • 1. HANS -PETER KROHN Dear Ladies and Gentlemen, I am a munich based photographer and want to introduce myself to the rest of the world. I have had several opportunities to expose my work in german galleries and other locations, and am looking forward now to explore new field. Should you appreciate the work partly shown on the following pages, I would be delighted if there was any interest of representing me or helping me in any other way. Yours sincerely Hans-Peter Krohn HAIMHAUSERSTR.12 80802 MUNICH TELEPHONE: 0049 - 89 - 388 988 99 E MAIL ADRESS: hanspeterkrohn@yahoo.de
  • 2. HANS-PETER KROHN LIGHTPAINTING PORTFOLIO The Munich photographer H.P.K. likes to use the term lightpainting to make it easier to get into what must be called abstract photographs. In actual fact, his pictures approach more the artistic expression of the plain surface art originating from painting or graphics, and yet they are nevertheless different. Should the pictorial surface art require a base in order to apply the color pigments in whatever kind of form language, Krohn’s color pictures are the framework in themselves, and their pigmentary photographic layers are “exposed” totally freely, an expressive expression of stringent formality. H.P.K. obviously has a great command of the multifarious possibilities of photographic materials. In producing his pictures, he uses tactile techniques, body moving sequences with moving optic. Any comparisons drawn with Pollock’s painting can be made with very good reason. With H.P.K. as he likes to explain himself, it can well be that the artistic final product is first created in his head. His special technique then, to a large extent, expresses this image, thereby creating a non-repeatable and no longer to be manipulated unique work of art. Even those who are unfamiliar with such styles of working realize that there has been absolutely no recourse to using any kind of ohotographic tricks such as double- exposures or negative shifts. The lightpainter’s convictions would not tolerate such optical superficial tricks. The final product is therefore always the entire photo without any cuts or partial cuts. Only when creating the final product does H.P.K. go a significant step further. This Gemini spirit cuts his formats into double pictures or triptichons and thus creates additional refractions of the motifs. An interesting moment of tension which the observer can get into. If we pursue the most recent work of the ligt painter we can see that his images point the way to greater strictness in forms, a discipline which leads him to almost monographic espression. The colors are more pastel, the shapes more extensive, covering greater surfaces. Without a doubt, the photographer and musician H.P.K., who works exclusively with 35mm camera, has touched on virgin territory with his art. We await his next steps with excitement. It’s going to be exciting to follow.
  • 3. HANS-PETER KROHN LIONEL 100 x 100 cm BLUE SERIES #3 100 x 150cm BLUE SERIES #2 80 x 110cm BLUE SERIES #1 80 x 80cm SERIES “SPEED” #1 100 x 160cm SERIES WOOD’N’COLORS #1 65 x 90 cm
  • 4. HANS-PETER KROHN THE SANDPAPER SERIES EDITION OF 10 IMAGES EACH SIGNED BY THE ARTIST
  • 5. HANS-PETER KROHN THE ORANGE BLUE SERIES 2 IMAGES EACH SIGNED BY THE ARTIST ALL DOUBLE IMAGES WITH IRON FRAMES / SIZES BETWEEN 100x50 AND 140x 100 cm
  • 6. HANS-PETER KROHN THE USEDOM SERIES 2 IMAGES EACH SIGNED BY THE ARTIST ALL IMAGES WITH IRON FRAMES / SIZES BETWEEN 100x50 AND 140x 100 cm
  • 7. HANS-PETER KROHN CV BORN 06 07 1954 IN MUNICH/GERMANY HIGHSCHOOL AND COLLEGE IN MUNICH STUDIES OF ART AND HISTORY OF ART PROFESSIONAL PHOTOGRAPHER SINCE 1980 ASSISTANT TO SEVERAL FASHION PHOTOGRAPHERS IN PARIS, LONDON, NEW YORK SEVERAL EXHIBITIONS IN MUNICH, HAMBURG, BERLIN FROM 1995 ON.