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Abstract Expressionism 
Abstract Expressionism 
Abstract Expressionism or so called Gestural Abstraction, it was developed in New York in the 1940s; it is an post-World 
War II art movement in American painting. It is a type of art which the artist expresses himself purely through the use of 
form and color. Abstract expressionism, this name is derived from the combination of the emotional intensity and 
self-denial of the German Expressionists with the anti-figurative of the European abstract schools such as Futurism, the 
Bauhaus and Synthetic Cubism. 
Most of the Abstract Expressionists lived in New York and met at the Cedar Tavern in Greenwich Village. Therefore the 
movement is also called The New York School. The movement can be more or less divided into two groups: Action Paint ing 
and Color Field Painting. 
Action Painting 
Stressed the physical action involved in painting 
The style was widespread from 1940s until the early 1960s . 
These energetic techniques depend on broad gestures directed 
by the artist’s sense of control interacting with chance or 
random occurrences. Therefore, action painting is also referred 
to as Gestural Abstraction. 
Color Field Painting 
Primarily concerned with exploring the effects of pure color on a canvas 
It is about the tension created by overlapping and interacting 
areas of flat color. These areas of color can be amorphous or 
clearly geometric. This painting often are on huge canvases. 
Jackson Pollock 
Willem de Kooning 
Mark Rothko 
Clyfford Still 
Franz Kline 
Philip Guston 
Jules Olitski 
Kenneth Noland 
Key Characteristics of Abstract Expressionism 
 Unconventional application of paint, usually 
without a recognizable subject that tends toward 
amorphous shapes in brilliant colors 
 Dripping, smearing, slathering, and flinging lots of 
paint on to the canvas 
 Sometimes gestural “writing ” in a loosely 
calligraphic manner 
 In the case of Color Field artists: carefully filling the 
picture plane with zones of color that create 
tension between the shapes and hues 
Hans Hofmann 
James Brooks 
Wassily Kandinsky 
Jackson Pollock

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Week 12 abstract expressionism

  • 1. Abstract Expressionism Abstract Expressionism Abstract Expressionism or so called Gestural Abstraction, it was developed in New York in the 1940s; it is an post-World War II art movement in American painting. It is a type of art which the artist expresses himself purely through the use of form and color. Abstract expressionism, this name is derived from the combination of the emotional intensity and self-denial of the German Expressionists with the anti-figurative of the European abstract schools such as Futurism, the Bauhaus and Synthetic Cubism. Most of the Abstract Expressionists lived in New York and met at the Cedar Tavern in Greenwich Village. Therefore the movement is also called The New York School. The movement can be more or less divided into two groups: Action Paint ing and Color Field Painting. Action Painting Stressed the physical action involved in painting The style was widespread from 1940s until the early 1960s . These energetic techniques depend on broad gestures directed by the artist’s sense of control interacting with chance or random occurrences. Therefore, action painting is also referred to as Gestural Abstraction. Color Field Painting Primarily concerned with exploring the effects of pure color on a canvas It is about the tension created by overlapping and interacting areas of flat color. These areas of color can be amorphous or clearly geometric. This painting often are on huge canvases. Jackson Pollock Willem de Kooning Mark Rothko Clyfford Still Franz Kline Philip Guston Jules Olitski Kenneth Noland Key Characteristics of Abstract Expressionism  Unconventional application of paint, usually without a recognizable subject that tends toward amorphous shapes in brilliant colors  Dripping, smearing, slathering, and flinging lots of paint on to the canvas  Sometimes gestural “writing ” in a loosely calligraphic manner  In the case of Color Field artists: carefully filling the picture plane with zones of color that create tension between the shapes and hues Hans Hofmann James Brooks Wassily Kandinsky Jackson Pollock