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Pop Art 
Pop Art 
Pop art is an art movement that emerged in Britain (mid-1950s) and in the United States (late 1950s). It employs aspects of 
mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the 
then-dominant ideas of abstract expressionism, as well as an expansion upon them. Due to its utilization of found objects 
and images, it is similar to Dada. Together with minimalism, pop art is considered to be art movements that precede post 
modern art. 
United Kingdom: The Independent Group 
It is founded in London in 1952. This IG is regarded as the precursor to the pop art movement. They were a gathering of 
young painters, sculptors, architects, writers and critics who were challenging prevailing modernist approaches t o culture 
as well as traditional views of Fine Art. The group discussions centered on popular culture implications (mass advertising, 
movies, product design, comic strips, sci-fi and technology). Lawrence Alloway as a leading member of IG was one of the 
leading critics to defend the inclusion of the imagery found in mass culture in fine arts. 
Eduardo Paolozzi was the 
co-founder of IG. “I was a Rich Man’s 
Playing” (1947) is considered the initial 
standard bearer of “pop art”. 
Telemath (1958), John Mchale 
Three Flags, Jasper Johns 
Rectroactivo II, 1964 
Robert Rauschenberg 
Roy Lichtenstein 
United States 
Although Pop Art began in the late 1950s, Pop Art in America was given its greatest 
impetus during the 1960s. The term “Pop Art” was officially introduced during the 
Occasion “Symposium on Pop Art” that organized by the Museum of Modern Art. Jasper 
Johns and Robert Rauschenberg was the two important painters in the establishment of 
America’s Pop Art. Paintings of Rauschenberg have relationships to the earlier work of 
Kurt Schwitters and other Dadaists, his concern was with social issues of the moment. Roy 
Lichtenstein, his work probably defines the basic premise of pop art better than any other 
through parody. Lichtenstein would say of his work: Abstract Expressionists “put things 
down on the canvas and responded to what they had done, to the color positions and 
sizes. My style looks completely different, but the nature of putting down lines pretty 
much is the same; mine don’t come out looking calligraphic, like Pollock’s or Kline’s” 
Hamilton’s 1956 collage Just 
what is it that makes today’s homes so 
different, so appealing? 
Key Characteristics of Pop Art 
Michael Jackson (1984) 
Andy Warhol 
 Recognizable imagery, drawn from popular media and products 
 Usually very bright colors 
 Flat imagery influenced by comic books and newspaper photographs 
 Images of celebrities or fictional characters in comic books, advertisements and fan magazines 
 In sculpture, an innovative use of media

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Week 12 Pop Art

  • 1. Pop Art Pop Art Pop art is an art movement that emerged in Britain (mid-1950s) and in the United States (late 1950s). It employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them. Due to its utilization of found objects and images, it is similar to Dada. Together with minimalism, pop art is considered to be art movements that precede post modern art. United Kingdom: The Independent Group It is founded in London in 1952. This IG is regarded as the precursor to the pop art movement. They were a gathering of young painters, sculptors, architects, writers and critics who were challenging prevailing modernist approaches t o culture as well as traditional views of Fine Art. The group discussions centered on popular culture implications (mass advertising, movies, product design, comic strips, sci-fi and technology). Lawrence Alloway as a leading member of IG was one of the leading critics to defend the inclusion of the imagery found in mass culture in fine arts. Eduardo Paolozzi was the co-founder of IG. “I was a Rich Man’s Playing” (1947) is considered the initial standard bearer of “pop art”. Telemath (1958), John Mchale Three Flags, Jasper Johns Rectroactivo II, 1964 Robert Rauschenberg Roy Lichtenstein United States Although Pop Art began in the late 1950s, Pop Art in America was given its greatest impetus during the 1960s. The term “Pop Art” was officially introduced during the Occasion “Symposium on Pop Art” that organized by the Museum of Modern Art. Jasper Johns and Robert Rauschenberg was the two important painters in the establishment of America’s Pop Art. Paintings of Rauschenberg have relationships to the earlier work of Kurt Schwitters and other Dadaists, his concern was with social issues of the moment. Roy Lichtenstein, his work probably defines the basic premise of pop art better than any other through parody. Lichtenstein would say of his work: Abstract Expressionists “put things down on the canvas and responded to what they had done, to the color positions and sizes. My style looks completely different, but the nature of putting down lines pretty much is the same; mine don’t come out looking calligraphic, like Pollock’s or Kline’s” Hamilton’s 1956 collage Just what is it that makes today’s homes so different, so appealing? Key Characteristics of Pop Art Michael Jackson (1984) Andy Warhol  Recognizable imagery, drawn from popular media and products  Usually very bright colors  Flat imagery influenced by comic books and newspaper photographs  Images of celebrities or fictional characters in comic books, advertisements and fan magazines  In sculpture, an innovative use of media