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Introduction to
Lighting & Techniques
Introduction
   Films consist of pictures and sound.
   The pictures come from cameras, but cameras
    need light to see.
   All around us, there is plenty of light
    “accidentally”, from ambient daylight, room
    lights, etc.
Introduction
    On location, it is the lighting team’s job to:
1.   Use and supplement, or
2.   Eliminate the “accidental” light


    In the totally controlled studio environment, all
     light has to be provided for the cameras
Arri Fresnel 1Kw Spot Light
    Provides light to a specific spot

    Barn doors can be adjusted to:
1.   Limit light
2.   Reduce shadows
3.   Overlap adjacent lights


    Produces a lot of heat
Kino Flo
   Soft, flood light

   Provides light to a large
    area

   Produces less heat

   Fits into cramped areas
Redheads & Blondies
Three-point Lighting

   Most commonly
    used setup
   Building block
   Key light
   Fill light
   Back light
Key Light

   Brightest light
   Most important
   Reveal surface form
   Principal shadow
   One side of the camera
Fill Light

   Less intensity
   Diffuse (soften)
   Opposite side
   Reduce shadows by key light
Three-point Lighting Combination




   Depth & Separation
   3 Dimensional
   Separate background
    from subject
Direction of Lighting
   Front

   Edge (side)

   Back

   Under
Frontal Lighting
   From camera’s
    viewpoint
   Reduces modeling and
    texture
   Diminishes age wrinkles
   Avoids shadows
Edge Lighting
   Emphasizes texture and
    contours
   Highlights objects
Back Lighting
   Directly behind subject
   Often from high position
   Halo effect
   Illuminate & separate
    outline
Under Lighting
   Inverted facial modeling
   Mysterious
   Ghostly
Lighting Mood
   Lighting helps to establish the mood of your
    story.

   Changing the angle, intensity, and colour of
    your lights can dramatically alter the mood of a
    scene
Flat Lighting
   Low contrast
   Reveals all details
   Little or no shadows
   No background separation
   Boring
Modeled Lighting
   High contrast
   Tonal graduation
   Shadows formations
   Three-dimensional illusion
Atmospheric Lighting
   Mood lighting
   Support the atmosphere or
    environment
   Normally associated with darker
    images
   Use of practical lights
Silhouette Lighting
   Back lighting
   Brighter background
   No or little subject detail
Common Lighting Terminology
   Ambient light
    The light already present in a scene, before any additional lights are
    added.


   Incident light
    Light seen directly from a light source (sun, lamp, etc).


   Reflected light
    Light seen after having bounced off a surface.
Common Lighting Terminology
   Colour temperature
    A standard of measuring the characteristics of light, measured in
    degrees Kelvin.


   Contrast ratio
    The difference in brightness between the brightest white and the
    darkest black within the image.


   Key light
    The main light on the subject, providing most of the illumination and
    contrast.
The Correct Way of Lighting


   There is never a correct or definite way.

   There is always scope for interpretation and trail
    & error in lighting.
The Correct Way of Lighting

    The best way is to ask these 2 questions:

1.   How do I light the scene logically and realistically?

2.   Where is the light for the scene coming from?
Angle of Shine

   The imagined source of light for a scene representing
    the sun shining downwards

   What is your angle of shine in order to recreate the light
    from the sun?
Managing Shadows

   In the natural world, objects often only cast one defined
    shadow

   How do you light your shot to achieve one clear defined
    set of shadows?

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Lighting intro -_day_9.ppt[1]

  • 2. Introduction  Films consist of pictures and sound.  The pictures come from cameras, but cameras need light to see.  All around us, there is plenty of light “accidentally”, from ambient daylight, room lights, etc.
  • 3. Introduction  On location, it is the lighting team’s job to: 1. Use and supplement, or 2. Eliminate the “accidental” light  In the totally controlled studio environment, all light has to be provided for the cameras
  • 4. Arri Fresnel 1Kw Spot Light  Provides light to a specific spot  Barn doors can be adjusted to: 1. Limit light 2. Reduce shadows 3. Overlap adjacent lights  Produces a lot of heat
  • 5. Kino Flo  Soft, flood light  Provides light to a large area  Produces less heat  Fits into cramped areas
  • 7. Three-point Lighting  Most commonly used setup  Building block  Key light  Fill light  Back light
  • 8. Key Light  Brightest light  Most important  Reveal surface form  Principal shadow  One side of the camera
  • 9. Fill Light  Less intensity  Diffuse (soften)  Opposite side  Reduce shadows by key light
  • 10. Three-point Lighting Combination  Depth & Separation  3 Dimensional  Separate background from subject
  • 11. Direction of Lighting  Front  Edge (side)  Back  Under
  • 12. Frontal Lighting  From camera’s viewpoint  Reduces modeling and texture  Diminishes age wrinkles  Avoids shadows
  • 13. Edge Lighting  Emphasizes texture and contours  Highlights objects
  • 14. Back Lighting  Directly behind subject  Often from high position  Halo effect  Illuminate & separate outline
  • 15. Under Lighting  Inverted facial modeling  Mysterious  Ghostly
  • 16. Lighting Mood  Lighting helps to establish the mood of your story.  Changing the angle, intensity, and colour of your lights can dramatically alter the mood of a scene
  • 17. Flat Lighting  Low contrast  Reveals all details  Little or no shadows  No background separation  Boring
  • 18. Modeled Lighting  High contrast  Tonal graduation  Shadows formations  Three-dimensional illusion
  • 19. Atmospheric Lighting  Mood lighting  Support the atmosphere or environment  Normally associated with darker images  Use of practical lights
  • 20. Silhouette Lighting  Back lighting  Brighter background  No or little subject detail
  • 21. Common Lighting Terminology  Ambient light The light already present in a scene, before any additional lights are added.  Incident light Light seen directly from a light source (sun, lamp, etc).  Reflected light Light seen after having bounced off a surface.
  • 22. Common Lighting Terminology  Colour temperature A standard of measuring the characteristics of light, measured in degrees Kelvin.  Contrast ratio The difference in brightness between the brightest white and the darkest black within the image.  Key light The main light on the subject, providing most of the illumination and contrast.
  • 23. The Correct Way of Lighting  There is never a correct or definite way.  There is always scope for interpretation and trail & error in lighting.
  • 24. The Correct Way of Lighting  The best way is to ask these 2 questions: 1. How do I light the scene logically and realistically? 2. Where is the light for the scene coming from?
  • 25. Angle of Shine  The imagined source of light for a scene representing the sun shining downwards  What is your angle of shine in order to recreate the light from the sun?
  • 26. Managing Shadows  In the natural world, objects often only cast one defined shadow  How do you light your shot to achieve one clear defined set of shadows?