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Ideal Camera Settings for
Shooting Live Video
Let’s review the basics
of camera exposure
settings...
The shutter speed, aperture and
gain (ISO) are commonly referred to
as the most important camera
settings.
Always start with the proper
frame rate, shutter speed, and
aperture when setting up your
camera...
Then you can adjust the
advanced settings for optimal
video picture...
PTZOptic’s cameras offer advanced
features to optimize your exposure
in almost any setting...
Getting your camera settings
perfect is a requirement for
live video… because there is
usually no post-production
options.
Conference
Space
Production
Studio
Live Sports
Low Light
Lighting will be different in each of
our four scenes. We will optimize
based on our lighting and overall
goals to achieve best exposure for
our video production..
IDEAL EXPOSURE
Camera Shootout
Difficulty Level
Conference
Space
Production
Studio
Live Sports
Live Streaming Camera Settings for Video
Aperture: The aperture also known as the f/stop controls the opening of the iris and therefore light on the sensor.
Tips
1. Use a large aperture (small f/stop number) for a shallow depth of field. A shallow depth of field is useful for close up
subjects where you want the background to be out of focus.
2. Use a small aperture (large f-stop number) when you want a large depth of field. A large depth of field is useful for
sporting events or large areas where you want everything in focus.
A shallow depth of field is ideal for portraits, artistic video and green screens used with a chroma key. A deep depth of
field is used to keep everything in the picture in focus. This is ideal for live news, sports and most broadcasts.
Camera Shutter Speed for Live Streaming
Shutter Speed: The shutter speed supplies is the amount of time is takes the shutter to open and close each frame.
1. Use a fast shutter speed for scenes with alot of movement such as Sports.
2. The faster your shutter speed is the less light will make it through to your sensor. You will notice this when your adjust your
frame rates because the picture will become brighter or darker depending on your speed.
3. Keep in mind that most motion pictures use 24fps with a shutter speed of 1/50. Most professional say this is the most natural
setting.
A low shutter speed can make moving objects look blurry. A fast shutter speed will make moving objects more clear. This is
extremely important for slow-motion video.
Camera Color Balance Settings for live video
Color Balance: The color balance of your image will change the colors (including black and white) rendered in your image.
1. Start with an auto-white balance. This can be found on the OSD (On Screen Display Menu). Zoom your camera into the white
image and allow the camera to make the appropriate adjustments.
2. Use the Red & Blue gain/fine-tuning to remove any unwanted coloring from either colors.
3. Use Hue/Saturation for additional color tuning.
Color balancing is crucial for recording live video because their is no post production option. Many video production systems
offer help with color balance but it’s still best practice to handle color and white balance in the camera. In low light situations
consider using a color checker as seen here.
Contrast: Contrast is what adds dimension to your images. Good contrast means your image has a full range of color tones.
1. Try setting the camera to black and white. This will make your job of measuring contrast easier because you only have to look
for the most rich setting for lights and darks.
2. Consider the mood you are trying to convey. If you are looking for a light and fresh mood use a lighter gray area. If you are
looking for a dramatic mood use darker settings.
3. If you are using a green screen with a chroma key try adjusting the contrast and hue.
Contrast can be one of the most important settings when shooting live video. In order to judge contrast broadcasters use high
contrast ratio field monitors. Contrast that is too low looks underexposed and gray. Perfect contrast should look clear and
represent the real world perfectly. Playing with contrast can produce extremely interesting colors and reflections as seen here..
Camera Settings for Noise Reduction for live
video streaming
Noise Reduction: Noise is generally defined as aberrant pixels that are not representing the color or exposure properly generally
due to low light.
1. 2D noise reduction settings is ideal for scenes with movement. The technology produces superior results for moving objects.
2. 3D noise reduction settings are ideal for static fields of view.
3. By using both 2D and 3D noise reduction together you can effectively enhance both moving and static imagery.
Image noise is extremely distracting to viewers and must be removed to achieve a broadcast quality image. Many PTZOptics
users do not notice any image noise because they are shooting in a well lit environment. Image Noise is generally only noticed in
low light scenes where the gain has been increased. The gain is usually increased to brighten an image where aperture and
shutter speed have already been optimized. Using a mix of 2D and 3D noise cancellation is ideal for most live broadcast
environments.
Camera Settings for a Conference Space
Resolution: 1920x1080p 30fps
Camera Aperture: Automatic
Camera Shutter Speed: Automatic
Camera Focus: Automatic
Camera Control: IR Remote
Camera Settings for a Production
Resolution: 1920x1080p 30-60fps
Camera Aperture: small such as 1.8
Camera Shutter Speed: Automatic
Camera Focus: Manual
Camera Control: IR Remote / Joystick
Other Settings: Contrast and Hue
perfect for chroma key.
Camera Settings for Live Sports
Resolution: 1920x1080p 60fps
Camera Aperture: Large such as 1.8
Camera Shutter Speed: Fast 1/120 or more
Camera Focus: Manual ∞
Camera Control: Joystick w/ monitor
Other Settings: 60 fps ideal for post
production and slow motion
Camera Settings for Low Light Performance
Resolution: 1920x1080p 30fps
Camera Aperture: small such as 1.8
Camera Shutter Speed: slow 1/120
Camera Focus: Manual ∞
Camera Control: Joystick w/ monitor
Other Settings: Contrast and Hue and
Wide Dynamic Range
Download this checklist in PDF Format!
http://ptzoptics.com/landing/checklist.html
Need help getting started?
http://ptzoptics.com/landing/coupons.html
Check out our Live Channel as an Example…
http://youtube.com/c/ptzoptics/live
Sounds like ALOT of work?
Consider hiring a part-time or full time employee.
Learn more about hiring a “Chief Streaming Officer” here:
http://ptzoptics.com/landing/CSO.html
Download our FREE guide!
Step by step guide for setting up a live streaming channel!
BONUS!
Complete Live
Streaming
Start Up Guide!
http://ptzoptics.com/landing/ebook.html
Double bonus!
Free Video
Asset Starter
Kit!
http://ptzoptics.com/landing/live-streaming-assets.html
Download our free guide here!
http://ptzoptics.com/landing/CSO.html

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Live Video Streaming Camera Settings Guide

  • 1. Ideal Camera Settings for Shooting Live Video
  • 2. Let’s review the basics of camera exposure settings...
  • 3. The shutter speed, aperture and gain (ISO) are commonly referred to as the most important camera settings.
  • 4. Always start with the proper frame rate, shutter speed, and aperture when setting up your camera...
  • 5. Then you can adjust the advanced settings for optimal video picture...
  • 6. PTZOptic’s cameras offer advanced features to optimize your exposure in almost any setting...
  • 7. Getting your camera settings perfect is a requirement for live video… because there is usually no post-production options.
  • 8. Conference Space Production Studio Live Sports Low Light Lighting will be different in each of our four scenes. We will optimize based on our lighting and overall goals to achieve best exposure for our video production.. IDEAL EXPOSURE
  • 10. Live Streaming Camera Settings for Video Aperture: The aperture also known as the f/stop controls the opening of the iris and therefore light on the sensor. Tips 1. Use a large aperture (small f/stop number) for a shallow depth of field. A shallow depth of field is useful for close up subjects where you want the background to be out of focus. 2. Use a small aperture (large f-stop number) when you want a large depth of field. A large depth of field is useful for sporting events or large areas where you want everything in focus. A shallow depth of field is ideal for portraits, artistic video and green screens used with a chroma key. A deep depth of field is used to keep everything in the picture in focus. This is ideal for live news, sports and most broadcasts.
  • 11. Camera Shutter Speed for Live Streaming Shutter Speed: The shutter speed supplies is the amount of time is takes the shutter to open and close each frame. 1. Use a fast shutter speed for scenes with alot of movement such as Sports. 2. The faster your shutter speed is the less light will make it through to your sensor. You will notice this when your adjust your frame rates because the picture will become brighter or darker depending on your speed. 3. Keep in mind that most motion pictures use 24fps with a shutter speed of 1/50. Most professional say this is the most natural setting. A low shutter speed can make moving objects look blurry. A fast shutter speed will make moving objects more clear. This is extremely important for slow-motion video.
  • 12. Camera Color Balance Settings for live video Color Balance: The color balance of your image will change the colors (including black and white) rendered in your image. 1. Start with an auto-white balance. This can be found on the OSD (On Screen Display Menu). Zoom your camera into the white image and allow the camera to make the appropriate adjustments. 2. Use the Red & Blue gain/fine-tuning to remove any unwanted coloring from either colors. 3. Use Hue/Saturation for additional color tuning. Color balancing is crucial for recording live video because their is no post production option. Many video production systems offer help with color balance but it’s still best practice to handle color and white balance in the camera. In low light situations consider using a color checker as seen here.
  • 13. Contrast: Contrast is what adds dimension to your images. Good contrast means your image has a full range of color tones. 1. Try setting the camera to black and white. This will make your job of measuring contrast easier because you only have to look for the most rich setting for lights and darks. 2. Consider the mood you are trying to convey. If you are looking for a light and fresh mood use a lighter gray area. If you are looking for a dramatic mood use darker settings. 3. If you are using a green screen with a chroma key try adjusting the contrast and hue. Contrast can be one of the most important settings when shooting live video. In order to judge contrast broadcasters use high contrast ratio field monitors. Contrast that is too low looks underexposed and gray. Perfect contrast should look clear and represent the real world perfectly. Playing with contrast can produce extremely interesting colors and reflections as seen here..
  • 14. Camera Settings for Noise Reduction for live video streaming Noise Reduction: Noise is generally defined as aberrant pixels that are not representing the color or exposure properly generally due to low light. 1. 2D noise reduction settings is ideal for scenes with movement. The technology produces superior results for moving objects. 2. 3D noise reduction settings are ideal for static fields of view. 3. By using both 2D and 3D noise reduction together you can effectively enhance both moving and static imagery. Image noise is extremely distracting to viewers and must be removed to achieve a broadcast quality image. Many PTZOptics users do not notice any image noise because they are shooting in a well lit environment. Image Noise is generally only noticed in low light scenes where the gain has been increased. The gain is usually increased to brighten an image where aperture and shutter speed have already been optimized. Using a mix of 2D and 3D noise cancellation is ideal for most live broadcast environments.
  • 15. Camera Settings for a Conference Space Resolution: 1920x1080p 30fps Camera Aperture: Automatic Camera Shutter Speed: Automatic Camera Focus: Automatic Camera Control: IR Remote
  • 16. Camera Settings for a Production Resolution: 1920x1080p 30-60fps Camera Aperture: small such as 1.8 Camera Shutter Speed: Automatic Camera Focus: Manual Camera Control: IR Remote / Joystick Other Settings: Contrast and Hue perfect for chroma key.
  • 17. Camera Settings for Live Sports Resolution: 1920x1080p 60fps Camera Aperture: Large such as 1.8 Camera Shutter Speed: Fast 1/120 or more Camera Focus: Manual ∞ Camera Control: Joystick w/ monitor Other Settings: 60 fps ideal for post production and slow motion
  • 18. Camera Settings for Low Light Performance Resolution: 1920x1080p 30fps Camera Aperture: small such as 1.8 Camera Shutter Speed: slow 1/120 Camera Focus: Manual ∞ Camera Control: Joystick w/ monitor Other Settings: Contrast and Hue and Wide Dynamic Range
  • 19. Download this checklist in PDF Format! http://ptzoptics.com/landing/checklist.html
  • 20. Need help getting started? http://ptzoptics.com/landing/coupons.html
  • 21. Check out our Live Channel as an Example… http://youtube.com/c/ptzoptics/live
  • 22. Sounds like ALOT of work? Consider hiring a part-time or full time employee. Learn more about hiring a “Chief Streaming Officer” here: http://ptzoptics.com/landing/CSO.html
  • 23. Download our FREE guide! Step by step guide for setting up a live streaming channel!
  • 24. BONUS! Complete Live Streaming Start Up Guide! http://ptzoptics.com/landing/ebook.html
  • 25. Double bonus! Free Video Asset Starter Kit! http://ptzoptics.com/landing/live-streaming-assets.html
  • 26. Download our free guide here! http://ptzoptics.com/landing/CSO.html