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MAC 212
  Radio Advertising Part 2
 Writing, Creative & Direction
The Assignment
• Assignment
  – 3 x 30, 50, 50 or 60’ radio commercials – EACH
  – A real client
• Radio as a medium
• The Process
  – Write the brief first
  – Compliance
  – Writing & Casting
  – Direction & Post-Production
Remember
• The Creative Opportunities
  – Radio as an intrusive medium
  – Radio as a blind medium
  – Radio as a friend
  – Imagination
  – Character
  – Surprise
  – Engagement with the listener
The brief
•   Who are we talking to?
•   What do we want them to do?
•   Why should they do it?
•   Remember it’s a campaign
    – Is there a tag line?
    – What about branding?
The RAB’s 5 I’s
•   Involvement – how do get involved?
•   Identity – Is there a sonic brand?
•   Impression – what will listeners think?
•   Information – Is it clear?
•   Integration – one campaign, many outlets
Scripting
•   Script title / writer / client
•   (directions)
•   MVO1
•   FV02
•   SFX: Sounds / Music / etc
Casting
• Find the right voice for   • Ginsters
  commercial
                             • NSPCC
• Hard Sell
                             • Laidlaw
• Soft Sell
• Character
• Accent / Dialect
Direction
•   Is it a natural scene?   •   Super Noodles
•   Playing for laughs?      •   Amerada Gas
•   Movement?                •   Autotrader
•   Emotion? Tone?           •   ITV
•   What’s happening?
Campaigns


• Common style, tag lines, messages, styles
Sound Design / Post-Production
• Theatre of the mind     •   Audi
   – Paint pictures       •   Vodafone
• Use the space           •   London Zoo
   – It’s a radio!
                          •   Network Rail
• Radio is blind
   – imagination
• Microphone technique
• Mixing / stereo field
• Stand out
Using Sound / Creativity / Music
•   Use Sounds    • Seatbelts
•   Use silence   • Samaritans
•   Use voice
•   Use music
•   Use humour
•   Simplicity
Christmas

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Mac 212 casting, direction - dec12

  • 1. MAC 212 Radio Advertising Part 2 Writing, Creative & Direction
  • 2. The Assignment • Assignment – 3 x 30, 50, 50 or 60’ radio commercials – EACH – A real client • Radio as a medium • The Process – Write the brief first – Compliance – Writing & Casting – Direction & Post-Production
  • 3. Remember • The Creative Opportunities – Radio as an intrusive medium – Radio as a blind medium – Radio as a friend – Imagination – Character – Surprise – Engagement with the listener
  • 4. The brief • Who are we talking to? • What do we want them to do? • Why should they do it? • Remember it’s a campaign – Is there a tag line? – What about branding?
  • 5. The RAB’s 5 I’s • Involvement – how do get involved? • Identity – Is there a sonic brand? • Impression – what will listeners think? • Information – Is it clear? • Integration – one campaign, many outlets
  • 6. Scripting • Script title / writer / client • (directions) • MVO1 • FV02 • SFX: Sounds / Music / etc
  • 7. Casting • Find the right voice for • Ginsters commercial • NSPCC • Hard Sell • Laidlaw • Soft Sell • Character • Accent / Dialect
  • 8. Direction • Is it a natural scene? • Super Noodles • Playing for laughs? • Amerada Gas • Movement? • Autotrader • Emotion? Tone? • ITV • What’s happening?
  • 9. Campaigns • Common style, tag lines, messages, styles
  • 10. Sound Design / Post-Production • Theatre of the mind • Audi – Paint pictures • Vodafone • Use the space • London Zoo – It’s a radio! • Network Rail • Radio is blind – imagination • Microphone technique • Mixing / stereo field • Stand out
  • 11. Using Sound / Creativity / Music • Use Sounds • Seatbelts • Use silence • Samaritans • Use voice • Use music • Use humour • Simplicity