MAH_07_15_Expressionism.ppt

 By definition: expressionism is signifying the
use of distortion and exaggeration by the
expressionist to exemplify an event.
 Late 19th and early 20th century
 This was the time right around World War
One.

 Focused on schools of emotive and
interpretive art.
 Expressionism art didn‟t only focus on
painting
 Played a large role in cinema, theatre,
literature and dance

 Most related to Germany in 1910
 Started as German Expressionism
 Was a reaction to Impressionism, can also be
noted as “Post-Impressionism”
 Impressionists tried to recreate an
impression of the objective world.
 Expressionism dealt with artists own
personality, feelings and emotions.

 Expressionists had no desire to capture
what they saw, but rather their emotional
response to it.
 More active, and subjective type of art.

 FIRST signs of expressionism was in the
Fauvism movement – 1905.
 The general characteristics could also be seen
in Van Gogh at first.
 Started to use pure colors. Agitated brush
marks. Distortion of shapes.
 Expressionism developed with three main
groups groups; Die Brucke (The Bridge), Der
Blaue Reiter (The Blue Rider) and Die Neue
Sachlichkeit (“the New Objectivity). Later
Discussed.

 Emotions and feelings
 Vivid and un-naturalistic colors
 Dynamic and distorted forms
 Exaggeration of form which adds to the
emotional effect

 One of the earliest artists.
 12 December 1863 – 23 January 1944
 Norwegian
 Pioneer in the expressionist movement in
modern painting.
 Inspires present day artists
 Father was Christian Munch whose wife died
when Edvard was only five years old. This
had a big impact on his expression of
emotion.

 Strong sense of emotion
 Most pieces: orange-red bright colors.
 Used against black to bring more
contrast from colors.
 Often depict image of death or suffering.

 Did many woodcuts, lithographs, and
etchings.
 This is important because he‟s bringing
new tools into the art world.
 Brings in a more graphic style.

 Means: The Bridge. Symbolizes the link, or
bridge, they would form with art of the
future.
 Founded in Dresden, Germany in 1905 by a
group of young architecture students who
had interest in art.
 First cohesive group of German artists to
concentrate on expressionist styles

 This group combined traditional German art
with African, Post-Impressionist and Fauvist
styles.
 Consisted of paintings, woodcuts,
sculptures, and even
lithographic prints.
 Attempted to express emotional feeling
through distortion, exageration, color, and
line.
A Group of Artists: Otto Mueller, Kirchner, Heckel, Schmidt-Rottluff

Background
born on May 6, 1880 in Aschaffenburg.
Studied at a technical college until he saw
Albrecht Dürer's original woodblocks, which
made him decide to become a painter.
Founder of „Die Bruke‟ and considered the
leader of the group as well
Ernst Ludwig Kirchner (1880-1938)

Style
 Flat
 Bold Colors
 Faces
 People

Ernst Ludwig Kirchner
Street, Dresden 1908

Marcella (1909)
Ernst Ludwig
Kirchner

Street, Berlin (1913)

Self Portrait As a Solider
(1915)

Emil nolde
 Part of Die Bruke

Still Life with Masks
(1911)
Emil Nolde

 Means “The Blue Rider”
 Believed that colors and shapes were a way
of mimicking music and sound
 Focused on creating color combinations that
would purify the soul

 Born in Moscow in 1866
 Fascinated by colors in nature
 Studied music, law and economics before
deciding to become a painter
 Went to art school in Munich, Germany
 Started The Blue Rider movement with
Franz Marc

 Moved back to Russia once World War I
started
 Moved back to Germany after the war to
teach at the Bauhaus
 In 1933 when the Nazis came to power he
moved to France
 He continued to make art until his death in
1944

 Born 1880
 Cofounded Der Blaue Reiter
 Began using abstract animal forms in his
art
 Died at the age of 36 in World War I

 Founded in Germany
 1920‟s – 1930‟s
 After math of World War One
 Founded by George Grosz and Otto Dix
 Realistic Style combined with a cynical and
socially critical stance.
 German meaning is “a new reality”
 Movement focused on the post-war life.

 Focused some on faces and majorly on
architecture.
 Cityscapes were often created, involving
streets and busy intersections with large
buildings.
 Many say that this created a new mental
relation with the objects.

 Born 1891
 Participated in the first DADA art fair
 German expressionist
 Sketched and painted for the entirety of his life
 Focused a lot on the war

 Beckmann differed from normal
expressionism: emotional realism.

Christ and the Woman
Taken in Adultery
(1917)
Max Beckman

The Night,
(1918–1919)
Max
Beckman

MAH_07_15_Expressionism.ppt

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MAH_07_15_Expressionism.ppt