Mobile Technology Appropriation in a distant mirror
- 1. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism François Bar Francis Pisani Matthew Weber slides: http://slideshare.net/arnic
- 2. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism 0. inspiration 1. appropriation 2. innovation model 3. research questions 4. current projects
- 3. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism
- 4. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism 1556
- 5. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism 1556 1928
- 6. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism “Só me interessa o que não é meu. Lei do homem. Lei do antropófago” 1556 1928
- 7. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism 1556 1928 1960s
- 8. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism 1556 1928 1960s 2003
- 10. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism “la créolisation, c'est le métissage avec une valeur ajoutée qui est l'imprévisibilité” Edouard Glissant, Introduction à une poétique du divers (1996)
- 11. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism
- 12. Mobile technology appropriation in a distant mirror: baroque infiltration, creolization and cannibalism photos: Bernardo Bolaños
- 14. “Among the angels and the vines of the façade of San Lorenzo, an Indian princess appears, and all the symbols of the defeated Incan culture are given a new lease on life. The Indian half-moon disturbs the traditional serenity of the Corinthian vine. American jungle leaves and Mediterranean clover intertwine. The sirens of Ulysses play the Peruvian guitar. And the flora, the fauna, the music, and even the sun of the ancient Indian world are forcefully asserted. There shall be no European culture in the New World unless all of these, our native symbols, are admitted on an equal footing.” Carlos Fuentes (1999) The Buried Mirror - Reflections on Spain and the New World,
- 15. -1- three appropriation modes: baroquization / creolization / cannibalism
- 16. Appropriation modes: baroquization photos: samsooma (flickr)
- 17. Appropriation modes: baroquization photos: superlocal (flickr)
- 20. Appropriation modes: creolization photos: Araba Sey, Ruud Elmendorp
- 22. Appropriation modes: creolization Horse-phone: “Like earlier horse-phones, it had a cord. Wire stored on a 5-mile reel played out as a scout rode. The improved model let a rider make calls without having to first dismount and then drive a spike into the ground to complete the electrical connection. Instead, the grounding wire was attached to the horse’s skin. The mild electrical current would pass through its body to its hoofs, one of which was almost always touching the ground.” (Popular Mechanics, Sep. 1907)
- 23. Appropriation modes: creolization photo/graphic: Mike Ousmegine
- 24. Appropriation modes: creolization photo: Jan Chipchase photo: timonoko (flickr)
- 25. Appropriation modes: creolization Photo: Araba Sey Photo: Jan Chipchase
- 27. Appropriation modes: cannibalism Photo: Kathleen Diga
- 28. Appropriation modes: cannibalism Photo: Kathleen Diga
- 29. Appropriation modes: cannibalism Photo: Araba Sey
- 30. Appropriation modes: cannibalism source: http://www.vavolo.com/productdetails.asp,ProductID,2400,,.htm
- 34. 1. roll-out
- 36. 1. roll-out 2. appropriate 3. re-claim
- 37. 1. roll-out 2. appropriate 3. re-claim
- 38. m-banking
- 39. m-banking 1. roll-out Photos: Jan Chipchase
- 40. 1. roll-out 2. appropriate sente Photos: Jan Chipchase m-banking
- 41. m-banking 1. roll-out 2. appropriate 3. re-claim Photos: Jan Chipchase sente
- 43. 1. roll-out 2. appropriate 3. re-claim
- 44. three reclamation modes: co-opt / adapt / block
- 45. three reclamation modes: co-opt / adapt / block echo: baroquize / creolize / cannibalize
- 46. suppliers roll-out technology users appropriate suppliers re-claim users adopt reject users baroquize creolize cannibalize suppliers co-opt adapt block
- 47. 1. roll-out 2. appropriate 3. re-claim Iterative Cumulative End-user driven Structured learning Embedded knowledge Path-dependent
- 49. 1. adopt 2. appropriate 3. re-claim what is open? ?
- 50. 1. adopt 2. appropriate 3. re-claim what remains open? ?
- 51. suppliers roll-out technology users appropriate suppliers re-claim users adopt reject users baroquize creolize cannibalize suppliers co-opt adapt block
- 52. suppliers roll-out technology users appropriate suppliers re-claim users adopt reject users baroquize creolize cannibalize suppliers co-opt adapt block
- 53. suppliers roll-out technology users appropriate suppliers re-claim users adopt reject users baroquize creolize cannibalize suppliers co-opt adapt block who are the “users”? what motivates them? what resources can they draw upon? how do they go about it? can they get help from others? (“appropriation-for-hire”)
Editor's Notes
- #13: Capilla del Rosario en la Iglesia de Santo Domingo, Puebla, México. Personaje con penacho. Detalle de la iglesia de Santa María Tonantzintla, Puebla, México (foto de Bernardo Bolaños).
- #14: José Kondori, the Quechua architect who built “the magnificent churches of Potosí, undoubtedly the most brilliant illustration of the meaning of the baroque in Latin America”
- #22: Lars Magnus Ericsson operated the first car phone as early as 1910. This was not wireless: “there were two long sticks, like fishing rods, handled by [Lars’ wife] Hilda. She would hook them over a pair of telephone wires.”
- #33: photo source: http://www.boingboing.net/2005/04/20/more_from_jake_a_gee.html