SlideShare a Scribd company logo
Larry Bustamante
Music in Secondary Schools
Unit Plan Overview
This unit of teaching is called "Fundamental Rhythmic Notation." This is a unit
for general learners in the ninth grade. Some of these students are students with special
needs. They struggle with reading and working cooperatively with other students. They
can be disruptive but once focused, the class is able to function positively. My goal for
these students is for them to understand basic rhythmic notation, which includes quarter,
half, and whole notes/rests. What students will take from this unit is the ability to read,
count, and clap rhythmic notation.
These lesson plans contain aural explanations, visual representations, and
kinesthetic learning that allows for differentiated learning for all types of learners. There
will be aural explanations of each concept. There will be pictures and symbols of each of
the notes, with its definition written next to it. There will be activities involving the
students to clap their hands or tap their foot, in order for them to feel concepts like the
beat.
This approach of differentiated teaching also allows the teacher to assess each
specific lesson, seeing and hearing if the students are able to clap at the appropriate times.
Alongside assessing them aurally and visually, there will be also be worksheets and
homework that will offer a summative assessment of the students. This understand of
fundamental rhythmic notation will allow the students to not only read music, but play
percussive instruments in an organized setting.
Larry Bustmante
Music in Secondary Schools
Lesson #1 Students will be able to identify, notate, and clap a quarter note, quarter rest.
Target Audience
This lesson is targeted for ninth grade. Most of them are general learners with some
students who require special needs. These students struggle with reading and cooperating
with others but are productive once focused. This lesson is targeted for aural, visual, and
kinesthetic learners.
Aim
Students will be able to identify, notate, and clap a quarter note and quarter rest.
Standards
Standard #2- Knowing and Using Arts Materials and Resources.
- Students will be able to identify whole notes, half notes, and quarter notes and apply
them into music. Students will understand that these notes are symbols that represent
different beat quantities and how long the note must be held out.
Pre-requisite Knowledge
Students will already be able to identify what a musical staff is.
Do Now
Students will listen to "Purple Haze" by Jimi Hendrix and be asked to tap their foot to the
song. A small group share showing their foot tapping pattern.
Mini Lesson
1) The teacher will play the example once again and ask the students to assign a number
to the tapping they were doing. Another small group share explaining the numbers they
used and why.
2) The teacher will explain that the students were clapping the beats of the song. The
teacher will then explain how in music, we use the beat as the measurement in rhythmic
notation. The teacher will then draw a quarter note on the board and explain what it is.
The teacher will then write the number one underneath the quarter note.
3) The teacher will then draw 7 more quarter notes with a bar line in between each four.
The teacher will ask what these lines could mean and then give the definition of a bar
line. The teacher will then ask how many quarter notes are in between the bar lines and
then explain that there are always four beats in between the bar lines.
4) The teacher will then write the counting in underneath each measure and explain that
each quarter note gets a number because it equals one beat, and that we only count up to
four because there are only four beats in each measure.
5) The teacher will ask the class to clap and count out loud the rhythm while they keep
beat with their foot. teacher will model first, join the students the second time, and then
have the students perform the task by themselves.
6) The teacher will now erase the last quarter note and replace it with a quarter rest. The
teacher will now ask how many quarter notes there are. The teacher will then ask how
many beats there are in that measure. The teacher will then explain that the symbol is a
quarter rest, one beat of silence.
7) The teacher will ask the class to clap and count out loud the rhythm while they keep
beat with their foot, except on the quarter rest, they will put their hands up. The teacher
will model the exercise first and the students will follow.
8) The teacher will hand out a work sheet containing four empty measures. The students,
in groups, will be asked to compose rhythms in these measures using quarter notes and
quarter rests. They will also have to write in the counting underneath the notes and be
able to clap it.
Group Work
The symbols and definitions of each of them will be on the board while they compose
their rhythms. The students will be able to discover how to use the notes and rests
correctly. The teacher will circulate each group, conferencing with them if they do not
understand any of the symbols.
Group Share
The class will share their rhythms by writing them up on the board using the correctly
symbols and counting underneath. The class will analyze each rhythm to make sure they
are correct. The class will clap and count out loud each rhythm while tapping their foot to
the beat.
Final Summary
The teacher will reiterate the aim and ask the students what a beat, bar line, quarter note,
and quarter rest is.
Homework Assignment
Students will be given a worksheet containing eight measures. They will be asked to
compose another set of rhythms using the quarter note and quarter rest.
Differentiation
This lesson is for aural, visual, and kinesthetic learners. There will be verbal explanations
of all concepts and visual symbols of all these concepts. There will be clapping, speaking,
and tapping of the foot exercises to reinforce these concepts.
Assessment
The teacher will assess the lesson by going over each note and asking the students for the
definition of each one. The teacher will also ask the students to repeat the definition of a
beat. The class will go over some of answers during the group work and apply the
clapping activity to it.
Materials List
A sound clip of "Purple Haze" by Jimi Hendrix.
A board with a musical staff on it.
Writing utensil for the board.
Formal Commentary
a. The central focus is for students to understand what the beat is, the purpose of
bar lines, and the definitions of quarter notes and rests. This is the fundamental building
block in reading rhythms so by allowing the students to understand these concepts, you
can add more complex concepts of rhythm. By the students counting the rhythm they are
learning the practice of breaking down rhythms, which will be useful when they deal with
more complex rhythms.
b. I choose the clapping exercise because it allows the students to feel each
quarter note as it lies on the beat. The tapping of the foot has the student understand that
the beat is constant throughout, regardless if there is a rest in the measure. The counting
out loud gives the student the tool to break down rhythm so that they can understand it
visually and see where the note lands on the beat.
c. By assessing the student throughout the lesson in seeing and hearing how they
count and clap each rhythm, this gives the teacher proper data in understanding how
much the student has grasped of each concept. If the students are not able to successfully
tap count out loud, clap the rhythm, and tap their foot at the same time then that is proper
inclination that the student does not yet understand these concepts. If the students are not
able to perform these tasks, then this is enough information for the teacher to approach
the class with less complex rhythm, until they are finally able to grasp the concept
correctly.
Larry Bustamante
Music in Secondary Schools
Lesson #2 Students will be able to identify, notate, and clap a half note and half rest.
Target Audience
This lesson is targeted for ninth grade. Most of them are general learners with some
students who require special needs. These students struggle with reading and cooperating
with others but are productive once focused. This lesson is targeted for aural, visual, and
kinesthetic learners.
Aim
Students will be able to identify, notate, and clap a half note and a half rest.
Standards
Standard #2- Knowing and Using Arts Materials and Resources
- Students will be able to identify how many beats go into a measure, where each
measure ends by the bar line, and how many beats each measure gets by the time
signature, all key concepts in reading music. Students will also learn to apply whole, half,
and quarter notes to these concepts in order to solidify the concept of reading rhythm.
Pre-requisite Knowledge
Students will be able to identify a staff, quarter note, and quarter rest.
Do Now
The teacher will have four measures on the board with different combinations of quarter
notes and quarter rests. The students will be asked to prepare to clap, tap their foot, and
speak the counting on this example.
Mini Lesson
1) The teacher will draw four quarter notes followed by a bar line and then by two half
notes. The teacher will ask how many notes there are in each group. The teacher will then
ask how many beats are there in each group.
2) The teacher will explain that a half note equals two beats. The teacher will then ask the
students how many numbers should go underneath each half note. The teacher will now
write in the counting for each half note.
3) The teacher will draw two more half notes. The teacher will ask the class to clap and
count out loud the rhythm while they keep beat with their foot. The teacher will explain
when they clap half notes, they will keep their hands closed to indicate that the note is
held for two beats. The teacher will model first and then the students will follow.
4) The teacher will then erase the last half note and replace it with a half note. The
teacher will ask the students how many notes there are in that group. The teacher will
then ask how many beats there are in the group. The teacher will explain what a half rest
is.
5) The teacher will ask the class to clap and count out loud the rhythm while they keep
beat with their foot, except when they get to the half rest, they will put their hands up.
The teacher will model first and the students will follow afterwards.
6) The teacher will hand out a worksheet containing four empty measures. The teacher
will put them in groups and ask them to compose using half notes, half rests, quarter
notes, and quarter rests.
Group Work
The symbols and definitions of each of them will be on the board while they compose
their rhythms. The students will be able to discover how to use the notes and rests
correctly. The teacher will circulate each group, conferencing with them if they do not
understand any of the symbols.
Group Share
The class will share their rhythms by writing them up on the board using the correctly
symbols and counting underneath. The class will analyze each rhythm to make sure they
are correct. The class will clap and count out loud each rhythm while tapping their foot to
the beat.
Final Summary
The teacher will reiterate the aim and ask the students for definitions of a half note and a
half rest.
Homework Assignment
Students will be given a worksheet containing eight measures. They will be asked to
compose another set of rhythms using the quarter/half note and quarter/half rest.
Differentiation
This lesson is for aural, visual, and kinesthetic learners. There will be verbal explanations
of all concepts and visual symbols of all these concepts. There will be clapping, speaking,
and tapping of the foot exercises to reinforce these concepts.
Assessment
The teacher will be assessing throughout the lesson by seeing if the students are able to
clap, count, and tap their foot correctly reading the rhythms. The teacher will also assess
during group share by seeing if the students are able to create their own rhythms
correctly. The final assessment will be done during the final summary, analyzing if the
students are able to give clear definitions of the concepts.
Materials List
A board with a musical staff on it.
Writing utensil for the board.
Formal Commentary
a. The purpose of the focus is to increase the complexity of rhythm to the
students. The concept of half notes and half rests are a common rhythm seen throughout
music. These concepts allow for students to create new, more complex rhythms for them
to clap and count out loud. During the group work, they are given the most freedom to
use these concepts plus the concepts from the previous lesson to come up with more
complex rhythms.
b. I choose the clapping exercise because it allows the students to feel each
quarter note as it lies on the beat. The tapping of the foot has the student understand that
the beat is constant throughout, regardless if there is a rest in the measure. The counting
out loud gives the student the tool to break down rhythm so that they can understand it
visually and see where the note lands on the beat.
c. By assessing the student throughout the lesson in seeing and hearing how they
count and clap each rhythm, this gives the teacher proper data in understanding how
much the student has grasped of each concept. If the students are not able to successfully
tap count out loud, clap the rhythm, and tap their foot at the same time then that is proper
inclination that the student does not yet understand these concepts. If the students are not
able to perform these tasks, then this is enough information for the teacher to approach
the class with less complex rhythm, until they are finally able to grasp the concept
correctly.
Larry Bustamante
Music in Secondary Schools
Lesson #3 Students will be able to identify, notate, and clap a whole note and whole rest.
Target Audience
This lesson is targeted for ninth grade. Most of them are general learners with some
students who require special needs. These students struggle with reading and cooperating
with others but are productive once focused. This lesson is targeted for aural, visual, and
kinesthetic learners.
Aim
Students will be able to identify, notate, and clap a whole note and whole rest.
Standards
Standard #2- Knowing and Using Arts Materials and Resources.
- Students will be able to analyze a rhythm and apply counting methods in order to play
said rhythm. Students will engage in clapping rhythms to feel where each note lands on
the beat and which note gets held out longer.
Pre-requisite Knowledge
Students will be able to identify a staff, quarter note, quarter rest, half note, and half rest.
Do Now
The teacher will have four measures on the board with different combinations of
quarter/half notes and quarter/half rests. The students will be asked to prepare to clap, tap
their foot, and speak the counting on this example.
Mini Lesson
1) The teacher will draw four quarter notes, followed by a bar line, and two half notes.
The teacher will ask how many notes are in each group. The teacher will then ask how
many beats are in each group.
2) The teacher will then draw a whole note and ask the same two questions as before. The
teacher will explain what a whole note is and that it gets four beats. The teacher will then
ask the students how to write in the counting for it. The teacher will write in the counting
underneath the whole note.
3) The teacher will draw, on a separate staff two whole notes with a bar line in between.
The teacher will ask the class to clap and count out loud the rhythm while they keep beat
with their foot, except they will hold their hands throughout the whole note. The teacher
will model first and the students will follow afterwards.
4) The teacher will now erase one of the whole notes and replace it with a whole rest. The
teacher will ask how many notes are in grouping. The teacher will then ask how many
beats there are in the measure. The teacher will then explain what a whole rest is.
5) The teacher will ask the students to clap and count out loud the new rhythm while they
tap their foot to the beat. The teacher will demonstrate first and the students will follow
afterwards.
6) The teacher will now hand out a worksheet containing eight empty measures. The
teacher will put the students in groups and ask them to compose rhythms using the
quarter/half/whole note and quarter/half/whole rest.
Group Work
The symbols and definitions of each of them will be on the board while they compose
their rhythms. The students will be able to discover how to use the notes and rests
correctly. The teacher will circulate each group, conferencing with them if they do not
understand any of the symbols.
Group Share
The class will share their rhythms by writing them up on the board using the correctly
symbols and counting underneath. The class will analyze each rhythm to make sure they
are correct. The class will clap and count out loud each rhythm while tapping their foot to
the beat.
Final Summary
The teacher will reiterate the aim and ask the students for a definition of a whole note and
whole rest.
Homework Assignment
Students will be given a worksheet containing eight measures. They will be asked to
compose another set of rhythms at using the quarter/half/whole note and
quarter/half/whole rest.
Differentiation
This lesson is for aural, visual, and kinesthetic learners. There will be verbal explanations
of all concepts and visual symbols of all these concepts. There will be clapping, speaking,
and tapping of the foot exercises to reinforce these concepts.
Assessment
The teacher will be assessing throughout the lesson by seeing if the students are able to
clap, count, and tap their foot correctly reading the rhythms. The teacher will also assess
during group share by seeing if the students are able to create their own rhythms
correctly. The final assessment will be done during the final summary, analyzing if the
students are able to give clear definitions of the concepts.
Materials List
A board with a musical staff on it.
Writing utensil for the board.
Formal Commentary
a. The purpose of the focus is to increase the complexity of rhythm to the
students. The concept of whole notes and whole rests are a common rhythm seen
throughout music. These concepts allow for students to create new, more complex
rhythms for them to clap and count out loud. During the group work, they are given the
most freedom to use these concepts plus the concepts from the previous lesson to come
up with more complex rhythms.
b. I choose the clapping exercise because it allows the students to feel each
quarter note as it lies on the beat. The tapping of the foot has the student understand that
the beat is constant throughout, regardless if there is a rest in the measure. The counting
out loud gives the student the tool to break down rhythm so that they can understand it
visually and see where the note lands on the beat.
c. By assessing the student throughout the lesson in seeing and hearing how they
count and clap each rhythm, this gives the teacher proper data in understanding how
much the student has grasped of each concept. If the students are not able to successfully
tap count out loud, clap the rhythm, and tap their foot at the same time then that is proper
inclination that the student does not yet understand these concepts. If the students are not
able to perform these tasks, then this is enough information for the teacher to approach
the class with less complex rhythm, until they are finally able to grasp the concept
correctly.

More Related Content

PDF
PRINTLesson One
PPTX
Task Design Project
PPTX
Power point for reading strategies
DOCX
Unknown Language Journal- Trinity Cert.TESOL
PDF
PRINTLesson Two
DOCX
Guided video observation- Trinity Cert.TESOL
PDF
The ms1 level "daffodil teacher's guide" by mr samir bounab
DOCX
Medina pd III- lesson plan- lesson 11 - passed
PRINTLesson One
Task Design Project
Power point for reading strategies
Unknown Language Journal- Trinity Cert.TESOL
PRINTLesson Two
Guided video observation- Trinity Cert.TESOL
The ms1 level "daffodil teacher's guide" by mr samir bounab
Medina pd III- lesson plan- lesson 11 - passed

What's hot (20)

PPTX
KBSM English Form 2 Textbook Evaluation
DOCX
Phonics lesson plan phase 3
DOCX
4 teaching methods
DOCX
DOC
Blending n segementing
PPTX
Lesson plan for teaching literature component for tertiary
PPTX
Lesson plan of teaching poetry
PDF
Ms1 seq 4 me & my school
PDF
File 3 third_am_level_work_and_play_ (enregistré automatiquement)
PDF
Music gr-1-teachers-guide-q12
DOCX
Lesson Plan - Vocabulary and Comprehension - Book Study
DOCX
Guided Reading Lesson Plan
PDF
Ms2 seq 1 lesson 1 descrbign physical appearance
PPT
Edst4093 online conference powerpoint 1
DOCX
PDF
Lesson plan - Reading
DOCX
Sample detailed-lesson-plan-1
DOC
Pelan taktikal
PPTX
Remediation plus early language curriculum training new edits may 2017
DOC
Lesson Plan Vocabulary 9
KBSM English Form 2 Textbook Evaluation
Phonics lesson plan phase 3
4 teaching methods
Blending n segementing
Lesson plan for teaching literature component for tertiary
Lesson plan of teaching poetry
Ms1 seq 4 me & my school
File 3 third_am_level_work_and_play_ (enregistré automatiquement)
Music gr-1-teachers-guide-q12
Lesson Plan - Vocabulary and Comprehension - Book Study
Guided Reading Lesson Plan
Ms2 seq 1 lesson 1 descrbign physical appearance
Edst4093 online conference powerpoint 1
Lesson plan - Reading
Sample detailed-lesson-plan-1
Pelan taktikal
Remediation plus early language curriculum training new edits may 2017
Lesson Plan Vocabulary 9
Ad

Viewers also liked (20)

PPTX
Titanic
PDF
Aumassanne
PDF
El tiempo es oro
PPT
Sander Van Veen MSc FD Career Challenge 2010
PPTX
13 things your QA team wants you to know
RTF
PAUL DAVIS-CV 2015 copy
PDF
The Global Information Technology Report 2013
PDF
Empresário e Empresa. Quem é dono de quem?
PPTX
Why settle on shaheen corporation
PDF
"Development of an integrative Impact Analysis Tool (iIAT) in the European Re...
PPTX
Institutions america vs uk
ODT
10-06-2008 Contributi specifici del karate all'attività sportiva, in età scol...
KEY
Towards Organizational Agent-based Operating Systems
PPT
Gemstones
PDF
Marvel products catalog
DOCX
Kaye Lobato Da Costa Resume
PPTX
Q.2
PDF
2011 Carver Annual Report
PPTX
2015 10-20-guild council
PPT
Kartka Wielkanocna
 
Titanic
Aumassanne
El tiempo es oro
Sander Van Veen MSc FD Career Challenge 2010
13 things your QA team wants you to know
PAUL DAVIS-CV 2015 copy
The Global Information Technology Report 2013
Empresário e Empresa. Quem é dono de quem?
Why settle on shaheen corporation
"Development of an integrative Impact Analysis Tool (iIAT) in the European Re...
Institutions america vs uk
10-06-2008 Contributi specifici del karate all'attività sportiva, in età scol...
Towards Organizational Agent-based Operating Systems
Gemstones
Marvel products catalog
Kaye Lobato Da Costa Resume
Q.2
2011 Carver Annual Report
2015 10-20-guild council
Kartka Wielkanocna
 
Ad

Similar to music in sec schools midterm project (20)

DOC
sample lesson plan #1
PPTX
Module music 5 1 q
PPTX
MAPEH-MUsic 6--unang kwarter-week 1.pptx
PPT
Fundamentals of music pulse, meter, rhythm
DOCX
Music 1-lesson-plan
PDF
MAPEH 6 WORKSHEETS (1) (1).pdf
PPT
Jenni Harris EdTech 521
PDF
Vapa lesson plan
DOCX
UBD Lesson Plan: Rhythm: Notes and Rests
PPTX
Musicnotationstair
PPTX
Wk2 rhythm
PPT
Basics of music
ODP
Note values
DOCX
RAYONDEMO PRESENTATION AND LESSONPLANING
PPTX
Rhythm and Meter
PPTX
Rhythm and Meter
PPTX
Art.MGMusic.CS2 powerPoint Slides Composition and Improv.pptx
PPTX
5th grade band music intro
PDF
Cantiga Roda Lesson Plans
DOCX
LP - MAPEH 6 FOR REFERENCE AND GUIDE.docx
sample lesson plan #1
Module music 5 1 q
MAPEH-MUsic 6--unang kwarter-week 1.pptx
Fundamentals of music pulse, meter, rhythm
Music 1-lesson-plan
MAPEH 6 WORKSHEETS (1) (1).pdf
Jenni Harris EdTech 521
Vapa lesson plan
UBD Lesson Plan: Rhythm: Notes and Rests
Musicnotationstair
Wk2 rhythm
Basics of music
Note values
RAYONDEMO PRESENTATION AND LESSONPLANING
Rhythm and Meter
Rhythm and Meter
Art.MGMusic.CS2 powerPoint Slides Composition and Improv.pptx
5th grade band music intro
Cantiga Roda Lesson Plans
LP - MAPEH 6 FOR REFERENCE AND GUIDE.docx

More from Larry Bustamante (6)

DOC
Larry Bustamante music philosophy
DOC
music coll multicultural lesson plan
DOC
Larry Bustamante Resume
DOC
elementary school concert program
DOC
high school concert program
DOC
sample performance rubric
Larry Bustamante music philosophy
music coll multicultural lesson plan
Larry Bustamante Resume
elementary school concert program
high school concert program
sample performance rubric

music in sec schools midterm project

  • 1. Larry Bustamante Music in Secondary Schools Unit Plan Overview This unit of teaching is called "Fundamental Rhythmic Notation." This is a unit for general learners in the ninth grade. Some of these students are students with special needs. They struggle with reading and working cooperatively with other students. They can be disruptive but once focused, the class is able to function positively. My goal for these students is for them to understand basic rhythmic notation, which includes quarter, half, and whole notes/rests. What students will take from this unit is the ability to read, count, and clap rhythmic notation. These lesson plans contain aural explanations, visual representations, and kinesthetic learning that allows for differentiated learning for all types of learners. There will be aural explanations of each concept. There will be pictures and symbols of each of the notes, with its definition written next to it. There will be activities involving the students to clap their hands or tap their foot, in order for them to feel concepts like the beat. This approach of differentiated teaching also allows the teacher to assess each specific lesson, seeing and hearing if the students are able to clap at the appropriate times. Alongside assessing them aurally and visually, there will be also be worksheets and homework that will offer a summative assessment of the students. This understand of fundamental rhythmic notation will allow the students to not only read music, but play percussive instruments in an organized setting.
  • 2. Larry Bustmante Music in Secondary Schools Lesson #1 Students will be able to identify, notate, and clap a quarter note, quarter rest. Target Audience This lesson is targeted for ninth grade. Most of them are general learners with some students who require special needs. These students struggle with reading and cooperating with others but are productive once focused. This lesson is targeted for aural, visual, and kinesthetic learners. Aim Students will be able to identify, notate, and clap a quarter note and quarter rest. Standards Standard #2- Knowing and Using Arts Materials and Resources. - Students will be able to identify whole notes, half notes, and quarter notes and apply them into music. Students will understand that these notes are symbols that represent different beat quantities and how long the note must be held out. Pre-requisite Knowledge Students will already be able to identify what a musical staff is. Do Now Students will listen to "Purple Haze" by Jimi Hendrix and be asked to tap their foot to the song. A small group share showing their foot tapping pattern. Mini Lesson 1) The teacher will play the example once again and ask the students to assign a number to the tapping they were doing. Another small group share explaining the numbers they used and why. 2) The teacher will explain that the students were clapping the beats of the song. The teacher will then explain how in music, we use the beat as the measurement in rhythmic notation. The teacher will then draw a quarter note on the board and explain what it is. The teacher will then write the number one underneath the quarter note. 3) The teacher will then draw 7 more quarter notes with a bar line in between each four. The teacher will ask what these lines could mean and then give the definition of a bar line. The teacher will then ask how many quarter notes are in between the bar lines and then explain that there are always four beats in between the bar lines. 4) The teacher will then write the counting in underneath each measure and explain that each quarter note gets a number because it equals one beat, and that we only count up to four because there are only four beats in each measure. 5) The teacher will ask the class to clap and count out loud the rhythm while they keep beat with their foot. teacher will model first, join the students the second time, and then have the students perform the task by themselves. 6) The teacher will now erase the last quarter note and replace it with a quarter rest. The teacher will now ask how many quarter notes there are. The teacher will then ask how
  • 3. many beats there are in that measure. The teacher will then explain that the symbol is a quarter rest, one beat of silence. 7) The teacher will ask the class to clap and count out loud the rhythm while they keep beat with their foot, except on the quarter rest, they will put their hands up. The teacher will model the exercise first and the students will follow. 8) The teacher will hand out a work sheet containing four empty measures. The students, in groups, will be asked to compose rhythms in these measures using quarter notes and quarter rests. They will also have to write in the counting underneath the notes and be able to clap it. Group Work The symbols and definitions of each of them will be on the board while they compose their rhythms. The students will be able to discover how to use the notes and rests correctly. The teacher will circulate each group, conferencing with them if they do not understand any of the symbols. Group Share The class will share their rhythms by writing them up on the board using the correctly symbols and counting underneath. The class will analyze each rhythm to make sure they are correct. The class will clap and count out loud each rhythm while tapping their foot to the beat. Final Summary The teacher will reiterate the aim and ask the students what a beat, bar line, quarter note, and quarter rest is. Homework Assignment Students will be given a worksheet containing eight measures. They will be asked to compose another set of rhythms using the quarter note and quarter rest. Differentiation This lesson is for aural, visual, and kinesthetic learners. There will be verbal explanations of all concepts and visual symbols of all these concepts. There will be clapping, speaking, and tapping of the foot exercises to reinforce these concepts. Assessment The teacher will assess the lesson by going over each note and asking the students for the definition of each one. The teacher will also ask the students to repeat the definition of a beat. The class will go over some of answers during the group work and apply the clapping activity to it. Materials List A sound clip of "Purple Haze" by Jimi Hendrix. A board with a musical staff on it. Writing utensil for the board.
  • 4. Formal Commentary a. The central focus is for students to understand what the beat is, the purpose of bar lines, and the definitions of quarter notes and rests. This is the fundamental building block in reading rhythms so by allowing the students to understand these concepts, you can add more complex concepts of rhythm. By the students counting the rhythm they are learning the practice of breaking down rhythms, which will be useful when they deal with more complex rhythms. b. I choose the clapping exercise because it allows the students to feel each quarter note as it lies on the beat. The tapping of the foot has the student understand that the beat is constant throughout, regardless if there is a rest in the measure. The counting out loud gives the student the tool to break down rhythm so that they can understand it visually and see where the note lands on the beat. c. By assessing the student throughout the lesson in seeing and hearing how they count and clap each rhythm, this gives the teacher proper data in understanding how much the student has grasped of each concept. If the students are not able to successfully tap count out loud, clap the rhythm, and tap their foot at the same time then that is proper inclination that the student does not yet understand these concepts. If the students are not able to perform these tasks, then this is enough information for the teacher to approach the class with less complex rhythm, until they are finally able to grasp the concept correctly.
  • 5. Larry Bustamante Music in Secondary Schools Lesson #2 Students will be able to identify, notate, and clap a half note and half rest. Target Audience This lesson is targeted for ninth grade. Most of them are general learners with some students who require special needs. These students struggle with reading and cooperating with others but are productive once focused. This lesson is targeted for aural, visual, and kinesthetic learners. Aim Students will be able to identify, notate, and clap a half note and a half rest. Standards Standard #2- Knowing and Using Arts Materials and Resources - Students will be able to identify how many beats go into a measure, where each measure ends by the bar line, and how many beats each measure gets by the time signature, all key concepts in reading music. Students will also learn to apply whole, half, and quarter notes to these concepts in order to solidify the concept of reading rhythm. Pre-requisite Knowledge Students will be able to identify a staff, quarter note, and quarter rest. Do Now The teacher will have four measures on the board with different combinations of quarter notes and quarter rests. The students will be asked to prepare to clap, tap their foot, and speak the counting on this example. Mini Lesson 1) The teacher will draw four quarter notes followed by a bar line and then by two half notes. The teacher will ask how many notes there are in each group. The teacher will then ask how many beats are there in each group. 2) The teacher will explain that a half note equals two beats. The teacher will then ask the students how many numbers should go underneath each half note. The teacher will now write in the counting for each half note. 3) The teacher will draw two more half notes. The teacher will ask the class to clap and count out loud the rhythm while they keep beat with their foot. The teacher will explain when they clap half notes, they will keep their hands closed to indicate that the note is held for two beats. The teacher will model first and then the students will follow. 4) The teacher will then erase the last half note and replace it with a half note. The teacher will ask the students how many notes there are in that group. The teacher will then ask how many beats there are in the group. The teacher will explain what a half rest is. 5) The teacher will ask the class to clap and count out loud the rhythm while they keep beat with their foot, except when they get to the half rest, they will put their hands up. The teacher will model first and the students will follow afterwards.
  • 6. 6) The teacher will hand out a worksheet containing four empty measures. The teacher will put them in groups and ask them to compose using half notes, half rests, quarter notes, and quarter rests. Group Work The symbols and definitions of each of them will be on the board while they compose their rhythms. The students will be able to discover how to use the notes and rests correctly. The teacher will circulate each group, conferencing with them if they do not understand any of the symbols. Group Share The class will share their rhythms by writing them up on the board using the correctly symbols and counting underneath. The class will analyze each rhythm to make sure they are correct. The class will clap and count out loud each rhythm while tapping their foot to the beat. Final Summary The teacher will reiterate the aim and ask the students for definitions of a half note and a half rest. Homework Assignment Students will be given a worksheet containing eight measures. They will be asked to compose another set of rhythms using the quarter/half note and quarter/half rest. Differentiation This lesson is for aural, visual, and kinesthetic learners. There will be verbal explanations of all concepts and visual symbols of all these concepts. There will be clapping, speaking, and tapping of the foot exercises to reinforce these concepts. Assessment The teacher will be assessing throughout the lesson by seeing if the students are able to clap, count, and tap their foot correctly reading the rhythms. The teacher will also assess during group share by seeing if the students are able to create their own rhythms correctly. The final assessment will be done during the final summary, analyzing if the students are able to give clear definitions of the concepts. Materials List A board with a musical staff on it. Writing utensil for the board.
  • 7. Formal Commentary a. The purpose of the focus is to increase the complexity of rhythm to the students. The concept of half notes and half rests are a common rhythm seen throughout music. These concepts allow for students to create new, more complex rhythms for them to clap and count out loud. During the group work, they are given the most freedom to use these concepts plus the concepts from the previous lesson to come up with more complex rhythms. b. I choose the clapping exercise because it allows the students to feel each quarter note as it lies on the beat. The tapping of the foot has the student understand that the beat is constant throughout, regardless if there is a rest in the measure. The counting out loud gives the student the tool to break down rhythm so that they can understand it visually and see where the note lands on the beat. c. By assessing the student throughout the lesson in seeing and hearing how they count and clap each rhythm, this gives the teacher proper data in understanding how much the student has grasped of each concept. If the students are not able to successfully tap count out loud, clap the rhythm, and tap their foot at the same time then that is proper inclination that the student does not yet understand these concepts. If the students are not able to perform these tasks, then this is enough information for the teacher to approach the class with less complex rhythm, until they are finally able to grasp the concept correctly.
  • 8. Larry Bustamante Music in Secondary Schools Lesson #3 Students will be able to identify, notate, and clap a whole note and whole rest. Target Audience This lesson is targeted for ninth grade. Most of them are general learners with some students who require special needs. These students struggle with reading and cooperating with others but are productive once focused. This lesson is targeted for aural, visual, and kinesthetic learners. Aim Students will be able to identify, notate, and clap a whole note and whole rest. Standards Standard #2- Knowing and Using Arts Materials and Resources. - Students will be able to analyze a rhythm and apply counting methods in order to play said rhythm. Students will engage in clapping rhythms to feel where each note lands on the beat and which note gets held out longer. Pre-requisite Knowledge Students will be able to identify a staff, quarter note, quarter rest, half note, and half rest. Do Now The teacher will have four measures on the board with different combinations of quarter/half notes and quarter/half rests. The students will be asked to prepare to clap, tap their foot, and speak the counting on this example. Mini Lesson 1) The teacher will draw four quarter notes, followed by a bar line, and two half notes. The teacher will ask how many notes are in each group. The teacher will then ask how many beats are in each group. 2) The teacher will then draw a whole note and ask the same two questions as before. The teacher will explain what a whole note is and that it gets four beats. The teacher will then ask the students how to write in the counting for it. The teacher will write in the counting underneath the whole note. 3) The teacher will draw, on a separate staff two whole notes with a bar line in between. The teacher will ask the class to clap and count out loud the rhythm while they keep beat with their foot, except they will hold their hands throughout the whole note. The teacher will model first and the students will follow afterwards. 4) The teacher will now erase one of the whole notes and replace it with a whole rest. The teacher will ask how many notes are in grouping. The teacher will then ask how many beats there are in the measure. The teacher will then explain what a whole rest is.
  • 9. 5) The teacher will ask the students to clap and count out loud the new rhythm while they tap their foot to the beat. The teacher will demonstrate first and the students will follow afterwards. 6) The teacher will now hand out a worksheet containing eight empty measures. The teacher will put the students in groups and ask them to compose rhythms using the quarter/half/whole note and quarter/half/whole rest. Group Work The symbols and definitions of each of them will be on the board while they compose their rhythms. The students will be able to discover how to use the notes and rests correctly. The teacher will circulate each group, conferencing with them if they do not understand any of the symbols. Group Share The class will share their rhythms by writing them up on the board using the correctly symbols and counting underneath. The class will analyze each rhythm to make sure they are correct. The class will clap and count out loud each rhythm while tapping their foot to the beat. Final Summary The teacher will reiterate the aim and ask the students for a definition of a whole note and whole rest. Homework Assignment Students will be given a worksheet containing eight measures. They will be asked to compose another set of rhythms at using the quarter/half/whole note and quarter/half/whole rest. Differentiation This lesson is for aural, visual, and kinesthetic learners. There will be verbal explanations of all concepts and visual symbols of all these concepts. There will be clapping, speaking, and tapping of the foot exercises to reinforce these concepts. Assessment The teacher will be assessing throughout the lesson by seeing if the students are able to clap, count, and tap their foot correctly reading the rhythms. The teacher will also assess during group share by seeing if the students are able to create their own rhythms correctly. The final assessment will be done during the final summary, analyzing if the students are able to give clear definitions of the concepts. Materials List A board with a musical staff on it. Writing utensil for the board.
  • 10. Formal Commentary a. The purpose of the focus is to increase the complexity of rhythm to the students. The concept of whole notes and whole rests are a common rhythm seen throughout music. These concepts allow for students to create new, more complex rhythms for them to clap and count out loud. During the group work, they are given the most freedom to use these concepts plus the concepts from the previous lesson to come up with more complex rhythms. b. I choose the clapping exercise because it allows the students to feel each quarter note as it lies on the beat. The tapping of the foot has the student understand that the beat is constant throughout, regardless if there is a rest in the measure. The counting out loud gives the student the tool to break down rhythm so that they can understand it visually and see where the note lands on the beat. c. By assessing the student throughout the lesson in seeing and hearing how they count and clap each rhythm, this gives the teacher proper data in understanding how much the student has grasped of each concept. If the students are not able to successfully tap count out loud, clap the rhythm, and tap their foot at the same time then that is proper inclination that the student does not yet understand these concepts. If the students are not able to perform these tasks, then this is enough information for the teacher to approach the class with less complex rhythm, until they are finally able to grasp the concept correctly.