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Narratives of Race, Resistance,
and Language Learning in College Classrooms
Carmen Kynard, Ph.D.
Associate Professor of English, John Jay College/CUNY
Background Image: Black and Latinx students and
community members march on City College/CUNY
demanding Open Admissions and Black Studies in 1969
As of 2014, CUNY’s total enrollment (both part time and full time
students) was nearly 250,000 students, over 70% of which were students
of color.
“Ev’ry Goodbye Ain’t Gone”
Course Website:
http://www.digirhetorics.org/
The Project
Student sampling below is taken from a weebly
website:
http://wethepeopleunified.weebly.com/
Narrative #3
“Pretty for a Black Girl”:
New Registers of Black Vernacular
Insurgency
URL:
bitly.com/andrene
Header and Top Navigation for “Pretty for a Black Girl”
Left Navigation Sample: “Burning through the Cerebral Cortex”
Close-up of Top Navigation for “Pretty for a Black Girl”
Footer for “Pretty for a Black Girl”
“They weren’t
born from the
body, they
were born
from the soul”
“Mama Gave Birth to the
Soul Children”
by Queen Latifah
featuring De La Soul (1989)
Denied the integrity of our
words, we lose possibility. In
this sense our freedom
depends directly upon our
ability to represent the events
of our lives… In telling the
stories of our reality, both
private and public, spiritual and
material, we assert a future.
The future, though always
apparently beyond our control,
is in actuality a continuing
alternative, one we actively
construct out of our
understanding of past events…
language powers the future.
Gordon Pradl in his introduction
to Prospect and Retrospect:
Selected Essays of James Britton
(1982)
The Fisk Continuum
1) shifting racial demographics at our public schools and
colleges, first most notably achieved in the 1970s where, for
instance, for the first time in U.S. educational history, as many
black students attended PWCs as HBCUs
2) a black protest movement that innovates and relies on the
newest, most available technologies in order to push forth
alternative sites of knowledge, cultural rhetorics, new
authoring, and textual productions
3) new temporalities for cross-spatial, non-classroom-
contained learning where our students’ connections to justice
and aesthetics are centrally and critically informed by cultural,
popular, and community movements
For More on Teaching and Classrooms
realwriting.org (my first year writing and advanced writing
courses)
digirhetorics.org (my courses and projects related to digital
rhetorics)
Blackwomenrhetproject.com (my courses related to gender
studies)
carmenkynard.org (“Education, Liberation, and Black Radical
Traditions”[main website])
funkdafied.org (courses related to African American rhetorics
and literacies)
johnjay.digication.com/carmenkynard (Post-Tenure
ePortfolio)

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Narrative slides

  • 1. Narratives of Race, Resistance, and Language Learning in College Classrooms Carmen Kynard, Ph.D. Associate Professor of English, John Jay College/CUNY Background Image: Black and Latinx students and community members march on City College/CUNY demanding Open Admissions and Black Studies in 1969
  • 2. As of 2014, CUNY’s total enrollment (both part time and full time students) was nearly 250,000 students, over 70% of which were students of color.
  • 5. The Project Student sampling below is taken from a weebly website: http://wethepeopleunified.weebly.com/
  • 6. Narrative #3 “Pretty for a Black Girl”: New Registers of Black Vernacular Insurgency
  • 8. Header and Top Navigation for “Pretty for a Black Girl”
  • 9. Left Navigation Sample: “Burning through the Cerebral Cortex”
  • 10. Close-up of Top Navigation for “Pretty for a Black Girl”
  • 11. Footer for “Pretty for a Black Girl”
  • 12. “They weren’t born from the body, they were born from the soul” “Mama Gave Birth to the Soul Children” by Queen Latifah featuring De La Soul (1989) Denied the integrity of our words, we lose possibility. In this sense our freedom depends directly upon our ability to represent the events of our lives… In telling the stories of our reality, both private and public, spiritual and material, we assert a future. The future, though always apparently beyond our control, is in actuality a continuing alternative, one we actively construct out of our understanding of past events… language powers the future. Gordon Pradl in his introduction to Prospect and Retrospect: Selected Essays of James Britton (1982)
  • 13. The Fisk Continuum 1) shifting racial demographics at our public schools and colleges, first most notably achieved in the 1970s where, for instance, for the first time in U.S. educational history, as many black students attended PWCs as HBCUs 2) a black protest movement that innovates and relies on the newest, most available technologies in order to push forth alternative sites of knowledge, cultural rhetorics, new authoring, and textual productions 3) new temporalities for cross-spatial, non-classroom- contained learning where our students’ connections to justice and aesthetics are centrally and critically informed by cultural, popular, and community movements
  • 14. For More on Teaching and Classrooms realwriting.org (my first year writing and advanced writing courses) digirhetorics.org (my courses and projects related to digital rhetorics) Blackwomenrhetproject.com (my courses related to gender studies) carmenkynard.org (“Education, Liberation, and Black Radical Traditions”[main website]) funkdafied.org (courses related to African American rhetorics and literacies) johnjay.digication.com/carmenkynard (Post-Tenure ePortfolio)