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<free culture> OSCON July 24, 2002
<refrain>
1. Creativity and innovation always builds on the past.
2. The past always tries to control the creativity that builds on it.
3. Free societies enable the future by limiting the past.
4. Ours is less and less a free society.
</refrain>
(1)
1774 Donaldson v. Beckett free culture born
1774 Donaldson v. Beckett free culture born
1774 Donaldson v. Beckett free culture born
1774 Donaldson v. Beckett free   culture born
1710 Statute of Anne limited term 14 years
1710 Statute of Anne limited term 14 years
1710 Statute of Anne limited term 14 years
1710 Statute of Anne limited term 14 years
1740s Scottish publishers reprint classics
1740s Scottish publishers reprint classics
1740s Scottish publishers reprint classics
London publishers: “copyright is forever”
London publishers: “copyright is forever”
[Sonny Bono: “forever minus a day”]
London publishers: “copyright is forever”
publishers
“ old patentees and monopolizers in the trade of bookselling, men who do not labour in an honest profession to learning is indetted.”
“ common law copyright”
1769 Millar v. Taylor publishers prevail
1769 Millar v. Taylor publishers prevail
1769 Millar v. Taylor publishers prevail
1774 Millar reversed
1774 Millar reversed
Shakespeare free
freed culture
<refrain>
1. Creativity and innovation always builds on the past.
2. The past always tries to control the creativity that builds on it.
3. Free societies enable the future by limiting the past.
4. Ours is less and less a free society.
</refrain>
(2)
1790 unregulated creativity “printing” free derivatives 14 years
1790 unregulated creativity “printing” free derivatives 14 years
1790 unregulated creativity “printing” free derivatives 14 years
1790 unregulated creativity “printing” free derivatives 14 years
1790 unregulated creativity “printing” free derivatives 14 years
1790 free code transparent technology
1790 free code transparent technology
1790 free code transparent technology
control
control
not just then
1928 Walt Disney Steamboat Willie Steamboat Bill., Jr.
 
1928 Walt Disney Steamboat Willie Steamboat Bill., Jr.
 
1928 Walt Disney Steamboat Willie Steamboat Bill., Jr.
 
1928 Walt Disney Steamboat Willie Steamboat Bill, Jr.
“ always parroting the feature length mainstream films”
Pinocchio (1940)
Cinderella (1950) Pinocchio (1940)
Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
Jonny Appleseed (1955) 20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
Sleeping Beauty (1959) Sleepy Hollow (1958) Paul Bunyon (1958) Jonny Appleseed (1955) 20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
Jungle Book (1967) Kidnapped (1960) Sleeping Beauty (1959) Sleepy Hollow (1958) Paul Bunyon (1958) Jonny Appleseed (1955) 20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
The Little Mermaid (1989) Jungle Book (1967) Kidnapped (1960) Sleeping Beauty (1959) Sleepy Hollow (1958) Paul Bunyon (1958) Jonny Appleseed (1955) 20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
Hunchback (1996) Beauty and the Beast (1991) The Little Mermaid (1989) Jungle Book (1967) Kidnapped (1960) Sleeping Beauty (1959) Sleepy Hollow (1958) Paul Bunyon (1958) Jonny Appleseed (1955) 20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
Mulan (1998) Hunchback (1996) Beauty and the Beast (1991) The Little Mermaid (1989) Jungle Book (1967) Kidnapped (1960) Sleeping Beauty (1959) Sleepy Hollow (1958) Paul Bunyon (1958) Jonny Appleseed (1955) 20,000 Leagues (1954) Cinderella (1950) Alice in Wonderland (1951) Pinocchio (1940)
 
 
 
commons
lawyer
lawyer
“ limited Times”
1790  “fourteen years” maybe x2
to 42 (1831)
56 (1909)
59 (1962)
61 (1965)
63 (1967)
64 (1968)
65 (1969)
66 (1970)
67 (1971)
68 (1972)
70 (1974)
75 (1976)
95 (1998)
Sonny Bono Copyright Term Extension Act
aka
Mickey Mouse Protection Act
No one can  do to Disney,  Inc. what  Walt  Disney did to the Brothers Grimm
 
<refrain>
1. Creativity and innovation always builds on the past.
2. The past always tries to control the creativity that builds on it.
3. Free societies enable the future by limiting the past.
4. Ours is less and less a free society.
</refrain>
(3)
different now
2002 regulated creativity
2002 regulated creativity
law:
©
©
©
©
©
“ publishing” to “copying”
“ copies” to “derivative works”
“ 14 years” to “life+70”
technology:
opaque creativity
controlling uses
 
 
 
 
 
 
 
law + technology:
law regulates “copies”
uses
unregulated
unregulated read
unregulated read give
unregulated read sell give
unregulated read sell give sleep
unregulated ©
unregulated © publish
unregulated ©
unregulated © fair use
unregulated © quote
uses
uses unregulated regulated ©
uses unregulated regulated ©
uses unregulated fair use ©
uses unregulated fair use ©
enter the net
every acts a copy
every act’s a copy
every act’s a copy
unregulated uses
regulated
©
uses unregulated fair use ©
<del>  “fair use”
 
 
<http://aibopet.com> “ teach your Aibo jazz”
“ [Y]our site contains information providing the means to circumvent AIBO-ware's copy protection protocol constituting a violation of the anti-circumvention provisions of the  Digital Millennium Copyright Act .”
 
 
uses unregulated fair use ©
uses ©
controlled creativity
never more controlled
term scope concentration
term scope concentration
term scope concentration
never fewer  more
never fewer  more
never fewer  more
1773
control
<refrain>
1. Creativity and innovation always builds on the past.
2. The past always tries to control the creativity that builds on it.
3. Free societies enable the future by limiting the past.
4. Ours is less and less a free society.
</refrain>
(4)
you
gnu
transparent creativity
free sharing
common base
create  like it’s  1790
proprietary v. free
proprietary v. free
for now
<refrain>
1. Creativity and innovation always builds on the past.
2. The past always tries to control the creativity that builds on it.
3. Free societies enable the future by limiting the past.
4. Ours is less and less a free society.
</refrain>
(5)
free code threatens
threats to free code
item: sw patents
Mr. Gates  on sw patents:
If people had understood how patents would be granted when most of today’s ideas were invented and had taken out patents, the industry would be at a complete stand-still today.
The solution . . . is patenting as much as we can. . . . A future start-up with no patents of its own will be forced to pay whatever price the giants choose to impose. That price might be high: Established companies have an interest in excluding future competitors.
The solution . . . is patenting as much as we can. . . . A future start-up with no patents of its own will be forced to pay whatever price the giants choose to impose. That price might be high:  Established companies have an interest in excluding future competitors.
Established companies have an interest in excluding future competitors.
4 years
tiny changes
tim changes
q. todd changes
apologists
what have you done?
“ excluding future competitors”
defensive
offensive
what have you done?
item:  copyright wars
homeric tragedy
 
$25,000
insane rules whole world
insane rules for the whole world
broadcast flag
mandated fritz chips
“ police state in every computer”
digital vigilantes
“ a terrorist war”
for what?
“ to stop the harm”
the harm: 5x -5%
the harm:  5x -5%
the harm:  5x -5%
what have you done?
<refrain>
1. Creativity and innovation always builds on the past.
2. The past always tries to control the creativity that builds on it.
3. Free societies enable the future by limiting the past.
4. Ours is less and less a free society.
</refrain>
(6)
JC Watts
“ If you’re explaining, you’re losing.” JC Watts
6 years
what have you done?
Boucher Cannon Hank Perritt
eff.org
do something
 

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