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- 1. ©2003 Pearson Education, Inc., publishing as Longman Publishers.The Art of Being Human, 7/eChapter 5 – ArtPowerPoint by Julie Rodakowski
- 2. ©2003 Pearson Education, Inc., publishing as Longman Publishers.THE NEED TO IMITATEPeople—past and present—have felt the need to reproduce their surroundings, whether it be on the wall of a cave or on a piece of paper, on a bar of soap or on a piece of marble. Artists have thus chosen different MEDIA to create their imitations, some of which reflect directly the surroundings, and others that represent an inner reality rather than an external one.
- 3. ©2003 Pearson Education, Inc., publishing as Longman Publishers.CREATING LIKENESS IN DIFFERENT STYLESREPRESENTATIVE ARTISTS:REPRESENTATIVE ART FORMS: Giotto
- 4. Leonardo da Vinci
- 5. Michelangelo
- 6. Raphael
- 7. Rembrandt
- 8. Classical Art
- 9. Medieval Art
- 10. Renaissance Art©2003 Pearson Education, Inc., publishing as Longman Publishers.A REBELLION AGAINST PERFECT LIKENESSREPRESENTATIVE ART FORMS:REPRESENTATIVE ARTISTS: Goya
- 11. Manet
- 12. Monet
- 13. Mary Cassatt
- 14. Whistler
- 15. van Gogh
- 16. Impressionism
- 17. Post-Impressionism©2003 Pearson Education, Inc., publishing as Longman Publishers.ART AS ALTERATIONREPRESENTATIVE ART FORMS:REPRESENTATIVE ARTISTS: Kandinsky
- 18. Picasso
- 19. Braque
- 20. Dali
- 21. O’Keeffe
- 22. Hopper
- 23. Douglas
- 24. Hanson
- 25. Warhol
- 26. Kienholz
- 27. Christo Javacheff
- 28. Abstract Art
- 29. Cubism
- 30. Surrealism
- 31. Pop Art
- 32. Performance Art©2003 Pearson Education, Inc., publishing as Longman Publishers.ARCHITECTURE AS ARTREPRESENTATIVE ARCHITECTS:REPRESENTATIVE BUILDINGS: Sydney Opera House
- 33. Guggenheim Museum— New York Pittsburgh Plate Glass Co.
- 34. Guggenheim Museum— Bilbao, Spain Jorn Utzon
- 35. Frank Lloyd Wright
- 36. Philip Johnson
- 37. Frank O. Gehry