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Skills Session 2: 
Analysis and Annotated 
PBracitibsinlgi Iodegas:r Aappprohachyes to Theory 
Dr Louise Douse
Assessment 1 - Portfolio 
• When 
• Friday 9th January 2015, electronic version through turnitin 
must be submitted. 
• What 
• This assessment requires you to compile a portfolio of all 
set writing tasks. This will include a commentary on a 
quotation, a summary of an article, a close analysis, and an 
annotated bibliography. 
• Weighting of the assessment 
• This assessment forms 30% of the unit. 
University of Bedfordshire 2
Assessment 1 - Portfolio 
a) Commentary on a quotation 
• Write a 250 word commentary on the following quotation: 
• What is your aim in philosophy? – To shew the fly the way out 
of the fly-bottle. 
Wittgenstein, L. (1956) Philosophical investigations. Translated 
by G. E. M. Anscombe. Oxford: Blackwell, p.103 
b) Summary of an article 
• Write a 250 word summary of the following article, available on 
BREO: 
• Carey, J. (2005) ‘What is a work of art?’ in What good are the 
arts? London: Faber and Faber, pp. 1-31. 
University of Bedfordshire 3
Assessment 1 - Portfolio 
c) Close analysis 
• Write a 500 word close analysis on one of the following texts: 
• Night Journey by Martha Graham (Dance) 
• Oedipus Rex / King Oedipus by Sophocles (Theatre) 
• Romeo and Juliet by Baz Lehrmann (Performing Arts) 
• The Great Gatsby by F. Scott Fitzgerald (English) 
d) Annotated bibliography 
• Produce an annotated bibliography with a minimum of five 
entries based on reading you have undertaken for this unit. 
University of Bedfordshire 4
Assessment 1 - Portfolio 
c) Close analysis 
• Write a 500 word close analysis on one of the following texts: 
• Night Journey by Martha Graham (Dance) 
• Oedipus Rex / King Oedipus by Sophocles (Theatre) 
• Romeo and Juliet by Baz Lehrmann (Performing Arts) 
• The Great Gatsby by F. Scott Fitzgerald (English) 
University of Bedfordshire 5
Close Analysis 
• What is a close analysis? 
• Close - done in a careful and thorough way 
• Analysis - Detailed examination of the elements or structure of 
something 
• Interpretation - An explanation or way of explaining 
• Explanation - Making an idea clear to someone by describing it 
in more detail or revealing relevant facts 
University of Bedfordshire 6
Close Analysis 
• How do I go about it? 
• Night Journey by Martha Graham (Dance) 
• Oedipus Rex / King Oedipus by Sophocles (Theatre) 
• Romeo and Juliet by Baz Lehrmann (Performing Arts) 
• The Great Gatsby by F. Scott Fitzgerald (English) 
University of Bedfordshire 7
Close Analysis 
• Read or watch the entire text (or extract) as directed by your tutors 
• Chose a section that ‘speaks’ to you 
• This does not have to be your 
favourite section 
• Make notes 
• Comments, questions, an outline 
1.Read/Watch 
University of Bedfordshire 8
Close Analysis 
• Consider some of the ideas we have studied over the last few weeks 
on this unit 
• Cultural influence of the Bible 
• Ideas of Antiquity 
• The Renaissance 
• The Enlightenment 
• Romanticism 
• Depending on the text you are looking at some of the ideas may or 
may not be relevant. 
2.Consider an idea 
University of Bedfordshire 9
Close Analysis 
• You will need to think about both the form and the content of the text 
and in particular how the form contributes to the meaning of the 
content 
• Form – the way in which the text is 
presented - how 
• Music/sound, lighting, style of 
performance, language used, 
set, staging 
• Language, style, rhythm, genre 
• Content – the meaning of the text – what 
3.Finding the evidence University of Bedfordshire 10
Close Analysis 
3. Finding the evidence 
University of Bedfordshire 11
Close Analysis 
• You will need to show an understanding of how the ideas explored in 
your text informs how you approach your analysis 
4.Explain your approach 
University of Bedfordshire 12
Close Analysis 
• Point – What is the aim of the close analysis? What are you going to 
do? Which work are you going to be looking at? 
• "This close analysis examines . . .," "The aim of this close 
analysis is to . . .," and "The purpose of this close analysis is to . 
. ." 
• Evidence – What research will you be using to help you do this? 
• Tell us about the key theories/theorists you will be drawing on? 
• Explanation – Explain how you are doing this within the structure of 
the close analysis. 
• Provide a road map of your close analysis 
Example Outline – Para 1 – 
Introduction University of Bedfordshire 13
Close Analysis 
• Point – What is your interpretation of the section (in relation to the 
theoretical framework)? 
• “The text could be interpreted as…”, “In section… of… an 
interpretation could be made of…” 
• Evidence – What is the preferred reading? How do other critics 
interpret the text? 
• Use quotes! “… argues that …”, “It has been interpreted by… 
as…” 
• Explanation – Explain how the quotations support your interpretation. 
Example Outline – Para 2 – 
University of Bedfordshire Content Idea14
Close Analysis 
• Point – How does the form (language, style, genre, set, music, etc.) 
contribute to the meaning of the content? 
• “The style of the work aids the interpretation by…”, “The use of 
music/language informs the content…” 
• Evidence – Describe the work 
• Identify key parts of the work which do the above! 
• Explanation – Explain how the particular sections you have 
described are evidence of your point. 
Example Outline – Para 3 – 
University of Bedfordshire Formal Properties15
Close Analysis 
• Point – How do the ideas you have studied inform the form and 
content you have identified? 
• Evidence – Describe the key elements of the ideas in relation to the 
section you have chosen 
• Explanation – Explain how the ideas support the interpretations you 
have made 
Example Outline – Para 4 – 
University of Bedfordshire Approach16
Close Analysis 
• Point - Have you achieved your aim? 
• What are key interpretations and ideas identified in the work? 
• Evidence – Can you draw out any key points from your essay to 
support this? 
• Do not include any new material 
• Explanation – Sum up and refer back to the intro aims. 
• Have you answered the brief? 
Example Outline – Para 5 – 
Conclusion University of Bedfordshire 17
Assessment 1 - Portfolio 
d) Annotated bibliography 
• Produce an annotated bibliography with a minimum of five 
entries based on reading you have undertaken for this unit. 
University of Bedfordshire 18
Annotated Bibliography 
• What is an annotated bibliography? 
• Annotate - Add notes to (a text or diagram) giving explanation 
or comment 
• Explanation - Making an idea clear to someone by describing it 
in more detail or revealing relevant facts 
• Bibliography - A list of the books referred to in a scholarly work. 
University of Bedfordshire 19
Annotated Bibliography 
• How do I go about it? 
• List of 5 or more sources 
• Books 
• Articles 
• Audio/visual sources 
• Websites 
• Referencing Guide 
University of Bedfordshire 20
Annotated Bibliography 
• Select the most useful sources for your close analysis 
• These can be from the set reading 
• Other sources beyond the set reading 
1.Select sources 
University of Bedfordshire 21
Annotated Bibliography 
• Read the sources 
• You may need to selective – skim 
read 
• Identify key ideas within source 
• Identify relevance of source 
2.Read/watch them! 
University of Bedfordshire 22
Annotated Bibliography 
• Use the Reference Guide on BREO to write your reference 
• Remember punctuation is important 
• Find information from the Library 
Catalogue 
3.Write reference 
University of Bedfordshire 23
Annotated Bibliography 
• Write a couple of sentences per reference 
• Identify the main point from the source 
• Explain why it is relevant to your 
close analysis 
4.Annotate 
University of Bedfordshire 24
Formatting, Presentation and Layout 
• Word processed 
• Double-spaced 
• Title page – you do not need to repeat any information from this in 
your essay except the title at the beginning. 
• Large quotes indented and single spaces, small quotes in quotation 
marks and in the main body of the text 
• Don’t use colloquialisms and slang 
• Don’t use lists and headings 
• Don’t use abbreviations 
• Don’t use personal pronouns 
• Don’t use ‘and’ ‘but’ ‘yet’ at beginning of sentences 
University of Bedfordshire 25
Formatting, Presentation and Layout 
• Write numbers in full e.g. one hundred (except dates) 
• Always use someone’s surname 
• The first time you mention someone write their full name and dob/d 
• Quote and reference. 
• When writing about a performance piece/text always write the title in 
italics. 
• Give the date a performance/text was recorded/published the first 
time you mention it. 
• Formatting Guide available on BREO 
University of Bedfordshire 26
Referencing and Plagiarism 
• Academic Integrity Resource on BREO 
• Details what plagiarism is 
• Quiz at the end 
• Department Referencing Guide 
• Available on BREO 
University of Bedfordshire 27

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Practising Ideas Week 10 Lecture

  • 1. Skills Session 2: Analysis and Annotated PBracitibsinlgi Iodegas:r Aappprohachyes to Theory Dr Louise Douse
  • 2. Assessment 1 - Portfolio • When • Friday 9th January 2015, electronic version through turnitin must be submitted. • What • This assessment requires you to compile a portfolio of all set writing tasks. This will include a commentary on a quotation, a summary of an article, a close analysis, and an annotated bibliography. • Weighting of the assessment • This assessment forms 30% of the unit. University of Bedfordshire 2
  • 3. Assessment 1 - Portfolio a) Commentary on a quotation • Write a 250 word commentary on the following quotation: • What is your aim in philosophy? – To shew the fly the way out of the fly-bottle. Wittgenstein, L. (1956) Philosophical investigations. Translated by G. E. M. Anscombe. Oxford: Blackwell, p.103 b) Summary of an article • Write a 250 word summary of the following article, available on BREO: • Carey, J. (2005) ‘What is a work of art?’ in What good are the arts? London: Faber and Faber, pp. 1-31. University of Bedfordshire 3
  • 4. Assessment 1 - Portfolio c) Close analysis • Write a 500 word close analysis on one of the following texts: • Night Journey by Martha Graham (Dance) • Oedipus Rex / King Oedipus by Sophocles (Theatre) • Romeo and Juliet by Baz Lehrmann (Performing Arts) • The Great Gatsby by F. Scott Fitzgerald (English) d) Annotated bibliography • Produce an annotated bibliography with a minimum of five entries based on reading you have undertaken for this unit. University of Bedfordshire 4
  • 5. Assessment 1 - Portfolio c) Close analysis • Write a 500 word close analysis on one of the following texts: • Night Journey by Martha Graham (Dance) • Oedipus Rex / King Oedipus by Sophocles (Theatre) • Romeo and Juliet by Baz Lehrmann (Performing Arts) • The Great Gatsby by F. Scott Fitzgerald (English) University of Bedfordshire 5
  • 6. Close Analysis • What is a close analysis? • Close - done in a careful and thorough way • Analysis - Detailed examination of the elements or structure of something • Interpretation - An explanation or way of explaining • Explanation - Making an idea clear to someone by describing it in more detail or revealing relevant facts University of Bedfordshire 6
  • 7. Close Analysis • How do I go about it? • Night Journey by Martha Graham (Dance) • Oedipus Rex / King Oedipus by Sophocles (Theatre) • Romeo and Juliet by Baz Lehrmann (Performing Arts) • The Great Gatsby by F. Scott Fitzgerald (English) University of Bedfordshire 7
  • 8. Close Analysis • Read or watch the entire text (or extract) as directed by your tutors • Chose a section that ‘speaks’ to you • This does not have to be your favourite section • Make notes • Comments, questions, an outline 1.Read/Watch University of Bedfordshire 8
  • 9. Close Analysis • Consider some of the ideas we have studied over the last few weeks on this unit • Cultural influence of the Bible • Ideas of Antiquity • The Renaissance • The Enlightenment • Romanticism • Depending on the text you are looking at some of the ideas may or may not be relevant. 2.Consider an idea University of Bedfordshire 9
  • 10. Close Analysis • You will need to think about both the form and the content of the text and in particular how the form contributes to the meaning of the content • Form – the way in which the text is presented - how • Music/sound, lighting, style of performance, language used, set, staging • Language, style, rhythm, genre • Content – the meaning of the text – what 3.Finding the evidence University of Bedfordshire 10
  • 11. Close Analysis 3. Finding the evidence University of Bedfordshire 11
  • 12. Close Analysis • You will need to show an understanding of how the ideas explored in your text informs how you approach your analysis 4.Explain your approach University of Bedfordshire 12
  • 13. Close Analysis • Point – What is the aim of the close analysis? What are you going to do? Which work are you going to be looking at? • "This close analysis examines . . .," "The aim of this close analysis is to . . .," and "The purpose of this close analysis is to . . ." • Evidence – What research will you be using to help you do this? • Tell us about the key theories/theorists you will be drawing on? • Explanation – Explain how you are doing this within the structure of the close analysis. • Provide a road map of your close analysis Example Outline – Para 1 – Introduction University of Bedfordshire 13
  • 14. Close Analysis • Point – What is your interpretation of the section (in relation to the theoretical framework)? • “The text could be interpreted as…”, “In section… of… an interpretation could be made of…” • Evidence – What is the preferred reading? How do other critics interpret the text? • Use quotes! “… argues that …”, “It has been interpreted by… as…” • Explanation – Explain how the quotations support your interpretation. Example Outline – Para 2 – University of Bedfordshire Content Idea14
  • 15. Close Analysis • Point – How does the form (language, style, genre, set, music, etc.) contribute to the meaning of the content? • “The style of the work aids the interpretation by…”, “The use of music/language informs the content…” • Evidence – Describe the work • Identify key parts of the work which do the above! • Explanation – Explain how the particular sections you have described are evidence of your point. Example Outline – Para 3 – University of Bedfordshire Formal Properties15
  • 16. Close Analysis • Point – How do the ideas you have studied inform the form and content you have identified? • Evidence – Describe the key elements of the ideas in relation to the section you have chosen • Explanation – Explain how the ideas support the interpretations you have made Example Outline – Para 4 – University of Bedfordshire Approach16
  • 17. Close Analysis • Point - Have you achieved your aim? • What are key interpretations and ideas identified in the work? • Evidence – Can you draw out any key points from your essay to support this? • Do not include any new material • Explanation – Sum up and refer back to the intro aims. • Have you answered the brief? Example Outline – Para 5 – Conclusion University of Bedfordshire 17
  • 18. Assessment 1 - Portfolio d) Annotated bibliography • Produce an annotated bibliography with a minimum of five entries based on reading you have undertaken for this unit. University of Bedfordshire 18
  • 19. Annotated Bibliography • What is an annotated bibliography? • Annotate - Add notes to (a text or diagram) giving explanation or comment • Explanation - Making an idea clear to someone by describing it in more detail or revealing relevant facts • Bibliography - A list of the books referred to in a scholarly work. University of Bedfordshire 19
  • 20. Annotated Bibliography • How do I go about it? • List of 5 or more sources • Books • Articles • Audio/visual sources • Websites • Referencing Guide University of Bedfordshire 20
  • 21. Annotated Bibliography • Select the most useful sources for your close analysis • These can be from the set reading • Other sources beyond the set reading 1.Select sources University of Bedfordshire 21
  • 22. Annotated Bibliography • Read the sources • You may need to selective – skim read • Identify key ideas within source • Identify relevance of source 2.Read/watch them! University of Bedfordshire 22
  • 23. Annotated Bibliography • Use the Reference Guide on BREO to write your reference • Remember punctuation is important • Find information from the Library Catalogue 3.Write reference University of Bedfordshire 23
  • 24. Annotated Bibliography • Write a couple of sentences per reference • Identify the main point from the source • Explain why it is relevant to your close analysis 4.Annotate University of Bedfordshire 24
  • 25. Formatting, Presentation and Layout • Word processed • Double-spaced • Title page – you do not need to repeat any information from this in your essay except the title at the beginning. • Large quotes indented and single spaces, small quotes in quotation marks and in the main body of the text • Don’t use colloquialisms and slang • Don’t use lists and headings • Don’t use abbreviations • Don’t use personal pronouns • Don’t use ‘and’ ‘but’ ‘yet’ at beginning of sentences University of Bedfordshire 25
  • 26. Formatting, Presentation and Layout • Write numbers in full e.g. one hundred (except dates) • Always use someone’s surname • The first time you mention someone write their full name and dob/d • Quote and reference. • When writing about a performance piece/text always write the title in italics. • Give the date a performance/text was recorded/published the first time you mention it. • Formatting Guide available on BREO University of Bedfordshire 26
  • 27. Referencing and Plagiarism • Academic Integrity Resource on BREO • Details what plagiarism is • Quiz at the end • Department Referencing Guide • Available on BREO University of Bedfordshire 27