The document discusses potential contrasts between the films Rear Window and Disturbia. It identifies 6 areas of contrast: 1) The different historical contexts of the 1950s versus 2000s and how this shapes the films' messages and values. 2) The stars and audiences of each film. 3) How the films approach spectatorship. 4) Disturbia's inclusion of pervasive technology. 5) How Rear Window comments on spectatorship. 6) The generic hybridity of Disturbia. It also briefly discusses the perceived crisis of masculinity in the 1950s compared to concerns about masculinity and antisocial male behavior in the 2000s.