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Robert Frost
Early Years
Early Years


Robert Frost, circa 1910


Robert Frost was born in San Francisco, California, to journalist William Prescott Frost, Jr., and
   Isabelle Moodie. His mother was of Scottish descent, and his father descended from Nicholas
   Frost of Tiverton, Devon, England, who had sailed to New Hampshire in 1634 on theWolfrana.
Frost's father was a teacher and later an editor of the San Francisco Evening Bulletin (which later
   merged with the San Francisco Examiner), and an unsuccessful candidate for city tax collector.
   After his death on May 5, 1885, the family moved across the country to Lawrence,
   Massachusetts, under the patronage of (Robert's grandfather) William Frost, Sr., who was an
   overseer at a New England mill. Frost graduated from Lawrence High School in 1892. Frost's
   mother joined the Swedenborgian church and had him baptized in it, but he left it as an adult.
Although known for his later association with rural life, Frost grew up in the city, and he published
   his first poem in his high school's magazine. He attended Dartmouth College for two months,
   long enough to be accepted into the Theta Delta Chi fraternity. Frost returned home to teach
   and to work at various jobs – including helping his mother teach her class of unruly boys,
   delivering newspapers, and working in a factory as an arclight carbon filament changer. He did
   not enjoy these jobs, feeling his true calling was poetry.
Adult Years
Adult Years

In 1895, Frost married Elinor Miriam White, who became a major inspiration
   in his poetry until her death in 1938. The couple moved to England in 1912,
   after their New Hampshire farm failed, and it was abroad that Frost met
   and was influenced by such contemporary British poets as Edward
   Thomas, Rupert Brooke, and Robert Graves. While in England, Frost also
   established a friendship with the poet Ezra Pound, who helped to promote
   and publish his work.
By the time Frost returned to the United States in 1915, he had published two
   full-length collections, A Boy's Will and North of Boston, and his
   reputation was established. By the nineteen-twenties, he was the most
   celebrated poet in America, and with each new book—including New
   Hampshire (1923), A Further Range(1936), Steeple Bush (1947), and In
   the Clearing (1962)—his fame and honors (including four Pulitzer Prizes)
   increased.
Adult Years

Though his work is principally associated with the life and landscape
  of New England, and though he was a poet of traditional verse
  forms and metrics who remained steadfastly aloof from the poetic
  movements and fashions of his time, Frost is anything but a merely
  regional or minor poet. The author of searching and often dark
  meditations on universal themes, he is a quintessentially modern
  poet in his adherence to language as it is actually spoken, in the
  psychological complexity of his portraits, and in the degree to which
  his work is infused with layers of ambiguity and irony.
In a 1970 review of The Poetry of Robert Frost, the poet Daniel
  Hoffman describes Frost's early work as "the Puritan ethic turned
  astonishingly lyrical and enabled to say out loud the sources of its
  own delight in the world," and comments on Frost's career as The
  American Bard: "He became a national celebrity, our nearly official
  Poet Laureate, and a great performer in the tradition of that earlier
  master of the literary vernacular, Mark Twain."
Adult Years

About Frost, President John F. Kennedy said, "He has
 bequeathed his nation a body of imperishable verse from
 which Americans will forever gain joy and understanding."
Robert Frost lived and taught for many years in
 Massachusetts and Vermont, and died in Boston on
 January 29, 1963.
The following phrase is from his poem ‗‘The road not
 taken ‗‘…

‗Two roads diverged in a wood, and I, I took the one
  less traveled by, And that has made all the difference‘
Bibliography (poems)
   After Apple-Picking                   A Girl's Garden                                    A Patch of Old Snow
   Acquainted with the night             Going for Water                                    The Pasture
   The Aim Was Song                      Good Hours                                         Plowmen
   An Old Man's Winter Night             Good-bye, and Keep Cold                            A Prayer in Spring
   The Armful                            The Gum-Gatherer                                   Provide, Provide
   Asking for Roses                      A Hundred Collars                                  Putting in the Seed
   The Bear                              Hannibal                                           Quandary
   Bereft                                The Hill Wife                                      A Question (poem)
   Birches                               Home Burial                                        Reluctance
   The Black Cottage                     Hyla Brook                                         Revelation
   Bond and Free                         In a Disused Graveyard                             The Road Not Taken
   A Boundless Moment                    In a Poem                                          The Road That Lost its Reason
   A Brook in the City                   In Hardwood Groves                                 The Rose Family
   But Outer Space                       In Neglect                                         Rose Pogonias
   Choose Something Like a Star          In White (Frost's Early Version of "Design")       The Runaway
   A Cliff Dwelling                      Into My Own                                        The Secret Sits
   The Code                              A Late Walk                                        The Self-Seeker
   Come In                               Leaves Compared with Flowers                       A Servant to Servants
   A Considerable Speck                  The Lesson for Today                               The Silken Tent
   The Cow in Apple-Time                 The Line-Gang                                      A Soldier
   The Death Of The Hired Man            A Line-Storm Song                                  The Sound of the Trees
   Dedication                            The Lockless Door                                  The Span of Life
   The Demiurge's Laugh                  Love and a Question                                Spring Pools
   Devotion                              Lure of the West                                   The Star-Splitter
   Departmental                          Meeting and Passing                                Stars
   Desert Places                         Mending Wall                                       Stopping by woods on a snowing evening
   Design                                A Minor Bird                                       Storm Fear
   Directive                             The Mountain                                       The Telephone
   A Dream Pang                          Mowing                                             They Were Welcome to Their Belief
   Dust of Snow                          My Butterfly                                       A Time to Talk
   The Egg and the Machine               My November Guest                                  To E.T.
   Evening in a Sugar Orchard            The Need of Being Versed in Country Things         To Earthward
   The Exposed Nest                      Neither Out Far Nor in Deep                        To the Thawing Wind
   The Fear                              Never Again Would Birds' Song Be the Same          Tree at My Window
   Fire and Ice (1920)                   Not to Keep                                        The Trial by Existence
   Fireflies in the Garden               Nothing Gold Can Stay                              The Tuft of Flowers
   The Flower Boat                       Now Close the Windows                              Two Look at Two
   Flower-Gathering                      October                                            Two Tramps in Mud Time
   For Once, Then Something              On a Tree Fallen across the Road                   The Vanishing Red
   Fragmentary Blue                      On Looking up by Chance at the Constellations      The Vantage Point
   Gathering Leaves                      Once by the Pacific (1916)                         War Thoughts at Home
   God's Garden                          One Step Backward Taken                            What Fifty Said
   The Generations of Men                Out, Out-- (1916)                                  The Witch of Coös
   Ghost House                           The Oven Bird                                      The Wood-Pile
   The Gift Oughtright                   Pan With Us
Bibliography (poetry collections)
   North of Boston (David Nutt, 1914; Holt, 1914)
        ―Mendig Wall‖
   A Boy's Will (Holt, 1915)
   Mountain Interval (Holt, 1916)
        ―The Road Not Taken‘‘

   Selected Poems (Holt, 1923)
   Includes poems from first three volumes and the poem The Runaway New Hampshire (Holt, 1923; Grant Richards, 1924)
   Several Short Poems (Holt, 1924)
   Selected Poems (Holt, 1928)
   West -Running Brook (Holt, 1928? 1929)
   The Lovely Shall Be Choosers, The Poetry Quartos, printed and illustrated by Paul Johnston (Random House, 1929)
   Collected Poems of Robert Frost (Holt, 1930; Longmans, Green, 1930)
   The Lone Striker (Knopf, 1933)
   Selected Poems: Third Edition (Holt, 1934)
   Three Poems (Baker Library, Dartmouth College, (1935)
   The Gold Hesperidee (Bibliophile Press, 1935)
   From Snow to Snow (Holt, 1936)
   A Further Range (Holt, 1936; Cape, 1937)
   Collected Poems of Robert Frost (Holt, 1939; Longmans, Green, 1939)
   A Witness Tree (Holt, 1942; Cape, 1943)
   Come In, and Other Poems (1943)
   Steeple Bush (Holt, 1947)
   Complete Poems of Robert Frost, 1949 (Holt, 1949; Cape, 1951)
   Hard Not To Be King (House of Books, 1951)
   Aforesaid (Holt, 1954)
   A Remembrance Collection of New Poems (Holt, 1959)
   You Come Too (Holt, 1959; Bodley Head, 1964)
   In the Clearing (Holt Rinehart & Winston, 1962)
   The Poetry of Robert Frost (New York, 1969)
   A Further Range (published as Further Range in 1926, as New Poems by Holt, 1936; Cape, 1937)
   What Fifty Said
   Fire And Ice
   A Drumlin Woodchuck
…THE END…


            By Manos Dragatidis A1

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Robert frost

  • 3. Early Years Robert Frost, circa 1910 Robert Frost was born in San Francisco, California, to journalist William Prescott Frost, Jr., and Isabelle Moodie. His mother was of Scottish descent, and his father descended from Nicholas Frost of Tiverton, Devon, England, who had sailed to New Hampshire in 1634 on theWolfrana. Frost's father was a teacher and later an editor of the San Francisco Evening Bulletin (which later merged with the San Francisco Examiner), and an unsuccessful candidate for city tax collector. After his death on May 5, 1885, the family moved across the country to Lawrence, Massachusetts, under the patronage of (Robert's grandfather) William Frost, Sr., who was an overseer at a New England mill. Frost graduated from Lawrence High School in 1892. Frost's mother joined the Swedenborgian church and had him baptized in it, but he left it as an adult. Although known for his later association with rural life, Frost grew up in the city, and he published his first poem in his high school's magazine. He attended Dartmouth College for two months, long enough to be accepted into the Theta Delta Chi fraternity. Frost returned home to teach and to work at various jobs – including helping his mother teach her class of unruly boys, delivering newspapers, and working in a factory as an arclight carbon filament changer. He did not enjoy these jobs, feeling his true calling was poetry.
  • 5. Adult Years In 1895, Frost married Elinor Miriam White, who became a major inspiration in his poetry until her death in 1938. The couple moved to England in 1912, after their New Hampshire farm failed, and it was abroad that Frost met and was influenced by such contemporary British poets as Edward Thomas, Rupert Brooke, and Robert Graves. While in England, Frost also established a friendship with the poet Ezra Pound, who helped to promote and publish his work. By the time Frost returned to the United States in 1915, he had published two full-length collections, A Boy's Will and North of Boston, and his reputation was established. By the nineteen-twenties, he was the most celebrated poet in America, and with each new book—including New Hampshire (1923), A Further Range(1936), Steeple Bush (1947), and In the Clearing (1962)—his fame and honors (including four Pulitzer Prizes) increased.
  • 6. Adult Years Though his work is principally associated with the life and landscape of New England, and though he was a poet of traditional verse forms and metrics who remained steadfastly aloof from the poetic movements and fashions of his time, Frost is anything but a merely regional or minor poet. The author of searching and often dark meditations on universal themes, he is a quintessentially modern poet in his adherence to language as it is actually spoken, in the psychological complexity of his portraits, and in the degree to which his work is infused with layers of ambiguity and irony. In a 1970 review of The Poetry of Robert Frost, the poet Daniel Hoffman describes Frost's early work as "the Puritan ethic turned astonishingly lyrical and enabled to say out loud the sources of its own delight in the world," and comments on Frost's career as The American Bard: "He became a national celebrity, our nearly official Poet Laureate, and a great performer in the tradition of that earlier master of the literary vernacular, Mark Twain."
  • 7. Adult Years About Frost, President John F. Kennedy said, "He has bequeathed his nation a body of imperishable verse from which Americans will forever gain joy and understanding." Robert Frost lived and taught for many years in Massachusetts and Vermont, and died in Boston on January 29, 1963.
  • 8. The following phrase is from his poem ‗‘The road not taken ‗‘… ‗Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference‘
  • 9. Bibliography (poems)  After Apple-Picking  A Girl's Garden  A Patch of Old Snow  Acquainted with the night  Going for Water  The Pasture  The Aim Was Song  Good Hours  Plowmen  An Old Man's Winter Night  Good-bye, and Keep Cold  A Prayer in Spring  The Armful  The Gum-Gatherer  Provide, Provide  Asking for Roses  A Hundred Collars  Putting in the Seed  The Bear  Hannibal  Quandary  Bereft  The Hill Wife  A Question (poem)  Birches  Home Burial  Reluctance  The Black Cottage  Hyla Brook  Revelation  Bond and Free  In a Disused Graveyard  The Road Not Taken  A Boundless Moment  In a Poem  The Road That Lost its Reason  A Brook in the City  In Hardwood Groves  The Rose Family  But Outer Space  In Neglect  Rose Pogonias  Choose Something Like a Star  In White (Frost's Early Version of "Design")  The Runaway  A Cliff Dwelling  Into My Own  The Secret Sits  The Code  A Late Walk  The Self-Seeker  Come In  Leaves Compared with Flowers  A Servant to Servants  A Considerable Speck  The Lesson for Today  The Silken Tent  The Cow in Apple-Time  The Line-Gang  A Soldier  The Death Of The Hired Man  A Line-Storm Song  The Sound of the Trees  Dedication  The Lockless Door  The Span of Life  The Demiurge's Laugh  Love and a Question  Spring Pools  Devotion  Lure of the West  The Star-Splitter  Departmental  Meeting and Passing  Stars  Desert Places  Mending Wall  Stopping by woods on a snowing evening  Design  A Minor Bird  Storm Fear  Directive  The Mountain  The Telephone  A Dream Pang  Mowing  They Were Welcome to Their Belief  Dust of Snow  My Butterfly  A Time to Talk  The Egg and the Machine  My November Guest  To E.T.  Evening in a Sugar Orchard  The Need of Being Versed in Country Things  To Earthward  The Exposed Nest  Neither Out Far Nor in Deep  To the Thawing Wind  The Fear  Never Again Would Birds' Song Be the Same  Tree at My Window  Fire and Ice (1920)  Not to Keep  The Trial by Existence  Fireflies in the Garden  Nothing Gold Can Stay  The Tuft of Flowers  The Flower Boat  Now Close the Windows  Two Look at Two  Flower-Gathering  October  Two Tramps in Mud Time  For Once, Then Something  On a Tree Fallen across the Road  The Vanishing Red  Fragmentary Blue  On Looking up by Chance at the Constellations  The Vantage Point  Gathering Leaves  Once by the Pacific (1916)  War Thoughts at Home  God's Garden  One Step Backward Taken  What Fifty Said  The Generations of Men  Out, Out-- (1916)  The Witch of Coös  Ghost House  The Oven Bird  The Wood-Pile  The Gift Oughtright  Pan With Us
  • 10. Bibliography (poetry collections)  North of Boston (David Nutt, 1914; Holt, 1914)  ―Mendig Wall‖  A Boy's Will (Holt, 1915)  Mountain Interval (Holt, 1916)  ―The Road Not Taken‘‘  Selected Poems (Holt, 1923)  Includes poems from first three volumes and the poem The Runaway New Hampshire (Holt, 1923; Grant Richards, 1924)  Several Short Poems (Holt, 1924)  Selected Poems (Holt, 1928)  West -Running Brook (Holt, 1928? 1929)  The Lovely Shall Be Choosers, The Poetry Quartos, printed and illustrated by Paul Johnston (Random House, 1929)  Collected Poems of Robert Frost (Holt, 1930; Longmans, Green, 1930)  The Lone Striker (Knopf, 1933)  Selected Poems: Third Edition (Holt, 1934)  Three Poems (Baker Library, Dartmouth College, (1935)  The Gold Hesperidee (Bibliophile Press, 1935)  From Snow to Snow (Holt, 1936)  A Further Range (Holt, 1936; Cape, 1937)  Collected Poems of Robert Frost (Holt, 1939; Longmans, Green, 1939)  A Witness Tree (Holt, 1942; Cape, 1943)  Come In, and Other Poems (1943)  Steeple Bush (Holt, 1947)  Complete Poems of Robert Frost, 1949 (Holt, 1949; Cape, 1951)  Hard Not To Be King (House of Books, 1951)  Aforesaid (Holt, 1954)  A Remembrance Collection of New Poems (Holt, 1959)  You Come Too (Holt, 1959; Bodley Head, 1964)  In the Clearing (Holt Rinehart & Winston, 1962)  The Poetry of Robert Frost (New York, 1969)  A Further Range (published as Further Range in 1926, as New Poems by Holt, 1936; Cape, 1937)  What Fifty Said  Fire And Ice  A Drumlin Woodchuck
  • 11. …THE END… By Manos Dragatidis A1