NAME: TBC

OPENING CREDITS

                                       VOICEOVER:
                              PREVIOUSLY ON.../ NEXT TIME ON...

AN EMPTY CHURCH. WE SEE KATE STOOD AT THE ALTER IN A WHITE DRESS WITH A ROSE IN HER
HAND. SHE LOOKS UPSET. WE SEE DYLAN WALK UP THE AISLE TOWARDS HER.

INT/DL – LIGHT FLOODING THE WINDOWS
MS/PAN ACROSS KATE’S FACE, STOPPING WHEN SHE IS TO THE LEFT OF MISE-EN-SCENE
DEEP FOCUS/DYLAN STOPS HALF WAY DOWN AISLE/HTM

                                           DYLAN:
                       IT’S BEEN HALF AN HOUR KATE. HE’S NOT COMING…

KATE DROPS THE ROSE.
SLOW MOTION

INT/DL – LIGHT FROM ONE WINDOW BEHIND THEM
CUT TO A LIVING ROOM. BREE IS STANDING IN FRONT OF JOHNNY, CLOSE TO TEARS.
TWO SHOT
                                           BREE:
                        JOHNNY, I’VE GOT SOMETHING TO TELL YOU…
OTS/CU
                                         JOHNNY:
                                          (SILENT)

CUT TO A BENCH IN A PARK – RAV IS SAT ON IT. SASHA WALKS UP TO IT.
EXT/DL – ALL NATURAL LIGHT
TWO SHOT – SASHA TO LEFT, RAV SAT TO RIGHT
                                           SASHA:
                              WHY THE DOOM AND GLOOM?
CU ON RAV
                                  RAV:(LOOKING AT SASHA)
                                    HE’S DONE IT AGAIN...

RAV AND JOHNNY ARE CONFRONTING EACH OTHER IN FRONT OF A PUB. BREE AND KATE ARE
STANDING EITHER SIDE OF RAV THROWING WARNINGS AT HIM (AD LIB).
EXT/NT – STREET LIGHTING
TWO SHOT, WHEN RAV IS TALKING OTS/MS FROM JOHNNY’S PERSPECTIVE
                                           RAV:
                                 (POINTING AT JOHNNY)
                           STAY AWAY FROM MY SISTER JOHNNY.
OTS/MS FROM RAV’S PERSPECTIVE
                                    JOHNNY:(DRUNK)
      MY PLEASURE! SHE’S JUST A WEAK, LITTLE SLUT WHO WILL GET INTO ANYONE’S BED...
OTS/MS FROM BOTH PERSPECTIVES
RAV PUNCHES JOHNNY IN THE STOMACH. JOHNNY PUNCHES BACK. BREE AND KATE RUN UP AND
TRY TO SEPARATE THEM. BOTH HELP RAV AND LEAVE JOHNNY ALONE. BREE STOPS TO LOOK BACK
AT JOHNNY BEFORE FOLLOWING KATE AND RAV.

CUT BACK TO SCENE BETWEEN SASHA AND RAV IN PARK.
TWO SHOT/POV/LAS SHOT FROM RAV’S PERSPECTIVE
                                        SASHA:
                    WE NEED TO GET HIM AWAY FROM HERE. BUT HOW?
MS/TWO SHOT/RS
                                         RAV:
                                   I’VE GOT A PLAN.

INT/NT – NO NATURAL LIGHT
DYLAN AND KATE ARE SAT ON THE SOFA EATING POPCORN
TWO SHOT/CU
                                   DYLAN: (SHOCKED)
                               MASON’S BACK IN TOWN..?

EXT/DL – ALL NATURAL LIGHT
CUT TO KATE WALKING DOWN A STREET (TOWARDS CAMERA/HTM)
DEEP FOCUS/KATE IS LEFT OF MISE-EN-SCENE, MASON RIGHT. CU AS HE SAYS DIALOGUE
                                        MASON:
                                        KATE..?

SHE TURNS SLOWLY
OTS/MS. BCU AS SHE SAYS DIALOGUE
                                       KATE:
                                      MASON...

CUT BACK TO SOFA
CU/RS/TS
                                       KATE:
                       YEAH, AND WITH ONE THING ON HIS MIND...

EXT/NT – STREET LIGHTING
JOHNNY AND MASON ARE STANDING TOGETHER SUSPICIOUSLY.
TS/OTS
                                        JOHNNY:
                  YOU SURE ‘BOUT THIS? OR ARE YOU GONNA CHICKEN OUT?
OTS/CU
                                         MASON:
                                       (ASSERTIVE)
                                     JUST GIVE ME IT.
RS/ECU ON BAG/SLOW MOTION
JOHNNY LOOKS AROUND AND REACHES IN HIS JACKET POCKET, PULLS OUT SMALL BAG WITH WHITE
POWDER IN; HANDS IT TO MASON.

INT/DL –LIGHT COMING IN THROUGH THE WINDOW
CUT TO RAV AND KATE CUDDLED ON A SOFA
TS/HAS OF KATE FROM RAV’S PERSPECTIVE
KATE:
                            YOU CAN’T TELL ANYONE, RIGHT?
CU OF RAV LOOKING DOWN AT KATE
                                        RAV:
                              I WON’T…(CUT OFF BY KATE)
OTS/HAS OF KATE LOOKING UP AT RAV
                                        KATE:
                             WITH MASON BACK IN TOWN...
EXT/DL – ALL NATURAL LIGHT
CUT TO IMAGE OF MASON WALKING THROUGH A PARK.

CUT BACK TO RAV AND KATE
                                         KATE:
                                 IT’S JUST TOO RISKY.
EXT/DL – ALL NATURAL LIGHT
CUT BACK TO MASON WALKING THROUGH PARK. SASHA IS WALKING IN OPPOSITE DIRECTION –
THEY WALK PAST EACH OTHER BUT SASHA TURNS TOWARDS HIM.
DEEP FOCUS
                                            SASHA:
                                           MASON.
                          (HE LOOKS OVER HIS SHOULDER AT HER)
                               WHY ARE YOU BACK IN TOWN?
POV SHOT OF MASON
                                           MASON:
                                    (FULLY TURNS TO HER)
                                I’VE GOT... ERRANDS TO RUN.
POV SHOT OF SASHA
                                            SASHA:
                         OH, I KNOW ALL ABOUT YOUR ‘ERRANDS’...
REACTION SHOT OF MASON

EXT/NT – STREET LIGHTING
CUT TO KATE AND MASON IN A DARK PUBLIC PARK – MANCHESTER/PICCADILLY GARDENS
TWO SHOT/OTS/MS
                                          KATE:
                           I DON’T LOVE YOU ANYMORE MASON…
OTS/MS
                                         MASON:
               (MOVING CLOSER TO HER) THAT’S NOT TRUE AND YOU KNOW IT…
OTS/MS
                                          KATE:
                               STAY AWAY FROM ME MASON…
OTS/CU
                                         MASON:
                       AW, COME ON KATE. WHAT HAPPENED TO YOU?
                  (PUTTING HIS HANDS ON HER WAIST, KEEPING HER IN PLACE)
                         REMEMBER ALL THE FUN WE USED TO HAVE?
CU
                                          KATE:
                                 (STRUGGLING) GET OFF ME!
CU/TWO SHOT OF THEIR HEADS
                                         MASON:
        (DOESN’T LET GO. HE GRABS HER CHIN SO SHE HAS TO LOOK HIM IN THE FACE)
    LOOK, I’M SORRY IF I WASN’T THE BEST FIANCÉ IN THE WORLD – BUT I CAN CHANGE, I’VE
                                        CHANGED…

KATE SLAPS HIM

INT/DL – NATURAL LIGHT FROM WINDOW
BREE IS SAT ON RAV’S SOFA, LOOKING DAZED. HE BRING’S IN TEA MUGS.
TWO SHOT/MS
DEEP FOCUS/LEFT SIDE OF BREE
                                              RAV:
                       (HE SITS DOWN NEXT TO HER, HANDS HER A MUG)
                WHY ARE YOU STILL WITH HIM BREE? HASN’T HE DONE ENOUGH?
                                       (BREE STAYS SILENT)
CU OF BREE/CU OF RAV
                              BREE..? YOU GOTTA TALK TO ME BREE.
TWO SHOT/OTS OF BREE LOOKING AT RAV
                                              BREE:
                                           (WHISPERS)
                            I CAN’T… RAV (PAUSE) HE WON’T LET ME.
                                         (LOOKS AT RAV)
                                     HE KNOWS MY SECRET.

EXT/TWILIGHT/EVENING – FADING LIGHT
SASHA AND DYLAN ARE CONFRONTING EACH OTHER. KATE IS STOOD BEHIND DYLAN.
THREE SHOT. DEEP FOCUS/POV OF DYLAN AND KATE
                                        DYLAN:
                                 (POINTING AT SASHA)
         YOU NEED TO KEEP YOUR FAKE NOSE OUT OF OUR BUSINESS, SASHA. OR ELSE…
POV SHOT OF SASHA
                                        SASHA:
                              OR WHAT?(LAUGHS/SNEERS)
                         WHAT COULD YOU POSSIBLY DO TO ME?
REACTION SHOT
DYLAN STAYS SILENT
MCU OF KATE
                                        SASHA:
          BE WARNED KATE, RAV’S NOT ALL THAT INTERESTED IN A NEEDY WANNABE.
REACYTION SHOT FROM DYLAN AND KATE
SASHA WALKS OFF.
STATIC CAMERA

EXT/NT – STREET LIGHTING
MASON AND RAV ARE STOOD OUTSIDE A PUB. RAV HAS HIS HANDS ON MASONS COLLAR/SHIRT
THREATENING HIM
TWO SHOT/ECU OF RAV
                                          RAV:
    YOU NEED TO GET THE HELL OUT OF THIS CITY, MASON – YOU’RE NOTHING BUT TROUBLE.
ECU/OTS OF MASON/RS OF RAV/CU OF MASON/TWO SHOT BEFORE RAV PUNCHES MASON
                                      MASON:
WHAT YOU GONNA DO ABOUT IT?! HUH? YOU THINK YOU’RE SO SUPERIOR! THINK YOU ARE ABOVE
     EVERYBODY ELSE? YOU NEED TO GET YOUR HEAD OUTTA YOUR ARSE MATE BECAUSE…

RAV PUNCHES MASON ONCE BEFORE DYLAN RUNS IN.
OTS OF DYLAN/MS
                                        DYLAN:
                                         STOP!
THEY BOYS ARE STANDING NEXT TO EACH OTHER/TWO SHOT
                        (THE BOYS LOOK AROUND. RAV LETS GO)
                           IT’S BREE… SOMETHING’S WRONG.
DRUM BEAT
                                     END CREDITS

More Related Content

PPTX
"Protecting and Promoting the Psychosocial Health of Disaster Workers" by Bri...
DOCX
Home and away script example
PPTX
Soap opera script
DOCX
Soap Opera Script
PPTX
Planning for Ancillary's
PPTX
Location shots
PDF
Non-Music Programs of FM Radio
"Protecting and Promoting the Psychosocial Health of Disaster Workers" by Bri...
Home and away script example
Soap opera script
Soap Opera Script
Planning for Ancillary's
Location shots
Non-Music Programs of FM Radio

Viewers also liked (11)

DOCX
Script of cadburys dairy milk advert
PPTX
First grade 2011
PPTX
Android Self Service Solution
PPT
Xavier thoma
PPT
Picasa
PPT
Codigos de barras
DOCX
KEY
Jane Nation's Research Capabilities
PPTX
день героев отечества
PPTX
дорога к храму
Script of cadburys dairy milk advert
First grade 2011
Android Self Service Solution
Xavier thoma
Picasa
Codigos de barras
Jane Nation's Research Capabilities
день героев отечества
дорога к храму
Ad

More from Sammi Wilde (20)

PPTX
PPTX
PPTX
PPTX
PPTX
PPTX
PPTX
PPTX
Timeline of Facts: Black American History
PPTX
Timeline of facts: Black American History
PPTX
Timeline of facts
PPTX
Evaluation Question 3
PPTX
Evaluation Question 4
DOCX
Evaluation questions
PPTX
Evaluation Question 1: Part 1
PPTX
Evaluation Question 1: Part 3
PPTX
Evaluation Question 2
PPTX
Evaluation Question 2
PPTX
Evaluation Question 2
DOCX
Evaluation Question 1: Prep for Interview
DOCX
Print Screens off Facebook Chat
Timeline of Facts: Black American History
Timeline of facts: Black American History
Timeline of facts
Evaluation Question 3
Evaluation Question 4
Evaluation questions
Evaluation Question 1: Part 1
Evaluation Question 1: Part 3
Evaluation Question 2
Evaluation Question 2
Evaluation Question 2
Evaluation Question 1: Prep for Interview
Print Screens off Facebook Chat
Ad

Recently uploaded (20)

PDF
Enhancing emotion recognition model for a student engagement use case through...
PDF
A comparative study of natural language inference in Swahili using monolingua...
PDF
Credit Without Borders: AI and Financial Inclusion in Bangladesh
PPT
Galois Field Theory of Risk: A Perspective, Protocol, and Mathematical Backgr...
PPTX
Modernising the Digital Integration Hub
PPT
What is a Computer? Input Devices /output devices
PDF
OpenACC and Open Hackathons Monthly Highlights July 2025
PDF
TrustArc Webinar - Click, Consent, Trust: Winning the Privacy Game
PDF
STKI Israel Market Study 2025 version august
PPT
Geologic Time for studying geology for geologist
PDF
From MVP to Full-Scale Product A Startup’s Software Journey.pdf
PDF
Abstractive summarization using multilingual text-to-text transfer transforme...
PDF
How ambidextrous entrepreneurial leaders react to the artificial intelligence...
PPTX
Benefits of Physical activity for teenagers.pptx
PDF
sustainability-14-14877-v2.pddhzftheheeeee
PPTX
2018-HIPAA-Renewal-Training for executives
PDF
Taming the Chaos: How to Turn Unstructured Data into Decisions
PDF
Consumable AI The What, Why & How for Small Teams.pdf
PPTX
Configure Apache Mutual Authentication
PPTX
Microsoft Excel 365/2024 Beginner's training
Enhancing emotion recognition model for a student engagement use case through...
A comparative study of natural language inference in Swahili using monolingua...
Credit Without Borders: AI and Financial Inclusion in Bangladesh
Galois Field Theory of Risk: A Perspective, Protocol, and Mathematical Backgr...
Modernising the Digital Integration Hub
What is a Computer? Input Devices /output devices
OpenACC and Open Hackathons Monthly Highlights July 2025
TrustArc Webinar - Click, Consent, Trust: Winning the Privacy Game
STKI Israel Market Study 2025 version august
Geologic Time for studying geology for geologist
From MVP to Full-Scale Product A Startup’s Software Journey.pdf
Abstractive summarization using multilingual text-to-text transfer transforme...
How ambidextrous entrepreneurial leaders react to the artificial intelligence...
Benefits of Physical activity for teenagers.pptx
sustainability-14-14877-v2.pddhzftheheeeee
2018-HIPAA-Renewal-Training for executives
Taming the Chaos: How to Turn Unstructured Data into Decisions
Consumable AI The What, Why & How for Small Teams.pdf
Configure Apache Mutual Authentication
Microsoft Excel 365/2024 Beginner's training

Script for Soap Opera Trailer

  • 1. NAME: TBC OPENING CREDITS VOICEOVER: PREVIOUSLY ON.../ NEXT TIME ON... AN EMPTY CHURCH. WE SEE KATE STOOD AT THE ALTER IN A WHITE DRESS WITH A ROSE IN HER HAND. SHE LOOKS UPSET. WE SEE DYLAN WALK UP THE AISLE TOWARDS HER. INT/DL – LIGHT FLOODING THE WINDOWS MS/PAN ACROSS KATE’S FACE, STOPPING WHEN SHE IS TO THE LEFT OF MISE-EN-SCENE DEEP FOCUS/DYLAN STOPS HALF WAY DOWN AISLE/HTM DYLAN: IT’S BEEN HALF AN HOUR KATE. HE’S NOT COMING… KATE DROPS THE ROSE. SLOW MOTION INT/DL – LIGHT FROM ONE WINDOW BEHIND THEM CUT TO A LIVING ROOM. BREE IS STANDING IN FRONT OF JOHNNY, CLOSE TO TEARS. TWO SHOT BREE: JOHNNY, I’VE GOT SOMETHING TO TELL YOU… OTS/CU JOHNNY: (SILENT) CUT TO A BENCH IN A PARK – RAV IS SAT ON IT. SASHA WALKS UP TO IT. EXT/DL – ALL NATURAL LIGHT TWO SHOT – SASHA TO LEFT, RAV SAT TO RIGHT SASHA: WHY THE DOOM AND GLOOM? CU ON RAV RAV:(LOOKING AT SASHA) HE’S DONE IT AGAIN... RAV AND JOHNNY ARE CONFRONTING EACH OTHER IN FRONT OF A PUB. BREE AND KATE ARE STANDING EITHER SIDE OF RAV THROWING WARNINGS AT HIM (AD LIB). EXT/NT – STREET LIGHTING TWO SHOT, WHEN RAV IS TALKING OTS/MS FROM JOHNNY’S PERSPECTIVE RAV: (POINTING AT JOHNNY) STAY AWAY FROM MY SISTER JOHNNY. OTS/MS FROM RAV’S PERSPECTIVE JOHNNY:(DRUNK) MY PLEASURE! SHE’S JUST A WEAK, LITTLE SLUT WHO WILL GET INTO ANYONE’S BED... OTS/MS FROM BOTH PERSPECTIVES
  • 2. RAV PUNCHES JOHNNY IN THE STOMACH. JOHNNY PUNCHES BACK. BREE AND KATE RUN UP AND TRY TO SEPARATE THEM. BOTH HELP RAV AND LEAVE JOHNNY ALONE. BREE STOPS TO LOOK BACK AT JOHNNY BEFORE FOLLOWING KATE AND RAV. CUT BACK TO SCENE BETWEEN SASHA AND RAV IN PARK. TWO SHOT/POV/LAS SHOT FROM RAV’S PERSPECTIVE SASHA: WE NEED TO GET HIM AWAY FROM HERE. BUT HOW? MS/TWO SHOT/RS RAV: I’VE GOT A PLAN. INT/NT – NO NATURAL LIGHT DYLAN AND KATE ARE SAT ON THE SOFA EATING POPCORN TWO SHOT/CU DYLAN: (SHOCKED) MASON’S BACK IN TOWN..? EXT/DL – ALL NATURAL LIGHT CUT TO KATE WALKING DOWN A STREET (TOWARDS CAMERA/HTM) DEEP FOCUS/KATE IS LEFT OF MISE-EN-SCENE, MASON RIGHT. CU AS HE SAYS DIALOGUE MASON: KATE..? SHE TURNS SLOWLY OTS/MS. BCU AS SHE SAYS DIALOGUE KATE: MASON... CUT BACK TO SOFA CU/RS/TS KATE: YEAH, AND WITH ONE THING ON HIS MIND... EXT/NT – STREET LIGHTING JOHNNY AND MASON ARE STANDING TOGETHER SUSPICIOUSLY. TS/OTS JOHNNY: YOU SURE ‘BOUT THIS? OR ARE YOU GONNA CHICKEN OUT? OTS/CU MASON: (ASSERTIVE) JUST GIVE ME IT. RS/ECU ON BAG/SLOW MOTION JOHNNY LOOKS AROUND AND REACHES IN HIS JACKET POCKET, PULLS OUT SMALL BAG WITH WHITE POWDER IN; HANDS IT TO MASON. INT/DL –LIGHT COMING IN THROUGH THE WINDOW CUT TO RAV AND KATE CUDDLED ON A SOFA TS/HAS OF KATE FROM RAV’S PERSPECTIVE
  • 3. KATE: YOU CAN’T TELL ANYONE, RIGHT? CU OF RAV LOOKING DOWN AT KATE RAV: I WON’T…(CUT OFF BY KATE) OTS/HAS OF KATE LOOKING UP AT RAV KATE: WITH MASON BACK IN TOWN... EXT/DL – ALL NATURAL LIGHT CUT TO IMAGE OF MASON WALKING THROUGH A PARK. CUT BACK TO RAV AND KATE KATE: IT’S JUST TOO RISKY. EXT/DL – ALL NATURAL LIGHT CUT BACK TO MASON WALKING THROUGH PARK. SASHA IS WALKING IN OPPOSITE DIRECTION – THEY WALK PAST EACH OTHER BUT SASHA TURNS TOWARDS HIM. DEEP FOCUS SASHA: MASON. (HE LOOKS OVER HIS SHOULDER AT HER) WHY ARE YOU BACK IN TOWN? POV SHOT OF MASON MASON: (FULLY TURNS TO HER) I’VE GOT... ERRANDS TO RUN. POV SHOT OF SASHA SASHA: OH, I KNOW ALL ABOUT YOUR ‘ERRANDS’... REACTION SHOT OF MASON EXT/NT – STREET LIGHTING CUT TO KATE AND MASON IN A DARK PUBLIC PARK – MANCHESTER/PICCADILLY GARDENS TWO SHOT/OTS/MS KATE: I DON’T LOVE YOU ANYMORE MASON… OTS/MS MASON: (MOVING CLOSER TO HER) THAT’S NOT TRUE AND YOU KNOW IT… OTS/MS KATE: STAY AWAY FROM ME MASON… OTS/CU MASON: AW, COME ON KATE. WHAT HAPPENED TO YOU? (PUTTING HIS HANDS ON HER WAIST, KEEPING HER IN PLACE) REMEMBER ALL THE FUN WE USED TO HAVE? CU KATE: (STRUGGLING) GET OFF ME!
  • 4. CU/TWO SHOT OF THEIR HEADS MASON: (DOESN’T LET GO. HE GRABS HER CHIN SO SHE HAS TO LOOK HIM IN THE FACE) LOOK, I’M SORRY IF I WASN’T THE BEST FIANCÉ IN THE WORLD – BUT I CAN CHANGE, I’VE CHANGED… KATE SLAPS HIM INT/DL – NATURAL LIGHT FROM WINDOW BREE IS SAT ON RAV’S SOFA, LOOKING DAZED. HE BRING’S IN TEA MUGS. TWO SHOT/MS DEEP FOCUS/LEFT SIDE OF BREE RAV: (HE SITS DOWN NEXT TO HER, HANDS HER A MUG) WHY ARE YOU STILL WITH HIM BREE? HASN’T HE DONE ENOUGH? (BREE STAYS SILENT) CU OF BREE/CU OF RAV BREE..? YOU GOTTA TALK TO ME BREE. TWO SHOT/OTS OF BREE LOOKING AT RAV BREE: (WHISPERS) I CAN’T… RAV (PAUSE) HE WON’T LET ME. (LOOKS AT RAV) HE KNOWS MY SECRET. EXT/TWILIGHT/EVENING – FADING LIGHT SASHA AND DYLAN ARE CONFRONTING EACH OTHER. KATE IS STOOD BEHIND DYLAN. THREE SHOT. DEEP FOCUS/POV OF DYLAN AND KATE DYLAN: (POINTING AT SASHA) YOU NEED TO KEEP YOUR FAKE NOSE OUT OF OUR BUSINESS, SASHA. OR ELSE… POV SHOT OF SASHA SASHA: OR WHAT?(LAUGHS/SNEERS) WHAT COULD YOU POSSIBLY DO TO ME? REACTION SHOT DYLAN STAYS SILENT MCU OF KATE SASHA: BE WARNED KATE, RAV’S NOT ALL THAT INTERESTED IN A NEEDY WANNABE. REACYTION SHOT FROM DYLAN AND KATE SASHA WALKS OFF. STATIC CAMERA EXT/NT – STREET LIGHTING MASON AND RAV ARE STOOD OUTSIDE A PUB. RAV HAS HIS HANDS ON MASONS COLLAR/SHIRT THREATENING HIM TWO SHOT/ECU OF RAV RAV: YOU NEED TO GET THE HELL OUT OF THIS CITY, MASON – YOU’RE NOTHING BUT TROUBLE.
  • 5. ECU/OTS OF MASON/RS OF RAV/CU OF MASON/TWO SHOT BEFORE RAV PUNCHES MASON MASON: WHAT YOU GONNA DO ABOUT IT?! HUH? YOU THINK YOU’RE SO SUPERIOR! THINK YOU ARE ABOVE EVERYBODY ELSE? YOU NEED TO GET YOUR HEAD OUTTA YOUR ARSE MATE BECAUSE… RAV PUNCHES MASON ONCE BEFORE DYLAN RUNS IN. OTS OF DYLAN/MS DYLAN: STOP! THEY BOYS ARE STANDING NEXT TO EACH OTHER/TWO SHOT (THE BOYS LOOK AROUND. RAV LETS GO) IT’S BREE… SOMETHING’S WRONG. DRUM BEAT END CREDITS