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Shot Types and Codes 
and Conventions of 
Interviews
Extreme Wide Shot 
In an extreme wide shot, the 
view is so far from the subject 
that they aren't even visible to 
the audience. The point of this 
shot is to show the surroundings 
the subject's in. The EWS is 
often used as an "establishing 
shot" - the first shot of a new 
scene, designed to show the 
audience where the action is 
taking place. In an interview, a 
shot like this would be used as a 
cutaway if someone is talking 
about the place being shown.
Very Wide Shot 
A very wide shot is a lot closer 
to the subject than in a extreme 
wide shot, but still much further 
away than a wide shot. The 
subject is visible here but only 
just.. The emphasis is very 
much on placing him in the 
environment and making the 
environment visible and stand 
out.
Wide Shot 
In a wide shot, the subject takes 
up the full frame. The subjects 
feet are at the bottom of the shot 
and the subjects head is at the 
top of the shot. The small 
amount of room above and 
below the subject can be 
thought of as safety room — you 
don't want to be cutting the top 
of the head off. A shot like this 
would be used if the narration 
was talking about this subject.
Mid Shot 
A mid shot shows some part of 
the subject in more detail, as its 
a closer shot, whilst still showing 
enough for the audience to feel 
as if they were looking at the 
whole subject. This is how much 
you would see a person "in the 
flesh if you were having a casual 
conversation. A mid shot allows 
room for hand gestures and a bit 
of movement. This is the typical 
shot used for vox pops and 
interviews.
Medium Close Up 
A medium close up is half way 
between a mid shot and a close 
up. This shot shows the face 
more clearly, without making the 
subject feel uncomfortable with 
the closeness. This shot is also 
used in interviews, with the 
background suited to the person 
and the topic in discussion.
Close Up 
In a close up shot, a certain part 
of the subject takes up most of 
the frame, which is usually the 
face of a person. Close-ups are 
obviously useful for showing 
detail and emotion. A close up 
exaggerates a facial expression. 
The viewer is drawn into the 
subject's personal space and 
shares their feelings.
Extreme Close Up 
An extreme close up shows 
extreme detail. It is usually a 
close up of a specific feature on 
someone's face. You would 
normally need a specific reason 
to get this close, it must imply or 
back up something.
Cut In 
A cut in is like a cut away but 
specifically refers to showing 
some part of the subject in 
detail. It can be used purely as 
an edit point, or to emphasise 
the emotion the subjects feeling 
or the emotion they want the 
audience to feel.
Cut Away 
A cut away is a shot that's of 
something other than the current 
thing being spoke about. It could 
be a different subject but it has 
to be related to the same topic. 
The cutaway is used to help the 
editing process. This would be 
used when interviewing 
someone, the cut away would 
be something linking in with 
what the interviewee is speaking 
about.
Over-the-Shoulder Shot 
This shot is taken from behind a 
person who is looking at the 
subject. The person facing the 
subject should usually take up 
about 1/3 of the frame. This 
helps the audience get a feel of 
looking at one person from the 
other's point of view. It's 
common to cut between these 
shots during a conversation 
(interviews in documentaries) to 
make the interview a bit more 
interesting for the audience.
Mise en scene 
What the interviewee is wearing, their make up, props around them, the 
lighting and the setting is all important in an interview for a documentary. 
For example, we plan to interview a college counsellor called Julie 
Maitland for out documentary, therefore we plan for her to wear casual 
clothes like her everyday look, shuttle make up, and for her to be sat in 
her office, in her natural setting where she works. This then makes the 
interview look professional and not fake. Therefore making the audience 
more drawn to what the interviewee is saying as they trust them more as 
it professional.
Our Documentary 
Researching and becoming familiar with the different shot types used 
and conventions for interviews makes me more aware of what we 
are going to need to do when we are filming interviews for our 
documentary. Doing this research has helped me understand the 
different shot types, when they are used, what emotions they imply, 
why they are used, which has broadened my understanding further. 
The same with conventions, it has helped me get a generalised view 
which I can apply to our filming. All the information I have learnt from 
this task can be taken away to when we film, helping make our 
documentary fit the codes and conventions, making it look 
professional.

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Shot types and codes and conventions of interviews

  • 1. Shot Types and Codes and Conventions of Interviews
  • 2. Extreme Wide Shot In an extreme wide shot, the view is so far from the subject that they aren't even visible to the audience. The point of this shot is to show the surroundings the subject's in. The EWS is often used as an "establishing shot" - the first shot of a new scene, designed to show the audience where the action is taking place. In an interview, a shot like this would be used as a cutaway if someone is talking about the place being shown.
  • 3. Very Wide Shot A very wide shot is a lot closer to the subject than in a extreme wide shot, but still much further away than a wide shot. The subject is visible here but only just.. The emphasis is very much on placing him in the environment and making the environment visible and stand out.
  • 4. Wide Shot In a wide shot, the subject takes up the full frame. The subjects feet are at the bottom of the shot and the subjects head is at the top of the shot. The small amount of room above and below the subject can be thought of as safety room — you don't want to be cutting the top of the head off. A shot like this would be used if the narration was talking about this subject.
  • 5. Mid Shot A mid shot shows some part of the subject in more detail, as its a closer shot, whilst still showing enough for the audience to feel as if they were looking at the whole subject. This is how much you would see a person "in the flesh if you were having a casual conversation. A mid shot allows room for hand gestures and a bit of movement. This is the typical shot used for vox pops and interviews.
  • 6. Medium Close Up A medium close up is half way between a mid shot and a close up. This shot shows the face more clearly, without making the subject feel uncomfortable with the closeness. This shot is also used in interviews, with the background suited to the person and the topic in discussion.
  • 7. Close Up In a close up shot, a certain part of the subject takes up most of the frame, which is usually the face of a person. Close-ups are obviously useful for showing detail and emotion. A close up exaggerates a facial expression. The viewer is drawn into the subject's personal space and shares their feelings.
  • 8. Extreme Close Up An extreme close up shows extreme detail. It is usually a close up of a specific feature on someone's face. You would normally need a specific reason to get this close, it must imply or back up something.
  • 9. Cut In A cut in is like a cut away but specifically refers to showing some part of the subject in detail. It can be used purely as an edit point, or to emphasise the emotion the subjects feeling or the emotion they want the audience to feel.
  • 10. Cut Away A cut away is a shot that's of something other than the current thing being spoke about. It could be a different subject but it has to be related to the same topic. The cutaway is used to help the editing process. This would be used when interviewing someone, the cut away would be something linking in with what the interviewee is speaking about.
  • 11. Over-the-Shoulder Shot This shot is taken from behind a person who is looking at the subject. The person facing the subject should usually take up about 1/3 of the frame. This helps the audience get a feel of looking at one person from the other's point of view. It's common to cut between these shots during a conversation (interviews in documentaries) to make the interview a bit more interesting for the audience.
  • 12. Mise en scene What the interviewee is wearing, their make up, props around them, the lighting and the setting is all important in an interview for a documentary. For example, we plan to interview a college counsellor called Julie Maitland for out documentary, therefore we plan for her to wear casual clothes like her everyday look, shuttle make up, and for her to be sat in her office, in her natural setting where she works. This then makes the interview look professional and not fake. Therefore making the audience more drawn to what the interviewee is saying as they trust them more as it professional.
  • 13. Our Documentary Researching and becoming familiar with the different shot types used and conventions for interviews makes me more aware of what we are going to need to do when we are filming interviews for our documentary. Doing this research has helped me understand the different shot types, when they are used, what emotions they imply, why they are used, which has broadened my understanding further. The same with conventions, it has helped me get a generalised view which I can apply to our filming. All the information I have learnt from this task can be taken away to when we film, helping make our documentary fit the codes and conventions, making it look professional.