Shot types and Codes and Conventions of Interviews
- 1. Shot Types and Codes and Conventions of Interviews
- 2. Extreme Wide Shot In an extreme wide shot, the view is so far from the subject that they aren't even visible to the audience. The point of this shot is to show the surroundings the subject's in. The EWS is often used as an "establishing shot" - the first shot of a new scene, designed to show the audience where the action is taking place. In an interview, a shot like this would be used as a cutaway if someone is talking about the place being shown. We could use this as a cutaway for when were speaking about the college.
- 3. Very Wide Shot A very wide shot is a lot closer to the subject than in a extreme wide shot, but still much further away than a wide shot. The subject is visible here but only just.. The emphasis is very much on placing her in the environment and making the environment visible and stand out.
- 4. Wide Shot In a wide shot, the subject takes up the full frame. The subjects feet are at the bottom of the shot and the subjects head is at the top of the shot. The small amount of room above and below the subject can be thought of as safety room — you don't want to be cutting the top of the head off. A shot like this would be used if the narration was talking about this subject.
- 5. Mid Shot A mid shot shows some part of the subject in more detail, as its a closer shot, whilst still showing enough for the audience to feel as if they were looking at the whole subject. This is how much you would see a person "in the flesh” if you were having a casual conversation. A mid shot allows room for hand gestures and a bit of movement. This is the typical shot used for vox pops and interviews, and we will use this shot for when we interview people.
- 6. Medium Close Up A medium close up is half way between a mid shot and a close up. This shot shows the face more clearly, without making the subject feel uncomfortable with the closeness. This shot is also used in interviews, with the background suited to the person and the topic in discussion. We could also use this shot for some of our interviews, mainly vox pops.
- 7. Close Up In a close up shot, a certain part of the subject takes up most of the frame, which is usually the face of a person. Close-ups are obviously useful for showing detail and emotion. A close up exaggerates a facial expression. The viewer is drawn into the subject's personal space and shares their feelings. We will use a close up most likely when we do a cutaway e.g. a close up shot of a mobile phone as this relates to social media, our topic.
- 8. Extreme Close Up An extreme close up shows extreme detail. It is usually a close up of a specific feature on someone's face. You would normally need a specific reason to get this close, it must imply or back up something, such as implying a specific emotion.
- 9. Cut In A cut in is like a cut away but specifically refers to showing some part of the subject in detail. It can be used purely as an edit point, or to emphasise the emotion the subjects feeling or the emotion they want the audience to feel. We plan on using some cut in’s in our documentary.
- 10. Cut Away A cut away is a shot that's of something other than the current thing being spoke about. It could be a different subject but it has to be related to the same topic. The cutaway is used to help the editing process. This would be used when interviewing someone, the cut away would be something linking in with what the interviewee is speaking about. We plan on using a lot of cutaways in our documentary, cutaways related to social media.
- 11. Over-the-Shoulder Shot This shot is taken from behind a person who is looking at the subject. The person facing the subject should usually take up about 1/3 of the frame. This helps the audience get a feel of looking at one person from the other's point of view. It's common to cut between these shots during a conversation (interviews in documentaries) to make the interview a bit more interesting for the audience. We might use this shot for one of our expert interviewees.
- 12. Mise en scene What the interviewee is wearing, their make up, props around them, the lighting and the setting is all important in an interview for a documentary. For example, we plan to interview a college counsellor called Julie Maitland for our documentary, therefore we plan for her to wear casual clothes like her everyday look, subtle make up, and for her to be sat in her office, in her natural setting where she works. This then makes the interview look professional and not fake. Therefore making the audience more drawn to what the interviewee is saying as they trust them more as it’s professional.
- 13. Our Documentary Researching and becoming familiar with the different shot types used and conventions for interviews makes me more aware of what we are going to need to do when we are filming interviews for our documentary. Doing this research has helped me understand the different shot types, when they are used, what emotions they imply, why they are used, which has broadened my understanding further. The same with conventions, it has helped me get a generalised view which I can apply to our filming. All the information I have learnt from this task can be taken away to when we film, helping make our documentary fit the codes and conventions, making it look professional.