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Lunch + Learn
                            Color Theory I:
                     The Color Wheel, Value Scale
                      and the Language of Color



Synotac / synotac.com / 503.517.2116
L+L Introductions

   1. Who is this guy?
   2. Who are you and what is one thing that you
      hope to get out of today?




Synotac / synotac.com / 503.517.2116
L+L Objectives

   1. Gain a better understanding of Color, the
      Color Wheel and Value Scale in a broad
      sense, rather than the digital space.
   2. Develop a fluency in the Language of Color
   3. Make our own color wheels
   4. More activities if time allows
   5. Have some fun!



Synotac / synotac.com / 503.517.2116
INTRODUCTION TO COLOR
What is Color Theory?
    The study of rules, ideas and principles that
    apply to color as a general topic, as well as the
    visual impacts of specific color combinations.




Synotac / synotac.com / 503.517.2116
What is Color?
    Color derives from the spectrum of light
    interacting with light receptors in the eyes.

    An object produces different sensations
    in the eyes as a result of the way it reflects or
    emits light.




Synotac / synotac.com / 503.517.2116
What is the spectrum?
    The electromagnetic spectrum is the range of
    all possible frequencies of electromagnetic
    radiation.

    The electromagnetic spectrum of an object is
    the distribution of electromagnetic radiation
    emitted or absorbed by that particular object.



Synotac / synotac.com / 503.517.2116
Visible Light within the
    Electromagnetic Spectrum




Synotac / synotac.com / 503.517.2116
THE COLOR WHEEL
Sir Isaac Newton            Johannes Itten
           Color Circle, 1704          Farbkreis, 1961




Synotac / synotac.com / 503.517.2116
The purpose of the color wheel
    Understanding and visualizing relationships
    of spectral hues, and creating effective color
    schemes.




Synotac / synotac.com / 503.517.2116
Primary Colors
    Three spectrum colors are equidistant from one another on
    the color wheel—blue, yellow, red.

    In theory, all of the remaining 16 million or so colors can be
    mixed using the three primary colors.

    In practice, trace chemicals in pigments reflect light rays in
    multiple wavelengths, rather than pure spectrum color.




Synotac / synotac.com / 503.517.2116
Three Primary Colors




Synotac / synotac.com / 503.517.2116
Three Secondary Colors
    Orange, Violet and Green are called "secondary colors."

    Each is theoretically born of primary parents:

    Red + Yellow = Orange

    Red + Blue = Violet

    Yellow + Blue = Green



Synotac / synotac.com / 503.517.2116
Secondary Colors




Synotac / synotac.com / 503.517.2116
Six Tertiary Colors
    Formed by combining a primary and a secondary hue.

    The names indicate the two source colors:

    Yellow-orange
    Red-orange
    Red-violet
    Blue-violet
    Blue-green
    Yellow-green


Synotac / synotac.com / 503.517.2116
Tertiary Colors




Synotac / synotac.com / 503.517.2116
Color Wheel




Synotac / synotac.com / 503.517.2116
COLOR RELATIONSHIPS
Complementary Colors
    Pairs of colors that are opposite on the color
    wheel. Any two complements contain the
    complete trio of primaries.

    Examples:
    Yellow complement is Violet (red + blue)
    Red complement is Green (yellow + blue)
    Blue complement is Orange (yellow + red)


Synotac / synotac.com / 503.517.2116
Complements–contrast




Synotac / synotac.com / 503.517.2116
Complements




Synotac / synotac.com / 503.517.2116
Complements




Synotac / synotac.com / 503.517.2116
Analogous Colors
    Formed by three adjacent colors on the color
    wheel.

    Example: Blue, blue-green and green

    Analogous colors are smooth and rich feeling




Synotac / synotac.com / 503.517.2116
Analogous–similarity




Synotac / synotac.com / 503.517.2116
NAMING COLORS, THE
VALUE SCALE & INTENSITY
Naming Colors
    Every color existing in our world can be
    identified using three attributes:

    Hue: Basic source of the color.




Synotac / synotac.com / 503.517.2116
Hue
    Putting aside the lightness or darkness of a
    color, as well as its brightness or dullness,
    which of the twelve basic color wheel hues is
    the starting point for this example?




Synotac / synotac.com / 503.517.2116
Naming Colors: Value
    Value: Lightness or darkness of the color, also
    known as shades, tints, luminance, luminosity




Synotac / synotac.com / 503.517.2116
Value
    How dark or light is this red-violet relative to a
    seven-step value scale from white to black?




Synotac / synotac.com / 503.517.2116
Value
    How dark or light is this red-violet relative to a
    seven-step value scale from white to black?




Synotac / synotac.com / 503.517.2116
Naming Colors: Intensity
    Intensity: The dominance of hue in the color.
    The brightness or dullness of the color, also
    known as chroma or saturation.




Synotac / synotac.com / 503.517.2116
Intensity
    How bright or dull is this red-violet relative to an
    intensity scale from brightest to dullest?




Synotac / synotac.com / 503.517.2116
Intensity
    How bright or dull is this red-violet relative to an
    intensity scale from brightest to dullest?




Synotac / synotac.com / 503.517.2116
Identified by three attributes
    Hue: Red-violet
    Value: Light
    Intensity: Dull




Synotac / synotac.com / 503.517.2116
Value versus Intensity




Synotac / synotac.com / 503.517.2116
FROM THEORY TO PRACTICE
Activity
    1.   Pick a client logo and another object.
    2.   Describe their colors using the three
         attributes: Hue, Value, Intensity
    3.   Review and critique as a group




Synotac / synotac.com / 503.517.2116
Additional Resources
    FM Hue test
    www.xrite.com/custom_page.aspx?PageID=77


    Reading
    Color: A course in mastering the art of mixing colors by Betty Edwards
    Interaction of Color by Josef Albers
    Color Workbook by Becky Koenig
    Readings on Color: The Philosophy of Color by Alex Byrne




Synotac / synotac.com / 503.517.2116
Next time ...
    Color Techniques and the Effects of Color
    May 1, 2012 in our new office at 333 SW Fifth Avenue


    What color can I choose to evoke a particular mood?
    Why do the colors in this design work well together? Or not?
    How do surrounding colors affect each other?




Synotac / synotac.com / 503.517.2116

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PixelSpoke Lunch + Learn: Color Theory

  • 1. Lunch + Learn Color Theory I: The Color Wheel, Value Scale and the Language of Color Synotac / synotac.com / 503.517.2116
  • 2. L+L Introductions 1. Who is this guy? 2. Who are you and what is one thing that you hope to get out of today? Synotac / synotac.com / 503.517.2116
  • 3. L+L Objectives 1. Gain a better understanding of Color, the Color Wheel and Value Scale in a broad sense, rather than the digital space. 2. Develop a fluency in the Language of Color 3. Make our own color wheels 4. More activities if time allows 5. Have some fun! Synotac / synotac.com / 503.517.2116
  • 5. What is Color Theory? The study of rules, ideas and principles that apply to color as a general topic, as well as the visual impacts of specific color combinations. Synotac / synotac.com / 503.517.2116
  • 6. What is Color? Color derives from the spectrum of light interacting with light receptors in the eyes. An object produces different sensations in the eyes as a result of the way it reflects or emits light. Synotac / synotac.com / 503.517.2116
  • 7. What is the spectrum? The electromagnetic spectrum is the range of all possible frequencies of electromagnetic radiation. The electromagnetic spectrum of an object is the distribution of electromagnetic radiation emitted or absorbed by that particular object. Synotac / synotac.com / 503.517.2116
  • 8. Visible Light within the Electromagnetic Spectrum Synotac / synotac.com / 503.517.2116
  • 10. Sir Isaac Newton Johannes Itten Color Circle, 1704 Farbkreis, 1961 Synotac / synotac.com / 503.517.2116
  • 11. The purpose of the color wheel Understanding and visualizing relationships of spectral hues, and creating effective color schemes. Synotac / synotac.com / 503.517.2116
  • 12. Primary Colors Three spectrum colors are equidistant from one another on the color wheel—blue, yellow, red. In theory, all of the remaining 16 million or so colors can be mixed using the three primary colors. In practice, trace chemicals in pigments reflect light rays in multiple wavelengths, rather than pure spectrum color. Synotac / synotac.com / 503.517.2116
  • 13. Three Primary Colors Synotac / synotac.com / 503.517.2116
  • 14. Three Secondary Colors Orange, Violet and Green are called "secondary colors." Each is theoretically born of primary parents: Red + Yellow = Orange Red + Blue = Violet Yellow + Blue = Green Synotac / synotac.com / 503.517.2116
  • 15. Secondary Colors Synotac / synotac.com / 503.517.2116
  • 16. Six Tertiary Colors Formed by combining a primary and a secondary hue. The names indicate the two source colors: Yellow-orange Red-orange Red-violet Blue-violet Blue-green Yellow-green Synotac / synotac.com / 503.517.2116
  • 17. Tertiary Colors Synotac / synotac.com / 503.517.2116
  • 18. Color Wheel Synotac / synotac.com / 503.517.2116
  • 20. Complementary Colors Pairs of colors that are opposite on the color wheel. Any two complements contain the complete trio of primaries. Examples: Yellow complement is Violet (red + blue) Red complement is Green (yellow + blue) Blue complement is Orange (yellow + red) Synotac / synotac.com / 503.517.2116
  • 24. Analogous Colors Formed by three adjacent colors on the color wheel. Example: Blue, blue-green and green Analogous colors are smooth and rich feeling Synotac / synotac.com / 503.517.2116
  • 26. NAMING COLORS, THE VALUE SCALE & INTENSITY
  • 27. Naming Colors Every color existing in our world can be identified using three attributes: Hue: Basic source of the color. Synotac / synotac.com / 503.517.2116
  • 28. Hue Putting aside the lightness or darkness of a color, as well as its brightness or dullness, which of the twelve basic color wheel hues is the starting point for this example? Synotac / synotac.com / 503.517.2116
  • 29. Naming Colors: Value Value: Lightness or darkness of the color, also known as shades, tints, luminance, luminosity Synotac / synotac.com / 503.517.2116
  • 30. Value How dark or light is this red-violet relative to a seven-step value scale from white to black? Synotac / synotac.com / 503.517.2116
  • 31. Value How dark or light is this red-violet relative to a seven-step value scale from white to black? Synotac / synotac.com / 503.517.2116
  • 32. Naming Colors: Intensity Intensity: The dominance of hue in the color. The brightness or dullness of the color, also known as chroma or saturation. Synotac / synotac.com / 503.517.2116
  • 33. Intensity How bright or dull is this red-violet relative to an intensity scale from brightest to dullest? Synotac / synotac.com / 503.517.2116
  • 34. Intensity How bright or dull is this red-violet relative to an intensity scale from brightest to dullest? Synotac / synotac.com / 503.517.2116
  • 35. Identified by three attributes Hue: Red-violet Value: Light Intensity: Dull Synotac / synotac.com / 503.517.2116
  • 36. Value versus Intensity Synotac / synotac.com / 503.517.2116
  • 37. FROM THEORY TO PRACTICE
  • 38. Activity 1. Pick a client logo and another object. 2. Describe their colors using the three attributes: Hue, Value, Intensity 3. Review and critique as a group Synotac / synotac.com / 503.517.2116
  • 39. Additional Resources FM Hue test www.xrite.com/custom_page.aspx?PageID=77 Reading Color: A course in mastering the art of mixing colors by Betty Edwards Interaction of Color by Josef Albers Color Workbook by Becky Koenig Readings on Color: The Philosophy of Color by Alex Byrne Synotac / synotac.com / 503.517.2116
  • 40. Next time ... Color Techniques and the Effects of Color May 1, 2012 in our new office at 333 SW Fifth Avenue What color can I choose to evoke a particular mood? Why do the colors in this design work well together? Or not? How do surrounding colors affect each other? Synotac / synotac.com / 503.517.2116