Takin' it to the limit

Takin’ It to the Limit
By
Brendan Wade Ryan

EXT. MASTER BRUCE SEVEN’S RESIDENCE - FRIDAY, JULY 4, 1986;
SAN FERNANDO VALLEY, CALIFORNIA - DAY - DREAM
FADE IN
A brand new fire engine red 1986 CHEVROLET CAMARO driven by
MASTER BRUCE SEVEN pulls in to the home’s driveway. Loud
HEAVY METAL MUSIC blares out of the CAR SPEAKERS until Bruce
parks his new car in the driveway and turns off the
IGNITION. A beautiful young woman in her twenties with
brunette hair and wearing lots of glam make-up named REBECA
opens the passenger door of the car to get out.
Rebeca steps out of the car with two paper sacks full of
liquor bottles that had been resting on her lap; hugging one
sack in each arm she waits for everyone else to get out of
the car.
INT. MASTER BRUCE SEVEN’S CAMARO - DREAM
There are two more BEAUTIFUL YOUNG WOMEN, JENNY and SARA
crammed in between heavy sacks loaded with big bottles of
name brand whiskeys, gins, and vodkas in the car’s backseat.
Before opening the driver’s door Bruce remains sat, checking
all of his pockets to make sure he has everything he’d
brought with him including his wallet, a pair of sunglasses,
two packs of unopened cigarettes, a cigarette lighter and a
bottle of sunscreen he’d bought. He grabs his keys from the
ignition and exits the car.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - DREAM
Bruce admires Rebeca from the other side of his Camaro, he
makes eye contact with her and smiles. Rebeca’s face lights
up when she notices Bruce looking at her.
MASTER BRUCE SEVEN
Thanks for coming with me
Rebeca. I don’t know who else
would have been able to pick out
all of those fine brands of liquor
the way you did.
REBECA
No problem Bruce.
Rebeca smiles at Bruce, and Bruce is about to say something
to Rebeca but he is interrupted by a voice coming from
inside of the car.
(CONTINUED)

CONTINUED: 2.
JENNY (V. O.)
Hey let us out of here! It’s too
hot.
Jenny and Sara are stuck, still sitting in the backseat of
Bruce’s car. They are surrounded by a surplus of liquor
bottles preventing them from getting out of the two-door
sports car and unable to move.
MASTER BRUCE SEVEN
Hang on girls we’ll get you out of
there. Hey Sara I can’t even see
you, where are you?
Bruce bends down to have a look into the backseat of the
Camaro.
SARA
I’m right here Bruce.
Sara is talking from behind a stack of paper sacks, and it’s
almost too difficult for Bruce to locate exactly where she
is.
MASTER BRUCE SEVEN
Right where? I don’t see
you. Don’t break any bottles,
OK? I just bought this hot rod, I
don’t want the backseat of my new
car to smell like booze after the
Fourth of July, you know?
BIONCA SEVEN and JOHNNY appear in the driveway and hurry
over to meet Bruce and friends.
BIONCA SEVEN
Bruce honey, you’re back already!
MASTER BRUCE SEVEN
Bionca this new car hauls ass.
When Bionca reaches Bruce next to the car they enjoy a long
kiss together.
Rebeca walks up the driveway into the house through an open
garage door.
BIONCA SEVEN
I’m glad you’re here. There is
something in the backyard I want to
show you.
(CONTINUED)

CONTINUED: 3.
MASTER BRUCE SEVEN
Oh yeah, what is it?
BIONCA SEVEN
It’s a surprise baby.
Bruce and Bionca kiss some more.
Johnny goes to help Jenny and Sara get out of Bruce’s
car. Sara realizes her husband Johnny has come to her
rescue.
SARA (V.O.)
Johnny!
JOHNNY
Hi baby, you in there?
SARA (V.O.)
Aww, I love you.
Bruce turns around after kissing Bionca and sees Johnny
unloading the contents from the backseat and helping Sara
and Jenny out of the car. Sara gets out and squeezes Johnny
and the two lovers start kissing.
MASTER BRUCE SEVEN
Johnny you need any help?
Johnny and Sara stop kissing.
JOHNNY
No Bruce I think we’ve got it.
Johnny motions to several men standing around drinking beer
in Bruce’s GARAGE to help him bring the liquor inside the
house.
JOHNNY
Guys will you give us a hand?
Two men walk over to where Bruce’s car is and assist Johnny.
BIONCA SEVEN
Come on Bruce.
Bionca grabs Bruce by the hand and leads him away from the
driveway to the BACKYARD.
MASTER BRUCE SEVEN
What the hell is it sweetheart?
(CONTINUED)

CONTINUED: 4.
BIONCA SEVEN
You’ll see.
Bionca and Bruce make their way to the backyard where a
crowd of about twenty-five guests have positioned themselves
in a circle around a naked man and woman having sexual
intercourse. The group of party people are loudly cheering
on the couple making love.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - BACKYARD - DREAM
BIONCA SEVEN
What do you think?
MASTER BRUCE SEVEN
Looks like a little sex show
started. It’s too bad we don’t
have any fireworks.
BIONCA SEVEN
I know, I know. I couldn’t believe
it!
MASTER BRUCE SEVEN
Let’s watch Bionca.
Bruce hands Bionca a fresh pack of cigarettes, she lights
one up to smoke. While puffing on a cigarette she and Bruce
enjoy watching the naked couple have sex.
JETHRO one of the guests at Bruce’s Fourth of July party
walks up to Bruce and hands him a bottle of beer.
MASTER BRUCE SEVEN
Thanks Jethro, how did this get
started?
Bruce motions to the couple having sex.
JETHRO
They’ve been at it for at least a
half hour.
Bruce takes a big swig from his beer.
MASTER BRUCE SEVEN
Happy Fourth of July!
Bruce gives Jethro a fraternal slap on the back.
(CONTINUED)

CONTINUED: 5.
JETHRO
Thanks same to you, happy
Independence Day.
Jethro begins watching the man and woman having sex too, and
sips beer from of a red plastic cup.
MASTER BRUCE SEVEN
A good day to be alive.
JETHRO
You said it.
The pleasurable moans coming from the couple having sex get
louder, they have reached the climactic stages of their
having intercourse together. The crowd in the backyard
suddenly gets quiet.
Bruce takes another drink from his bottle of beer and pats
Jethro on the back one more time.
MASTER BRUCE SEVEN
Are you still working in the
valley? Making movies with what’s
his name?
JETHRO
Jim Hickory? Yes we’re still in
the business. I’ll tell you what,
San Fernando is one fucking busy
place man.
Bruce’s friends BILL, BAILEY and MIKE enter the backyard
from inside of the two-story mansion. They are looking for
Bruce and interrupt he and Jethro when they find him. Bill
lightly touches Bruce on the shoulder to get his attention.
BILL
Hey Bruce good to see you, we need
you inside.
Like good hosts and happy to see more of their friends at
the party Bruce and Bionca greet the three men.
MASTER BRUCE SEVEN
Happy Fourth of July you
guys! Good to see you Bill, you
too Mike. Bailey nice to see you
also, I’m glad you all made it
here.
Bruce gives each man a hardy handshake.
(CONTINUED)

CONTINUED: 6.
MASTER BRUCE SEVEN
We better go inside then.
MIKE
Yeah that would be great.
BIONCA SEVEN
I’m going to stay out here and
watch.
MASTER BRUCE SEVEN
Sounds good baby.
Bruce leans over and kisses Bionca.
JETHRO
I’ll follow you in.
MASTER BRUCE SEVEN
Fine, shall we?
Bruce motions that they go inside, and the group of men
enter Bruce’s home through one of the back patio’s sliding
doors.
INT. MASTER BRUCE SEVEN’S RESIDENCE - FIRST FLOOR LIVING
ROOM - DREAM
Inside of Bruce’s home the party is raging, there are many
more guests celebrating the Fourth of July than there were
outside in Bruce’s BACKYARD. The party in the LIVING ROOM
is loud, most of the women are topless, RONALD REAGAN and
NANCY REAGAN are live on T.V. aboard the USS JFK AIRCRAFT
CARRIER in NEW YORK CITY, NEW YORK in front of a crowd of
UNITED STATE NAVY OFFICERS celebrating the American summer
holiday, and a few people are having sex on the LIVING ROOM
furniture.
All of the guests recognize Bruce as Bruce Seven the adult
filmmaker and king of throwing parties. Bill, Bailey, Mike
and Jethro follow Bruce into the LIVING ROOM and allow him
to greet some of his guests.
MASTER BRUCE SEVEN
Happy Fourth of July everybody!
RONALD REAGAN (V.O.)
My fellow Americans, in a few
moments the celebration will begin
here in New York Harbor. It’s
going to be quite a show. I was
just looking over the preparations
(MORE)
(CONTINUED)

CONTINUED: 7.
RONALD REAGAN (V.O.) (cont’d)
of it and thinking about a saying
we had back in Hollywood about
never doing a scene with kids or
animals, because they’d steal the
scene every time. So you can rest
assured I wouldn’t even try and
compete with a fireworks display,
especially on the Fourth of
July. My remarks tonight will be
brief but it’s worth remembering
that all of the celebration of this
day is rooted in history. It’s
recorded that shortly after the
Declaration of Independence was
signed in Philadelphia,
celebrations took place throughout
the land and many of the former
colonists, they were just starting
to call themselves Americans set
off cannons and marched in Fife and
Drum parades. What a contrast
to....
Bruce waves to all of the guests.
CANDY LYNN a famous adult movie actress stops making out
with one of the men at the party when she sees Bruce and
rushes over to talk with him. Bruce and Candy Lynn lightly
embrace and greet one another with a kiss on the cheek.
CANDY LYNN
Hi Bruce, Happy Fourth of July big
guy!
MASTER BRUCE SEVEN
Thanks Candy Lynn, same to you.
CANDY LYNN
What’s happening?
MASTER BRUCE SEVEN
The boys said they needed me
upstairs, or else I’d still be
watching two people fuck in the
backyard.
CANDY LYNN
There are two people fucking
outside?
(CONTINUED)

CONTINUED: 8.
MASTER BRUCE SEVEN
See for yourself Candy Lynn.
CANDY LYNN
You’ve convinced me. Thanks for
inviting me to your party, I’m glad
to see you’re taking good care of
yourself Bruce Seven.
Candy Lynn pats Bruce on the chest and makes for the
backyard.
...We hold these truths to be self
evident, all men are created equal,
that they are endowed by their
creator with certain unalienable
rights that among these are Life,
Liberty, and the Pursuit of
Happiness.
Bruce is confronted by STEVE RICHARDSON another guest at the
party.
MASTER BRUCE SEVEN
Steve Richardson! It’s been ages
since I last saw you. How the hell
are you?
STEVE RICHARDSON
I’m doing great Bruce!
MASTER BRUCE SEVEN
How’s the business treating you?
STEVE RICHARDSON
Things are going well, real
well. We’re thinking of building a
new studio in this area. What do
you think, is it a good idea?
MASTER BRUCE SEVEN
Oh definitely, that’s the best idea
I have ever heard.
STEVE RICHARDSON
By the way, there are some really
beautiful women here tonight.
Before Bruce can respond to what Steve has just said to him,
Jethro reminds him that he is needed in another part of the
house.
(CONTINUED)

CONTINUED: 9.
JETHRO
We need you upstairs Mister
Director.
MASTER BRUCE SEVEN
Are you serious? Let’s get up
there then Jethro.
My fellow Americans we’re known
around the world a confident and
a happy people, tonight there’s
much to celebrate and many
blessings to be grateful for. So
while it’s good to talk about
serious things, it’s just as
important and just as American to
have some fun. Now let’s have some
fun, let the celebration begin.
INT. MASTER BRUCE SEVEN’S RESIDENCE - SECOND FLOOR HALLWAY -
DREAM
Bruce and Jethro reach the top of the stairs and pause in
front of a closed door on the second floor.
MASTER BRUCE SEVEN
So who’s in there?
JETHRO
Her name is Crystal, she’s
nineteen.
MASTER BRUCE SEVEN
Got it.
INT. MASTER BRUCE SEVEN’S RESIDENCE - SECOND FLOOR GUEST
BEDROOM - DREAM
CRYSTAL, a beautiful, scantily clad nineteen-year-old woman
with long brown hair styled with lots hairspray in it
quietly sits Indian style on top of a queen size guest
bed. Mike and Bailey are standing at the end of the bed
hold onto film equipment. Bruce enters the GUEST BEDROOM
with Jethro and notices Crystal sitting on the guest bed.
MASTER BRUCE SEVEN
Hi, what’s your name?
(CONTINUED)

CONTINUED: 10.
CRYSTAL
Crystal.
MASTER BRUCE SEVEN
Well nice to meet you Crystal, my
name’s Bruce, Bruce Seven. This is
my house you’re in by the way.
CRYSTAL
Is it really? You’ve got a nice
house Mister Bruce Seven. I know
what I’m supposed to do.
MASTER BRUCE SEVEN
You do?
CRYSTAL
Yes, Bailey said you are going to
film me playing with myself.
MASTER BRUCE SEVEN
We are? Great!
Bruce’s enthusiasm gives Crystal enough of a reason to
relax.
MIKE
We’re ready when you are Bruce.
Bruce gives Crystal directions about how to act in front of
the camera.
MASTER BRUCE SEVEN
Now darling I want you to get
comfortable before we start
shooting.
CRYSTAL
I am comfortable, I wasn’t before
you came in but now I am.
MASTER BRUCE SEVEN
When you’re on the bed touching
yourself I want you to look into
the camera and make the sexiest
face you can.
CRYSTAL
Like this?
Crystal strikes a pose for Bruce to see.
(CONTINUED)

CONTINUED: 11.
MASTER BRUCE SEVEN
Yes, and remember you can leave
your nighty on for part of it but
eventually you’ll need to be
completely naked, the lingerie’s
going to need to come off.
CRYSTAL
Alright, I can’t wait. I think I’m
ready Bruce.
MASTER BRUCE SEVEN
Super! ’Cheerleader Virgins’ take
one, and... action!
Bruce backs away from Crystal on the bed, Mike and Bailey
step in and begin to film her touching herself. Behind them
Bruce motions to her that she is doing a fine job of
starring in her first adult movie.
MASTER BRUCE SEVEN
Yes baby! Yes! Good! Perfect.
Crystal does an excellent job in front of the camera, soon
she is naked and the cameramen are doing close-up shots of
her fingers touching her vagina with Bruce watching over
their shoulders.
INT. MASTER BRUCE SEVEN’S RESIDENCE - BRUCE AND BIONCA
SEVEN’S BEDROOM - MONDAY, JANUARY 1, 1996, 4:00 AM; LOS
ANGELES, CALIFORNIA
Bruce wakes up in bed, sits up and checks to see if Bionca
is laying next to him, and she is (asleep). Bruce wakes
Bionca from her sleep by gently shaking her.
MASTER BRUCE SEVEN
Bionca wake up.
Bionca won’t wake up the way Bruce wants her to, who wants
to tell her about the dream he’d just had.
MASTER BRUCE SEVEN
Wake up babe, I have to tell you
about my dream.
Bionca moves around in bed a little, she opens her eyes and
sees Bruce sitting up in bed next to her.
BIONCA SEVEN
What’s up Bruce?
(CONTINUED)

CONTINUED: 12.
MASTER BRUCE SEVEN
I just awoke from a dream, it was
ten years ago at one of our Fourth
of July parties.
BIONCA SEVEN
No way! Cool, what happened?
MASTER BRUCE SEVEN
Well Rebeca and I, you remember
Rebeca don’t you?
BIONCA SEVEN
Yeah.
MASTER BRUCE SEVEN
We went the liquor store in my old
Camaro, and we bought so much
alcohol honey! When we got back to
the party there were two people
fucking in our backyard.
BIONCA SEVEN
Woah honey, there were two people
fucking in our backyard? That’s
wild.
MASTER BRUCE SEVEN
Everyone was watching; you know,
drinking beer and watching these
two have sex.
BIONCA SEVEN
Heavy baby, anything else?
MASTER BRUCE SEVEN
I went inside and there was this
girl and her name was Crystal, she
reminded me of you.
BIONCA SEVEN
She reminded you of me?
MASTER BRUCE SEVEN
It was her first time to ever be in
a movie?
BIONCA SEVEN
You were filming a movie on the
Fourth of July? Wow Bruce!
(CONTINUED)

CONTINUED: 13.
MASTER BRUCE SEVEN
She was nervous like you were the
first time we met. I helped her
relax, she was fine, and real good
when we started to filming.
BIONCA SEVEN
Was I in your dream?
MASTER BRUCE SEVEN
Yes baby, you were there too.
Bruce gives Bionca a kiss and they both return to sleep.
INT. MASTER BRUCE SEVEN’S RESIDENCE - KITCHEN - MONDAY,
JANUARY 1, 1996, 9:00 AM; - LOS ANGELES, CALIFORNIA
Bruce is the first person out of bed the next morning,
wearing a white terrycloth robe and slippers he enters the
KITCHEN and prepares himself breakfast. After making
breakfast he sits down in a chair at the BREAKFAST TABLE.
Bionca is next to get out of bed and she joins Bruce in the
kitchen wearing a beautiful silk robe with nothing on
underneath. She gets busy making coffee for her and Bruce
to enjoy, when she’s finished she joins Bruce by sitting
down at the breakfast table.
BIONCA SEVEN
Happy New Years gorgeous.
MASTER BRUCE SEVEN
Happy New Years.
BIONCA SEVEN
You were great in bed last night.
MASTER BRUCE SEVEN
So were you. I’m surprised we
carried along the way we did after
last night’s party.
BIONCA SEVEN
I’m getting horny just talking
about it, look you’re making me
wet.
Bionca opens part of her robe revealing her moist vagina to
Bruce. Bruce’s eyebrows raise when he sees this, then he
returns to their breakfast conversation.
(CONTINUED)

CONTINUED: 14.
MASTER BRUCE SEVEN
Thank God our limo driver was there
to bring us home after one hell of
a party.
BIONCA SEVEN
Ron Jeremy threw one hell of a New
Year’s Eve party, you’re right. I
had a wonderful time at his place.
MASTER BRUCE SEVEN
I’m glad both of us made the
decision to go.
Bionca gets up to pour Bruce and herself some coffee.
BIONCA SEVEN
You woke up in the middle of the
night, do you remember?
Bionca brings Bruce a cup of coffee and sits back down at
the breakfast table.
BIONCA SEVEN
Apparently you had a dream it was
nineteen eighty-six at one of our
Fourth of July parties.
MASTER BRUCE SEVEN
Oh right, now I remember.
Bruce and Bionca drink their coffee.
BIONCA SEVEN
Between Ron’s party and all the
good sex we had when we got home,
it’s no wonder you had a dream like
that.
MASTER BRUCE SEVEN
Just the way it ought to be baby,
party after fucking party.
BIONCA SEVEN
You said it guy.
MASTER BRUCE SEVEN
So have you figured out how you’d
like to ring in the new year? I’m
probably going to go by the studio
and then come home and watch
football on TV.
(CONTINUED)

CONTINUED: 15.
BIONCA SEVEN
I’d like to get back in bed Bruce,
would you care to join me?
Bionca smiles and reaches over to Bruce’s face and gently
strokes his beard.
MASTER BRUCE SEVEN
What a cunning idea my dear!
CUT TO:
SEVEN’S BEDROOM - MONDAY, JANUARY 1, 1996, 9:20 AM; LOS
ANGELES, CALIFORNIA
Bruce and Bionca kiss passionately, disrobe, and share the
romantic act of having loving sex together on their bed.
BIONCA SEVEN
I love you Bruce. I love
everything about you.
EXT. BRUCE SEVEN PRODUCTIONS STUDIO - MONDAY, JANUARY 1,
1996, 12:30 PM; TORRANCE, CALIFORNIA
Bruce pulls into the PARKING LOT outside BRUCE SEVEN
PRODUCTIONS’S STUDIO driving a black 1996 PORSCHE 911
CARRERA. He parks his car and gets out. Wearing a leather
bomber jacket and a hat Bruce locks the door to the car and
walks toward the STUDIO ENTRANCE, unlocks the door to the
studio and goes inside.
INT. BRUCE SEVEN PRODUCTIONS STUDIO - FRONT ENTRANCE-
MONDAY, JANUARY 1, 1996, 12:33 PM; TORRANCE, CALIFORNIA
Bruce walks into the studio and locks the door behind
him. He check behind the RECEPTIONIST’S DESK for any
mail. He sorts through a stack of SEALED ENVELOPES and
tucks several from an airline with PLANE TICKETS in them
into one of his jacket pockets.
CUT TO:
Bruce walks haltingly down the HALLWAY to his OFFICE.

16.
INT. BRUCE SEVEN PRODUCTIONS - MASTER BRUCE SEVEN’S OFFICE -
MONDAY, JANUARY 1, 1996, 12:38; TORRANCE, CALIFORNIA
Bruce opens the door to his office, takes off his leather
jacket and places it folded on a CHAIR adjacent to his
DESK. He grabs hold of the WHEELCHAIR that has been placed
in his office and sits down in it. Bruce wheels himself
behind his expensive OFFICE DESK. Bruce’s office is
decorated with many TROPHIES awarded to him for his
filmmaking efforts, framed adult MOVIE POSTERS, and even a
HOME COMPUTER.
He picks up the handset to the OFFICE PHONE on his desk and
dials the number to call Bionca at home; he waits to hear a
ring then enables the phone’s SPEAKERPHONE capability and
hangs up the handset.
BIONCA SEVEN (V.O.)
Hello?
MASTER BRUCE SEVEN
Hey baby, I’m at the office.
BIONCA SEVEN (V.O.)
How long are you going to be there?
MASTER BRUCE SEVEN
Oh only a little big, I have a
couple of phone calls to make and
then I’m headed back home.
BIONCA SEVEN (V.O.)
Are you using the wheelchair we
bought for you?
MASTER BRUCE SEVEN
Yes I’m sitting in it right now
baby.
BIONCA SEVEN (V.O.)
Good.
MASTER BRUCE SEVEN
I’ve got our airplane tickets; I
don’t know why but I had them sent
to the studio.
BIONCA SEVEN
Great. Did the airline get the
tickets right? You’re in a
wheelchair, do they know you’re
handicapped Bruce?
(CONTINUED)

CONTINUED: 17.
MASTER BRUCE SEVEN
I told them about the wheelchair on
the phone when I bought the
tickets; otherwise, I’ll have a
look at the tickets and check
things out. Anything else
Bionca? I thought I would just
call and let you know I made it
over here safely.
BIONCA SEVEN (V.O.)
Yes there is one more thing Bruce,
after you left I made plans over
the phone with a few of our
friends. We decided on an intimate
get together tonight at our house.
MASTER BRUCE SEVEN
Oh yeah? We’ll see how that goes.
BIONCA SEVEN (V.O.)
See you when you get home.
MASTER BRUCE SEVEN
Alright baby I love you, bye.
BIONCA SEVEN (V.O.)
Bye.
Bruce waits for Bionca to hang up the phone and the call to
end.
MASTER BRUCE SEVEN
Intimate get together,... intimate
get together.. ha!
Bruce taps on his desk a few times until he realizes he
still needs to make more phone calls. He opens one of the
desk drawers and retrieves a small, black leather bound
address book with phone numbers in it.
Bruce finds famous adult film star PETER NORTH’S phone
number in his address book; using the office phone’s
speakerphone again he dials the number to Peter’s phone.
While waiting for Peter to answer his call Bruce relaxes his
own way by sinking back into his wheelchair and playing with
its wheels.
PETER NORTH (V.O.)
Hello?
(CONTINUED)

CONTINUED: 18.
MASTER BRUCE SEVEN
Hi, Peter?
PETER NORTH (V.O.)
This is Peter North speaking.
MASTER BRUCE SEVEN
Hey how’s it going? It’s Bruce
Seven.
PETER NORTH (V.O.)
Oh, Happy New Year!
MASTER BRUCE SEVEN
Thanks, Happy New Year. The reason
I’m calling is because I’m going to
be the one producing ’Takin’ It to
the Limit 7’ not my wife Bionca,
she’ll be directing this time.
PETER NORTH (V.O.)
Bionca’s directing? OK, will you
be starring in the film?
MASTER BRUCE SEVEN
I’ll be in a few scenes, most
likely in a wheelchair
though. Peter we are scheduled to
begin production this Wednesday
with you and Lisa Harper, can you
make it?
PETER NORTH (V.O.)
I’ll do everything in my power to
be there Bruce.
MASTER BRUCE SEVEN
How does two o’clock here at the
studio sound?
PETER NORTH (V.O.)
Sounds perfect. Hey are you
planning on going to Las Vegas this
weekend for the AVN Awards Show?
MASTER BRUCE SEVEN
Yes I am, my wife and I are flying
to Vegas Friday. ’Takin’ It to the
Limit 6: Nastier Than Ever’ is
nominated for Best All-Girl Sex
Scene.
(CONTINUED)

CONTINUED: 19.
PETER NORTH (V.O.)
Fantastic!
MASTER BRUCE SEVEN
Thanks, Tracey Allen, Careena
Collins, Felecia, Misty Rain, and
Jill Kelly are the ones nominated.
PETER NORTH (V.O.)
Do you think they have a shot at
winning?
MASTER BRUCE SEVEN
I hope so.
PETER NORTH (V.O.)
We’ll see what happens then.
MASTER BRUCE SEVEN
If they do it will be the third
year in a row that a movie I
directed wins the award for Best
All-Girl Sex Scene. In ninety-four
Lia Baren, Celeste, Felecia, Sydney
St. James, and Tianna won Best
All-Girl Sex Scene for
’Buttslammers 2: The Awakening of
Felecia’, and last year Debi
Diamond, Felecia, and my wife won
with ’Buttslammers 4: Down and
Dirty’. They’ve all got the
trophies to show for it.
PETER NORTH (V.O.)
Three’s a charm.
MASTER BRUCE SEVEN
So I’ll see you here at the studio
Wednesday?
PETER NORTH (V.O.)
Wednesday at two o’clock, you got
it.
MASTER BRUCE SEVEN
Thanks Peter.
PETER NORTH (V.O.)
No problem.
MASTER BRUCE SEVEN
Alright that’s it.
(CONTINUED)

CONTINUED: 20.
PETER NORTH (V.O.)
Bye Bruce.
MASTER BRUCE SEVEN
Bye.
Bruce hears Peter hang up the phone and the speakerphone on
his desk automatically turns off. Leaning over his desk
Bruce looks through his address book again, he finds the
phone number for LISA HARPER, the adult film actress
scheduled to perform on Wednesday with Peter North. He
dials her number into his phone and pushes the speakerphone
button while waiting for Lisa Harper to answer his call.
LISA HARPER (V.O.)
Hello?
MASTER BRUCE SEVEN
Hi Lisa, Happy New Year!
LISA HARPER (V.O.)
Bruce Seven! Happy New Year!
MASTER BRUCE SEVEN
Thank you gorgeous. I have you
scheduled to work on Wednesday this
week at two o’clock in the
afternoon.
LISA HARPER (V.O.)
Are we shooting the scene at your
studio?
MASTER BRUCE SEVEN
Yes and wife Bionca will be in
charge of the camerawork, not
me. You’ll be doing a scene with
Peter North.
LISA HARPER (V.O.)
Peter North!
MASTER BRUCE SEVEN
Yes.
LISA HARPER (V.O.)
I can’t believe this! Peter
North! Oh my gosh, I’m so excited
now! So Wednesday at two?
MASTER BRUCE SEVEN
See you in two days gorgeous?
(CONTINUED)

CONTINUED: 21.
LISA HARPER (V.O.)
Thank you.
MASTER BRUCE SEVEN
You bet. Bye Lisa.
LISA HARPER (V.O.)
Bye Bruce.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - DRIVEWAY - MONDAY,
JANUARY 1, 1996, 5:45 PM; LOS ANGELES, CALIFORNIA
Bruce glides up the driveway to his home in his Porsche, he
slows down to stop in front of the garage.
INT. MASTER BRUCE SEVEN’S PORSCE 911 CARRERA
Bruce hits the garage door opener and as the garage door
goes up he sees Bionca waiting for him inside the garage
standing next to a wheelchair.
Bruce rolls down the driver’s side window of his sports car
and signals for Bionca to move out of the way so he can pull
in and park. Pushing the wheelchair Bionca moves out of
Bruce’s way.
MASTER BRUCE SEVEN
Jesus Christ, not the fucking
wheelchair.
Bruce drives slowly into the garage; he shifts the
transmission to the neutral position and sets the parking
brake.
Outside of the car Bionca is waiting to assist Bruce with
getting into his wheelchair.
Bruce lets the car engine run a little while longer than
expected before turning off the ignition.
MASTER BRUCE SEVEN
Baby you don’t need to wait for me
in the garage with that thing.
Bruce unfastens his seat belt, puts his car keys in his
pants pocket then passes Bionca his leather bomber jacket
that had been resting on the passenger seat.
BIONCA SEVEN
It’s important that you get the
care you deserve Bruce. Besides, I
haven’t been waiting very long.
(CONTINUED)

CONTINUED: 22.
MASTER BRUCE SEVEN
Have our guests arrived?
BIONCA SEVEN
Not yet.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - GARAGE - MONDAY,
Bionca helps Bruce out of the car and into his wheelchair.
INT. MASTER BRUCE SEVEN’S RESIDENCE - LIVING ROOM - MONDAY,
Bruce and Bionca are sitting on two separate couches in
their LIVING ROOM eating dinner and watching a college
football game on television.
The DOORBELL RINGS.
Upon hearing the doorbell Bruce instinctively reacts like
he’ll be the one to get up and answer the door but Bionca is
up and headed for the front door of their home before he can
even place his dinner tray next to him on the couch.
BIONCA SEVEN
I’ll get it.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - FRONT DOOR - MONDAY,
JANUARY 1, 1996, 8:04; LOS ANGELES, CALIFORNIA
ARIANA a dominatrix with long black hair is the first guest
to arrive and waits outside of Bruce’s home after ringing
the doorbell. She has starred in many of Bruce’s BDSM and
torture films, and this in turn has helped establish a very
close friendship with Bruce and Bionca.
Bionca opens the front door.
BIONCA SEVEN
Ariana! Happy New Year!
ARIANA
Happy New Year!
Bionca steps outside and embraces her friend Ariana with a
warm hug.
(CONTINUED)

CONTINUED: 23.
BIONCA SEVEN
I love you.
ARIANA
Thanks, I love you too.
Ariana and Bionca share a long, deep kiss.
BIONCA SEVEN
Damn.
ARIANA
Is Bruce home?
BIONCA SEVEN
Bruce is inside watching football.
ARIANA
He’s going to have to stop watching
football and pay us some attention.
BIONCA SEVEN
I know.
Bionca kisses Ariana.
ARIANA
Let’s go see Master Bruce.
INT. MASTER BRUCE SEVEN’S RESIDENCE - LIVING ROOM - MONDAY,
Ariana and Bionca walk into the living room holding
hands. Bruce is still sitting down on the couch watching
the football game; when he notices company has arrived he
uses the remote control to turn the television off.
MASTER BRUCE SEVEN
Look who it is, my favorite
person! Hi Ariana.
ARIANA
Happy New Year Bruce.
Ariana bends over and gives Bruce a kiss.
MASTER BRUCE SEVEN
Thanks beautiful.
Ariana whispers something into Bruce’s ear.
(CONTINUED)

CONTINUED: 24.
ARIANA
Bionca and I talked about it and
I’m going to put on a little show
for you guys tonight.
Bionca takes Bruce’s dinner tray to the kitchen; Ariana down
next to Bruce on the couch.
MASTER BRUCE SEVEN
That’s wonderful.
Ariana pulls a COMPACT DISC out of her purse to show Bruce.
MASTER BRUCE SEVEN
Do you need any help with that?
ARIANA
No.
Ariana stands back up and walks over to Bruce’s
ENTERTAINMENT SYSTEM; Bionca returns to the living room with
a glass of white wine.
BIONCA SEVEN
Did Ari tell you what we’re doing
tonight?
Bionca places Ariana’s purse on the GLASS TABLE in front of
Bruce and joins him on the couch.
Ariana finishes setting up the music accompaniment for the
sex act she has planned. Soft CHAMBER MUSIC fills Bruce’s
living room.
MASTER BRUCE SEVEN
I can’t believe this.
Ariana dims the LIGHTS and moves center stage to the middle
of the living room. The music’s tempo starts off slow and
quiet, as does Ariana who begins her performance by running
her hands through her hair and making a sexy face. As the
music gets louder and the tempo becomes faster Ariana
masterfully disrobes. By the end of the first song Ariana
is completely nude except for a pair of high heels.
BIONCA SEVEN
You look great baby!
Ariana’s dance routine livens up next when the second song
begins to play (more chamber music, except this piece is
louder and has a medium tempo). Twisting and turning, she
permits her audience to enjoy themselves when they first see
her genitalia exposed.
(CONTINUED)

CONTINUED: 25.
Bruce and Bionca begin to kiss and caress one another on the
couch.
CUT TO:
Bruce and Bionca watch Ariana masturbate and trying to have
an orgasm on the floor spread eagle in front of Bruce’s BIG
SCREEN TELEVISION. A BDSM film directed by Bruce featuring
a nude Ariana torturing other women sexually in a dungeon
scene is playing behind her on screen and music by Nick Cave
and the Bad Seeds is blaring out of the living room
speakers.
ARIANA
OOOHHHHH! YES! YES! FUCK! FUCK! FUCK!
The DOORBELL RINGS.
Bionca leaves her spot on the couch next to Bruce and goes
to answer the door.
Ariana continues to masturbate until climaxing with an
orgasm on the floor in front of Bruce as a finale. She gets
up and walks over to Bruce’s entertainment system and takes
the compact disc out the player. She places the compact
disc back inside of her purse, and retrieves a black leather
dominatrix outfit she had brought with her in
exchange. Ariana gets dressed in front of Bruce.
MASTER BRUCE SEVEN
What do you call that, what you
just did Ari?
ARIANA
Performance art.
MASTER BRUCE SEVEN
Performance art? That’s a good
name for it.
Bruce turns the television off with the remote control.
Bionca returns to the living room with two female guests,
they are DAVIA ARDELL and DANYEL CHEEKS. Both women are
young, blond and beautiful.
Ariana finishes putting her outfit on and sits down next to
Bruce.
ARIANA
The guests have arrived, hi Danyel!
(CONTINUED)

CONTINUED: 26.
BIONCA SEVEN
Bruce I’d like you to meet Davia,
Davia this is my husband Bruce
Seven.
Davia extends her hand for Bruce to shake; always the
gentleman, Bruce welcomes Davia with the soft and gentle
touch of his hand.
DAVIA ARDELL
Nice to meet you Bruce Seven.
MASTER BRUCE SEVEN
Please, Master Bruce Seven,
Davia. Welcome to our home.
DAVIA ARDELL
Thank you Master Bruce Seven.
Bruce notices a diamond ring on Davia’s ring finger.
MASTER BRUCE SEVEN
Are you married? I noticed you
have on a diamond ring.
DANYEL CHEEKS
She’s married Bruce, her husband
gave us a ride over here.
BIONCA SEVEN
Davia this is Ariana.
ARIANA
Hi Davia.
DAVIA ARDELL
Hi.
MASTER BRUCE SEVEN
Please sit down.
BIONCA SEVEN
I’m going to take a shower, put on
something nice to wear, do my
make-up, fix my hair, you know...
girl stuff.
Davia and Danyel sit down very close to each other on one of
the living room couches.
ARIANA
OK Bionca.
(CONTINUED)

CONTINUED: 27.
BIONCA SEVEN
Davia would like to start working
in the adult entertainment industry
Bruce. Tell her everything she
needs to know.
MASTER BRUCE SEVEN
Go ahead baby, I’ll take care of
our guests.
Satisfied, Bionca turns around and leaves Bruce and their
guests in the living room.
BIONCA SEVEN (V.O.)
It is so perfect that you’re here
tonight Davia!
Bionca’s kind words encourage Davia to relax in the company
of strangers; she and Danyel begin holding hands. Bruce
sensing everyone is comfortable decides it’s safe for him to
speak.
MASTER BRUCE SEVEN
First of all you met my wife Davia,
she does most of the work behind
the camera these days but it wasn’t
always like that. Last summer I
had a stroke; it nearly killed me,
I’m lucky to be alive. Now instead
of fast cars I mostly get around in
a wheelchair. I don’t know if
Danyel told you but nice cars are a
passion of mine. I used to have a
pretty impressive collection of
automobiles, all of which I am sad
to say has been sold.
DANYEL CHEEKS
Bruce drives a Porsche.
MASTER BRUCE SEVEN
Yes I do.
DAVIA ARDELL
So you still like nice cars.
MASTER BRUCE SEVEN
I began making bondage movies in
nineteen seventy on eight
millimeter film and in nineteen
eighty I started professionally
operating the camera for Bizarre
Video. In nineteen eight-three
(MORE)
(CONTINUED)

CONTINUED: 28.
MASTER BRUCE SEVEN (cont’d)
John Stagliano and I formed Lipstik
Video, making lesbian themed porno;
I produced my first feature film
’Aerobisex Girls’ that year. Bruce
Seven Productions came around
nineteen eight-eight when we were
working on ’Loose Ends IV: The
Ultimate Tail’. Ariana started
working with us in
ninety-two. I’ve had the fortunate
luck to work with some of the best
talent in the adult entertainment
industry, and we’re always looking
for new people, mainly women to get
involved in what we do around here.
DANYEL CHEEKS
That’s how I met him.
Davia smiles with approval of Bruce’s last statement; she is
delighted to know about her trusted friend’s confidence in
Bruce.
ARIANA
Bruce is responsible for launching
the careers of some pretty
successful women; he’s proven.
BRUCE SEVEN
Let me ask you something Davia, how
would you like it if Ariana and
Danyel tied you up tonight and we
filmed it?
DAVIA ARDELL
I’d like it.
DANYEL CHEEKS
She’s been tied up before Bruce,
her husband and I made sure of
that.
ARIANA
I can’t wait.
MASTER BRUCE SEVEN
Great then, before we start I’ll
finish telling you everything you
need know. My specialty is
producing quality girl on girl
bondage and torture films. Last
year Bruce Seven Productions
(MORE)
(CONTINUED)

CONTINUED: 29.
released twenty feature length
adult movies, all of which have
sold remarkably well. Some of the
titles we released last year came
in succession of other films and
belong to the same film series,
like ’Buttslammers’. There are
already six installments in the
’Buttslammers’ series but this year
I plan on making two more. ’Takin’
It to the Limit’ is another series
we’ve had a lot of success
with. As a producer this formula
is something I would like to see
blossom at my production company,
Bruce Seven Productions. You see
many of the films I make already
have a lot in common. I use most
of the same people, in the same
context, for about the same amount
of money. Soon this method of
production is what I plan to
celebrate as though it were my
homecoming.
DANYEL CHEEKS
What do you mean by homecoming
Bruce?
MASTER BRUCE SEVEN
I’ve come a long way, today I
consider myself an expert at what I
do. I don’t want to retire, nor do
I want a damn wheelchair to keep me
from doing what I love.
DANYEL CHEEKS
So, you thought of a simple way to
do business from now on, a plan
that covers what movies you’ll
make, who’ll be in them, and how
people get paid.
MASTER BRUCE SEVEN
A style that takes care of itself
and won’t affect how much fun we
have or how much money Bruce Seven
Productions brings in.
DAVIA ARDELL
Sounds like a good way to make
money!
(CONTINUED)

CONTINUED: 30.
ARIANA
Presumably.
MASTER BRUCE SEVEN
Girls I have learned many lessons
about success and the art of making
money. There are no more forks in
the road for me; and because of my
duties as a business owner and the
talent I represent, I must make the
smartest decisions and think of
only the best ways to make money.
DAVIA ARDELL
So does that give me an excuse to
take my shirt off Master Bruce
Seven?
MASTER BRUCE SEVEN
You don’t need an excuse to get
naked in my house Davia.
Davia gives a big smile and with both hands lifts up the
shirt she has on revealing her beautiful bare breasts,
Danyel assists in removing the shirt from over her
head. After fixing Davia’s hair Danyel gently touches her
friend’s shoulders and back. Davia laughs when Danyel
starts caressing both of her breasts and delicately pulling
on her nipples.
Ariana takes the hint and joins Danyel and Davia on the
couch. As soon as Ariana begins to fondle Davia’s breasts,
Davia leans her head back and intertwines herself between
Ariana and Danyel, kissing Danyel and assisting Ariana’s
hands running all over her body with her own. Ariana
unbuttons Davia’s jeans, and ever so careful as not to
interrupt her and Danyel’s making out strips her down until
she has nothing but her panties on. When Ariana sits back
down on the couch she places one of Davia’s feet on the
couch so that her legs are spread. Ariana pulls Davia’s
panties down around her thighs and performs oral sex on her
while fingering her own vagina at the same time.
MASTER BRUCE SEVEN
What’s gotten into you girls?
Danyel stops making out with Davia and looks up at Bruce.
DANYEL CHEEKS
Sorry Bruce, I don’t know what came
over Davia.
All three women on the couch burst into laughter.
(CONTINUED)

CONTINUED: 31.
No sooner do the guests straighten up and return to just
sitting down on the couch but in walks Bionca, back from
freshening up, hair combed with a new change of clothes
on. The first thing Bionca notices is that Davia is almost
completely naked sitting in-between Danyel and Ariana.
BIONCA SEVEN
Did I miss something?
MASTER BRUCE SEVEN
Yes you did, you missed the whole
damn thing.
Bionca laughs at Bruce’s response to her question.
BIONCA SEVEN
Tell me what happened. Should I be
upset?
MASTER BRUCE SEVEN
I would be.
DAVIA ARDELL
Tell her what she missed Master
Bruce Seven.
MASTER BRUCE SEVEN
Davia took off her shirt and our
other two guests got on her like a
couple of hungry wolves! They
wouldn’t even let me finish
talking.
Bionca’s facial expression changes to a submissive one as
she inspects each woman guilty of having sex during her
absence. First Bionca wipes off the smeared lipstick around
Danyel’s mouth from kissing Davia.
BIONCA SEVEN
Have you been kissing someone
Danyel? I wonder who..
Next to receive interrogation from Bionca is Davia. Bionca
traces a finger down the course of Davia’s face, along her
breasts, and all the way down to her waistline. Davia looks
at Bionca with fear in her eyes. Bionca pulls at the
elastic waistband of Davia’s panties and examines her
guest’s vagina for a moment.
BIONCA SEVEN
You’re all wet down there. I bet
it was you she was kissing, was it
you?
(CONTINUED)

CONTINUED: 32.
Bionca lets go of Davia’s underwear.
DAVIA ARDELL
Yes.
BIONCA SEVEN
At least you’re being honest; and
you, do you have something to tell
me Ariana?
ARIANA
Maybe..
Bionca laughs, this triggers everyone else in the living
room to laugh too.
BIONCA SEVEN
Funny, ha ha. Why doesn’t somebody
else tell me then?
MASTER BRUCE SEVEN
Ari had Davia’s panties pulled down
and was giving her some sweet
head. She looked real good doing
it.
Bionca smiles, softens up and loses the submissive attitude.
BIONCA SEVEN
Well,.. sounds like you ladies
started to have a nice time without
me, what made you stop?
MASTER BRUCE SEVEN
That’s what I’d like to know.
DAVIA ARDELL
I don’t know.
BIONCA SEVEN
I’m thirsty, would anyone else like
a glass of white wine or champagne
perhaps?
MASTER BRUCE SEVEN
I’m fine.
DAVIA ARDELL
No thanks.
DANYEL CHEEKS
I’d like a glass of champagne
please Bionca.
(CONTINUED)

CONTINUED: 33.
ARIANA
White wine.
BIONCA SEVEN
I’ll be right back with your
drinks.
Bionca heads out of the living room bound for the kitchen to
pour drinks for herself and her guests.
MASTER BRUCE SEVEN
Don’t mind her Davia, she can be a
big bad bully sometimes.
ARIANA
..but only in a good way.
Davia smiles when she hears what Ariana has to say about
Bionca.
DANYEL CHEEKS
I think she was just teasing us
though.
ARIANA
Me too.
MASTER BRUCE SEVEN
Davia why don’t you come sit over
here next to me so I can get a
closer look.
DANYEL CHEEKS
Go show Bruce.
Davia gets up and walks over to where Bruce is sitting, she
stands in front of Bruce, he helps spin her around in order
to get a whole look.
MASTER BRUCE SEVEN
Do you like it when I touch you?
DAVIA ARDELL
Yes Master.
MASTER BRUCE SEVEN
Take off your panties.
Davia removes her panties. Bruce runs his hand up the
inside of Davia’s leg.
(CONTINUED)

CONTINUED: 34.
MASTER BRUCE SEVEN
Spread your legs.
Bruce takes a hard look at Davia like a jeweler looking at a
diamond through his eyeglass.
MASTER BRUCE SEVEN
Turn around for me.
Bruce finishes inspecting Davia’s body.
DANYEL CHEEKS
How is she Bruce?
MASTER BRUCE SEVEN
Professionally speaking Danyel,
your friend Davia is
perfect. She’s got big tits, great
lookin’ ass cheeks, and her legs
are smokin’ hot.
DANYEL CHEEKS
What about... you know, her
ponchita..?
MASTER BRUCE SEVEN
Her Golden Palace? Let’s see,
Davia come have a seat next to me.
Davia sits down beside Bruce. Bruce carefully helps Davia
lean back, picks up her feet and places them on couch, then
he spreads her legs exposing her genitalia.
MASTER BRUCE SEVEN
She’s got scrambled eggs between
the legs. I bet her juice box
fills out during a round of bedroom
golf though; lets find out. Davia
I’m going to slip two of my fingers
into your cuntry pie. If for any
reason something hurts just tell
me, alright?
DAVIA ARDELL
Alright.
Davia acts cheerful about Bruce inserting his fingers inside
of her vagina; comfortably lying on her back, she wills
Bruce to turn her on.
MASTER BRUCE SEVEN
She’s all wet like Davy Jones’
Locker!
(CONTINUED)

CONTINUED: 35.
DAVIA ARDELL
Your fingers feel so good, don’t
stop.
MASTER BRUCE SEVEN
We can get serious and play around
in a little bit if you want to.
Bruce is almost finished feeling out the inside of
Davia’s. At the same moment Bruce finishes with Davia,
Bionca returns from the kitchen with everyone’s drinks on a
DRINK TRAY.
DANYEL CHEEKS
Oooooh, fancy!
Bionca delivers Danyel her glass of champagne.
BIONCA SEVEN
Your champagne, my dear.
Danyel graciously accepts her glass of champagne.
DANYEL CHEEKS
Thank you Bionca.
Next Bionca hands Ariana a glass of white wine.
BIONCA SEVEN
Would you care for a glass of wine?
ARIANA
Yes please.
Bionca sets the drink tray on the glass table, removes her
glass of wine and sits down in-between Ariana and Danyel.
BIONCA SEVEN
I propose a toast! Here’s to 1996,
Happy New Year.
The women on the couch lift their glasses in the air and
toast by touching the other’s glass.
BIONCA SEVEN
Cheers!
DANYEL CHEEKS
Happy New Year!
ARIANA
Cheers, I love guys.
(CONTINUED)

CONTINUED: 36.
Davia gets up and kisses each of the women enjoying their
celebratory drinks.
DAVIA ARDELL
I love you Danyel..(kiss), I
love you Bionca..(kiss), I
love you Ariana..(kiss).
When Davia turns around to sit back down Bionca notices she
isn’t wearing any panties. Bionca puts a hand over her
mouth in disbelief and points at Davia before she sits down.
BIONCA SEVEN
Whaaa...? I keep missing... she’s
naked.
Danyel and Ariana laugh and sip their drinks some more.
BIONCA SEVEN
So does Davia know about all of the
fun we like to have on camera?
DAVIA ARDELL
Kind of..
BIONCA SEVEN
Bruce was supposed to have told you
everything you needed to know, at
least that’s what I asked him to do
before I went upstairs.
MASTER BRUCE SEVEN
I was going to wait until you came
back Bionca.
BIONCA SEVEN
Uh.. OK. What did you guys talk
about then, or was there just a
bunch of fucking going on?
MASTER BRUCE SEVEN
No we covered a few things.
BIONCA SEVEN
Like what?
MASTER BRUCE SEVEN
Oh about my history in the
business, where we’re going as
company. I was just getting
started when she took her shirt
off..
(CONTINUED)

CONTINUED: 37.
BIONCA SEVEN
Davia took her shirt off? I’m
proud of you girl! I like your
style.
DANYEL CHEEKS
Definitely.
Danyel nods in approval.
BIONCA SEVEN
Did he tell you about how he used
to work in Hollywood before the
adult film business?
MASTER BRUCE SEVEN
I managed to leave it out, but
that’s true.
DAVIA ARDELL
You worked in Hollywood?
MASTER BRUCE SEVEN
I worked on Hollywood film sets for
about two or three years, I was a
special effects man.
DAVIA ARDELL
Movie magic!
MASTER BRUCE SEVE
You’re right Davia.
Bruce lightens up and taps Davia on the end of her nose (to
let her know she was right). Davia makes a look like Bruce
has made her feel special.
INT. MASTER BRUCE SEVEN’S RESIDENCE - DUNGEON - MONDAY,
Bruce enters the DUNGEON first being pushed in a wheelchair
by Ariana, behind them in a single file line are Bionca,
Danyel, and Davia (who has a glass of white wine in her hand
and has returned to wearing panties).
The dungeon is located in one of the downstairs rooms of
Bruce’s house. Inside of the dungeon is an eight foot high
TORTURE RACK, two CAGES (on the floor) made of steel and
painted black, a large CHAIN-LINKED SPIDERWEB SUSPENSION
FRAME that looks new, a BOOKCASE/SHELVES with more BONDAGE
EQUIPMENT on it, and array of LEATHER PADDLES, CROPS and
LEASHES hang from hooks installed in the wall; and there’s
even a MINIBAR located on the opposite side of the room.
(CONTINUED)

CONTINUED: 38.
MASTER BRUCE SEVEN
Welcome to my dungeon! Can I fix
you ladies a drink?
BIONCA SEVEN
Yeah sure, how about a Long Island
Iced Tea?
DANYEL CHEEKS
I’ll have one as well.
MASTER BRUCE SEVEN
Two Long Island Iced Teas coming
right up. Ariana take me over to
the bar.
Ariana pushes Bruce in his wheelchair over to the minibar,
then she sits down on a BARSTOOL as Bruce prepares himself
to make cocktails.
ARIANA
Fix me a drink too Bruce.
MASTER BRUCE SEVEN
Three Long Island Iced Teas!
Bruce gets started mixing drinks behind the bar; Ariana
spins around on her barstool and watches Bionca give a tour
of the dungeon.
BIONCA SEVEN
This is Bruce’s dungeon, I helped
him pick out almost everything you
see in this room. If you have any
questions about what something is
or how it works, now would be a the
right time to ask. He’s busy
fixing us something to drink but
when he gets done he’ll be ready to
play. He loves to party in here.
MASTER BRUCE SEVEN (V.O.)
She’s right.
Davia grabs Danyel’s hand and directs them over to where the
spiderweb suspension frame is. Davia touches Danyel on the
shoulders suggesting that she lay herself down on the web of
chain-links.
DAVIA ARDELL
Lean back Danyel.
Danyel leans back on the chain-links consciously letting go
of her balance along the way.
(CONTINUED)

CONTINUED: 39.
Bionca joins Danyel and Davia over at the spider suspension
frame.
BIONCA SEVEN
You like this? It’s brand new, we
bought it a week before Christmas.
DANYEL CHEEKS
I love it.
DAVIA ARDELL
It’s so shiny.
Davia runs a fingertip along part of the spider suspension
frame’s chain-linked web, she stands there admiring Danyel
comfortably laying down on it and for a moment, touches
herself on the outside of her panties.
BIONCA SEVEN
You can tie a person up to it
basically anywhere on the
spiderweb, have you ever been on
one before?
DAVIA ARDELL
Yeah I have; how does that one
work?
Davia points at the torture rack interested in how it
operates.
BIONCA SEVEN
It depends, I’ll show you what I
mean.
Bionca starts for the torture rack, Davia follows her and
they leave Danyel suspensed in the air.
Bruce finishes making everyone’s drinks at the minibar.
MASTER BRUCE SEVEN
Drinks are ready, come and get
’em! Ariana take one over to your
friend on the spider web.
Bruce places three drinks on top of the bar and wheels
around to where Bionca and Davia were chatting next to the
torture rack. Bionca retrieves her drink from off of the
bar and returns to the torture rack. Ariana brings Danyel
her drink and joins her at the spider suspension frame.
(CONTINUED)

CONTINUED: 40.
BIONCA SEVEN
Davia is interested in how the
torture rack works.
MASTER BRUCE SEVEN
I like to use it several different
ways. One way is for lifting a
person clean into the air using the
hand cranks you see on either side
of the rack; all we have to do is
fasten you up to the restraints
attached to those crossbars like
the ones that are on there now,
then turn those cranks enough times
until your entire body is suspended
in air. Another way to do it is to
only use the crossbar at the top
and put a spreader bar in-between
the person’s legs and lift them up
using just one of the hand cranks;
that way I can spin the person
around if I want to. The third way
is kind of basic and doesn’t
involve any cranking, it just
includes tying you up using
rope. So you know, all of the
methods I described are safe,
nobody has ever gotten hurt on my
torture rack. If you like we can
get you up there right now.
DAVIA ARDELL
I want to try it.
MASTER BRUCE SEVEN
Good choice.
Bruce gestures for Davia to step inside of the torture
rack. Davia finishes off her glass of wine with one last
gulp, removes her panties and steps inside of the torture
rack. Bionca helps her into the restraints, first Davia’s
wrists are fitted then fastened into the restraints
belonging to the upper crossbar.
BIONCA SEVEN
Hey guys, look.
Bionca’s gaze is fixed on Danyel and Ariana at the spider
suspension frame. Bruce and Davia’s attention shifts to
what is happening across the room.
(CONTINUED)

CONTINUED: 41.
Danyel’s top layer of clothing is draped over the side of
the spider suspension frame, supported by the frame’s
chain-link design she is still laying back and her large
breasts are visibly exposed. Ariana and Danyel are engaged
in a long sensual kiss.
MASTER BRUCE SEVEN
Let’s finish.
Bionca returns to helping Davia at the torture rack, she
fastens Davia’s ankles into the restraints on the lower
crossbar.
BIONCA SEVEN
She’s ready Bruce.
MASTER BRUCE SEVEN
O.K., now get crankin’.
Bruce watches over as Bionca starts to operate one of the
hand cranks, with every couple of cranks Davia’s hands rise
along with the crossbar. When Davia’s hands are clear above
her head Bruce gives Bionca more instructions.
MASTER BRUCE SEVEN
Now turn the other crank.
Bionca begins to turn the other hand crank and the lower
crossbar gives rise.
MASTER BRUCE SEVEN
Be careful, wait ’til the
restraints around her ankles get
taut then stop and turn the other
crank some more; otherwise, it
could be painful.
Both of the torture rack’s hand cranks are turned
exchangedly until Davia’s naked body rises securely into
mid-air. Once Davia’s feet are two and a half feet above
the floor Bionca takes a step back and admires her work.
BIONCA SEVEN
How’s that?
MASTER BRUCE SEVEN
Beautiful. Davia tell Bionca she
does nice work.
DAVIA ARDELL
You do nice work.
(CONTINUED)

CONTINUED: 42.
BIONCA SEVEN
Thank you.
MASTER BRUCE SEVEN
No, thank you.
At the same time, Ariana is removing the dominatrix outfit
she’d put on earlier in the living room and has just
finished tying Danyel’s wrists to the corners of the spider
suspension frame with bedsheet fabric.
INT. MASTER BRUCE SEVEN’S RESIDENCE - DUNGEON - MONDAY,
Bionca, Ariana and Danyel are naked, embroiled in a heated
threesome atop the spider suspension frame’s chain-linked
web.
Opposite of the threesome, Bruce is standing in front of
Davia slapping her across the breasts hard with a heavy
looking, multi-layered red leather whip while she hangs from
the torture rack. His empty wheelchair has intentionally
been parked aside and remains close by.
SEVEN’S BEDROOM - TUESDAY, JANUARY 2, 1996, 12:00 AM; LOS
ANGELES, CALIFORNIA
Bruce is lying down in bed with Davia riding on top of him.
MASTER BRUCE SEVEN
Fuck me, yeah baby.
Beside the bed Bionca, Ariana, and Danyel are having a
threesome that includes Bionca and Ariana wearing special
strap-on harnesses, simultaneously screwing Danyel.
SEVEN’S BEDROOM - TUESDAY, JANUARY 2, 1996, 8:00 AM; LOS
ANGELES, CALIFORNIA
The PHONE next to Bruce and Bionca’s bed RINGS.
Bruce wakes up and sleepily picks up the RECEIVER.
MASTER BRUCE SEVEN
Hello?
(CONTINUED)

CONTINUED: 43.
MISTRESS MELISSA MONET (V.O.)
Hi, may I speak to Bruce Seven?
MASTER BRUCE SEVEN
This is Bruce Seven. Who’s
calling?
Mistress Melissa Monet.
MASTER BRUCE SEVEN
Oh sure, hi Melissa. How’s it
going?
I’m doing fine.
MASTER BRUCE SEVEN
That’s nice, what can I help you
with?
I am scheduled to be at your house
in two hours to film ’Hang ’Em
High’ with Casee. We talked about
it on the phone several weeks ago.
Bruce sits up in bed, he’d completely forgotten MISTRESS
MELISSA MONET and CASEE are scheduled to arrive at ten
o’clock to film ’Hang’em High’. He looks at the DIGITAL
CLOCK on the BEDSIDE TABLE, the display reads 8:02.
MASTER BRUCE SEVEN
I remember our conversation. Are
you excited to work today?
To tell you the truth, I
am. That’s why I called, to let
you know I plan on being at your
house at ten.
Bionca wakes up next to Bruce in bed, almost immediately she
can tell what is being discussed over the phone.
MASTER BRUCE SEVEN
Well, we’ll be here. Do you need
any directions?
No I’ve got them.
(CONTINUED)

CONTINUED: 44.
MASTER BRUCE SEVEN
I can’t wait to meet you Melissa.
Likewise!
MASTER BRUCE SEVEN
Do you think you can put Casee in
her place for me this afternoon?
Absolutely!
MASTER BRUCE SEVEN
Good. Casee’s a nice girl, you’ll
like working with her.
I hope she can handle it.
MASTER BRUCE SEVEN
Let’s hope so.
You’re talking to a tough girl.
MASTER BRUCE SEVEN
All right, thanks for calling
Melissa; it’s good to hear your
voice again. Don’t be late, OK?
(laughter)...I won’t. Thanks,
bye.
MASTER BRUCE SEVEN
Bye.
Bruce hangs up the phone and returns to a comfortable
sleeping postition in bed.
BIONCA SEVEN
Who was that on the phone?
MASTER BRUCE SEVEN
Melissa Monet, calling to to say
she’ll be here in a few hours.
BIONCA SEVEN
(whispering)
Oh shit!
(CONTINUED)

CONTINUED: 45.
MASTER BRUCE SEVEN
Casee’s coming over too.
BIONCA SEVEN
She’s a sweetheart.
MASTER BRUCE SEVEN
Do you know what I’m going to need
from you today?
BIONCA SEVEN
What?
MASTER BRUCE SEVEN
Help. Assistance. Engagement. Someone
who knows what they’re doing behind
a camera.
BIONCA SEVEN
What’s the name of the movie we’re
working on?
MASTER BRUCE SEVEN
’Hang ’Em High’.
BIONCA SEVEN
Who’s going to be in it?
MASTER BRUCE SEVEN
Mistress Melissa, Casee, hopefully
Danyel and Davia.
BIONCA SEVEN
Is there anything special about
’Hang ’Em High’?
MASTER BRUCE SEVEN
Of course.
BIONCA SEVEN
Would you like me to get out of bed
and make fresh coffee?
MASTER BRUCE SEVEN
Go ahead baby, that’d be real nice.
Bionca gets out of bed, puts on the same robe she’d worn the
day before and leaves their bedroom.
(CONTINUED)

CONTINUED: 46.
After making some fresh coffee Bionca returns to the master
bedroom carrying an elegant sterling silver coffee set. She
places the tray down on the bedside table next to
Bruce. Bionca pours Bruce a cup of coffee and hands it to
him in bed, then she pours herself a cup.
Instead of getting back into bed Bionca watches her husband
sip his coffee.
BIONCA SEVEN
You forgot.
Carefully holding his cup of coffee Bruce looks up at
Bionca.
MASTER BRUCE SEVEN
Forgot what darling?
Bionca smiles.
BIONCA SEVEN
I think you forgot about Mistress
Melissa, or whatever her name is.
Bruce smiles.
MASTER BRUCE SEVEN
You’re right. Good thing she
called.
BIONCA SEVEN
I knew it.
MASTER BRUCE SEVEN
We made plans over the phone to
shoot ’Hang ’Em High’ a month ago,
how was I supposed to
remember? It’s the holidays and
I’ve never even met this Melissa
woman!
Bionca notices the coffee in Bruce’s cup is getting low.
BIONCA SEVEN
More coffee baby?
MASTER BRUCE SEVEN
Yes please.
Bruce hands his coffee cup over to her and she refills it
for him.
(CONTINUED)

CONTINUED: 47.
BIONCA SEVEN
What about Casee, do you want me to
give her a call in a little bit?
MASTER BRUCE SEVEN
Yeah and I’m also going to need you
to invite Glenn Baren over.
BIONCA SEVEN
Glenn Baren, what for?
MASTER BRUCE SEVEN
To take pictures.
BIONCA SEVEN
Right, of course. Anyone else?
Bruce shakes his head a little.
MASTER BRUCE SEVEN
No.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - FRONT DOOR - TUESDAY,
JANUARY 2, 1996, 9:45 AM; LOS ANGELES, CALIFORNIA
Professional photographer GLENN BAREN, a muscular
forty-something dressed in jeans and a t-shirt steps into
view of the FRONT STEPS; he has two expensive looking
CAMERAS slung over his left shoulder. Glenn rings the
doorbell and waits for somebody to answer.
A few moments later Bionca opens the front door.
GLENN BAREN
Hi!
BIONCA SEVEN
Hi Glenn, come on in. Bruce is in
the living room.
INT. MASTER BRUCE SEVEN’S RESIDENCE - FOYER - TUESDAY,
Bionca is happy to see her good friend Glenn and gives him a
hug as soon as he walks in.
GLENN BAREN
Bionca you called me on such (a)
short notice; so I thought I’d get
here as fast as possible.
(CONTINUED)

CONTINUED: 48.
BIONCA SEVEN
We weren’t expecting you for
another fifteen minutes, but it’s
good that you’re early.
Bionca and Glenn’s hug dissolves.
GLENN BAREN
The name of the movie Bruce is
making today is ’Hang ’Em High’,
right?
BIONCA SEVEN
Yes, ’Hang ’Em High’.
GLENN BAREN
Like the old Clint Eastwood
western..
BIONCA SEVEN
Clint Eastwood did a movie called
’Hang ’Em High’? That must be
where Bruce got the name from.
MASTER BRUCE SEVEN (V.O.)
Is that Glenn Baren I hear?
Upon hearing her husband in the next room Bionca gestures to
Glenn that they go visit Bruce; and so they both move toward
the living room.
INT. MASTER BRUCE SEVEN’S RESIDENCE - LIVING ROOM - TUESDAY,
Bionca and Glenn enter the living room where Bruce is
sitting in his wheelchair. On the floor surrounding Bruce
is high end VIDEO CAMERA EQUIPMENT, and ITEMS USED FOR
CLEANING CAMERA EQUIPMENT, CLEANING CLOTHS, new and unused
FILM, ETC.; he has been busy cleaning his cameras and making
sure they operate properly for awhile.
MASTER BRUCE SEVEN
Well look who’s here! Come over
here and shake my hand.
Glenn walks across the living room to where Bruce is sitting
in his wheelchair, the two men shakes hands vigorously.
GLENN BAREN
Bruce, how are you?
(CONTINUED)

CONTINUED: 49.
MASTER BRUCE SEVEN
I am doing great man, just
great. How about you?
GLENN BAREN
Magnificent. I’ve been so busy
taking pictures lately, the only
thing is I’m never home anymore.
MASTER BRUCE SEVEN
I know what that’s like.
GLENN BAREN
My wife Lia has been pretty devoted
to her work and it’s usually late
at night when she comes home from
wherever it is she’s been all day.
MASTER BRUCE SEVEN
I know what that’s like too.
GLENN BAREN
She loves what she does, so I don’t
interfere or say much.
MASTER BRUCE SEVEN
She’s a hard worker.
BIONCA SEVEN
Lia’s been in a bunch of Bruce’s
movies. Let’s see, she was in
’Buttwoman 2: Behind Bars’, ’Blame
It on Bambi’, ’Buttslammers 2’,
’Buttslammers... 9’.
Bionca finds some humor in trying to think of all the names
to the movies Glenn’s wife has starred in thanks to Bruce.
MASTER BRUCE SEVEN
’Buttslammers 9’, ’Felecia’s
Folley’, ’Blind Innocence’, ’All
the Girls Are Buttslammers’...
GLENN BAREN
’Shane’s Ultimate Fantasy’, and
’Buttslammers 5: Quake, Rattle and
Roll’!
This rehashing of old movie titles is so funny to Bionca
that she has to sit down.
(CONTINUED)

CONTINUED: 50.
BIONCA SEVEN
Won’t you please sit down?
Bionca can’t stop laughing, neither can Bruce.
Glenn sheds his cameras and sits down in one of the living
room’s comfortable ARMCHAIRS.
MASTER BRUCE SEVEN
It’s too bad your wife isn’t here
this morning, or I’d ask her if she
wanted to work!
Another round of laughter in the living room comes next.
BIONCA SEVEN
We could have used Glenn’s camera
skills here last night; there was
plenty of sexual activity worth
taking pictures of.
MASTER BRUCE SEVEN
Man you would’ve hit the jackpot.
GLENN BAREN
The next time something comes up
get a hold of me. I even have a
cell number you can call in case of
emergencies.
MASTER BRUCE SEVEN
You do? I need to get that number.
GLENN BAREN
Whenever you need someone to take
pictures I can be the person you go
to.
MASTER BRUCE SEVEN
.. in the future, because I have
big plans for this year.
The DOORBELL RINGS.
MASTER BRUCE SEVEN
I’ll let you get that Bionca.
Bionca gets up and leaves the living room.
GLENN BAREN
So anyways, did you get the name
’Hang ’Em High’ from an old Clint
Eastwood picture?
(CONTINUED)

CONTINUED: 51.
MASTER BRUCE SEVEN
Yes I did.
There is a pause and Bionca returns to the living room with
a beautiful brunette haired woman named CASEE. Casee has
appeared in some of Bruce’s BDSM and torture films and is
constantly a guest in the Seven home, sometimes even
appearing in Bruce’s films as a house guest, although not
credited for it. She is most famous for playing the victim
in Bruce’s bondage movies.
MASTER BRUCE SEVEN
There’s Miss Casee!
Casee is delighted to see Bruce and walks across the living
room to where he is sitting. Poised behind Bruce’s
wheelchair she begins to softly rub his shoulders, and when
she bends over to give him a kiss her hands run down the
front of his shirt into his lap. She kisses Bruce a number
of times; by tilting his head back a little he tries
returning some of Casee’s kisses.
CASEE
Hi.
Bruce cherishes her kisses.
MASTER BRUCE SEVEN
Hi beautiful, it’s lovely to see
you again.
CASEE
I love you. Did you know you’re
like a daddy to me?
MASTER BRUCE SEVEN
I love you too.
Both Bruce and Casee are beaming. Casee straightens up and
returns to giving Bruce a friendly back rub.
BIONCA SEVEN
Should we talk about our plans now
that Casee’s here?
MASTER BRUCE SEVEN
I think it would be all right if we
started. Melissa’s still not here
but her part is different and
somewhat unrelated. It’s better
that the four of us talk about what
we are going to do before she pops
up anyway.
(CONTINUED)

CONTINUED: 52.
CASEE
Separate.
MASTER BRUCE SEVEN
Right, and I’ll keep this
simple. Bionca’s in charge of
operating the camera this
afternoon; and since you’re going
to be taking a lot of pictures
Glenn, I want her to follow your
lead. Casee it’s important you
know they are working
together. It’s a marvelous
combination of teamwork and when
Melissa arrives I’m going to tell
her the same thing.
Still massaging Bruce’s shoulders and listening to him talk,
Casee nods.
MASTER BRUCE SEVEN
That’s it; as for Mistress Melissa
do what she tells you Casee,
because she’s in charge. The first
scene will be in the downstairs den
and I’d like for it to begin with
Casee showing me that she can
dance. When she’s finished being a
good dancer it will be Melissa’s
job to take control of the scene.
CASEE
I can dance! How did you know I
love to dance?
MASTER BRUCE SEVEN
I just knew, that’s all.
CASEE finishes rubbing Bruce’s shoulders and sits down next
to Bionca on the couch.
CASEE
Daddies are supposed to know stuff
like that about their little girls.
MASTER BRUCE SEVEN
I’ve been in the adult business a
long time. I’ve seen it all. The
nastiest stuff on the face of the
earth. But... my biggest turn-on
is watching girls dance.
(CONTINUED)

CONTINUED: 53.
GLENN BAREN
That’s one thing I didn’t know
about you Bruce.
MASTER BRUCE SEVEN
A woman can express herself when
she moves her body in a sensual
way, like a hidden language. It’s
a chance to dream, to be erotic.
GLENN BAREN
My wife loves to dance, and you’re
right it’s very romantic.
MASTER BRUCE SEVEN
Seeing a woman dancing can be as
raunchy and pornographic as it is
filming two babes fuck each
other. It doesn’t matter if it’s a
striptease, a pole dance, or even a
lap dance; I’ve seen some X rated
shit make its way to the dance
floor.
Ariana enters the living room disheveled looking and wearing
a pair of Bionca’s pajamas.
CASEE
Look what the cat dragged in!
ARIANA
Hi Casee.
Ariana joins Bionca and Casee on the couch, it appears she
just woke up and doesn’t have much to say.
MASTER BRUCE SEVEN
Glenn get a picture of those three
good-looking sex pots before one of
them gets up.
Glenn picks up one of his cameras and takes a few pictures.
Davia and Danyel walk into the living room holding hands;
Danyel is also wearing pajamas and Davia is dressed in one
of Bionca’s nightgowns.
GLENN BAREN
Ladies, would you like your
pictures taken?
(CONTINUED)

CONTINUED: 54.
Glenn positions himself like he’s about to take photographs
of Davia and Danyel. Both women act annoyed and quickly
shield their faces, each with her free hand. Glenn lowers
his camera away from his face.
DANYEL CHEEKS
No!
DAVIA ARDELL
No, please... don’t.
MASTER BRUCE SEVEN
Buenos días, señoras.
Davia and Danyel sit down on the living room sofa where
Bruce had sat the night before.
Glenn repositions himself in his chair and raises his camera
again. He trains his camera on Davia and Danyel sitting
next to each other.
GLENN BAREN
How about now? Bruce tell them
it’s alright.
MASTER BRUCE SEVEN
It’s alright girls, Mister Baren
needs to warm up.
DAVIA ARDELL
Fine.
DANYEL CHEEKS
Yeah sure. Warm up.
Davia smiles before she and Danyel surprise everyone in the
room and start passionately kissing. The SHUTTER of Glen’s
camera flutters and SNAPS every time he takes a picture.
When Danyel reaches down and lifts the bottom of Davia’s
nightgown to reveal her legs and naked genitalia, Glen rises
from his chair and begins photographing the couple. An
impromptu studio photo shoot materializes in the living
room.
Davia opens her legs, exposing her vagina in plain view of
Glen and the living room spectators. Danyel slides a
wettened finger over Davia’s clitoris for clitoral
stimulation. Danyel’s pajama top gets unbuttoned and her
sizable breasts spill out with the vigor of a strong river
flow.
ARIANA
Danyel’s got some big tits!
(CONTINUED)

CONTINUED: 55.
CASEE
Yeah she does.
ARIANA
Suck on her tits Davia!
Davia grabs ahold of Danyel’s gigantic breasts and starts
sucking on them.
CASEE
Yeah baby, suck those big tits.
Bruce prudently watches Davia and Danyel fornicate.
Glenn warms up taking pictures of Davia and Danyel.
INT. MASTER BRUCE SEVEN’S RESIDENCE - DOWNSTAIRS DEN -
TUESDAY, JANUARY 2, 1996, 10:55 AM; LOS ANGELES, CALIFORNIAF
Bruce and Casee are sitting on two separate black leather
couches. Bruce is wearing a COWBOY HAT, and a pair of
SUNGLASSES; Casee is wearing a LONGSLEEVED BUTTON-DOWN
SHIRT, a MINISKIRT and KNEE HIGH LEATHER BOOTS. The
DOWNSTAIRS DEN is decorated with framed sex inspired artwork
hung on the wall, a table with a lamp on it in-between the
two couches, and there is a 4’x 4’ WOODEN PLATFORM BOX on
the floor a few feet away from where Bruce and Casee are
sitting.
Bionca and Glenn are standing on the otherside of the room.
Bionca is holding a VIDEOCAMERA ready to shoot, and Glenn
has one of his cameras with him.
MASTER BRUCE SEVEN
Bruce Seven Productions Presents,
’Hang ’Em High’, Scene One,
starring Bruce Seven and
Casee. Action!
Bionca starts recording Bruce and Casee having a
conversation.
CASEE
I’m lucky to have been in your
bondage movies. Do I still get to
be in your bondage movie today?
MASTER BRUCE SEVEN
Certainly, why not?
(CONTINUED)

CONTINUED: 56.
CASEE
I really needed that, and I begged
Bionca. She wasn’t going to let me
do it, she thought you’d get mad,
but...
MASTER BRUCE SEVEN
Turned out, ...turned out real good
didn’t it?
CASEE
Uh-huh, it was just what I
needed. I was so restless. I
never danced for you Bruce. Do you
want me to dance for you Bruce? A
little bit?
MASTER BRUCE SEVEN
Yeah, that’s true.
CASEE
Never ever, all these years.
MASTER BRUCE SEVEN
You’ve been in about seven bondage
movies and never have danced, have
you?
CASEE
No, do you want me to make it up to
you?
MASTER BRUCE SEVEN
I remember once you just did it in
front of the mirror all by
yourself.
CASEE
I didn’t know that you saw
me. That one didn’t count though,
it wasn’t for you.
MASTER BRUCE SEVEN
No, that’s true. So why don’t you
do that?
Casee stands up and starts to dance on the platform. Her
dance begins with opening-and-closing her legs while bending
her knees and moving her hips, it draws lots of attention to
her crotch; she pulls her elastine miniskirt above her waist
revealing some sexy lingerie. Casee stands up and unbuttons
her shirt but slowly lowers herself to the ground until
she’s taken the shirt completely off, then she stands up
(CONTINUED)

CONTINUED: 57.
again and tosses the shirt away from where she’s
dancing. Casee slowly slides the miniskirt down her legs
until the one-piece lingerie suit and knee high boots are
all she is has on.
Bruce plays around with a RIDING CROP throughout Casee’s
entire performance.
She does several turns while she reaches up and playfully
touches the ceiling with her fingertips. Facing Bruce,
Casee moves around on the platform taking big steps,
spreading her legs and then squatting down
suggestively. After doing a couple of squats she stands up
and unsnaps part of her lingerie making it crotchless, she
proceeds to lift the lingerie she has on over her head;
except for her boots Casee is completely naked.
Casee touches the ceiling again, first facing Bruce so he
can enjoy looking at her entire body on display in front of
him, then she turns around for him to survey her backside.
Casee steps off of the platform and dances directly in front
of Bruce, he runs one of his hands up her leg and along her
side. She leans her body into Bruce so his face touches the
skin of her swayful body.
Positioning herself on Bruce’s knee, Casee’s dance ends with
her vagina softly grinding against his pantleg.
Casee sits back down naked with her hands between her legs.
MASTER BRUCE SEVEN
Very nice.
CASEE
You liked that, huh?
MASTER BRUCE SEVEN
Yep.
Casee smiles and starts to pull on both of her nipples.
CASEE
Good.
MASTER BRUCE SEVEN
It amazes me it took you this long
to dance for me.
CASEE
I didn’t want to until now. I’m
spoiled.
(CONTINUED)

CONTINUED: 58.
MASTER BRUCE SEVEN
So what’s next?
CASEE
You tell me. You’re the one who’s
got a movie planned, don’t you?
MASTER BRUCE SEVEN
You know I have a new dominant
coming over that I am going to
interview. Her name’s Melissa.
CASEE
You mean you’ve never seen her
before? Or anything?
MASTER BRUCE SEVEN
Nope. She sounds good.
CASEE
Is she going to do anything today?
MASTER BRUCE SEVEN
Why not? Mistress "M".
CASEE
Huh?
MASTER BRUCE SEVEN
Mistress "M".
CASEE
Is that what she told you to call
her?
MASTER BRUCE SEVEN
No not really, that’s what you’re
to call her.
Casee laughs.
MASTER BRUCE SEVEN
And cut.
Bionca finishes taping and puts the videocamera aside.
CASEE
How was I?
GLENN BAREN
You were great!
(CONTINUED)

CONTINUED: 59.
MASTER BRUCE SEVEN
Casee you did such a nice job
dancing for me, I might have you do
it again sometime.
CASEE
I can’t wait to see it.
BIONCA SEVEN
You looked really good.
CASEE
Thanks Bionca.
MASTER BRUCE SEVEN
Did you two have any difficulty
following my instructions?
GLENN BAREN
No, in fact I could feel your wife
right behind me while I was taking
pictures.
There is a KNOCK at the door.
MASTER BRUCE SEVEN
Come in.
Ariana opens the door but doesn’t enter the room.
ARIANA
Melissa Monet is here and she’s
ready.
MASTER BRUCE SEVEN
Send her in.
ARIANA
Go on in Melissa.
MISTRESS MELISSA MONEY enters wearing a silver studded,
strappy black leather dominatrix outfit that permits her
medium sized breasts being exposed; she is eloquent looking
with shoulder length brunette hair and her make up is done
perfectly.
Ariana shuts the door after Melissa.
Bruce is about to get up from the couch to greet Melissa.
MISTRESS MELISSA MONET
Oh don’t get up!
(CONTINUED)

CONTINUED: 60.
MASTER BRUCE SEVEN
Well then, won’t you have a seat
next to me?
Why thank you.
Melissa sits down next to Bruce.
MASTER BRUCE SEVEN
You must be Melissa, I’m Bruce
Seven.
Bruce gently shakes Melissa’s hand.
Nice to finally meet you in person.
MASTER BRUCE SEVEN
Same to you. These are a few of my
friends. I’d like you to meet my
wife Bionca Seven, Glenn Baren our
photographer, and Casee, whom you
will be working with today.
Bruce consecutively points out each person he mentions to
Melissa.
Nice meeting all of you.
Casee sits down on the empty couch she’d been sitting on
before Melissa arrived.
MASTER BRUCE SEVEN
So tell us little about yourself
Melissa.
I’m originally from New York City,
that’s where I got into "S" and
"M". I moved to Hollywood a year
ago. I have an agent who’s helping
me become successful in porno, and
I share an apartment with two guys
in West Hollywood.
MASTER BRUCE SEVEN
Is there anything else about you we
should know?
Bionca has the video camera on her shoulder and is about to
start recording Melissa and Bruce.
(CONTINUED)

CONTINUED: 61.
No, I don’t think there is.
Bionca starts recording and Glenn gets his camera ready.
GLENN BAREN
Action!
MASTER BRUCE SEVEN
Then it’s very nice to meet you
Melissa.
Nice to meet you too Bruce.
MASTER BRUCE SEVEN
No you do understand what you’ll be
doing as a mistress?
Oh absolutely, I’ve been doing it
for a long time now.
MASTER BRUCE SEVEN
We have Casee here; show me what
you can do.
Alright. You always do have the
most beautiful women Bruce.
Melissa looks Casee over.
MASTER BRUCE SEVEN
Why don’t you stand up Casee?
Casee stands up and steps onto the platform.
Turn around, let me look at your
ass. Bend over.
Casee does what Melissa asks and bends over. Melissa stands
up when she is through examining Casee’s body. Bruce holds
the riding crop he’d been toying with like he might use it
this time.
I don’t want to hear any noise from
you bitch. Bend forward. Arch
your back more. I hear you can
take quite a beating.
(CONTINUED)

CONTINUED: 62.
Casee is bent over the way Melissa wants her; she’s good at
taking instructions.
CASEE
Yes.
Yes what?
CASEE
Yes I’ve been told that.
No, what do you say, "Yes..."?
CASEE
Yes Mistress "M".
When I speak to you I want you to
answer me loud and clear. I don’t
want to have to repeat myself. How
come there aren’t any marks on this
ass yet Bruce?
Melissa runs her hand over Casee’s smooth rear end. Bruce
hits Casee on her bare bottom with the end of the riding
crop, there’s a loud SMACK sound when it slaps her behind.
MASTER BRUCE SEVEN
Start any?
CASEE
prrrrrrrrr, prrrrrrrr
I think you can do better marks
than that. I want to see her purr
again.
Bruce hits Casee with the riding crop again.
CASEE
trrrrrrrrrrrrrr
I like that a lot.
MASTER BRUCE SEVEN
She has a favorite paddle right
over here on the table.
(CONTINUED)

CONTINUED: 63.
Oh she does? Ah! Hmmmm..
Melissa looks at a TABLE with different PADDLES, FLOGGERS,
WHIPS, ETC. on it.
MASTER BRUCE SEVEN
That round one.
That one does a little damage,
doesn’t it?
Melissa selects a DOUBLE TONGUED PADDLE from the table.
This is a pussy paddle here.
Melissa hits Casee several times on the back with the
paddle.
Pussy paddles don’t do anything,
they just make a lot of noise.
Melissa finds another paddle from the table to use on Casee,
it is a ROUND LEATHER PADDLE. She gives Casee a few hard
smacks with the round paddle.
CASEE
ahhhhh, ahhhhhhhh, ahhhhhh
You’re not touching yourself are
you? Little cunts like you like to
touch themselves. I mean it, don’t
let me catch you doing it.
CASEE
No Mistress "M", honest.
Get on your back.
Casee turns over and lays down flat on the platform.
Melissa changes paddles again. When she returns from the
table she tries to spread Casee’s legs apart, then with the
new SINGLE STRAPPED LEATHER PADDEL she’s selected Melissa
starts flogging Casee’s vagina.
(CONTINUED)

CONTINUED: 64.
You like to get pussy juice over
everything?
CASEE
I’m already wet. It stinks.
Yeah? Are you getting nice and wet
for me? Really wet?
CASEE
Yeah.
Get back up on your feet. Come
on. Get back in that
position. When I tell you to move,
you move!
Casee stands up, she’s whimpering a little because of
Melissa’s fastpaced style of bondage.
I hate whiners.
CASEE
heh heh heh heh
Melissa pulls Casee’s hair so she’ll stand up straight.
Back up on your fucking feet. What
are you whimpering for? What the
fuck are you whimpering about? I
haven’t even gotten started yet.
CASEE
I don’t know, I don’t know.
Melissa whips Casee with the paddle to show how upset she is
with Casee’s incompetence.
Fucking bitch, I hate that. I hate
getting pissed off. I heard you
were well trained, apparently not!
CASEE
No, I’ve never been trained.
(CONTINUED)

CONTINUED: 65.
I’m going to fucking train
you. Don’t touch me, you
understand? Don’t even attempt it
until I tell you.
CASEE
Yes Mistress "M".
Get on the floor and spread your
legs. No actually get on your
back.
Casee lays down on her back and spreads her legs apart.
Spread’em. Look at that
pussy. That is one pretty pussy
you’ve got there.
CASEE
Thank you Mistress "M". I wish I
could see you slapping my pussy.
What are you so happy about,
huh? What are you so fucking happy
about?
Melissa stops what she’s doing to look Casee in the face.
CASEE
I like it because I feel so scared.
You’re not scared.
CASEE
Yes I am. I already scared of you.
Melissa inspects Casee’s vagina using her fingertips.
I like seeing that pink Bruce.
MASTER BRUCE SEVEN
Isn’t that pretty?
Yeah.
(CONTINUED)

CONTINUED: 66.
Bruce slaps Casee’s legs, thighs and swollen vagina from
where he sits with the riding crop he’s got. Melissa stands
behind Casee with her legs apart.
You like looking at my pussy?
CASEE
Yes. Yes Mistress "M".
I don’t know Bruce...
MASTER BRUCE SEVEN
Keep them apart!
Bruce slaps Casee with his riding crop so she will pay
attention to him.
MASTER BRUCE SEVEN
She moves an awful lot Melissa,
what we have to do is tie her up.
Oh I think so. She’d probably
enjoy it too much.
Melissa picks up Casee’s legs and pins them above her
head. Melissa spanks Casee a couple of times.
Yeah I think we should tie her up.
MASTER BRUCE SEVEN
Definitely.
Bruce and Melissa tie Casee up with SPECIAL ROPES used in
bondage films. Bruce ties her legs so they are spread wide
open and Melissa ties Casee’s hands above her head.
She’s just not well trained enough
to stay like this.
MASTER BRUCE SEVEN
Melissa, sweetheart? How about a
little pleasure? There’s always a
pleasure side of this when I do
it. I know in a lot of places they
stay strictly to the beating up of
people, but..
(CONTINUED)

CONTINUED: 67.
Oh but I don’t treat my girls like
that.
MASTER BRUCE SEVEN
Around here we have a lot of
pleasure along with the
pain. Would you like that Casee?
CASEE
Sure.
I like to believe that bondage and
"S" and "M" is very erotic, and
should always be treated that way.
Melissa sucks on and licks Casee’s nipples, Casee smiles.
This is great.
CASEE
Yeah.
Melissa and Casee kiss and laugh together.
CASEE
I can’t move.
I know, I like it like that because
you’re at my mercy this way.
CASEE
I’m really tight. I can’t even
squirm.
Oh I like that too. I don’t want
you to squirm! I don’t want you to
squirm at all.
MASTER BRUCE SEVEN
Melissa I’m going to leave for
awhile. I’ve got some telephone
calls to make. I’ll be back in a
few. Don’t forget to turn her over
and use the floggers on her, she
really likes those.
(CONTINUED)

CONTINUED: 68.
Oh really?
MASTER BRUCE SEVEN
I think you’re in good hands Casee.
Bruce exits the room and shuts the door behind him. Now
it’s only Bionca and Glenn in there shooting the scene with
Melissa and Casee.
INT. MASTER BRUCE SEVEN’S RESIDENCE - DOWNSTAIRS HALLWAY -
TUESDAY, JANUARY 2, 1996, 11:25 AM; LOS ANGELES, CALIFORNIA
Bruce lied to Melissa about having to make some phone calls;
he’s actually worried about Casee’s safety and what he’ll
have to do if Melissa gets out of control. He stands
quietly next to the door to the downstairs den with his ear
up against it so he can hear what’s happening in the
room. Bruce has never been this concerned about the
possibility of someone getting hurt on the set of one of his
films. He listens.
I think you need some fingers
inside of you.
CASEE (V.O.)
Ohhhhhhhh!
Yeah, you like that?
CASEE (V.O.)
Yes, thank you Mistress "M".
You know I have all of these toys
over here. I haven’t had a chance
to use this one yet. I heard you
like cocks. I know this isn’t the
real thing but you can suck it
anyway. Get on your knees Casee.
Bruce can hear Casee being slapped across the face with a
STRAPON DILDO. It sounds like Melissa is forcing Casee to
perform oral sex.
Suck it bitch. Suck my fucking
dick. Oh yeah. Let me see it, let
me fucking see it. Yeah. Fuck
yeah.
(CONTINUED)

CONTINUED: 69.
The choking sounds Casee makes are get louder and louder,
the sounds suggest Melissa is using too much force on Casee;
for example, Casee is stammering and every time she attempts
to say something she is cut off by having something shoved
in her mouth.
Bruce is listening, he’s displeased. What Melissa is doing
to Casee in the den does not match the "Bruce Seven House
Rules for Torture". Bruce listens to more of the
conversation between Melissa and Casee.
Play with yourself. Do it, play
with yourself little girl. Suck
it. I’m going to pull your hair
little girl.
Bruce cringes at the thought of his dear friend Casee having
her hair pulled by Melissa.
Come on! Come on! Suck on it,
come on! Fucking suck it! Goddamn
cunt! Fucking A. Goddamnit! Get
up stupid. I’m going to fuck you.
Outside in the hallway Bruce waits patiently for the best
time to return to the downstairs den.
Melissa is screwing Casee from behind with the strapon gear
attached to her waist.
CASEE
Oh fuck. Fuck me. Oh yeah,
fuck. Fuck me Mistress. Fuck
me. Fuck me Mistress.
Why am I standing up doing all of
the fucking work? Either you fuck
this cock or I’ll beat you so
senseless, you understand
me? Don’t you know how to do
anything fucking right? On your
knees again, I want you to suck
every drop of your pussy juice off
my cock. Choke yourself with it
bitch.
(CONTINUED)

CONTINUED: 70.
Casee gets on her knees and starts cleaning Melissa’s
strapon with the inside of her mouth, she grabs the strapon
so she can hold it better.
Get your hand away from
there! What the fuck do you think
you’re doing? I don’t feel it that
way. I don’t feel it that way,
understand? Hump my leg.
Casee does what Melissa tells her to and humps the mistress’
right leg like a dog in heat.
That’s it, fuck my leg. Your pussy
is so wet, oh my God. You’re
drippin’ all over my shoe. Right
now I want you down lickin’ my shoe
because you got pussy juice on it!
Casee licks one of Melissa’s shoes like she’s told.
Come on let me see. Let me
see. Lick every drop. You see the
cum? You see? You put your cum on
my leg, on my fucking shoe! That’s
it! I really hate when you
undisciplined little fucking cunts
make a mess of me.
Bruce hears the conversation stop and then some more of
Melissa’s hard spankings.
CASEE (V.O.)
owwwwwwww, owwwwwwww
Goddamnit! Well now I’ve hurt my
hand. Get me a goddamned paddle
will you? Hurry up. What the fuck
are you waiting for?
Bruce can’t believe what he is hearing. He is disgusted by
the way Casee is being treated. He closes his eyes and
listens some more.
(CONTINUED)

CONTINUED: 71.
I was having such a great time
too. I was getting so much
pleasure out of that, and now look
at what you fucking did! You
pissed me off.
CASEE (V.O.)
I’m sorry Mistress "M".
CASEE
I thought you wanted me to
cum. I’m trying that’s all. It’s
hard to please you Mistress.
Melissa is busy pacing around Casee who’s still on her knees
in the middle of the room.
I know. I know I’m tough. Once
you’re trained you won’t have to go
through this.
CASEE
I can get better, I promise.
Yeah? I want to play with you some
too. I want to teach you so well.
CASEE
Don’t tell Bruce I messed up today,
please tell him I was good.
Are you more afraid of Bruce than
you are of me?
CASEE
No it’s just I want him to let me
play with you some more.
Melissa and Casee kiss.
Awwww, I like you. I like you a
lot.
(CONTINUED)

CONTINUED: 72.
CASEE
I like you too.
I’m not going to tell Bruce but I
do have to punish you for gettin’
pussy juice on my shoe.
CASEE
OK.
Alright? Now I need you to put
your ass right here. I want you on
your stomach because you have to
take your lashes. It’s no fair if
you don’t get your beating. See
because it’s very bad if I let you
get away with it.
Casee gets on her hand and knees.
Now I want you to tell me how sorry
you are, that you fucked up!
CASEE
I’m sorry I fucked up
Mistress. I’m sorry I fucked up, I
know.
Now next time if you know you’re
going to cum you have to tell me
because it is one of my favorite
things, and I have to watch it. I
have to see it. I want to feel
it. I want to feel it all over me
because that’s what makes me cum.
CASEE
I’m so sorry.
MISTRESS MELISSA
MONET
...and I’m in this for me.
CASEE
Yes I know it’s for you, it’s all
for you Mistress "M".
OK, now I won’t tell Bruce about
how bad you’ve been, and I will
tell him that I do want to play
with you again.
(CONTINUED)

CONTINUED: 73.
CASEE
Thank you. I’ll be really good
next time Mistress.
There, now you’re nice and
punished.
Bruce returns to the den.
MASTER BRUCE SEVEN
Well hi, did you guys have a good
time? Casee was she good?
CASEE
Yes very good.
MASTER BRUCE SEVEN
Was she?
She’s a little hot ass.
MASTER BRUCE SEVEN
I have some other girls I need to
devote my time to this
afternoon. I’ll tell you what, I
want you to take her to the back
bedroom and have some fun with her
Melissa.
You mean finish her off?
MASTER BRUCE SEVEN
Yeah. Is that OK?
Melissa looks at Casee.
Follow me out.
MASTER BRUCE SEVEN
Keep your hands behind your back at
all times Casee.
Melissa leads Casee out of the room.
Bruce looks into the video camera that Bionca is holding.
MASTER BRUCE SEVEN
Looks like Mistress "M" is going to
do real good here.
(CONTINUED)

CONTINUED: 74.
In spite of what he said to the camera Bruce shakes his head
in disgust.
GLENN BAREN
And cut Bionca.
Bionca stops filming and lowers the video camera, a look of
disbelief and terror reveals itself on her face. She is
horrified by what she has just seen filming ’Hang ’Em High’.
Bruce turns to speak to Glenn.
MASTER BRUCE SEVEN
I can’t believe what I just fucking
heard! I was right there behind
that door listening to goddamned
Mistress "M". What the fuck was
that? Are we supposed to pay her
after everything she did to
Casee? Casee probably hates my
guts for leaving her in here with
that bitch. I could tell something
bad was about to happen so I left
the room.
BIONCA SEVEN
You missed it. You weren’t in here
Bruce, I’ve never seen a person get
that aggressive with one of our
girls. Luckily I was still able to
concentrate.
GLENN BAREN
Bruce I think you should know that
Bionca and I got some amazing
footage despite everything else.
MASTER BRUCE SEVEN
So it wasn’t a total disaster then?
GLENN BAREN
That’s what I’m saying, Bionca
followed my lead the entire time.
MASTER BRUCE SEVEN
You’ll both have some nice things
to show me later, is that what you
guys are telling me?
Bruce relaxes.
(CONTINUED)

CONTINUED: 75.
BIONCA SEVEN
Yes Bruce.
MASTER BRUCE SEVEN
That’s good. I’m still going to
tell Melissa she won’t be welcome
here after today.
BIONCA SEVEN
That’s fine Bruce.
MASTER BRUCE SEVEN
I love you.
Bruce gives Bionca a kiss.
BIONCA SEVEN
Do you want me to find out what
Danyel and her friend are doing? I
told those girls to get ready
because they’d be next.
MASTER BRUCE SEVEN
Fine by me. Davia still needs a
quick lesson about what to do, we
can work with her when you get
back.
BIONCA SEVEN
Is Danyel going to be a top for
this?
MASTER BRUCE SEVEN
Yes but don’t say anything, I’ll
tell her.
Bionca leaves the room.
MASTER BRUCE SEVEN
Damn! I am so angry at her.
Bruce sits down.
GLENN BAREN
Bionca?
MASTER BRUCE SEVEN
No, no. I’m not angry at my wife,
I’m fucking angry at Melissa. You
were in here, you saw it! That
woman made a damn fool of herself
insulting Casee. Things didn’t get
much better once I left either, I
(MORE)
(CONTINUED)

CONTINUED: 76.
was hiding behind the door! I
heard everything she said. She
threatened to punch her! That
stupid bitch.
Bionca is standing in the HALLWAY outside of the DOWNSTAIRS
GUEST BEDROOM secretly listening to Casee and Melissa behind
the closed door.
Lay still! I said lay still! Lay
on the bed and don’t fucking move!
CASEE (V.O.)
I am Mistress!
Suddenly there is a sound like someone getting
punched. Casee starts to cry.
Now do what I say.
Bionca puts her hand over her mouth, she can’t believe
what’s probably happened in the guest room.
CASEE (V.O.)
You hit me Mistress "M"!
You deserved it. Lay still while I
finish with you.
Rapid slapping sounds and Casee’s sobbing take the place of
talking.
Bionca rolls her eyes, she knows Melissa is out of
control. She leaves the doorway; thus for the moment
avoiding a confrontation with Melissa.
MASTER BRUCE SEVEN
Casee’s dance was beautiful. Maybe
Mistress Melissa gave her what she
deserved.
(CONTINUED)

CONTINUED: 77.
GLENN BAREN
Maybe.
Bionca enters the den with Davia and Danyel following her.
BIONCA SEVEN
Casee likes it rough.
MASTER BRUCE SEVEN
Hey there!
DANYEL CHEEKS
Hi Bruce.
MASTER BRUCE SEVEN
Come sit down, we need to talk
before we get started.
DANYEL CHEEKS
Sure.
Danyel sits on the couch, Davia sits down on the platform
facing Bruce.
MASTER BRUCE SEVEN
This is Davia’s first time in front
of the camera, Danyel I want you to
be the leader. Guide her along so
she does a good job. Can you do
that?
DANYEL CHEEKS
Sure.
MASTER BRUCE SEVEN
Davia we’ll give you instructions
but just be natural, be yourself
and if you feel like showing off
I’m alright with that. As long as
what you do comes from the heart we
won’t have any problems, do I make
myself clear?
DAVIA ARDELL
Yes.
MASTER BRUCE SEVEN
Good then. I’ll give a short
introduction then you girls can
play. As soon as you hear somebody
say ’Action!’ it’ll be your turn to
shine. Any questions?
(CONTINUED)

CONTINUED: 78.
DAVIA ARDELL
No.
Bionca and Glenn pick their equipment off of the table and
prepare themselves to film the second scene of ’Hang ’Em
High’.
DANYEL CHEEKS
Are you nervous Davia?
Davia doesn’t answer Danyel’s question, instead she is
waiting to hear someone shout ’Action!’.
BIONCA SEVEN
Action!
MASTER BRUCE SEVEN
Danyel!
DANYEL CHEEKS
Yeah?
MASTER BRUCE SEVEN
Who’s this?
DANYEL CHEEKS
This is Davia.
MASTER BRUCE SEVEN
Davia?
DANYEL CHEEKS
She’s kind of new.
MASTER BRUCE SEVEN
Is she? What a pretty little
thing.
DANYEL CHEEKS
She’s never done any kind of
bondage before. I showed her the
movie we did and told her that I
was really nervous my first time.
MASTER BRUCE SEVEN
Oh I remember the first one,
’Painful Cheeks’, wasn’t
it? Starring Danyel Cheeks, am I
right?
DANYEL CHEEKS
I was so nervous but I went ahead
and tried it, didn’t I Bruce? I
(MORE)
(CONTINUED)

CONTINUED: 79.
DANYEL CHEEKS (cont’d)
told her if she wanted to do it,
that she totally let us know.
MASTER BRUCE SEVEN
Does she want to?
DANYEL CHEEKS
Yeah! She wants to see what it’s
all about.
MASTER BRUCE SEVEN
She wants to try it.
DAVIA ARDELL
Yeah.
DANYEL CHEEKS
She’s nervous.
DAVIA ARDELL
Yeah, very nervous.
MASTER BRUCE SEVEN
Did Danyel tell you I also own a
couple of strip clubs?
DAVIA ARDELL
Oh really?
MASTER BRUCE SEVEN
Didn’t you tell her?
DANYEL CHEEKS
I should have.
MASTER BRUCE SEVEN
You dumbfuck, you didn’t
remember. Would you like to dance
for me?
DAVIA ARDELL
I’d love to dance for you Bruce.
MASTER BRUCE SEVEN
Dance really nasty.
DAVIA ARDELL
Really nasty?
MASTER BRUCE SEVEN
Oh yeah.
(CONTINUED)

CONTINUED: 80.
DAVIA ARDELL
OK, I promise.
MASTER BRUCE SEVEN
You’re really nervous?
DAVIA ARDELL
Yeah, a good nervous though.
MASTER BRUCE SEVEN
Is it a good one? Do you like
dirty old men spanking your ass?
DAVIA ARDELL
Are you kidding? I love it.
DANYEL CHEEKS
I haven’t told her much of
anything, so she doesn’t know what
to expect. She’s got that suspense
nervousness.
MASTER BRUCE SEVEN
Well that’s alright. I’m not going
to do anything bad. First you’ll
dance for me and then I’m going to
let Danyel play with you.
DAVIA ARDELL
I can’t wait.
MASTER BRUCE SEVEN
We’re going to tie you up, OK? Are
you excited?
DAVIA ARDELL
Yeah!
MASTER BRUCE SEVEN
OK, first we’ll do the dance.
Davia gets off the couch and onto the wooden platform. She
performs a sexy dance routine beginning with dancing alone
then opening and closing her legs in front of Bruce while
seductively touching herself and flashing her
vagina. Danyel joins Davia on the platform and they trade
off stripping the others’ sexy outfit off until both women
are nude. Davia’s dance ends as she is swooned over by
Danyel, who is making time by both groping and holding her
dance partner upright in a traditional slow dance position.
Davia and Danyel both have a seat next to Bruce.
(CONTINUED)

CONTINUED: 81.
MASTER BRUCE SEVEN
You guys are very sexy, and you
definitely have a job dancing at
one of my clubs. Now it’s time to
see how you do in the
bondage. Remember the last movie
we did? I think it was ’Shane’s
Ultimate Workout’ that’s when I let
you start being a top.
DANYEL CHEEKS
I remember.
MASTER BRUCE SEVEN
You enjoyed that didn’t you Danyel?
DANYEL CHEEKS
Yep.
MASTER BRUCE SEVEN
Well I’m going to let you continue
on your course of being a top, and
we’ll get little Davia tied up and
see what you can do.
DANYEL CHEEKS
You know what that means Davia.
MASTER BRUCE SEVEN
But first, before we do any of
those things, I want her to take
you on the little platform and
pleasure you however you fucking
like.
Bruce gets up and leaves the room.
Danyel is the first one to get up on the platform. Davia
stands up but doesn’t get onto the platform.
DANYEL CHEEKS
Get up here little girl! Do you
know what that means? That means
get up here little girl!
Danyel violently grabs Davia by the back of the neck and
shoves the short woman’s face into her crotch. Danyel makes
her step onto the platform by walking backward and not
letting go of Davia’s neck. Once on the platform Davia
straightens up but Danyel stoops down to look her in the
eyes.
(CONTINUED)

CONTINUED: 82.
DANYEL CHEEKS
Do you know what you’re going to do
little girl? Do you?
DAVIA ARDELL
No, no I don’t.
DANYEL CHEEKS
Get on your knees! Now!
As soon as Davia is on her knees Danyel shoves her vagina
into Davia’s face.
DAVIA ARDELL
What now?
DANYEL CHEEKS
What now? I’ll tell you what now,
I’m going to mess up that pretty
little face of your’s. You like
that little girl? Do you?
DAVIA ARDELL
Yeah.
DANYEL CHEEKS
You’re going to like it whenever I
stick this pussy in your
face! I’ll smear my pussy juice
all over your face. What are you
willing to do for me? Tell me!
DAVIA ARDELL
Anything you like.
DANYEL CHEEKS
Anything?
DAVIA ARDELL
Yes I trust you.
DANYEL CHEEKS
Lick my pussy.
Davia performs servitudish oral sex on Danyel.
DANYEL CHEEKS
Alright stop, you’re done. You
made me cum, good job. Now stand
up.
Davia gets off of her knees and stands up next to Danyel.
(CONTINUED)

CONTINUED: 83.
DANYEL CHEEKS
Did you enjoy yourself?
DAVIA ARDELL
Yes.
DANYEL CHEEKS
Put your hands behind your back.
Davia puts her hands behind her back like a person about to
be put in handcuffs.
DANYEL CHEEKS
Now put your hands.. ugggh, you’re
going to drive Bruce nuts. Put
your hands up and hang on to your
elbows.
Davia does what Danyel says.
DAVIA ARDELL
Like this?
DANYEL CHEEKS
There you go.
Bruce returns with some more rope used for bondage, as well
as a blindfold.
MASTER BRUCE SEVEN
Been having a good time?
DANYEL CHEEKS
Yeah.
DAVIA ARDELL
Yeah.
MASTER BRUCE SEVEN
Davia? Been having a good time?
DAVIA ARDELL
Yes, master.
MASTER BRUCE SEVEN
Are you ready to be tied up? I
brought some rope.
DANYEL CHEEKS
She’s ready.
MASTER BRUCE SEVEN
I think she’s going to like it.
Bruce steps onto the platform, Danyel steps down from it and
faces Davia. She looks Davia in the eye.
(CONTINUED)

CONTINUED: 84.
DANYEL CHEEKS
Stand still, OK? Don’t move.
DAVIA ARDELL
OK.
Bruce slips the blindfold over Davia’s eyes.
MASTER BRUCE SEVEN
Just relax Davia. You got weak
legs baby?
DAVIA ARDELL
No.
MASTER BRUCE SEVEN
Spread your legs sexy.
Davia spreads her feet apart.
DANYEL CHEEKS
Farther!
Davia spreads her legs further apart.
MASTER BRUCE SEVEN
Now put your hands down like this.
Bruce helps Davia let go of her elbows and lowers her hands
down behind her back into the handcuff position. Bruce ties
Davia’s wrists together.
DANYEL CHEEKS
You’re going to love the way that
rope feels on your body.
Bruce ties the rope around Davia in an elaborate design:
twice above her shoulders, three times across her chest, and
once between her legs. He finishes off the last of his rope
tying an expert’s knot at the small of Davia’s back.
MASTER BRUCE SEVEN
All done!
DANYEL CHEEKS
She looks real nice Bruce.
Bruce steps off of the platform and gets to where Danyel is
standing; he smiles and admires his work.
MASTER BRUCE SEVEN
She does look nice. How does it
feel Davia?
(CONTINUED)

CONTINUED: 85.
DAVIA ARDELL
Good.
MASTER BRUCE SEVEN
Danyel I’m going to leave it up to
you, what you want to do.
Danyel looks Davia over.
DANYEL CHEEKS
Tight young ass. Bend over.
Davia leans forward.
DANYEL CHEEKS
Are you uncomfortable? Does it
hurt?
DAVIA ARDELL
No.
Danyel gets on the platform behind Davia. She softly pets
Davia’s backside.
DANYEL CHEEKS
Let’s see, what do we have here? A
nice little tan butt.
DAVIA ARDELL
Yeah.
DANYEL CHEEKS
Is your pussy getting wet? Does it
make you feel hot being
blindfolded?
DAVIA ARDELL
Yeah.
DANYEL CHEEKS
Do you like it when I spank your
ass like this?
Danyel spanks Davia. Davia winces but quickly regains
control of her balance.
DANYEL CHEEKS
I don’t think she can take it. Can
you take it little girl?
DAVIA ARDELL
Yes.
(CONTINUED)

CONTINUED: 86.
DANYEL CHEEKS
You’re not going to fall over are
you?
DAVIA ARDELL
No.
DANYEL CHEEKS
It makes your pussy hot doesn’t
it?
Bionca waves her free hand at Bruce signaling for him to
yell cut and end the scene.
MASTER BRUCE SEVEN
Cut!
Everyone in the room stops what they are doing, even Davia
relaxes albeit the bondage she’s in.
BIONCA SEVEN
Bruce I’m sorry but..
Bionca tries to keep herself from crying.
BIONCA SEVEN
I overheard Melissa in the back
bedroom and it sounded like she’d
hit Casee. You better find out
what’s going on.
Bruce looks surprised; Danyel puts both of her hands over
her mouth; and Glenn suddenly looks like he’s ready for his
first break.
MASTER BRUCE SEVEN
Yeah? I can do that. You guys
take a break, I’ll see if anything
is the matter.
Bruce leaves the downstairs den.
DANYEL CHEEKS
Do you want me to untie you Davia?
DAVIA ARDELL
Yeah sure.

87.
Bruce walks down the hallway toward the back bedroom. When
he gets close to bedroom he can hear Casee crying.
Stop crying!
CASEE (V.O.)
Fuck you.
What did you say? Fuck you? Fuck
yourself! Fuck you.
Bruce hears a series of punches being thrown.
CASEE (V.O.)
Stop! Stop it!
Say you’re fucking sorry.
Bruce rushes to the bedroom door and beats on it with his
fist.
MASTER BRUCE SEVEN
Open the door Melissa! Right now.
Melissa quickly opens the door for Bruce.
INT. MASTER BRUCE SEVEN’S RESIDENCE - BACK BEDROOM -
TUESDAY, JANUARY 2, 1996, 11:27; LOS ANGELES, CALIFORNIA
Casee is sitting on the floor naked and crying, she’s been
punched a few times.
MASTER BRUCE SEVEN
What the hell is she doing on the
floor crying?
CASEE
She hit me!
MASTER BRUCE SEVEN
Casee are you hurt? Can you stand
up?
Casee hangs her head and starts to cry hard.
(CONTINUED)

CONTINUED: 88.
She doesn’t fucking listen Bruce!
MASTER BRUCE SEVEN
I know what happened. She said
something you didn’t like so you
punched her a couple of times.
Saying ’fuck you’ to someone is not
like giving them a compliment where
I come from.
MASTER BRUCE SEVEN
Oh yeah? Well fuck you! Fuck you
Melissa!
What the hell are you so pissed off
for?
MASTER BRUCE SEVEN
I’ll tell you why I’m pissed. When
you beat up other women in my house
it’s a problem!
Up your fucking ass, Mr. Director.
MASTER BRUCE SEVEN
Right now it’s time for you to
leave. Get your shit and don’t
ever let me catch you in my home
again.
The dress I changed out of when I
got here is in your living
room. Your fucking wife told me I
needed to take off my clothes in
front of her and her friends. They
were saying shit like ’Can I rub
your ass?’ and ’Show us what your
pussy looks like.’
MASTER BRUCE SEVEN
Fuck you and your dumb dress.
What?
(CONTINUED)

CONTINUED: 89.
MASTER BRUCE SEVEN
You can drive back to Hollywood in
your underwear little girl, maybe
the police will notice and stick
your freezing cold ass in jail
where it belongs.
Melissa kneels down to talk to Casee one last time.
Bye, I’ll miss you.
MASTER BRUCE SEVEN
Melissa!
Melissa walks out of the bedroom, Bruce follows her into the
downstairs hallway.
Bruce walks down the hall behind Melissa.
MASTER BRUCE SEVEN
How dare you punch Casee?
I want my fucking dress!
MASTER BRUCE SEVEN
Too bad.
Bruce and Melissa reach the front door. Bruce opens the
door for her to leave.
You got some money for me?
MASTER BRUCE SEVEN
I caught you knocking around one of
my friends, I don’t owe you shit
lady. Now get the fuck out of
here!
Motherfucker!
Melissa pounds on Bruce’s chest with her fists, he grabs a
hold of her and shoves her outside.

90.
EXT. MASTER BRUCE SEVEN’S RESIDENCE - FRONT ENTRANCE -
Bruce stands in the doorway. Melissa has distanced herself
a few feet away from Bruce after being thrown out.
MASTER BRUCE SEVEN
Don’t come back.
Bruce goes back inside of his home, slamming the front door
closed (so loud that it scares Melissa).
Melissa notices two of Bruce’s neighbors looking at her from
inside of their home. She tries covering her body up and
runs to her car parked in the street but spends a long time
fumbling around in her purse looking for a set of car keys.
INT. MISTRESS MELISSA MONET’S CAR - TUESDAY, JANUARY 2,
1996, 11:39 AM; LOS ANGELES, CALIFORNIA
Sitting in the driver’s seat of her car Melissa starts to
cry; for her, the humiliation Bruce had spoken of has begun
to set in.
Bruce returns to the den. Casee has been recovered from the
back bedroom and brought into the den room, she is wearing
the outfit she’d worn during her scene with Bruce and is
sitting on the couch sobbing. Danyel and Davia sit on
either side of Casee comforting her with their gentle touch
and soft voices.
DAVIA ARDELL
Relax sweetheart, it wasn’t
your fault.
DANYEL CHEEKS
Yeah it’s alright to
cry. She had no right to
hit you, it won’t happen
again. I promise. We can
sit here until you feel
better.
CASEE
I’m better.
MASTER BRUCE SEVEN
Do we need to take her to a doctor?
(CONTINUED)

CONTINUED: 91.
BIONCA SEVEN
I don’t know Bruce, ask her.
DANYEL CHEEKS
Casee listen to me, Bruce wants to
know if you need to see a doctor.
MASTER BRUCE SEVEN
I can call someone to come over and
take a look at her.
DANYEL CHEEKS
Bruce says you don’t have to go to
a hospital, he can have a doctor
come here.
CASEE
I don’t know.
MASTER BRUCE SEVEN
I’ll call my friend who’s a doctor
and tell him what happened, it
shouldn’t be any trouble.
Bruce picks up a PORTABLE PHONE and speed dials the phone
number to his doctor, DOCTOR JACK WEST.
MASTER BRUCE SEVEN
Hello, Dr. West? (pause) It’s
Bruce Behan. (pause) I am doing
fine thanks. I’d like to know if
you could make a house call,
something unexpected
happened. (pause) No it wasn’t a
drug overdose, there was an
altercation involving two
women. I’d like to make sure the
one that got banged up is
alright. (pause) Her name is
Casee. (pause) OK, I’ll tell her,
bye Jack.
Bruce hangs up and sets the phone down. He goes over to
Casee and the other girls sitting down and moves the
platform so that it’s not in the way. Casee’s crying has
died down.
MASTER BRUCE SEVEN
The doctor told me to tell you
he’ll be right over.
Ariana enters the room.
(CONTINUED)

CONTINUED: 92.
ARIANA
What’s going on? I heard
yelling. Why is Casee crying? Is
she OK?
BIONCA SEVEN
That moron Bruce was interviewing
punched Casee in the face.
MASTER BRUCE SEVEN
I had to raid the guest bedroom and
escort Melissa off the property.
ARIANA
No way!
MASTER BRUCE SEVEN
It was tough to get her out the
door. First she wanted her dress
back, then she felt like I owed her
some fucking money. You should
have seen it.
CASEE
Did she hit you?
All of the women in the room laugh.
MASTER BRUCE SEVEN
Yeah she did.
GLEN BAREN
Are you in any pain Bruce?
MASTER BRUCE SEVEN
No, I’m fine. I just need to sit
down, that’s all.
TUESDAY, JANUARY 2, 1996, 1:10 PM; LOS ANGELES, CALIFORNIA
Dr. West is finishing his evaluation of Casee’s physical
condition; he shines a PEN LIGHT into Casee’s eyes and
mouth, next he carefully places his fingers below her
jawline and feels around along her neck, finally he checks
her pulse on the wrist. Bruce and Bionca are the only two
other people in the room.
MASTER BRUCE SEVEN
How is she Jack?
(CONTINUED)

CONTINUED: 93.
DOCTOR JACK WEST
No broken bones, her cognitive
state appears to be in fine working
order. Casee you’re a healthy
young woman, did you know that?
CASEE
Yeah.
BIONCA SEVEN
She takes pretty good care of
herself, Doctor.
DOCTOR JACK WEST
She does have three abrasions, one
over the left eye, another on the
cheek, and on the side of the
head. I checked for signs of
muscle tear but there was
none. She’s going to need lots of
rest, perhaps a few days in bed. I
can also write a prescription for
some pain medication if she
likes. Is it safe to give Casee
Vicodin?
BIONCA SEVEN
Casee, Doctor West would like to
know if it’s okay to give you
Vicodin?
CASEE
Yeah, it is.
DOCTOR JACK WEST
Does she want a prescription for
some? She can take it at her own
discretion until she feels better.
BIONCA SEVEN
Doctor West wants to know if he can
write you a prescription, he said
you could take the medicine until
you feel better.
CASEE
It’s fine, he can write me a
prescription Bionca!
Casee breaks into soft laughter, carelessly showing
everybody what’s happened to her is funny after all.

94.
INT. BRUCE SEVEN PRODUCTIONS STUDIO - SCREENING ROOM -
WEDNESDAY, JANUARY 3, 1996, 2:00 PM; TORRANCE, CALIFORNIA
Bruce, Bionca, Glen, and handsome athletic looking Peter
North comfortably relax on expensive looking brown LEATHER
COUCHES in the studio’s SCREENING ROOM eating popcorn and
waiting for Lisa Harper to arrive. The screening room is
commonly used for watching dailies and comes complete with
an old fashioned POPCORN TROLLY, a large thirty-five
millimeter FILM PROJECTOR, an advanced AUDIO SYSTEM, and a
big PROJECTOR SCREEN mounted on the wall.
PETER NORTH
I love this room!
MASTER BRUCE SEVEN
Really Peter?
PETER NORTH
Yes! This is luxurious, you can
watch dailies here in style.
MASTER BRUCE SEVEN
That’s what it’s for.
PETER NORTH
Your studio is closer to the ones
used in Hollywood.
MASTER BRUCE SEVEN
I thought the same thing when I was
designing it. It turned out to be
a good idea, originally I had five
and a half thousand square feet to
build. That’s a lot of room to do
whatever you like with, so I made
the best of it and did what I
liked. I’d love to give you a tour
of the whole place. What do you
say?
PETER NORTH
Right now?
MASTER BRUCE SEVEN
Yeah.
BIONCA SEVEN
Bruce, dear, are you going to walk
or use your wheelchair?
(CONTINUED)

CONTINUED: 95.
MASTER BRUCE SEVEN
Shit, I guess I’ll need my wheels.
Bionca stands up and brings Bruce his wheelchair over to
him.
MASTER BRUCE SEVEN
You didn’t have to do that. I
could’ve done it without your help.
Bionca makes an asseyez-vous gesture to Bruce that his
wheelchair is available for him to sit in.
Bruce slides off of the sofa he’s sitting on into his
wheelchair. Bionca holds the wheelchair still so Bruce can
make the switch successfully.
BIONCA SEVEN
Would you like me to push you
around the studio Bruce?
PETER NORTH
I can push if you want.
MASTER BRUCE SEVEN
No, fuck no. I can do it
myself. Thanks though. Keep Mr.
Baren company and wait for
Lisa. Are you ready Peter?
PETER NORTH
Let’s do it.
A toothy smile appears on Bruce’s face, he loves the idea of
giving Peter a tour of his studio.
Peter stands up. Bruce grips the wheels on his wheelchair
so as to move himself around. The two men exit the
screening room.
INT. BRUCE SEVEN PRODUCTIONS STUDIO - HALLWAY - WEDNESDAY,
JANUARY 3, 1996, 2:06 PM; TORRANCE, CALIFORNIA
MASTER BRUCE SEVEN
Someone needs to be here for Lisa
when she gets here, which should be
real soon.
Bruce glances at his WRISTWATCH.
(CONTINUED)

CONTINUED: 96.
MASTER BRUCE SEVEN
She’s only five minutes
late. Leave the door open just a
crack and we’ll get started on our
tour of the studio.
Peter leaves the door to the screening room open a few
inches so Bionca and Glen’s conversation can be overheard in
the hallway.
MASTER BRUCE SEVEN
Follow me! The first stop on our
tour is this way down the hall on
the left!
Bruce wheels himself down the hall with Peter close behind
him; Bruce comes to a stop at the indicated door.
MASTER BRUCE SEVEN
Would you mind opening the door,
kind sir?
PETER NORTH
Not at all, kind sir.
Peter opens the door into the STUDIO.
MASTER BRUCE SEVEN
You first!
Bruce motions with his hands for Peter to go in.
PETER NORTH
Why, thank you.
Bruce follows Peter into the studio.
INT. BRUCE SEVEN PRODUCTIONS STUDIO - LIVING ROOM SET -
WEDNESDAY, JANUARY 3, 1996, 2:08 PM; TORRANCE, CALIFORNIA
Both men enter the studio. The LIVING ROOM SET is designed
to look like a home living room with WALLPAPER, matching
furniture and a television set in it.
MASTER BRUCE SEVEN
This is the room we’ll be filming
in today.
PETER NORTH
How about Lisa and I do the entire
scene on that two-seater?
(CONTINUED)

CONTINUED: 97.
MASTER BRUCE SEVEN
You can fuck her any way you want
man.
PETER NORTH
When the scene starts Lisa and I
can sit next to one another, she
can suck my cock, ...I’ll eat
Lisa’s pussy, and then fuck her
four or five different ways. How’s
that?
MASTER BRUCE SEVEN
You’re actually the first person to
want to use that two-seater, but
it’s fine by me. I like your idea.
PETER NORTH
Close-up work will be no problem.
MASTER BRUCE SEVEN
I’ll tell Bionca.
PETER NORTH
Yeah, then she’ll have something to
go for.
MASTER BRUCE SEVEN
I don’t use this part of the set
very often, never have. It’s used
as a hallway and that’s probably
why. It’s meant to look like a
living room but I have more fun
making adult films using the living
room at home. What you see here is
still in pristine condition. Today
you’ll be fucking Miss Lisa on some
of the nicest living room furniture
in Los Angeles.
PETER NORTH
She’ll love it.
MASTER BRUCE SEVEN
Of course she’ll love it, and I’m
going to love watching her get
fucked on it. You should have
heard Miss Lisa over the phone in
my office after I told her she
could expect to see you here on
Wednesday; she went "Peter North,
oh my God! I love you Bruce, thank
you so much!"
(CONTINUED)

CONTINUED: 98.
PETER NORTH
..and then she spent the rest of
the day getting herself off with a
vibrator.
MASTER BRUCE SEVEN
It’s perfectly alright to think so.
PETER NORTH
She’s been fucking herself crazy
all week, daydreaming about having
sex with me, the love of her life.
MASTER BRUCE SEVEN
It’s romantic, the two of you will
wind up on that beautiful
two-seater naked and she’ll suck
your cock better and harder than
the last woman to do it.
PETER NORTH
That’s a compelling reason to be to
be in one of your films.
MASTER BRUCE SEVEN
Thank you. Nowshall we continue
our tour of the studio?
PETER NORTH
May I push your wheelchair in
addition?
MASTER BRUCE SEVEN
Be my guest, why don’t you?
INT. BRUCE SEVEN PRODUCTIONS STUDIO - DANCE STAGE AND
CATWALK SET - WEDNESDAY, JANUARY 3, 1996, 2:13 PM; TORRANCE,
CALIFORNIA
Peter steps behind Bruce’s wheelchair and leads them out
into a room with an elegant looking STAGE in it. The DANCE
STAGE is complete with CURTAINS, BURLESQUE POLE, MULTICOLOR
STAGE LIGHTS, and connects to a 25-foot-long CATWALK.
MASTER BRUCE SEVEN
This is my favorite part of the
tour. After a hard day’s work some
girls like to stick around and
dance, sometimes they have sex on
it but nothing compares to when
sexy dances her little ass off on
the stage you built. I get a
(MORE)
(CONTINUED)

CONTINUED: 99.
beautiful feeling when a woman I
know pretty well is doing the thing
she loves the most; plus the ladies
who dance here know they’ve come to
the right place to get nasty, ...
and damn I seen some nasty
shit! I’m not fucking with
you. Real soon I’d like to make a
movie with just naked dancers, name
it ’Live Nude Girls’. A talented
dancer promises me the best
performance to show an audience, a
dancer needs attention to feel
attractive. Apparently that
attraction is also the foundation
of what appeals to a woman when she
takes her clothes off for the
purposes of adult entertainment.
PETER NORTH
Are you saying most women you know
come with certain high expectations
about how they are treated on
camera? Are you serious? Like
who? Anyone I would know? I
wouldn’t mind meeting some of these
people.
MASTER BRUCE SEVEN
I’ll tell you what, before you
leave today I’ll give you a bunch
of movies you can take home and
watch, later we can talk about who
you think you might like to work
with.
PETER NORTH
That’s a hell of a job offer.
MASTER BRUCE SEVEN
Just don’t do a hell of a job.
PETER NORTH
So are we talking about a
three-picture deal?
MASTER BRUCE SEVEN
Do you want a three-picture deal?
PETER NORTH
Let’s say ’Takin’ It to the Limit
7, 8, 9’?
(CONTINUED)

CONTINUED: 100.
MASTER BRUCE SEVEN
How about Eight, Nine, and Ten?
PETER NORTH
Do I get my own parking spot?
MASTER BRUCE SEVEN
I’ll see to it you get a place to
park your car outside.
PETER NORTH
Can we talk for business for a
minute?
MASTER BRUCE SEVEN
Some more? Sure.
PETER NORTH
How much money are we talking?
MASTER BRUCE SEVEN
Let me see, a three-picture deal
with Peter North, that’s got to
be sixty grand, and I’ll throw in
an extra five hundred dollars for
every day you make it to work on
time.
PETER NORTH
Can we have a new contract written
by next week?
MASTER BRUCE SEVEN
Yes!
PETER NORTH
When do you want to get started on
production?
MASTER BRUCE SEVEN
Are you a busy man?
PETER NORTH
I’m always busy!
MASTER BRUCE SEVEN
Then we’ll just have to schedule a
time that works that’s all.
PETER NORTH
How does your calendar look next
month?
(CONTINUED)

CONTINUED: 101.
MASTER BRUCE SEVEN
I haven’t got anything planned for
next month.
PETER NORTH
Let’s shoot for February.
MASTER BRUCE SEVEN
I’m cool with that.
INT. BRUCE SEVEN PRODUCTIONS STUDIO - FRONT ENTRANCE -
Lisa Harper is visible strolling through the PARKING LOT and
into the FRONT ENTRANCE of Bruce Seven Productions. She
notices no one behind the reception desk so she begins a
descent down the only hallway hoping to run into
somebody. Lisa makes it only a little way down the hall,
when Bionca presents herself.
BIONCA SEVEN
Hi Lisa.
LISA HARPER
What’s up, where’s Bruce?
BIONCA SEVEN
He is giving Peter a tour of the
studio. Why don’t you come say
hello to Glen?
Lisa follows Bionca into the screening room.
INT. BRUCE SEVEN PRODUCTIONS - SCREENING ROOM - JANUARY 3,
1996, 2:17 PM; TORRANCE, CALIFORNIA
BIONCA SEVEN
Look who I found standing out in
the hallway. Lisa this is one of
Bruce’s friends Glen Baren, he’ll
be taking pictures today.
GLEN BAREN
Nice to meet you Lisa, since you’re
here would it be alright if I took
a few pictures of you?
LISA HARPER
Right now? Do you want me to take
my clothes off?
(CONTINUED)

CONTINUED: 102.
GLEN BAREN
Go ahead and I’ll start taking
pictures while you get undressed.
Lisa sets her purse down on the table, checks to makes sure
her hair is all right, then performs a sultry strip tease
for Glen who immediately picks up his CAMERA and begins
taking pictures of Lisa.
INT. BRUCE SEVEN PRODUCTIONS - EQUIPMENT SHOWROOM - MONDAY,
Peter pushes Bruce’s wheelchair into the center of a 2,500
square foot room, surrounding them is super colossal BONDAGE
MACHINERY made from steel dividing the great room into
portions like a car showroom. In all there are ten PIECES
on display, each is almost the size of an automobile. The
MACHINES rely on and consist of different-sized PULLEYS,
ELECTRIC MOTORS, CONTROLS, strewn METALLIC ROPES, PADDED
BENCHES and TABLETOPS. A quarter of the room is where a
black 1970’s MUSCLE CAR with dark tinted windows is parked
adjacent to a SMALL PLATFORM STAGE located in front of a
wooden framed KING-SIZED BED. The WALLS are draped with
every WHIP, CHAIN, CUFF, and ACCESSORY used for BDSM known
to man.
MASTER BRUCE SEVEN
This is the last stop on the tour
but first I just want to
say, isn’t it amazing how two guys
like us who worked together so much
during the eighties can go for
years without seeing one another,
then wind up in a room like this
about to shoot another
movie? That’s the fucking nineties
for you Pete.
PETER NORTH
Where’d you go Bruce?
MASTER BRUCE SEVEN
I built this studio! I started my
own production company and made a
hell of a lot of movies!
PETER NORTH
Same fucking thing happened to me!
MASTER BRUCE SEVEN
It’s been smooth sailin’ since the
eighties. We either shoot here or
at the house and the girls are
(MORE)
(CONTINUED)

CONTINUED: 103.
fucking fantastic, family for the
most part.
PETER NORTH
Me, I’m stuck working all over the
place with people I’d hardly call
family. And I’d really love to see
the patience and passion that the
actors had, back in the day. Today
everyone is on the clock and on
tight budgets; everybody wants to
wrap up a movie the soonest and
jump to another project..
MASTER BRUCE SEVEN
Well you certainly established
yourself working with me back in
the good old days.
PETER NORTH
Back then we had it all to
ourselves, now it’s much more
corporatized.
MASTER BRUCE SEVEN
That’s how it goes. I didn’t make
it that way, in case you’re
wondering.
PETER NORTH
No! By no means am I implying you
are somehow responsible for all of
the changes this industry
suffered.
MASTER BRUCE SEVEN
I had nothing to do with
that. I’ve always done things kind
of the same. God permits me to do
as I please.

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Takin' it to the limit