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Theories of Art
                Development




          Paula Juliana I. Navarro
                 III-2 BECEd
Art by Carl D. Dalumpines 
Art
In the context of early childhood education,
art usually refers to the to create process
             -ability or power creative
as applied to two-dimensionalexpressiveness
  -characterized by originality and graphic arts
– painting, drawing, print making – and to
three-dimensional modeling arts – using
clay or play dough, creating sculptures.
History of Art Psychology
Heinrich Wölfflin

     A Swiss art critic and historian. The earliest to integrate
     psychology with art history.

     His dissertation Prolegomena zu einer Psychologie der
     Architektur (1886) attempted to show that architecture could
     be understood from a purely psychological (as opposed to a
     historical-progressivist) point of view.

Wilhelm Worringer

•Provided some of the earliest theoretical justification for
expressionist art.

•Concept of empathy – our own sense of beauty comes from being
able to relate to the specific work of art (from Lipps). Mimesis is imitation of the real world, as by re-
not an inherent urge in artistic production: that stylized art is not creating instances of human action
because of a culture's incompetence to create realistic               and events or portraying objects
representations, but rather reveals a psychological need to           found in nature.
represent objects in a more spiritual manner
John Dewey

His Art as Experience was published in 1934, and was the basis for significant
revisions in teaching practices whether in the kindergarten or in the university.


***Manuel Barkan, head of the Arts Education School of Fine and Applied Arts at
Ohio State University, was influenced by the writings of Dewey and explains in his
book, The Foundations of Art Education (1955), that the aesthetic education of
children prepares the child for a life in a complex democracy.
Theories of
Art Development
Psychoanalytic Theory
 Proposes that children’s art emerges from emotion and reflects what they feel.

 “Children draw what they feel and that their art is a reflection of deep inner emotions.”
  (Cole, 1960).

 Art is an expression of the unconscious and can be interpreted to give insight into a child’s
  personality or emotional state.

 The use of color, size, line, shape and space as well as the complexity of art, convey
  meaning that a psychoanalyst might read.

 Use of finger paints and clay are examples of common early childhood activities that stem
  from the psychoanalytic theory. These activities allow children to release emotion and
  express themselves freely.
The reason children draw daddy so tall is
not because this is what they know, but
because they feel daddy is so powerful and
   looms so large in their emotions.
 Sigmund Freud (Psychoanalysis) wrote a book on the artist
                         Leonardo da Vinci, in which Freud used Leonardo's paintings to
                         interrogate the artist's psyche and sexual orientation. Freud
                         inferred from his analysis that Leonardo da Vinci was probably
                         homosexual. However, the use of posthumous material to perform
                         psychoanalysis is controversial and furthermore, the sexual
                         background of Leonardo's time and Freud's are different.




Carl Jung (Analytical Psychology) collective
unconscious and archetypal imagery – The surrealist
concept of drawing imagery from dreams, and the
unconscious, stream of consciousness in writing and
painting.
Theories of art development
Perceptual Theory
 Suggests that children draw what they see.

 Part of the perceptual process involves translating a three
  dimensional object into a two-dimensional drawing.

 A drawing will focus on what the child perceives as the
  most important features of the object because our eyes see
  more than we consciously perceive.
Theories of art development
Theories of art development
 Arnheim believes that children
  do not see objects as the sum
  of observed parts, but that
  they see wholes or total images
  structured by the brain.
  Perception is learned, or at
  least can be improved, through
  training in visual
  discrimination. Thus, teachers
  should try to strengthen and
  improve children’s visual
  perceptions by asking them to
  look at and observe their
  environment more closely.
The International Criminal Court is
    accepting supporting evidence of
children's drawings of the alleged crimes
          committed in Darfur.

 One young artist named Aisha said: "It is very kind
to send us food, but this is Africa and we are used to
 being hungry. What I ask is that you please take the
   guns away from the people who are killing us."
Perceptual D elineation Theory
Children draw as they do, not because of any one factor, but
because of several.

One such factor is the child’s readiness including physical
development, intelligence, perceptual development, and cultural
dispositions.
A second factor is the psychological environment, in which the
child works, including the degree of threat or support, as well
as the number and intensity of rewards and punishments
present.
A third factor relates to how children handle information the
ability to handle details and to organize and categorize
information coming from the environment.

A final factor deals with how children’s drawings are
influenced by their ability to manipulate the art materials, as
well as their creative and inventive ability.


               Advanced by June McFee.
Theories of art development
Theories of art development
Never give up
on your art!




                Love,
                  PJ
Theories of art development

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Theories of art development

  • 1. Theories of Art Development Paula Juliana I. Navarro III-2 BECEd Art by Carl D. Dalumpines 
  • 2. Art In the context of early childhood education, art usually refers to the to create process -ability or power creative as applied to two-dimensionalexpressiveness -characterized by originality and graphic arts – painting, drawing, print making – and to three-dimensional modeling arts – using clay or play dough, creating sculptures.
  • 3. History of Art Psychology Heinrich Wölfflin A Swiss art critic and historian. The earliest to integrate psychology with art history. His dissertation Prolegomena zu einer Psychologie der Architektur (1886) attempted to show that architecture could be understood from a purely psychological (as opposed to a historical-progressivist) point of view. Wilhelm Worringer •Provided some of the earliest theoretical justification for expressionist art. •Concept of empathy – our own sense of beauty comes from being able to relate to the specific work of art (from Lipps). Mimesis is imitation of the real world, as by re- not an inherent urge in artistic production: that stylized art is not creating instances of human action because of a culture's incompetence to create realistic and events or portraying objects representations, but rather reveals a psychological need to found in nature. represent objects in a more spiritual manner
  • 4. John Dewey His Art as Experience was published in 1934, and was the basis for significant revisions in teaching practices whether in the kindergarten or in the university. ***Manuel Barkan, head of the Arts Education School of Fine and Applied Arts at Ohio State University, was influenced by the writings of Dewey and explains in his book, The Foundations of Art Education (1955), that the aesthetic education of children prepares the child for a life in a complex democracy.
  • 6. Psychoanalytic Theory  Proposes that children’s art emerges from emotion and reflects what they feel.  “Children draw what they feel and that their art is a reflection of deep inner emotions.” (Cole, 1960).  Art is an expression of the unconscious and can be interpreted to give insight into a child’s personality or emotional state.  The use of color, size, line, shape and space as well as the complexity of art, convey meaning that a psychoanalyst might read.  Use of finger paints and clay are examples of common early childhood activities that stem from the psychoanalytic theory. These activities allow children to release emotion and express themselves freely.
  • 7. The reason children draw daddy so tall is not because this is what they know, but because they feel daddy is so powerful and looms so large in their emotions.
  • 8.  Sigmund Freud (Psychoanalysis) wrote a book on the artist Leonardo da Vinci, in which Freud used Leonardo's paintings to interrogate the artist's psyche and sexual orientation. Freud inferred from his analysis that Leonardo da Vinci was probably homosexual. However, the use of posthumous material to perform psychoanalysis is controversial and furthermore, the sexual background of Leonardo's time and Freud's are different. Carl Jung (Analytical Psychology) collective unconscious and archetypal imagery – The surrealist concept of drawing imagery from dreams, and the unconscious, stream of consciousness in writing and painting.
  • 10. Perceptual Theory  Suggests that children draw what they see.  Part of the perceptual process involves translating a three dimensional object into a two-dimensional drawing.  A drawing will focus on what the child perceives as the most important features of the object because our eyes see more than we consciously perceive.
  • 13.  Arnheim believes that children do not see objects as the sum of observed parts, but that they see wholes or total images structured by the brain. Perception is learned, or at least can be improved, through training in visual discrimination. Thus, teachers should try to strengthen and improve children’s visual perceptions by asking them to look at and observe their environment more closely.
  • 14. The International Criminal Court is accepting supporting evidence of children's drawings of the alleged crimes committed in Darfur. One young artist named Aisha said: "It is very kind to send us food, but this is Africa and we are used to being hungry. What I ask is that you please take the guns away from the people who are killing us."
  • 15. Perceptual D elineation Theory Children draw as they do, not because of any one factor, but because of several. One such factor is the child’s readiness including physical development, intelligence, perceptual development, and cultural dispositions. A second factor is the psychological environment, in which the child works, including the degree of threat or support, as well as the number and intensity of rewards and punishments present.
  • 16. A third factor relates to how children handle information the ability to handle details and to organize and categorize information coming from the environment. A final factor deals with how children’s drawings are influenced by their ability to manipulate the art materials, as well as their creative and inventive ability. Advanced by June McFee.
  • 19. Never give up on your art! Love, PJ

Editor's Notes

  • #8: Dr. Wagner has been providing Forensic Psychology services to clients since 1995. She has contracted individually with parents, attorneys, and county agencies in addition to court stipulated orders written by Family Court Judges."Forensic Child Art Gallery"This is a young boy’s drawing of his family. He redrew his head and torso four times, finally settling on being in the middle of his mother and father- rather than on either one of their sides.
  • #9: (in Jungian psychology) a collectively inherited unconsciousidea, pattern of thought, image, etc., universally present inindividual psyches.