The document compares the opening title sequences of three films: Signs, Music and Lyrics, and The Chronicles of Narnia. It finds that all three follow a similar conventional order of credits but vary in other ways. Signs uses an intense, suspense-building title sequence alone. Narnia combines titles with train footage to introduce characters and settings. Music and Lyrics parodies a music video to set the comedic tone. The conclusion is that an effective title sequence can either focus on building tension or accompany footage to establish the narrative.