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Picturing the Social: 
Analysing Social Media Images 
A talk for the Transforming Digital Methods Winter School 
at the University of Exeter, 11 December 2014 
Farida Vis, Information School 
University of Sheffield 
@flygirltwo
750 MILLION - 
1.8 BILLION 
IMAGES 
SHARED 
DAILY
Facebook daily image uploads: 350 million (November 2013) 
Instagram daily image uploads: 60 million (March 2014) 
Twitter: 500 million tweets daily (March 2014) 30% pics 
Snapchat daily snaps: 400 million (November 2013) 
Important: Lots also happening on messaging apps!
Now we carry a camera with us all the time 
Everyday snaps Witnessing events
High smartphone penetration (65% US/UK) 
80% by January 2015, 90% towards end of 2017 
Rise of platforms and apps focused on visual content 
Pinterest 
Tumblr 
Instagram 
Vine 
Snapchat
โ€˜a photo of Barack and Michelle Obama, 
posted immediately after Obamaโ€™s re-election 
as President of the United States 
in November 2012, rapidly became the 
single most retweeted message in the 
history of Twitter.โ€™ 
(โ€˜Introductionโ€™, Twitter and Society, 2013)
Picturing the Social: transforming our understanding of 
images in social media and Big Data research 
(NB โ€“ still images only!) 
ESRC Transformative Research grant 
(18-months, started in September 2014) 
Interested in everyday/mundane/exceptional 
-> Taking research beyond Twitter <- 
Twitter all social media | may not โ‰  be โ€˜rightโ€™ platform
The project topic screams out for interdisciplinarity! 
Farida Vis (PI) โ€“ Media and Communication 
Simon Faulkner โ€“ Art History/Visual Culture 
James Aulich - Art History/Visual Culture 
Olga Gorgiunova โ€“ Software Studies/Sociology 
Mike Thelwall โ€“ Information Science/software 
Francesco Dโ€™Orazio โ€“ Industry/Media/software 
Anne Burns (RA) โ€“ Visual Culture / Media Studies
Diverse and cross sector (with industry)!
Picturing the Social conference 
#VisSocMedConf (all audio on SoundCloud)
โ€ข Screen Shot 2014-07-09 at 06.05.51 
Creating PhD/postdoc 
opportunities in the Lab 
VisSocMedLab 
Twitter 
Pinterest 
SoundCloud 
Storify
Research Questions driving Picturing the Social 
project: 
1. How can these new forms of social expression be 
understood through studying their technical infrastructures? 
2. How can a bottom-up understanding of social media users 
inform how these structures are experienced? 
3. How can we devise comprehensive methodological and 
theoretical strategies for the capture and interpretation of 
social media image data at different scales? 
4. How can the study of images become a central focus 
within social media and Big Data research and have an impact 
on key stakeholders and end-users? 
FSA: various | WEF: UGC, verification, ethics (beyond true/false)
Images largely ignored in social media research 
Not easy to โ€˜mineโ€™ 
Hard to figure out meaning 
Context! Context! Context! 
Huge interest in industry (rapid new developments!)
And recent similar breakthrough 
developments at Stanford and 
Google. Though # of pizzas disputed.
Rapid rise in visual social 
media analytics platforms
Topic based image searching 
Location based image searching
Using cutting edge industry tools + firehose social 
media data to build image tool for academia 
Based on team + wider user requirements 
Dโ€™Orazio: social media data and beyond; tracking 
content across the social web. 
Thelwall: Using public APIs to test and experiment 
โ€œQualitative data on a quantitative scaleโ€ 
(Dโ€™Orazio, 2013) 
Aim: free image tool for research community
Tools developed by Francesco 
DReโ€™Oarl aizninoovation: weighs the visibility
Tools using public APIs, 
including Twitter, YouTube, 
Tumblr, Flickr. Since start of 
project: image downloads for 
Twitter and Tumblr available! 
Tools developed by Mike 
Thelwall
Building new theory: traditional broadcasting 
model 
Production of message 
Message = text 
Reception of the message
Picturing the Social approach 
Structures 
Users 
Content
Structures 
Users 
Content
Doing interdisciplinarity
Facet Methodology (Mason 2011) 
Cut gemstone and their facets 
โ€˜The aim of our facet methodology approach is to create a 
strategically illuminating set of facets in relation to specific 
research concerns and questions: not a random set, or an 
eclectic set, or a representative set, or a total set. The 
rigour or the approach comes ultimately from researcher 
skill, inventiveness, insight and imagination โ€“ in deciding 
how best to carve the facets so that they catch the light in 
the best possible way.โ€™ (77: 2011)
IInformed by Facet Methodology 
โ€ข Episodic (event driven) 
โ€ข Temporal 
โ€ข Ontological 
โ€ข Cultural 
โ€ข Place/location
โ€ข Episodic: Thatcher death tweets 
โ€ข Temporal: Slices of time: 24 hrs (public) | 1 sec (firehose) 
โ€ข Ontological: What is the thing? 
โ€ข Cultural: The atlas project 
โ€ข Place: Sheffield (geolocation, location, location) 
โ€ข Make up of these teams: key is to unsettle
Thatcher Death Tweets 
Lead: Simon Faulkner 
Simon Faulkner talk at Picturing the Social Conference: 
โ€˜Some Initial Thoughts on the โ€˜Thatcher Death Tweetsโ€™โ€™ 
โ€˜Pilot studyโ€™ to inform the rest of the facet projects. 
Initial: 100K from GNIP (to get the conversation started) 
Now: re-build and re-run queries in Pulsar (cross 
platform!)
Cross-cutting methods 
โ€ข 36 in-depth interviews with: industry, academia, 
social researchers 
โ€ข (users) Nationally representative survey - If we 
want to know how/why users create content and 
meaning: we should ask them not simply project! 
โ€ข (users) Series of focus groups 
โ€ข (users) 12-month digital ethnography 
โ€ข Building a tool (based on user requirements!!!) 
โ€ข Throughout all: structures, users, content
Thinking a bit more about structures 
โ€ข How platforms make images visible? 
โ€ข How tensions between companies make images 
more/less visible โ€“ dynamic field (capital = key) 
โ€ข How do APIs give access to the dataโ€˜we wantโ€™? 
โ€ข How companies act as data intermediaries 
โ€ข How do these both strip and add metadata? 
โ€ข How interfaces and dashboards add further 
layers and structure our thinking and research? 
โ€ข How we know quite little about the tools we use.
How do social media companies make images visible?
Seen on a 
friendโ€™s FB wall 
because she had 
liked it. Close 
friend -> surfaced 
on my newsfeed 
as well.
Algorithmic visibility: 
seeing the image through Edgerank 
How does Edgerank โ€˜seeโ€™? 
Finding and (re)tracing the image 
Image as โ€˜imageโ€™ | Image as โ€˜linkโ€™
Think critically how we 
study โ€˜the feedโ€™ โ€˜the 
streamโ€™ and at the same 
time realise theyโ€™re not the 
only game in town! 
Visibility not a โ€˜givenโ€™ โ€“ 
linked to a series of small 
actions, the connections 
between users and value 
attributed by the algorithm. 
How can we think about 
new scopic regimes in this 
context? How can we 
make their workings 
visible? 
Belting: images as 
โ€˜nomadsโ€™ 
(and also shape shifters?)
Photo wars: Twitter vs Facebook/Instagram 
Sharing an image on Twitter through the ages 
Tips from 2009: 1. Via a Twitter Image Sharing Service 
2. Via SMS or Email 
3. Via Brightkite or FriendFeed 
4. Via Skitch 
5. Via an Encoded Tweet 
August 2011: Twitter rolls out direct image upload 
December 2012: Twitter no longer displays Instagram pics. 
Twitter cards switched off. Users only view images โ€˜nativelyโ€™ 
September 2014: Future of Twitpic uncertain
Picturing the Social: Talk for Transforming Digital Methods Winter School
Picturing the Social: Talk for Transforming Digital Methods Winter School
Users hack solutions using IFTTT recipes
Using APIs and data intermediaries: GNIP 
Beyond Twitter! 
What do they 
offer? 
Firehose data = 
โ€˜complete 
accessโ€™ 
Including 
historical 
access to 
Twitter
โ€˜Managed public API accessโ€™ GNIP
Data enrichment + historical data GNIP
Data sources: DataSift (used for Pulsar) 
Twitter: 200+ million active users Tumblr: 300+ million active users
Tools for querying historical Twitter data 
TextSifter: data downloaded in DiscoverText
Limited access APIs: for specific users 
Reading the API fine-print: 
Instagramโ€™s Terms of Use 
3. You cannot use the 
Instagram API to crawl or 
store usersโ€™ media 
without their express 
consent.
How do our academic (Twitter) tools work? 
โ€ข Due to open access API ecosystem, we have 
witnessed an explosion in Twitter tools. But how do 
we evaluate them? NB - Do we evaluate them? 
โ€ข What kinds of research questions do they allow us 
to answer? What kind of research question do we 
ask? 
โ€ข What kind of โ€˜methodโ€™ is using an API? 
โ€ข How do these tools allow us to search for data? 
โ€ข What methods do these tools foreground? 
โ€ข What research possibilities do they close off? 
โ€ข NB - No โ€˜Forrester Waveโ€™ for academic social media 
tools. Maybe we should change that!
Picturing the Social 
โ€ข Moving beyond the descriptive and counting 
โ€ข Moving beyond studies about single platforms 
โ€ข How are they connected within wider ecosystem? 
Include all other media! 
โ€ข How can we study the circulation of these images? 
โ€ข How can we develop approaches that take into 
account structures, users and content? 
โ€ข Where does the social come in? What can we learn 
about these new social worlds?
visualsocialmedialab.org 
@VisSocMedLab 
f.vis@sheffield.ac.uk 
@flygirltwo

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Picturing the Social: Talk for Transforming Digital Methods Winter School

  • 1. Picturing the Social: Analysing Social Media Images A talk for the Transforming Digital Methods Winter School at the University of Exeter, 11 December 2014 Farida Vis, Information School University of Sheffield @flygirltwo
  • 2. 750 MILLION - 1.8 BILLION IMAGES SHARED DAILY
  • 3. Facebook daily image uploads: 350 million (November 2013) Instagram daily image uploads: 60 million (March 2014) Twitter: 500 million tweets daily (March 2014) 30% pics Snapchat daily snaps: 400 million (November 2013) Important: Lots also happening on messaging apps!
  • 4. Now we carry a camera with us all the time Everyday snaps Witnessing events
  • 5. High smartphone penetration (65% US/UK) 80% by January 2015, 90% towards end of 2017 Rise of platforms and apps focused on visual content Pinterest Tumblr Instagram Vine Snapchat
  • 6. โ€˜a photo of Barack and Michelle Obama, posted immediately after Obamaโ€™s re-election as President of the United States in November 2012, rapidly became the single most retweeted message in the history of Twitter.โ€™ (โ€˜Introductionโ€™, Twitter and Society, 2013)
  • 7. Picturing the Social: transforming our understanding of images in social media and Big Data research (NB โ€“ still images only!) ESRC Transformative Research grant (18-months, started in September 2014) Interested in everyday/mundane/exceptional -> Taking research beyond Twitter <- Twitter all social media | may not โ‰  be โ€˜rightโ€™ platform
  • 8. The project topic screams out for interdisciplinarity! Farida Vis (PI) โ€“ Media and Communication Simon Faulkner โ€“ Art History/Visual Culture James Aulich - Art History/Visual Culture Olga Gorgiunova โ€“ Software Studies/Sociology Mike Thelwall โ€“ Information Science/software Francesco Dโ€™Orazio โ€“ Industry/Media/software Anne Burns (RA) โ€“ Visual Culture / Media Studies
  • 9. Diverse and cross sector (with industry)!
  • 10. Picturing the Social conference #VisSocMedConf (all audio on SoundCloud)
  • 11. โ€ข Screen Shot 2014-07-09 at 06.05.51 Creating PhD/postdoc opportunities in the Lab VisSocMedLab Twitter Pinterest SoundCloud Storify
  • 12. Research Questions driving Picturing the Social project: 1. How can these new forms of social expression be understood through studying their technical infrastructures? 2. How can a bottom-up understanding of social media users inform how these structures are experienced? 3. How can we devise comprehensive methodological and theoretical strategies for the capture and interpretation of social media image data at different scales? 4. How can the study of images become a central focus within social media and Big Data research and have an impact on key stakeholders and end-users? FSA: various | WEF: UGC, verification, ethics (beyond true/false)
  • 13. Images largely ignored in social media research Not easy to โ€˜mineโ€™ Hard to figure out meaning Context! Context! Context! Huge interest in industry (rapid new developments!)
  • 14. And recent similar breakthrough developments at Stanford and Google. Though # of pizzas disputed.
  • 15. Rapid rise in visual social media analytics platforms
  • 16. Topic based image searching Location based image searching
  • 17. Using cutting edge industry tools + firehose social media data to build image tool for academia Based on team + wider user requirements Dโ€™Orazio: social media data and beyond; tracking content across the social web. Thelwall: Using public APIs to test and experiment โ€œQualitative data on a quantitative scaleโ€ (Dโ€™Orazio, 2013) Aim: free image tool for research community
  • 18. Tools developed by Francesco DReโ€™Oarl aizninoovation: weighs the visibility
  • 19. Tools using public APIs, including Twitter, YouTube, Tumblr, Flickr. Since start of project: image downloads for Twitter and Tumblr available! Tools developed by Mike Thelwall
  • 20. Building new theory: traditional broadcasting model Production of message Message = text Reception of the message
  • 21. Picturing the Social approach Structures Users Content
  • 24. Facet Methodology (Mason 2011) Cut gemstone and their facets โ€˜The aim of our facet methodology approach is to create a strategically illuminating set of facets in relation to specific research concerns and questions: not a random set, or an eclectic set, or a representative set, or a total set. The rigour or the approach comes ultimately from researcher skill, inventiveness, insight and imagination โ€“ in deciding how best to carve the facets so that they catch the light in the best possible way.โ€™ (77: 2011)
  • 25. IInformed by Facet Methodology โ€ข Episodic (event driven) โ€ข Temporal โ€ข Ontological โ€ข Cultural โ€ข Place/location
  • 26. โ€ข Episodic: Thatcher death tweets โ€ข Temporal: Slices of time: 24 hrs (public) | 1 sec (firehose) โ€ข Ontological: What is the thing? โ€ข Cultural: The atlas project โ€ข Place: Sheffield (geolocation, location, location) โ€ข Make up of these teams: key is to unsettle
  • 27. Thatcher Death Tweets Lead: Simon Faulkner Simon Faulkner talk at Picturing the Social Conference: โ€˜Some Initial Thoughts on the โ€˜Thatcher Death Tweetsโ€™โ€™ โ€˜Pilot studyโ€™ to inform the rest of the facet projects. Initial: 100K from GNIP (to get the conversation started) Now: re-build and re-run queries in Pulsar (cross platform!)
  • 28. Cross-cutting methods โ€ข 36 in-depth interviews with: industry, academia, social researchers โ€ข (users) Nationally representative survey - If we want to know how/why users create content and meaning: we should ask them not simply project! โ€ข (users) Series of focus groups โ€ข (users) 12-month digital ethnography โ€ข Building a tool (based on user requirements!!!) โ€ข Throughout all: structures, users, content
  • 29. Thinking a bit more about structures โ€ข How platforms make images visible? โ€ข How tensions between companies make images more/less visible โ€“ dynamic field (capital = key) โ€ข How do APIs give access to the dataโ€˜we wantโ€™? โ€ข How companies act as data intermediaries โ€ข How do these both strip and add metadata? โ€ข How interfaces and dashboards add further layers and structure our thinking and research? โ€ข How we know quite little about the tools we use.
  • 30. How do social media companies make images visible?
  • 31. Seen on a friendโ€™s FB wall because she had liked it. Close friend -> surfaced on my newsfeed as well.
  • 32. Algorithmic visibility: seeing the image through Edgerank How does Edgerank โ€˜seeโ€™? Finding and (re)tracing the image Image as โ€˜imageโ€™ | Image as โ€˜linkโ€™
  • 33. Think critically how we study โ€˜the feedโ€™ โ€˜the streamโ€™ and at the same time realise theyโ€™re not the only game in town! Visibility not a โ€˜givenโ€™ โ€“ linked to a series of small actions, the connections between users and value attributed by the algorithm. How can we think about new scopic regimes in this context? How can we make their workings visible? Belting: images as โ€˜nomadsโ€™ (and also shape shifters?)
  • 34. Photo wars: Twitter vs Facebook/Instagram Sharing an image on Twitter through the ages Tips from 2009: 1. Via a Twitter Image Sharing Service 2. Via SMS or Email 3. Via Brightkite or FriendFeed 4. Via Skitch 5. Via an Encoded Tweet August 2011: Twitter rolls out direct image upload December 2012: Twitter no longer displays Instagram pics. Twitter cards switched off. Users only view images โ€˜nativelyโ€™ September 2014: Future of Twitpic uncertain
  • 37. Users hack solutions using IFTTT recipes
  • 38. Using APIs and data intermediaries: GNIP Beyond Twitter! What do they offer? Firehose data = โ€˜complete accessโ€™ Including historical access to Twitter
  • 39. โ€˜Managed public API accessโ€™ GNIP
  • 40. Data enrichment + historical data GNIP
  • 41. Data sources: DataSift (used for Pulsar) Twitter: 200+ million active users Tumblr: 300+ million active users
  • 42. Tools for querying historical Twitter data TextSifter: data downloaded in DiscoverText
  • 43. Limited access APIs: for specific users Reading the API fine-print: Instagramโ€™s Terms of Use 3. You cannot use the Instagram API to crawl or store usersโ€™ media without their express consent.
  • 44. How do our academic (Twitter) tools work? โ€ข Due to open access API ecosystem, we have witnessed an explosion in Twitter tools. But how do we evaluate them? NB - Do we evaluate them? โ€ข What kinds of research questions do they allow us to answer? What kind of research question do we ask? โ€ข What kind of โ€˜methodโ€™ is using an API? โ€ข How do these tools allow us to search for data? โ€ข What methods do these tools foreground? โ€ข What research possibilities do they close off? โ€ข NB - No โ€˜Forrester Waveโ€™ for academic social media tools. Maybe we should change that!
  • 45. Picturing the Social โ€ข Moving beyond the descriptive and counting โ€ข Moving beyond studies about single platforms โ€ข How are they connected within wider ecosystem? Include all other media! โ€ข How can we study the circulation of these images? โ€ข How can we develop approaches that take into account structures, users and content? โ€ข Where does the social come in? What can we learn about these new social worlds?