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TYPES OF PLEATS
Sunil Talekar
ACCORDION PLEATS
This is considered one of
the most basic types of
pleating, and is used even
today in skirts and gowns.
It can be definitely dated
to the 16th century, though
earlier use is likely, and
has been commonly used for
basic gathering purposes.
ACCORDION
PLEATS
Smocks were gathered to
neckbands using this
type of pleating.
Petticoats and skirts
were gathered to
waistbands. Some large
hanging sleeves were
gathered to an armscye
in this fashion.
ACCORDION PLEATS
Knife pleats produce a
smooth line down from
the gathering point. In
other words, a knife-
pleated skirt doesn't
"spring out" from the
waistline, but rather
falls straight down.
ACCORDION
PLEATS
The "classic" knife
pleat, shown to the
right, has a 3 to 1
ratio: that is, three
inches of fabric will
make one inch of
finished pleat. It
doesn't matter how wide
or narrow the pleats
are; if they look like
the picture to the
right, the 3: 1 ratio
will remain the same.
In some 16th century gowns,
deeper knife pleats were
used. The depth of the pleat
was two pleats, three pleats
or even four pleats deep. A
picture of this is shown to
the right. This allows more
fabric to be pleated to a
band or bodice, and produces
a fuller skirt. It also
makes for a bulkier seam.
ACCORDION
PLEATS
ACCORDION PLEATS
Accordion pleats folding
ACCORDION PLEATS
Knife pleats folding
BOX PLEATS
Box Pleats are one of the
most popular types of pleats
for Italian Renaissance and
16th century costume. They
are, basically, two knife
pleats "back to back". They
are seen nowadays on some
skirts. Box pleating is used
by many for skirts and
petticoats which will be
worn over bumrolls, and is
used to pleat large sleeves
to armscyes and pleat the
skirts of italian
renaissance gowns to the
bodice.
BOX PLEATS
Box pleats are often wider than knife
pleats, but the basic 3:1 ratio
remains the same--3 inches of
unpleated fabric makes one inch of
pleated fabric.
Box pleats have more "spring" to them
than knife pleats. Box-pleated skirts
tend to puff out from the waistline
slightly. They are also good for thick
fabric, such as brocades, velvets and
heavy wools.
BOX PLEATS
In some cases, where extra fullness
is desired, you can do "double box
pleats", also called "Stacked Box
Pleats",.
This type of pleat requires five
inches of fabric to create one inch
of pleating. It will make the
fabric spring out even more from
the seam, and produce deeper
pleats.
BOX PLEATS
It also creates more bulk at the
seamline. This type of pleat is
very handy for creating small
neck and wrist ruffs--if one edge
of a 2-inch-wide band is pleated
in this fashion, the other side
will produce very nice figure-
eight ruffles.
BOX PLEATS
"Stacked Pleats" are another
variety of box pleat. Instead of
the edges of the pleat meeting in
the middle, they overlap each
other for the whole width of the
pleat. They are similar in nature
to rolled pleats, and a picture of
a "stacked pleat".
BOX PLEATS
BOX PLEATS
BOX PLEATS
CARTRIDGE PLEATS
Cartridge pleats are used to
gather a large amount of
fabric into a small
waistband or armscye without
adding bulk to the seam.
This type of pleating also
allows the fabric of the
skirt or sleeve to spring
out from the seam. During
the 15th and 16th centuries,
this form of pleating was
popular in the garments of
men and women.
CARTRIDGE
PLEATS
Fabric is evenly
gathered using two
or more lengths of
basting stitches,
and the top of each
pleat is
whipstitched onto
the waistband or
armscye.
Fluted pleats or
"flutings" are very small,
rounded or pressed pleats
used as trimmings.
The name comes from their
resemblance to a pan
flute.
FLUTED PLEATS
FORTUNY PLEATS
Fortuny pleats are crisp pleats
set in silk fabrics by
designer Mariano Fortuny in the
early 20th century, using a
secret pleat-setting process
which is still not understood.
Fortuny pleats are
crisp pleats set in
silk fabrics by
designer Mariano
Fortuny in the early
20th century, using a
secret pleat-setting
process which is still
not understood.
FORTUNY PLEATS
HONEYCOMB PLEATS
Honeycomb pleats are
narrow, rolled pleats
used as a foundation
for smocking.
HONEYCOMB
PLEATS
Honeycomb pleats are narrow, rolled pleats
used as a foundation for smocking.
Honeycomb pleats
are narrow,
rolled pleats
used as a
foundation
for smocking.
KICK PLEATS
Kick pleats
are short
pleats leading
upwards from
the bottom hem
of garments
such as skirts
or coats,
usually at the
back
KICK PLEATS
They allow the
garment to drape
straight down when
stationary while also
allowing freedom of
movement.
ORGAN PLEATS
Organ pleats are parallel
rows of softly rounded
pleats resembling the
pipes of a pipe organ.
ORGAN PLEATS
Carl Köhler suggests that these
are made by inserting one or
more gores into a panel of
fabric.
Plissé pleats are narrow
pleats set by gathering
fabric with stitches,
wetting the fabric, and
"setting" the pleats by
allowing the wet fabric to
dry under weight or
tension. Linen chemises or
smocks pleated with this
technique have been found
in the 10th
century Viking graves
in Birka.
PLISSE
PLEATS
PLISSE PLEATS
PLISSE PLEATS
ROLLED PLEATS
This type of pleat, which creates
long, tubular pleats running from
the waistline to the ankle, is not
commonly found.
In fact, there is no hard and fast
evidence that it was used at all
prior to victorian times.
Nevertheless, it achieves the look
of the pleats found in several 16th
century portraits and pictures ,
particularly those of Lucas
Cranach, better than any other kind
of pleating I've tried.
ROLLED PLEATS
The concept behind rolled pleats is
simple, if somewhat hard to explain--take
a large pinch of fabric, fold the pinch up
until you're back to the fabric, and lay
it flat.
One person mentioned using a large serving
fork for this purpose--place the fabric
between the two fork tines and start
twisting the fork, rolling the fabric as
you go. To the right is a picture of the
finished pleat. The one to the left is a
rolled pleat. The one to the right has
been called a "stacked pleat"
ROLLED PLEATS
This type of pleat requires more
fabric than box pleating or knife
pleating. The minimum amound needed
for one pleated inch is 5 inches of
fabric. Depending on the number of
rolls you make per pleat, this can
go up to seven. Needless to say,
this can create a very bulky seam
line. Some people prefer to finish
the top of the skirt before
pleating it, and then sewing the
pleated edge to a finished bodice.
WATTEAU PLEATS
Watteau pleats are one or two
box pleats found at the back
neckline of 18th century sack-
back gowns and some late 19th
century tea gowns in imitation
of these. The term is not
contemporary, but is used by
costume historians in reference
to these styles as portrayed in
the paintings of Antoine
Watteau.
Kinguissie pleats, named
after town in Scotland,
are a very rarely seen
type of pleat used in
some Scottish kilts. They
consist of a single
centrally located box
pleat in the rear of the
kilt with knife pleats
fanning out on either
side.
KINGUISSIE PLEATS
SPIRALING
PLEATS
SUNRAY PLEATS
These are thin pleats which are
usually placed in the center of the
garment. A good example is the pleats
of a sari.
Thanks

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Types of pleats

  • 2. ACCORDION PLEATS This is considered one of the most basic types of pleating, and is used even today in skirts and gowns. It can be definitely dated to the 16th century, though earlier use is likely, and has been commonly used for basic gathering purposes.
  • 3. ACCORDION PLEATS Smocks were gathered to neckbands using this type of pleating. Petticoats and skirts were gathered to waistbands. Some large hanging sleeves were gathered to an armscye in this fashion.
  • 4. ACCORDION PLEATS Knife pleats produce a smooth line down from the gathering point. In other words, a knife- pleated skirt doesn't "spring out" from the waistline, but rather falls straight down.
  • 5. ACCORDION PLEATS The "classic" knife pleat, shown to the right, has a 3 to 1 ratio: that is, three inches of fabric will make one inch of finished pleat. It doesn't matter how wide or narrow the pleats are; if they look like the picture to the right, the 3: 1 ratio will remain the same.
  • 6. In some 16th century gowns, deeper knife pleats were used. The depth of the pleat was two pleats, three pleats or even four pleats deep. A picture of this is shown to the right. This allows more fabric to be pleated to a band or bodice, and produces a fuller skirt. It also makes for a bulkier seam. ACCORDION PLEATS
  • 9. BOX PLEATS Box Pleats are one of the most popular types of pleats for Italian Renaissance and 16th century costume. They are, basically, two knife pleats "back to back". They are seen nowadays on some skirts. Box pleating is used by many for skirts and petticoats which will be worn over bumrolls, and is used to pleat large sleeves to armscyes and pleat the skirts of italian renaissance gowns to the bodice.
  • 10. BOX PLEATS Box pleats are often wider than knife pleats, but the basic 3:1 ratio remains the same--3 inches of unpleated fabric makes one inch of pleated fabric. Box pleats have more "spring" to them than knife pleats. Box-pleated skirts tend to puff out from the waistline slightly. They are also good for thick fabric, such as brocades, velvets and heavy wools.
  • 11. BOX PLEATS In some cases, where extra fullness is desired, you can do "double box pleats", also called "Stacked Box Pleats",. This type of pleat requires five inches of fabric to create one inch of pleating. It will make the fabric spring out even more from the seam, and produce deeper pleats.
  • 12. BOX PLEATS It also creates more bulk at the seamline. This type of pleat is very handy for creating small neck and wrist ruffs--if one edge of a 2-inch-wide band is pleated in this fashion, the other side will produce very nice figure- eight ruffles.
  • 13. BOX PLEATS "Stacked Pleats" are another variety of box pleat. Instead of the edges of the pleat meeting in the middle, they overlap each other for the whole width of the pleat. They are similar in nature to rolled pleats, and a picture of a "stacked pleat".
  • 17. CARTRIDGE PLEATS Cartridge pleats are used to gather a large amount of fabric into a small waistband or armscye without adding bulk to the seam. This type of pleating also allows the fabric of the skirt or sleeve to spring out from the seam. During the 15th and 16th centuries, this form of pleating was popular in the garments of men and women.
  • 18. CARTRIDGE PLEATS Fabric is evenly gathered using two or more lengths of basting stitches, and the top of each pleat is whipstitched onto the waistband or armscye.
  • 19. Fluted pleats or "flutings" are very small, rounded or pressed pleats used as trimmings. The name comes from their resemblance to a pan flute. FLUTED PLEATS
  • 20. FORTUNY PLEATS Fortuny pleats are crisp pleats set in silk fabrics by designer Mariano Fortuny in the early 20th century, using a secret pleat-setting process which is still not understood.
  • 21. Fortuny pleats are crisp pleats set in silk fabrics by designer Mariano Fortuny in the early 20th century, using a secret pleat-setting process which is still not understood. FORTUNY PLEATS
  • 22. HONEYCOMB PLEATS Honeycomb pleats are narrow, rolled pleats used as a foundation for smocking.
  • 23. HONEYCOMB PLEATS Honeycomb pleats are narrow, rolled pleats used as a foundation for smocking. Honeycomb pleats are narrow, rolled pleats used as a foundation for smocking.
  • 24. KICK PLEATS Kick pleats are short pleats leading upwards from the bottom hem of garments such as skirts or coats, usually at the back
  • 25. KICK PLEATS They allow the garment to drape straight down when stationary while also allowing freedom of movement.
  • 26. ORGAN PLEATS Organ pleats are parallel rows of softly rounded pleats resembling the pipes of a pipe organ.
  • 27. ORGAN PLEATS Carl Köhler suggests that these are made by inserting one or more gores into a panel of fabric.
  • 28. Plissé pleats are narrow pleats set by gathering fabric with stitches, wetting the fabric, and "setting" the pleats by allowing the wet fabric to dry under weight or tension. Linen chemises or smocks pleated with this technique have been found in the 10th century Viking graves in Birka. PLISSE PLEATS
  • 31. ROLLED PLEATS This type of pleat, which creates long, tubular pleats running from the waistline to the ankle, is not commonly found. In fact, there is no hard and fast evidence that it was used at all prior to victorian times. Nevertheless, it achieves the look of the pleats found in several 16th century portraits and pictures , particularly those of Lucas Cranach, better than any other kind of pleating I've tried.
  • 32. ROLLED PLEATS The concept behind rolled pleats is simple, if somewhat hard to explain--take a large pinch of fabric, fold the pinch up until you're back to the fabric, and lay it flat. One person mentioned using a large serving fork for this purpose--place the fabric between the two fork tines and start twisting the fork, rolling the fabric as you go. To the right is a picture of the finished pleat. The one to the left is a rolled pleat. The one to the right has been called a "stacked pleat"
  • 33. ROLLED PLEATS This type of pleat requires more fabric than box pleating or knife pleating. The minimum amound needed for one pleated inch is 5 inches of fabric. Depending on the number of rolls you make per pleat, this can go up to seven. Needless to say, this can create a very bulky seam line. Some people prefer to finish the top of the skirt before pleating it, and then sewing the pleated edge to a finished bodice.
  • 34. WATTEAU PLEATS Watteau pleats are one or two box pleats found at the back neckline of 18th century sack- back gowns and some late 19th century tea gowns in imitation of these. The term is not contemporary, but is used by costume historians in reference to these styles as portrayed in the paintings of Antoine Watteau.
  • 35. Kinguissie pleats, named after town in Scotland, are a very rarely seen type of pleat used in some Scottish kilts. They consist of a single centrally located box pleat in the rear of the kilt with knife pleats fanning out on either side. KINGUISSIE PLEATS
  • 37. SUNRAY PLEATS These are thin pleats which are usually placed in the center of the garment. A good example is the pleats of a sari.