Week 2-the duchess of malfi-ppt

Lecture by
Faisal Ahmed
Senior Lecturer
Department of
English
World University of
Bangladesh

 It is estimated that John Webster was born in 1580 and
died in 1634.
 He is an Early Jacobean Dramatist (King James 1 reign).
 His tragedies, ‘The Duchess of Malfi’ and ‘The White
Devil’ are often seen as masterpieces and regarded as the
paramount 17th-century English tragedies apart from
those of Shakespeare.
 John Webster’s father was a coachman also named John
Webster and it is guessed that Webster Jr. was born in or
around London.
 He has worked with many other playwrights including
Michael Drayton, Thomas Dekker, Thomas Middleton and
Anthony Munday.
 From his plays it is clear that Webster was a learned man,
but nothing is known of his education.
 His tragedies are very morbid and dark pieces that are
also quite disturbing, which seemed to be the beginnings
of the Gothic literature of the seventeenth century.

Male Characters
 FERDINAND (Duke of Calabria and brother of the Duchess, Given to fits
of rage and violent outbursts. Has incestuous desire for his sister.
(Historical name Carlos, the Marquis of Gerace)) [the antagonist]
 CARDINAL (brother of the Duchess and Ferdinand)
 ANTONIO BOLOGNA, (Steward of the Household to the Duchess) [later her
husband from a secret marriage]
 DELIO (his friend).
 DANIEL DE BOSOLA (Gentleman/Steward of the Horse to the Duchess)
[antagonist & later avenger]
 CASTRUCCIO (an old Lord)
 The MARQUIS OF PESCARA (COUNT and a Soldier)
 MALATESTI RODERIGO, (a lord/ a courtier)
 SILVIO (a lord/ a courtier)

 GRISOLAN (a lord/ a courtier)
 DOCTOR.
 The Several Madmen.

Bosola is revealing the secret marriage of
the Duchess to her brother the Duke
Ferdinand

Female Characters
 DUCHESS (OF MALFI,)
[the protagonist]
 CARIOLA (the
Duchess’ waiting
woman)
 JULIA (Castruccio's
wife, and the
Cardinal's mistress)
 An Old Lady
Other Minor Characters
 Ladies,
 Three Young Children,
 Two Pilgrims,
 Executioners,
 Court Officers, and
 Attendants.

 The Duchess of Malfi is a play by John Webster in
which the widowed Duchess secretly remarries.
Her brothers are angered and they attempt to
discover the identity of her husband.
 The Duchess secretly remarries after the death
of her first husband, and she and her new
husband, Antonio, have three children together.
 When the Duchess's brothers find out about
Antonio, they banish the couple and their
children. In exile, the Duchess and two of her
children are killed.
 Antonio, Bosola and one of the Duchess’s
brothers seek revenge against the other two
brothers, but in the ensuing madness, all of
them die.

 The Duchess, was born in Giorvanna d’Aragon. She
married in 1490 at age 12 to Alfonso Piccolomini, son
and heir of first Duke of Malfi. He succeeded to the
dukedom in 1493 but died of gout in 1498
 The Duchess of Malfi is a young widow whose two
brothers, a Cardinal and Ferdinand, the Duke of
Calabria, are desperately anxious lest she marry
again, for they want to inherit her title and her
estates.
 She secretly marries Antonio and secretly bears a son.
The brothers send Daniel de Bosola to spy on her.
He finds a document and learns about their secret
child.
 This piece of news enrages the brothers.
 The years pass and the duchess bears Antonio two
more children, a second son and a daughter.

 An attempt to escape from Ferdinand’s rage, the
Duchess and Antonio make up a story that says he
swindled her money from her and had to flee to
Ancona.
 She takes Bosola into her confidence, not knowing
he’s a spy for Ferdinand, and arranges for him to
deliver her jewelry to Antonio’s hiding place.
 She’ll join them later, pretending to make a
pilgrimage. The Cardinal is told of the plan, and
sends soldiers to capture them.
 Antonio escapes with the eldest son to Milan, but the
Duchess, two younger children and Cariola are
returned to Malfi.
 At Malfi, the duke presents her with a dead man’s
hand, implying that it is from Antonio’s corpse.
Finally Bosola comes and strangles the duchess.
Cariola and the children.

 When Bosola asks Duke Ferdinand for his reward, the
hypocritical duke laughs and replies that, “the only reward
for such a crime is its pardon.”
 This, combined with a long-standing sense of injustice and
a feeling of lack of identity, turns Bosola against the
Cardinal and Ferdinand, and he decides to take up the
cause of Revenge for the Duchess of Malfi.
 The Cardinal confesses his part in the murder to his
mistress Julia, and then silences her using a Bible.
 Bosola overhears the Cardinal plotting to kill him (though
he accepts it as what he thinks he deserves), and visits the
dark chapel to kill the Cardinal at his prayers. But stabs
Antonio due to the darkness.
 Bosola stabs the Cardinal, who dies. Then Ferdinand
happens upon the scene, and Ferdinand and Bosola stab
each other to death.
 Antonio’s elder son by the Duchess appears in the final
scene and takes his place as heir to the Malfi fortune,
despite his father’s wish that his son leave the court.

 The period in which the play is written is a vital
to our understanding of the play. It is important
as topics of the time that were important to the
Jacobean audience, were highlighted in the
dramas of the time.
 Thus, in the Duchess of Malfi, Webster writes
about unorthodox marriage. To marry ‘out of
class’ was a social wrong for the Elizabethans
and Jacobeans.
 Inheritance issues were also a matter of national
concern for audiences at this time. The Duchess’
remarriage to Antonio opened for the Aragon
brothers a dilemma of inheritance. They would
not have any valid entitlement to the wealth and
estates that came with the dukedom of Malfi.

 In a tragedy, as Senecan model defines, “a shocking murder
takes place and it cries out for their revenge”. In The Duchess
of Malfi, the Aragonian Brothers, Ferdinand and the Cardinal,
takes their revenge on the Duchess for remarrying to her steward
against their wishes.
 While typical tragedies, such as Oedipus Rex or King Lear feature
a great man who is destroyed by a fatal flaw in his character,
Senecan tragedy is marked by a love of bloody, spectacular
violence and a focus on revenge.
 In revenge tragedy “the objects of the murder are often better
are so called avengers”. When Ferdinand refuses to pay Bosola,
the latter realizes his guilt, he becomes avenger and he decides
to works as an avenger for the murder of the Duchess.
 In a revenge tragedy, “the murder of the ghost stalks about and
asks for his revenge”. All the villains--Ferdinand, the Cardinal,
Bosola and even the hero, Antonio--are haunted by the spirit of
the dead Duchess. Bosola confesses that he sees an image of the
Duchess.
 In a tragedy “some character becomes mad”. Ferdinand becomes
mad. He confesses that he is haunted by the spirit of the
Duchess. In his madness he tries to throttle his own shadow and
cries “strangling is a cruel death”.

Week 2-the duchess of malfi-ppt

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