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59. ramble. The efficiency of the training of spaniels for cover-shooting,
depends, for the most part, on their keeping near the shooter; for if
they riot, they are the worst dogs he can hunt.
There is much less trouble in making a spaniel steady than at
first thought may be imagined. A puppy eight months old,
introduced among three or four well-broken dogs, is easily taught his
business. The breaker should use him to a cord of twenty yards
length or so, before he goes into the field, and then take him out
with the pack. Many a young dog is quiet and obedient from the
first; another is shy, and stares and runs about as much at the rising
of the birds as the report of the gun. Shortly he gets over this, and
takes a part in the sport—he then begins to chase, but finding he is
not followed after little birds or game, he returns; and should he not,
and commence hunting out of shot, which is very likely, he must be
called in, and flogged or rated, as his temper calls for. With care and
patience, he will soon “pack up” with the others, especially if that
term is used when the dogs are dividing; and if not, he may be
checked by treading on the cord, and rated or beaten as his fault
requires. Spaniels will, in general, stand more whipping than other
dogs, but care must be taken not to be lavish or severe with it at
first, or the dog becomes cowed, and instead of hunting will sneak
along at heel.
The Retriever.—The business of the retriever is to find lost game.
Newfoundland dogs are the best for the purpose. They should have
a remarkably fine sense of smelling, or they will be of little use in
tracing a wounded pheasant, or other game, through a thick cover,
where many birds have been running about. A good retriever will
follow the bird on whose track he is first put, as a blood-hound will
that of a human being or deer. He should be taught to bring his
game, or in many instances his finding a wounded bird would be of
no advantage to the shooter.
60. Kennel Treatment.—The best regular food for sporting dogs is
oatmeal well boiled, and flesh, which may be either boiled with the
meal or given raw. In hot weather, dogs should not have either
oatmeal or flesh in a raw state, as they are heating. Potatoes boiled
are good summer food, and an excellent occasional variety in winter,
but they should be cleaned before being boiled, and well dried after,
or they will produce disease. Roasted potatoes are equally good, if
not better. The best food to bring dogs into condition, and to
preserve their wind in hot weather, is sago boiled to a jelly, half a
pound of which may be given to each dog daily, in addition to
potatoes or other light food; a little flesh meat, or a few bones,
being allowed every alternate day. Dogs should have whey or
buttermilk two or three times a week during summer, when it can be
procured, or in lieu thereof, should have a table-spoonful of flour of
sulphur once a fortnight. To bring a dog into condition for the
season, we would give him a very large table-spoonful of sulphur
about a fortnight before the 12th of August, and two days after
giving him that, a full table-spoonful of syrup of buckthorn should be
administered, and afterwards twice repeated at intervals of three
days, the dog being fed on the sago diet the while. There should
always be fresh water within reach. Dogs should never be chained
up.
61. REVIEW OF NEW BOOKS.
“Critical and Miscellaneous Essays.” By T. Babington
Macaulay. Vol. 3d. Carey & Hart: Philadelphia.
Macaulay has obtained a reputation which, although deservedly
great, is yet in a remarkable measure undeserved. The few who
regard him merely as a terse, forcible and logical writer, full of
thought, and abounding in original views often sagacious and never
otherwise than admirably expressed—appear to us precisely in the
right. The many who look upon him as not only all this, but as a
comprehensive and profound thinker, little prone to error, err
essentially themselves. The source of the general mistake lies in a
very singular consideration—yet in one upon which we do not
remember ever to have heard a word of comment. We allude to a
tendency in the public mind towards logic for logic’s sake—a liability
to confound the vehicle with the conveyed—an aptitude to be so
dazzled by the luminousness with which an idea is set forth, as to
mistake it for the luminousness of the idea itself. The error is one
exactly analogous with that which leads the immature poet to think
himself sublime wherever he is obscure, because obscurity is a
source of the sublime—thus confounding obscurity of expression
with the expression of obscurity. In the case of Macaulay—and we
may say, en passant, of our own Channing—we assent to what he
says, too often because we so very clearly understand what it is that
he intends to say. Comprehending vividly the points and the
sequence of his argument, we fancy that we are concurring in the
argument itself. It is not every mind which is at once able to analyze
the satisfaction it receives from such Essays as we see here. If it
were merely beauty of style for which they were distinguished—if
they were remarkable only for rhetorical flourishes—we would not be
apt to estimate these flourishes at more than their due value. We
62. would not agree with the doctrines of the essayist on account of the
elegance with which they were urged. On the contrary, we would be
inclined to disbelief. But when all ornament save that of simplicity is
disclaimed—when we are attacked by precision of language, by
perfect accuracy of expression, by directness and singleness of
thought, and above all by a logic the most rigorously close and
consequential—it is hardly a matter for wonder that nine of us out of
ten are content to rest in the gratification thus received as in the
gratification of absolute truth.
Of the terseness and simple vigor of Macaulay’s style it is
unnecessary to point out instances. Every one will acknowledge his
merits on this score. His exceeding closeness of logic, however, is
more especially remarkable. With this he suffers nothing to interfere.
Here, for example, is a sentence in which, to preserve entire the
chain of his argument—to leave no minute gap which the reader
might have to fill up with thought—he runs into most unusual
tautology.
“The books and traditions of a sect may contain, mingled with
propositions strictly theological, other propositions, purporting to
rest on the same authority, which relate to physics. If new
discoveries should throw discredit on the physical propositions, the
theological propositions, unless they can be separated from the
physical propositions, will share in their discredit.”
These things are very well in their way; but it is indeed
questionable whether they do not appertain rather to the trickery of
thought’s vehicle, than to thought itself—rather to reason’s shadow
than to reason. Truth, for truth’s sake, is seldom so enforced. It is
scarcely too much to say that the style of the profound thinker is
never closely logical. Here we might instance George Combe—than
whom a more candid reasoner never, perhaps, wrote or spoke—than
whom a more complete antipodes to Babington Macaulay there
certainly never existed. The former reasons to discover the true. The
latter argues to convince the world, and, in arguing, not
unfrequently surprises himself into conviction. What Combe appear
to Macaulay it would be a difficult thing to say. What Macaulay is
63. thought of by Combe we can understand very well. The man who
looks at an argument in its details alone, will not fail to be misled by
the one; while he who keeps steadily in view the generality of a
thesis will always at least approximate the truth under guidance of
the other.
Macaulay’s tendency—and the tendency of mere logic in general
—to concentrate force upon minutiæ, at the expense of a subject as
a whole, is well instanced in an article (in the volume now before us)
on Ranke’s History of the Popes. This article is called a review—
possibly because it is anything else—as lucus is lucus a non lucendo.
In fact it is nothing more than a beautifully written treatise on the
main theme of Ranke himself; the whole matter of the treatise being
deduced from the History. In the way of criticism there is nothing
worth the name. The strength of the essayist is put forth to account
for the progress of Romanism by maintaining that divinity is not a
progressive science. The enigmas, says he in substance, which
perplex the natural theologian are the same in all ages, while the
Bible, where alone we are to seek revealed truth, has always been
what it is.
The manner in which these two propositions are set forth, is a
model for the logician and for the student of belles lettres—yet the
error into which the essayist has rushed headlong, is egregious. He
attempts to deceive his readers, or has deceived himself, by
confounding the nature of that proof from which we reason of the
concerns of earth, considered as man’s habitation, and the nature of
that evidence from which we reason of the same earth regarded as
a unit of that vast whole, the universe. In the former case the data
being palpable, the proof is direct: in the latter it is purely analogical.
Were the indications we derive from science, of the nature and
designs of Deity, and thence, by inference, of man’s destiny—were
these indications proof direct, no advance in science would
strengthen them—for, as our author truly observes, “nothing could
be added to the force of the argument which the mind finds in every
beast, bird, or flower”—but as these indications are rigidly
analogical, every step in human knowledge—every astronomical
64. discovery, for instance—throws additional light upon the august
subject, by extending the range of analogy. That we know no more
to-day of the nature of Deity—of its purposes—and thus of man
himself—than we did even a dozen years ago—is a proposition
disgracefully absurd; and of this any astronomer could assure Mr.
Macaulay. Indeed, to our own mind, the only irrefutable argument in
support of the soul’s immortality—or, rather, the only conclusive
proof of man’s alternate dissolution and re-juvenescence ad
infinitum—is to be found in analogies deduced from the modern
established theory of the nebular cosmogony.[6]
Mr. Macaulay, in
short, has forgotten what he frequently forgets, or neglects,—the
very gist of his subject. He has forgotten that analogical evidence
cannot, at all times, be discoursed of as if identical with proof direct.
Throughout the whole of his treatise he has made no distinction
whatever.
This third volume completes, we believe, the miscellaneous
writings of its author.
[6] This cosmogony demonstrates that all existing
bodies in the universe are formed of a nebular
matter, a rare ethereal medium, pervading space—
shows the mode and laws of formation—and proves
that all things are in a perpetual state of progress—
that nothing in nature is perfected.
“Corse de Leon: or the Brigand.” A Romance. By G. P. R.
James. 2 vols. Harper & Brothers.
Bernard de Rohan and Isabel de Brienne are betrothed to each
other in childhood, but the father of the latter dying, and her mother
marrying again, the union of the two lovers is opposed by the father-
in-law, the Lord of Masseran, who has another husband in view for
65. her, the Count de Meyrand. To escape his persecutions, the heroine
elopes, and is married in a private chapel to De Rohan; but just as
the ceremony has closed, the pair are surprised by Masseran and
Meynard, who fling the hero into a dungeon, and bear off Isabel.
The young wife manages to escape, however, and reaches Paris to
throw herself on the protection of the King, Henry the Second. Here
she learns that her husband, whom the monarch had ordered to be
freed, has perished in a conflagration of Masseran’s castle; and she
determines to take the veil. In vain the king endeavors to persuade
her to wait. She is inflexible, until surprised by the re-appearance of
de Rohan, who, instead of perishing as supposed, has been rescued,
unknown, by Corse de Leon, a stern, wild, yet withal, generous sort
of a brigand, with whom he had become accidentally acquainted on
the frontiers of Savoy. As the stolen marriage of the lovers has been
revoked by a royal edict, it is necessary that the ceremony should be
repeated. A week hence is named for the wedding, but before that
time arrives de Rohan not only fights—unavoidably of course—with
his rival, which the monarch has forbidden, but is accused by
Masseran of the murder of Isabel’s brother in a remote province of
France. De Rohan is tried, found guilty and condemned to die; but
on the eve of execution is rescued by his good genius, the brigand.
He flies his country, and in disguise joins the army in Italy, where he
greatly distinguishes himself. Finally, he storms and carries a castle,
by the assistance of Corse de Leon, which Meyrand, now an outlaw,
is holding out against France; at the same time rescuing his long lost
bride from the clutches of the count, into which she had fallen by
the sack of a neighboring abbey. In the dungeon of the captured
castle Isabel’s brother is discovered, he having been confined there
by Masseran, prior to charging de Rohan with his murder. After a
little farther bye-play, which only spoils the work, and which we shall
not notice, the lovers are united, and thenceforth “all goes merry as
a marriage bell.”
This is the outline of the plot—well enough in its way; but
partaking largely of the common-place, and marred by the
conclusion, which we have omitted, and which was introduced only
66. for the purpose of introducing the famous death of Henry the
Second, at a tournament.
The characters, however, are still more common-place. De Rohan
and Isabel are like all James’ lovers, mere nothings—Father Welland
and Corse de Leon are the beneficent spirits, and Meyrand and
Masseran are the evil geniuses, of the novel. The other characters
are lifeless, common, and uncharacteristic. They make no
impression, and you almost forget their names. There is no
originality in any of them, and save a passage of fine writing here
and there, nothing to be praised in the book. Corse de Leon, the
principal character, talks philosophy like Bulwer’s heroes, and is
altogether a plagiarism from that bombastic, unnatural, cut-throat
school,—besides, he possesses a universality of knowledge,
combined with a commensurable power, which, although they get
the hero very conveniently out of scrapes, belie all nature. In short,
this is but a readable novel, and a mere repetition of the author’s
former works.
“Insubordination; An American Story of Real Life.” By the
Author of the “Subordinate.” One Volume. Baltimore;
Knight & Colman.
The author of the “Subordinate” is Mr. T. S. Arthur, of Baltimore,
formerly one of the editors of the “Visiter and Athenæum,” and now,
we believe, connected with “The Budget,” a new monthly journal of
that city—with the literature of which, generally, he has been more
or less identified for many years past.
“The Subordinate” we have not had the pleasure of reading. The
present book, “Insubordination,” is excellently written in its way;
although we must be pardoned for saying that the way itself is not
of a high order of excellence. It is all well enough to justify works of
this class by hyper-democratic allusions to the “moral dignity” of low
life, &c. &c.—but we cannot understand why a gentleman should
feel or affect a penchant for vulgarity; nor can we comprehend the
67. “moral dignity” of a dissertation upon bed-bugs: for the opening part
of “Insubordination” is, if anything, a treatise on these peculiar
animalculæ.
Some portions of the book are worthy of the author’s ability,
which it would rejoice us to see more profitably occupied. For
example, a passage where Jimmy, an ill-treated orphan, relates to
the only friend he has ever found, some of the poignant sorrows of
his childhood, embodies a fine theme, handled in a manner which
has seldom been excelled. Its pathos is exquisite. The morality of
the story is no doubt good; but the reasoning by which it is urged is
decrepid, and far too pertinaciously thrust into the reader’s face at
every page. The mode in which all the characters are reformed, one
after the other, belongs rather to the desirable than to the credible.
The style of the narrative is easy and truthful. We dare say the work
will prove popular in a certain sense; but, upon the whole, we do not
like it.
“Marathon, and Other Poems.” By Pliny Earle, M. D. Henry
Perkins, Philadelphia.
We have long had a very high opinion of the talents of Doctor
Earle; and it gives us sincere pleasure to see his poems in book
form. The publication will place him at once in the front rank of our
bards. His qualities are all of a sterling character—a high
imagination, delighting in lofty themes—a rigorous simplicity,
disdaining verbiage and meretricious ornament—a thorough
knowledge of the proprieties of metre—and an ear nicely attuned to
its delicacies. In addition, he feels as a man, and thinks and writes
as a scholar. His general manner, puts us much in mind of Halleck.
“Marathon,” the longest poem in the volume before us, is fully equal
to the “Bozzaris” of that writer; although we confess that between
the two poems there exists a similarity in tone and construction
which we would rather not have observed.
68. In the present number of our Magazine will be found a very
beautiful composition by the author of “Marathon.” It exhibits all the
rare beauties of its author.
“Selections from the Poetical Literature of the West.” U. P.
James; Cincinnati.
This handsomely printed volume fills a long-regretted hiatus in
our poetical literature, and we are much indebted to Mr. James the
publisher; and to Mr. William D. Gallagher, who has superintended
the compilation. We are told, in the Preface by Mr. G. that the book
“is not sent forth as by any means the whole of the ‘Poetical
Literature of the West,’ but that it is believed it will represent its
character pretty faithfully, as it certainly contains samples of its
greatest excellences, its mediocre qualities, and its worst defects.” It
may be questioned, indeed, how far we are to thank the editor for
troubling us with the “defects,” or, what in poesy is still worse, with
the “mediocre qualities” of any literature whatever. It is no apology
to say that the design was to represent “character”—for who cares
for the character of that man or of that poem which has no
character at all?
By these observations we mean merely to insinuate, as delicately
as possible, that Mr. Gallagher has admitted into this volume a great
deal of trash with which the public could well have dispensed. On
the other hand we recognise many poems of a high order of
excellence; among which we may mention an “Ode to the Press” by
G. G. Foster, of the St. Louis Pennant; several sweet pieces by our
friend F. W. Thomas, of “Clinton Bradshaw” memory; “The Flight of
Years” by George D. Prentice; “To the Star Lyra,” by William Wallace;
and the “Miami Woods,” by Mr. Gallagher.
We have spoken of this latter gentleman as the editor of the
volume—but presume that in so speaking we have been in error. It is
probable that, the volume having been compiled by some other
hand, he was requested by Mr. James to write the Preface merely.
69. We are forced into this conclusion by observing that the poems of
William D. Gallagher occupy more room in the book than those of
any other author, and that the “Miami Woods” just mentioned—lines
written by himself—form the opening article of the work. We cannot
believe that Mr. G. would have been so wanting in modesty as to
perpetrate these improprieties as editor of the “Poetical Literature of
the West.”
“The Quadroone.” A Novel. By the Author of “Lafitte,” &c.
Harper & Brothers, New York.
We see no good reason for differing with that general sentence
of condemnation which has been pronounced upon this book, both
at home and abroad—and less for attempting anything in the way of
an extended review of its contents. This was our design upon
hearing the novel announced; but an inspection of its pages assures
us that the labor would be misplaced. Nothing that we could say—
had we even the disposition to say it—would convince any sensible
man that “The Quadroone” is not a very bad book—such a book as
Professor Ingraham (for whom we have a high personal respect)
ought to be ashamed of. We are ashamed of it.
70. Transcriber’s Notes:
Table of Contents has been added for reader convenience. Archaic
spellings and hyphenation have been retained. Obvious punctuation
and typesetting errors have been corrected without note. A cover
was been created for this ebook and is placed in the public domain.
[End of Graham’s Magazine, Vol. XVIII, No. 6, June 1841, George R.
Graham, Editor]
71. *** END OF THE PROJECT GUTENBERG EBOOK GRAHAM'S
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