1. Angle Modulation – Frequency
Angle Modulation – Frequency
Modulation
Modulation
Consider again the general carrier
c
c
c
c φ
+
t
ω
V
=
t
v cos
c
c φ
+
t
ω represents the angle of the carrier.
There are two ways of varying the angle of the carrier.
a) By varying the frequency, c – Frequency Modulation.
b) By varying the phase, c – Phase Modulation
1
2. Frequency Modulation
Frequency Modulation
In FM, the message signal m(t) controls the frequency fc of the carrier. Consider the
carrier
t
ω
V
=
t
v c
c
c cos
then for FM we may write:
FM signal
t
+
f
π
V
=
t
v c
c
s deviation
frequency
2
cos ,where the frequency deviation
will depend on m(t).
Given that the carrier frequency will change we may write for an instantaneous
carrier signal
i
c
i
c
i
c φ
V
=
t
πf
V
=
t
ω
V cos
2
cos
cos
where i is the instantaneous angle = t
πf
=
t
ω i
i 2 and fi is the instantaneous
frequency. 2
3. Frequency Modulation
Frequency Modulation
Since t
πf
=
φ i
i 2 then
dt
dφ
π
=
f
πf
=
dt
dφ i
i
i
i
2
1
or
2
i.e. frequency is proportional to the rate of change of angle.
If fc is the unmodulated carrier and fm is the modulating frequency, then we may
deduce that
dt
dφ
π
=
t
ω
Δf
+
f
=
f i
m
c
c
i
2
1
cos
fc is the peak deviation of the carrier.
Hence, we have
t
ω
Δf
+
f
=
dt
dφ
π
m
c
c
i
cos
2
1
,i.e.
t
ω
πΔf
+
πf
=
dt
dφ
m
c
c
i
cos
2
2
3
4. Frequency Modulation
Frequency Modulation
After integration i.e.
dt
t
ω
πΔf
+
ω m
c
c cos
2
m
m
c
c
i
ω
t
ω
πΔf
+
t
ω
=
φ
sin
2
t
ω
f
Δf
+
t
ω
=
φ m
m
c
c
i sin
Hence for the FM signal,
i
c
s φ
V
=
t
v cos
t
ω
f
Δf
+
t
ω
V
=
t
v m
m
c
c
c
s sin
cos
4
5. Frequency Modulation
Frequency Modulation
The ratio
m
c
f
Δf
is called the Modulation Index denoted by i.e.
frequency
modulating
deviation
frequency
Peak
=
β
Note – FM, as implicit in the above equation for vs(t), is a non-linear process – i.e.
the principle of superposition does not apply. The FM signal for a message m(t) as a
band of signals is very complex. Hence, m(t) is usually considered as a 'single tone
modulating signal' of the form
t
ω
V
=
t
m m
mcos
5
6. Frequency Modulation
Frequency Modulation
The equation
t
ω
f
Δf
+
t
ω
V
=
t
v m
m
c
c
c
s sin
cos may be expressed as Bessel
series (Bessel functions)
=
n
m
c
n
c
s t
nω
+
ω
β
J
V
=
t
v cos
where Jn() are Bessel functions of the first kind. Expanding the equation for a few
terms we have:
t
J
V
t
J
V
t
J
V
t
J
V
t
J
V
t
v
m
c
m
c
m
c
m
c
c
f
f
m
c
c
f
f
m
c
c
f
f
m
c
c
f
f
m
c
c
f
c
c
s
2
Amp
2
2
Amp
2
Amp
1
Amp
1
Amp
0
)
2
(
cos
)
(
)
2
(
cos
)
(
)
(
cos
)
(
)
(
cos
)
(
)
(
cos
)
(
)
(
6
7. FM Signal Spectrum.
FM Signal Spectrum.
The amplitudes drawn are completely arbitrary, since we have not found any value for
Jn() – this sketch is only to illustrate the spectrum.
7
8. Generation of FM signals – Frequency
Generation of FM signals – Frequency
Modulation.
Modulation.
An FM demodulator is:
• a voltage-to-frequency converter V/F
• a voltage controlled oscillator VCO
In these devices (V/F or VCO), the output frequency is dependent on the input voltage
amplitude.
8
9. V/F Characteristics.
V/F Characteristics.
Apply VIN , e.g. 0 Volts, +1 Volts, +2 Volts, -1 Volts, -2 Volts, ... and measure the
frequency output for each VIN . The ideal V/F characteristic is a straight line as
shown below.
fc, the frequency output when the input is zero is called the undeviated or nominal
carrier frequency.
The gradient of the characteristic
ΔV
Δf
is called the Frequency Conversion Factor,
denoted by per Volt.
9
10. V/F Characteristics.
V/F Characteristics.
Consider now, an analogue message input,
t
ω
V
=
t
m m
mcos
As the input m(t) varies from
m
m V
V
+
0
the output frequency will vary from a
maximum, through fc, to a minimum
frequency. 10
11. V/F Characteristics.
V/F Characteristics.
For a straight line, y = c + mx, where c = value of y when x = 0, m = gradient, hence
we may say
IN
OUT αV
+
f
=
f c
and when VIN = m(t)
t
αm
+
f
=
f c
OUT ,i.e. the deviation depends on m(t).
Considering that maximum and minimum input amplitudes are +Vm and -Vm
respectively, then
m
c
m
c
αV
f
=
f
αV
+
f
=
f
min
max
on the diagram on the previous slide.
The peak-to-peak deviation is fmax – fmin, but more importantly for FM the peak
deviation fc is
Peak Deviation, m
c αV
=
Δf Hence, Modulation Index,
m
m
m
c
f
αV
=
f
Δf
=
β
11
12. Summary of the important points of FM
Summary of the important points of FM
• In FM, the message signal m(t) is assumed to be a single tone frequency,
t
ω
V
=
t
m m
mcos
• The FM signal vs(t) from which the spectrum may be obtained as
=
n
m
c
n
c
s t
nω
+
ω
β
J
V
=
t
v cos
where Jn() are Bessel coefficients and Modulation Index,
m
m
m
c
f
αV
=
f
Δf
=
β
• Hz per Volt is the V/F modulator, gradient or Frequency Conversion Factor,
per Volt
• is a measure of the change in output frequency for a change in input amplitude.
• Peak Deviation (of the carrier frequency from fc) m
c αV
=
Δf 12
13. FM Signal Waveforms.
FM Signal Waveforms.
The diagrams below illustrate FM signal waveforms for various inputs
At this stage, an input digital data
sequence, d(t), is introduced –
the output in this case will be FSK,
(Frequency Shift Keying).
13
14. FM Signal Waveforms.
FM Signal Waveforms.
Assuming
s
0'
for
s
1'
for
)
(
V
V
t
d
s
0'
for
s
1'
for
0
1
V
f
f
f
V
f
f
f
c
OUT
c
OUT
the output ‘switches’
between f1 and f0.
14
15. FM Signal Waveforms.
FM Signal Waveforms.
The output frequency varies ‘gradually’ from fc to (fc + Vm), through fc to
(fc - Vm) etc. 15
16. FM Signal Waveforms.
FM Signal Waveforms.
If we plot fOUT as a function of VIN:
In general, m(t) will be a ‘band of signals’, i.e. it will contain amplitude and frequency
variations. Both amplitude and frequency change in m(t) at the input are translated to
(just) frequency changes in the FM output signal, i.e. the amplitude of the output FM
signal is constant.
Amplitude changes at the input are translated to deviation from the carrier at the
output. The larger the amplitude, the greater the deviation. 16
17. FM Signal Waveforms.
FM Signal Waveforms.
Frequency changes at the input are translated to rate of change of frequency at the
output.An attempt to illustrate this is shown below:
17
18. FM Spectrum – Bessel Coefficients.
FM Spectrum – Bessel Coefficients.
The FM signal spectrum may be determined from
n
m
c
n
c
s t
n
J
V
t
v )
cos(
)
(
)
(
The values for the Bessel coefficients, Jn() may be found from
graphs or, preferably, tables of ‘Bessel functions of the first kind’.
18
19. FM Spectrum – Bessel Coefficients.
FM Spectrum – Bessel Coefficients.
In the series for vs(t), n = 0 is the carrier component, i.e. )
cos(
)
(
0 t
J
V c
c
, hence the
n = 0 curve shows how the component at the carrier frequency, fc, varies in amplitude,
with modulation index .
19
Jn()
= 2.4 = 5
20. FM Spectrum – Bessel Coefficients.
FM Spectrum – Bessel Coefficients.
Hence for a given value of modulation index , the values of Jn() may be read off the
graph and hence the component amplitudes (VcJn()) may be determined.
A further way to interpret these curves is to imagine them in 3 dimensions
20
21. Examples from the graph
Examples from the graph
= 0: When = 0 the carrier is unmodulated and J0(0) = 1, all other Jn(0) = 0, i.e.
= 2.4: From the graph (approximately)
J0(2.4) = 0, J1(2.4) = 0.5, J2(2.4) = 0.45 and J3(2.4) = 0.2
21
22. Significant Sidebands – Spectrum.
Significant Sidebands – Spectrum.
As may be seen from the table of Bessel functions, for values of n above a certain
value, the values of Jn() become progressively smaller. In FM the sidebands are
considered to be significant if Jn() 0.01 (1%).
Although the bandwidth of an FM signal is infinite, components with amplitudes
VcJn(), for which Jn() < 0.01 are deemed to be insignificant and may be ignored.
Example: A message signal with a frequency fm Hz modulates a carrier fc to produce
FM with a modulation index = 1. Sketch the spectrum.
n Jn(1) Amplitude Frequency
0 0.7652 0.7652Vc fc
1 0.4400 0.44Vc fc+fm fc - fm
2 0.1149 0.1149Vc fc+2fm fc - 2fm
3 0.0196 0.0196Vc fc+3fm fc -3 fm
4 0.0025 Insignificant
5 0.0002 Insignificant
22
23. Significant Sidebands – Spectrum.
Significant Sidebands – Spectrum.
As shown, the bandwidth of the spectrum containing significant
components is 6fm, for = 1.
23
24. Significant Sidebands – Spectrum.
Significant Sidebands – Spectrum.
The table below shows the number of significant sidebands for various modulation
indices () and the associated spectral bandwidth.
No of sidebands 1% of
unmodulated carrier
Bandwidth
0.1 2 2fm
0.3 4 4fm
0.5 4 4fm
1.0 6 6fm
2.0 8 8fm
5.0 16 16fm
10.0 28 28fm
e.g. for = 5,
16 sidebands
(8 pairs).
24
25. Carson’s Rule for FM Bandwidth.
Carson’s Rule for FM Bandwidth.
An approximation for the bandwidth of an FM signal is given by
BW = 2(Maximum frequency deviation + highest modulated
frequency)
)
(
2
Bandwidth m
c f
f
Carson’s Rule
25
26. Narrowband and Wideband FM
Narrowband and Wideband FM
From the graph/table of Bessel functions it may be seen that for small , ( 0.3)
there is only the carrier and 2 significant sidebands, i.e. BW = 2fm.
FM with 0.3 is referred to as narrowband FM (NBFM) (Note, the bandwidth is
the same as DSBAM).
For > 0.3 there are more than 2 significant sidebands. As increases the number of
sidebands increases. This is referred to as wideband FM (WBFM).
Narrowband FM NBFM
Wideband FM WBFM
26
27. VHF/FM
VHF/FM
m
c V
f
VHF/FM (Very High Frequency band = 30MHz – 300MHz) radio transmissions, in the
band 88MHz to 108MHz have the following parameters:
Max frequency input (e.g. music) 15kHz fm
Deviation 75kHz
Modulation Index 5
m
c
f
f
For = 5 there are 16 sidebands and the FM signal bandwidth is 16fm = 16 x 15kHz
= 240kHz. Applying Carson’s Rule BW = 2(75+15) = 180kHz.
27
28. Comments FM
Comments FM
• The FM spectrum contains a carrier component and an infinite number of sidebands
at frequencies fc nfm (n = 0, 1, 2, …)
FM signal,
n
m
c
n
c
s t
n
J
V
t
v )
cos(
)
(
)
(
• In FM we refer to sideband pairs not upper and lower sidebands. Carrier or other
components may not be suppressed in FM.
• The relative amplitudes of components in FM depend on the values Jn(), where
m
m
f
V
thus the component at the carrier frequency depends on m(t), as do all the
other components and none may be suppressed.
28
29. Comments FM
Comments FM
• Components are significant if Jn() 0.01. For <<1 ( 0.3 or less) only J0() and
J1() are significant, i.e. only a carrier and 2 sidebands. Bandwidth is 2fm, similar to
DSBAM in terms of bandwidth - called NBFM.
• Large modulation index
m
c
f
f
means that a large bandwidth is required – called
WBFM.
• The FM process is non-linear. The principle of superposition does not apply. When
m(t) is a band of signals, e.g. speech or music the analysis is very difficult
(impossible?). Calculations usually assume a single tone frequency equal to the
maximum input frequency. E.g. m(t) band 20Hz 15kHz, fm = 15kHz is used.
29
30. Power in FM Signals.
Power in FM Signals.
From the equation for FM
n
m
c
n
c
s t
n
J
V
t
v )
cos(
)
(
)
(
we see that the peak value of the components is VcJn() for the nth
component.
Single normalised average power = 2
2
)
(
2
RMS
pk
V
V
then the nth
component is
2
)
(
2
)
(
2
2
n
c
n
c J
V
J
V
Hence, the total power in the infinite spectrum is
Total power
n
n
c
T
J
V
P
2
))
(
( 2
30
31. Power in FM Signals.
Power in FM Signals.
By this method we would need to carry out an infinite number of calculations to find
PT. But, considering the waveform, the peak value is V
c, which is constant.
Since we know that the RMS value of a sine wave is
2
2
2
c
pk V
V
and power = (VRMS)2
then we may deduce that
n
n
c
c
c
T
J
V
V
V
P
2
)
(
2
2
2
2
2
Hence, if we know Vc for the FM signal, we can find the total power PT for the infinite
spectrum with a simple calculation. 31
32. Power in FM Signals.
Power in FM Signals.
Now consider – if we generate an FM signal, it will contain an infinite number of
sidebands. However, if we wish to transfer this signal, e.g. over a radio or cable, this
implies that we require an infinite bandwidth channel. Even if there was an infinite
channel bandwidth it would not all be allocated to one user. Only a limited bandwidth
is available for any particular signal. Thus we have to make the signal spectrum fit into
the available channel bandwidth. We can think of the signal spectrum as a ‘train’ and
the channel bandwidth as a tunnel – obviously we make the train slightly less wider
than the tunnel if we can.
32
33. Power in FM Signals.
Power in FM Signals.
However, many signals (e.g. FM, square waves, digital signals) contain an infinite
number of components. If we transfer such a signal via a limited channel bandwidth,
we will lose some of the components and the output signal will be distorted. If we put
an infinitely wide train through a tunnel, the train would come out distorted, the
question is how much distortion can be tolerated?
Generally speaking, spectral components decrease in amplitude as we move away
from the spectrum ‘centre’.
33
34. Power in FM Signals.
Power in FM Signals.
In general distortion may be defined as
spectrum
in total
Power
spectrum
d
Bandlimite
in
Power
-
spectrum
in total
Power
D
T
BL
T
P
P
P
D
With reference to FM the minimum channel bandwidth required would be just wide
enough to pass the spectrum of significant components. For a bandlimited FM
spectrum, let a = the number of sideband pairs, e.g. for = 5, a = 8 pairs
(16 components). Hence, power in the bandlimited spectrum PBL is
a
a
n
n
c
BL
J
V
P
2
))
(
( 2
= carrier power + sideband powers.
34
35. Power in FM Signals.
Power in FM Signals.
Since
2
2
c
T
V
P
a
a
n
n
c
a
a
n
n
c
c
J
V
J
V
V
D 2
2
2
2
2
))
(
(
1
2
))
(
(
2
2
Distortion
Also, it is easily seen that the ratio
a
a
n
n
T
BL
J
P
P
D 2
))
(
(
spectrum
in total
Power
spectrum
d
Bandlimite
in
Power
= 1 – Distortion
i.e. proportion pf power in bandlimited spectrum to total power =
a
a
n
n
J 2
))
(
(
35
36. Example
Example
Consider NBFM, with = 0.2. Let Vc = 10 volts. The total power in the infinite
2
2
c
V
spectrum = 50 Watts, i.e.
a
a
n
n
J 2
))
(
( = 50 Watts.
From the table – the significant components are
n Jn(0.2) Amp = VcJn(0.2)
Power =
2
)
( 2
Amp
0 0.9900 9.90 49.005
1 0.0995 0.995 0.4950125
PBL = 49.5 Watts
i.e. the carrier + 2 sidebands contain 99
.
0
50
5
.
49
or 99% of the total power
36
37. Example
Example
Distortion = 01
.
0
50
5
.
49
50
T
BL
T
P
P
P
or 1%.
Actually, we don’t need to know Vc, i.e. alternatively
Distortion =
1
1
2
))
2
.
0
(
(
1
n
n
J (a = 1)
D = 01
.
0
)
0995
.
0
(
)
99
.
0
(
1 2
2
Ratio 99
.
0
1
))
(
(
1
1
2
D
J
P
P
n
n
T
BL
37
38. FM Demodulation –General Principles.
FM Demodulation –General Principles.
• An FM demodulator or frequency discriminator is essentially a frequency-to-voltage
converter (F/V). An F/V converter may be realised in several ways, including for
example, tuned circuits and envelope detectors, phase locked loops etc.
Demodulators are also called FM discriminators.
• Before considering some specific types, the general concepts for FM demodulation
will be presented. An F/V converter produces an output voltage, VOUT which is
proportional to the frequency input, fIN.
38
39. FM Demodulation –General Principles.
FM Demodulation –General Principles.
• If the input is FM, the output is m(t), the analogue message signal. If the input is FSK,
the output is d(t), the digital data sequence.
• In this case fIN is the independent variable and VOUT is the dependent variable (x and
y axes respectively). The ideal characteristic is shown below.
We define Vo as the output when fIN = fc, the nominal input frequency. 39
40. FM Demodulation –General Principles.
FM Demodulation –General Principles.
The gradient
f
V
is called the voltage conversion factor
i.e. Gradient = Voltage Conversion Factor, K volts per Hz.
Considering y = mx + c etc. then we may say VOUT = V0 + KfIN from the frequency
modulator, and since V0 = VOUT when fIN = fc then we may write
IN
OUT V
K
V
V
0
where V0 represents a DC offset in VOUT. This DC offset may be removed by level
shifting or AC coupling, or the F/V may be designed with the characteristic shown next
40
41. FM Demodulation –General Principles.
FM Demodulation –General Principles.
The important point is that VOUT = KVIN. If VIN = m(t) then the output contains the
message signal m(t), and the FM signal has been demodulated.
41
42. FM Demodulation –General Principles.
FM Demodulation –General Principles.
Often, but not always, a system designed so that
1
K , so that K = 1 and
VOUT = m(t). A complete system is illustrated.
42
44. Methods
Methods
Tuned Circuit – One method (used in the early days of FM) is to use the slope of a
tuned circuit in conjunction with an envelope detector.
44
45. Methods
Methods
• The tuned circuit is tuned so the fc, the nominal input frequency, is on the slope, not at
the centre of the tuned circuits. As the FM signal deviates about fc on the tuned circuit
slope, the amplitude of the output varies in proportion to the deviation from fc. Thus
the FM signal is effectively converted to AM. This is then envelope detected by the
diode etc to recover the message signal.
• Note: In the early days, most radio links were AM (DSBAM). When FM came along,
with its advantages, the links could not be changed to FM quickly. Hence, NBFM was
used (with a spectral bandwidth = 2fm, i.e. the same as DSBAM). The carrier
frequency fc was chosen and the IF filters were tuned so that fc fell on the slope of the
filter response. Most FM links now are wideband with much better demodulators.
• A better method is to use 2 similar circuits, known as a Foster-Seeley Discriminator
45
47. Phase Locked Loops PLL
Phase Locked Loops PLL
• A PLL is a closed loop system which may be used for FM demodulation. A full
analytical description is outside the scope of these notes. A brief description is
presented. A block diagram for a PLL is shown below.
• Note the similarity with a synchronous demodulator. The loop comprises a multiplier,
a low pass filter and VCO (V/F converter as used in a frequency modulator).
47
48. Phase Locked Loops PLL
Phase Locked Loops PLL
• The input fIN is applied to the multiplier and multiplied with the VCO frequency output fO, to
produce = (fIN + fO) and = (fIN – fO).
• The low pass filter passes only (fIN – fO) to give VOUT which is proportional to (fIN – fO).
• If fIN fO but not equal, VOUT = VIN, fIN – fO is a low frequency (beat frequency) signal to
the VCO.
• This signal, VIN, causes the VCO output frequency fO to vary and move towards fIN.
• When fIN = fO, VIN (fIN – fO) is approximately constant (DC) and fO is held constant, i.e locked
to fIN.
• As fIN changes, due to deviation in FM, fO tracks or follows fIN. VOUT = VIN changes to drive fO
to track fIN.
• VOUT is therefore proportional to the deviation and contains the message signal m(t).
48
