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Creative Commons and Open GLAM
Our goal:
“Universal access to research
and education, full participation
in culture.”
More free More restrictive
1
1. Free Licences
2. Projects
First point:
It’s becoming much easier to
access New Zealand’s cultural
heritage
Creative Commons and Open GLAM
Second point:
The technical barriers to access
and reuse are dropping
Third point:
This means you can't predict who
will do exciting things with your
work
Media Text Hack
CC Kiwi
MIT Reader Stories
“I am in-between post-docs and I am having difficulty
obtaining journal access”
–Post-doc, US
“I don’t have access to many articles due to … sanctions. … I
really appreciate this policy of MIT that helped me a lot.”
– Researcher, Middle East
“For a small, publicly funded …media like the one I direct…
academic knowledge… can be quite time-consuming and
often very expensive.”
Fourth point:
Obvious potential to disseminate
heritage items for reuse
Getty Museum
Closed:121 Purchases p/m
Open: 60,000 downloads p/m
Claude-Joseph Vernet
(French, 1714 - 1789)
A Calm at a
Mediterranean Port,
1770, The J. Paul
Getty Museum, Los
Angeles
Fifth point:
The legal barriers to dissemination
& reuse remain.
Copyright Graffiti Sign by Horia Varlan
CC-BY
https://flic.kr/p/7vBD4TCopyright
Copyright is very restrictive.
Automatic.
Applies online.
No 'c' required.
Lasts for 50 years after death.
Heald, Paul J., How Copyright Makes Books and Music Disappear (and How Secondary Liability Rules
Help Resurrect Old Songs) (July 5, 2013). Illinois Program in Law, Behavior and Social Science Paper
No. LBSS14-07; Illinois Public Law Research Paper No. 13-54. Available at SSRN:
http://ssrn.com/abstract=2290181 or http://dx.doi.org/10.2139/ssrn.2290181
Sixth point:
Usage rights statements are often
vague, overly restrictive & not
standardised across the sector
Creative Commons and Open GLAM
Seventh point:
Many heritage institutions feel
tension between kaitiaki and
reuse
“Grayson, Westley, Stanislaus County...” via US Nat. Archives
No Known Copyright
https://flic.kr/p/8UAPVTWhat to Do?.
Start from the other direction
First:
Clearly mark out-of-copyright
works as such.
Second:
Use Creative Commons licensing
for works with CC-friendly
donors
Creative Commons and Open GLAM
Third:
Works for which institution holds
copyright: use CC licensing
Fourth:
Add Creative Commons option to
donor/deposit agreements.
Wait. What is Creative Commons,
anyway?
Here's the pitch:
Creative Commons licences are
clear, simple, free, legally robust
and let you keep your copyright.
Public Domain
Few Restrictions
Public Domain
Few Restrictions
All Rights Reserved
Few Freedoms
Public Domain
Few Restrictions
All Rights Reserved
Few Freedoms
Some Rights Reserved
Range of Licence Options
Four Licence Elements
Attribution
Non Commercial
No Derivatives
Share Alike
Six Licences
More free More restrictive
Layers
Licence symboll
Human readable
Lawyer readable
Go to creativecommons.org/choose
https://docs.google.com/document/d/1cIW
mV5nCF8o97Nrb8wYZWfQ97FG-
4ylNuXezh2nlBBM/edit
Man from the city, 1971, by Jan Nigro. Purchased 1971. Te Papa
(1971-0036-2)
Creative Commons BY-NC-ND 3.0 New Zealand licenceTe Papa
Massed troops at a New Zealand Division thanksgiving service, World
War I. Ref: 1/2-013806-G. No known copyright.
http://natlib.govt.nz/records/22684353NLNZ; WW100
resources.creativecommons.org.nz
creativecommons.org.nz
nzcommons.org.nz
@cc_aotearoa
matt@creativecommons.org.nz
elizabeth@creativecommons.org.nz
groups.creativecommons.org.nz
(we're also on Loomio)
This work is licensed under a
Creative Commons Attribution 4.0
International License.

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