GIOVANNI	ENRIQUE BELLO	GOMEZ
502	Semple	St.
Cincinnati,	Ohio	45220
(513)	8070008																					bellogomez_vanni@hotmail.com
EDUCATION
University	of	Cincinnati,	Cincinnati,	OH
Currently, 1st Year M.A.	in	Romance	Languages	and	Literatures
Universidad	Mayor	de	San	Andrés,	La	Paz-Bolivia
August	2015 Licenciatura (Similar	to	B.A.) in	History	
Thesis:	“La	Orquesta	Jazz:	Entre	Vanguardia	y	Cosmopolitismo	Cholo, La	Paz 1925-
1945”	(“The	Jazz	Orchestra:	Between	Avant	Garde	and	Cholo	Cosmopolitanism,	La
Paz 1925-1945”),	 228	 Pages – Awarded	 with	 the	 maximum	 mark and	
recommended	for	publication
TEACHING	EXPERIENCE
Teaching	Assistant,	2015
Taught	Basic	Level	of	Spanish
INTERNSHIPS
Repositorio	Nacional	de	Bolivia	(National	Repository	of	Bolivia)
Intern,	First	Half	of	2008			
Cataloguing of	historical musical	discs
Archivo	de	La	Paz – Hemeroteca (Historical	Archive	of	La	Paz)	
Intern,	2009-2010
Cataloguing,	description	and	organization	of	the	Historical	News	Papers	Area		
RESEARCH	EXPERIENCE
Gobierno	Municipal	de	La	Paz (Municipal	Government	of	La	Paz),	La	Paz-Bolivia
Member	 of the	 project “Registro	 y	 Catalogación	 de	 Entradas	 Folclóricas”,	
2009
Made	graphical	and	written	register	of	traditional	festivities	and	folkloric	dances	in	
La	Paz
Centro	de	Investigaciones	Sociales	de	la	Vicepresidencia	del	Estado	(Center	
for	Social	Research	of	State´s Vice-Presidency),	La	Paz-Bolivia						
Researcher,	Second	Half	of	2013
Researched	and	wrote	as	part	of	the	project	“Marxismo	- Indianismo,	Katarismo	e	
Indigenismo”;	coordinated	with	eminent	academics	for	a	series	of	public	lectures	
about	history	and	politics.					
Fundación	Emegecé (Emegece	Foundation),	La	Paz-Bolivia
Researcher,	Second	Half	of	2014
Researched and	wrote	a chapter	about	 the	urban	history	of	La	Paz	for the final	
document	of	the	project	“Patrimonio	Inmaterial”
		
PRESENTATIONS AND	TALKS
“El	 Triángulo	 Imaginario:	 Nicolás	 Suárez,	 la	 Batalla	 de	 Bahía	 y	 la	 fundación	 de	
Cobija”	 (“The	 Imaginary	 Triangle:	 Nicolas	 Suarez,	 The	 Battle	 of	 Bahia	 and	 the	
Cobija	 Foundation”),	 paper	 written	 in	 collaboration	 and	 presented	 at	 5th	
Conference		of	Latin	American	Students	of	History,	La	Paz,	2009
“Peña	 Naira:	 ¿Ruptura	 o	 continuidad	 en	 el	 folclore	 boliviano?”	 (“Peña	 Naira:	
Rupture	 or	 Continuity	 in	 Bolivian	 Folk?”),	 paper	 written	 in	 collaboration,	
presented	at	 2nd International	 Students	Conference	of	History,	Lima–Perú,	2010	
and	24th	Annual	Conference	of	Ethnology,	La	Paz-Bolivia,	2010
“Dos	propuestas	de	renovación	en	la	lectura	de	la	obra	vanguardista	de	Gamaliel	
Churata”	 (“Two	 Renewed	 Approaches	 to	 The	 Gamaliel	 Churata’s	 Avant	 Garde	
Work”),	 paper	presented	at 6th	Bolivian	Association´s Conference,	Sucre-Bolivia,	
2013
“El	anarquismo	singular	y	el	pensamiento	nebular”	(“The	Singular	Anarchism	and	
the	 Nebular	 Thought”),	 text	 read	 in	 the	 public	 presentation	 of	 the	 book	 Un
anarquismo	singular.	Gustavo	Navarro	– Cesáreo	Capriles	(1918-1924)	written	by	
Nivardo	Rodríguez,	La	Paz-Bolivia,	March,	2014									
“Lenguaje,	 pensamiento	 y	 cultura” (“Languaje,	 Thought	 and	 Culture”),	 paper	
written	in	collaboration,	presented	at 6th	Latin	American	Conference	of	Students
of	Philosophy,	La	Paz-Bolivia,	2014
“La	 interdicción	 entre	 el	 indianismo	 y	 la	 cultura	 de	 masas”	 (“The	 Interdiction	
Between	 Indianismo	 and	 Mass	 Culture”,	 paper	 presented	 at	 2nd	 Plurinational	
Conference	of	Anthropology,	La	Paz,	2014
Invited	 as	 a	 commentator	 for	 the	 public	 presentation	 of	 the	 book	 Los	
inconformistas	del	Centenario.	Intelectuales,	socialismo	y	nación	en	una	Bolivia	en	
crisis	(1925-1939) written	by	Pablo	Stefanoni,	La	Paz-Bolivia,	May,	2015				
“Estudios	Culturales	y	consumo	musical:	el	caso	del	jazz	boliviano	entre	los	años	
veinte-treinta”	 (“Cultural	Studies	and	Musical	Consumption:	The	Case	of	Bolivian	
Jazz	 Between	 the	 Twenties	 and	 the	 Thirties”),	 text	 exposed in	 the	 colloquium	
“Coloquio	interdisciplinar	de	música”,	organized	by	Asociación	Departamental	de	
Antropólogos	(ADA),	La	Paz-Bolivia,	June,	2015
“Cosmopolitismo	y	vanguardia	en	Bolivia.	El	uso	del	jazz	como	motivo	literario	a	
fines	de	la	 década	de	los	veinte”	(“Cosmopolitanism	and	Avant	 Garde	in	Bolivia.	
The	 Use	of	 Jazz	 as	a	 Literary	 Motif in	 Late	 Twenties),	 paper	 presented	 at	 7th	
Bolivian	Association´s	Conference,	Sucre-Bolivia,	July,	2015
“Cosmopolitismo	 cholo”	 (“Cholo	 Cosmopolitanism”),	 text	 exposed	 in	 the	
colloquium	“Los	laberintos	de	la	choledad”,	organized	by	the	Masters	Program of	
Literature at	Universidad	Mayor	de	San	Andrés,	La	Paz-Bolivia,	September,	2015
PUBLICATIONS
Giovanni	 Bello,	 Carlos	 Zambrana,	 “La	 batalla	 de	 Bahía,	 10	 y	 11	 de	 octubre	 de
1902”,	Realidades	de	Nuestra	Historia	N°	12,	Año	3,	2009
Giovanni	Bello. “Censo	de	extranjeros.	Entrevista	a	Ricardo	Acebey	y	Magda	Mora”,	
Desarchivando	N°	8,	July,	2010
Giovanni	 Bello,	 “Entrevista	 a	 Fernando	 Molina:	 Don	 Alberto	 Crespo	 y	 los	
‘Generalistas’”,	Boletín	del	Archivo	Histórico	de	La	Paz N°	26,	2011	
Giovanni	Bello,	“El	capitalista	racional	y	el	atesorador	de	libros”,	La	migraña	N°	2,	
2012
Giovanni	 Bello,	 “f/22 y	 el	 ethos de	 la	 juventud	 boliviana”,	
http://letras.s5.com/f22271112.html (Digital	Magazine),	2012
Giovanni	 Bello,	 “Arturo	 Borda,	 historia	 desconocida	 de	 un	 artista	 boliviano	 de	
Ronald	Roa	Balderrama”	(Review),	Estudios	Bolivianos	No.	19,	2013		
Giovanni	 Bello,	 “Un	 acercamiento	 al	 concepto	 de	 tradición	 en	 José	 Carlos	
Mariátegui”,	La	migraña N°	8,	2014
Giovanni	 Bello,	 “Buscando	el	 de	 profundis	 en	 la	 lectura	 de	 la	 historia	 cultural	
boliviana”,	Piedra	de	agua	12,	2015
		
BOOKS
History
Giovanni	 Bello. Contracultura-Marxismo-Indianismo. Tacna-Perú:	 Editorial	 Perro	
Calato,	2015.	70	Pages.
Essay	and	Creative	Literature			
Giovanni	 Bello, Mixtape.	 Selección	 de	 textos	 roqueristas	 2010-2013.	 Cochabamba:	
Yerba	Mala	Cartonera,	2014
Agustin	Guambo	and	Giovanni	Bello (Eds.). Harawiq.	Antologia	de	poesia	boliviana-
ecuatoriana. Quito-Ecuador:	Murcielagario	Kartonera,	2015

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document_785593003

  • 1. GIOVANNI ENRIQUE BELLO GOMEZ 502 Semple St. Cincinnati, Ohio 45220 (513) 8070008 bellogomez_vanni@hotmail.com EDUCATION University of Cincinnati, Cincinnati, OH Currently, 1st Year M.A. in Romance Languages and Literatures Universidad Mayor de San Andrés, La Paz-Bolivia August 2015 Licenciatura (Similar to B.A.) in History Thesis: “La Orquesta Jazz: Entre Vanguardia y Cosmopolitismo Cholo, La Paz 1925- 1945” (“The Jazz Orchestra: Between Avant Garde and Cholo Cosmopolitanism, La Paz 1925-1945”), 228 Pages – Awarded with the maximum mark and recommended for publication TEACHING EXPERIENCE Teaching Assistant, 2015 Taught Basic Level of Spanish INTERNSHIPS Repositorio Nacional de Bolivia (National Repository of Bolivia) Intern, First Half of 2008 Cataloguing of historical musical discs Archivo de La Paz – Hemeroteca (Historical Archive of La Paz) Intern, 2009-2010 Cataloguing, description and organization of the Historical News Papers Area RESEARCH EXPERIENCE Gobierno Municipal de La Paz (Municipal Government of La Paz), La Paz-Bolivia
  • 2. Member of the project “Registro y Catalogación de Entradas Folclóricas”, 2009 Made graphical and written register of traditional festivities and folkloric dances in La Paz Centro de Investigaciones Sociales de la Vicepresidencia del Estado (Center for Social Research of State´s Vice-Presidency), La Paz-Bolivia Researcher, Second Half of 2013 Researched and wrote as part of the project “Marxismo - Indianismo, Katarismo e Indigenismo”; coordinated with eminent academics for a series of public lectures about history and politics. Fundación Emegecé (Emegece Foundation), La Paz-Bolivia Researcher, Second Half of 2014 Researched and wrote a chapter about the urban history of La Paz for the final document of the project “Patrimonio Inmaterial” PRESENTATIONS AND TALKS “El Triángulo Imaginario: Nicolás Suárez, la Batalla de Bahía y la fundación de Cobija” (“The Imaginary Triangle: Nicolas Suarez, The Battle of Bahia and the Cobija Foundation”), paper written in collaboration and presented at 5th Conference of Latin American Students of History, La Paz, 2009 “Peña Naira: ¿Ruptura o continuidad en el folclore boliviano?” (“Peña Naira: Rupture or Continuity in Bolivian Folk?”), paper written in collaboration, presented at 2nd International Students Conference of History, Lima–Perú, 2010 and 24th Annual Conference of Ethnology, La Paz-Bolivia, 2010 “Dos propuestas de renovación en la lectura de la obra vanguardista de Gamaliel Churata” (“Two Renewed Approaches to The Gamaliel Churata’s Avant Garde Work”), paper presented at 6th Bolivian Association´s Conference, Sucre-Bolivia, 2013 “El anarquismo singular y el pensamiento nebular” (“The Singular Anarchism and the Nebular Thought”), text read in the public presentation of the book Un
  • 3. anarquismo singular. Gustavo Navarro – Cesáreo Capriles (1918-1924) written by Nivardo Rodríguez, La Paz-Bolivia, March, 2014 “Lenguaje, pensamiento y cultura” (“Languaje, Thought and Culture”), paper written in collaboration, presented at 6th Latin American Conference of Students of Philosophy, La Paz-Bolivia, 2014 “La interdicción entre el indianismo y la cultura de masas” (“The Interdiction Between Indianismo and Mass Culture”, paper presented at 2nd Plurinational Conference of Anthropology, La Paz, 2014 Invited as a commentator for the public presentation of the book Los inconformistas del Centenario. Intelectuales, socialismo y nación en una Bolivia en crisis (1925-1939) written by Pablo Stefanoni, La Paz-Bolivia, May, 2015 “Estudios Culturales y consumo musical: el caso del jazz boliviano entre los años veinte-treinta” (“Cultural Studies and Musical Consumption: The Case of Bolivian Jazz Between the Twenties and the Thirties”), text exposed in the colloquium “Coloquio interdisciplinar de música”, organized by Asociación Departamental de Antropólogos (ADA), La Paz-Bolivia, June, 2015 “Cosmopolitismo y vanguardia en Bolivia. El uso del jazz como motivo literario a fines de la década de los veinte” (“Cosmopolitanism and Avant Garde in Bolivia. The Use of Jazz as a Literary Motif in Late Twenties), paper presented at 7th Bolivian Association´s Conference, Sucre-Bolivia, July, 2015 “Cosmopolitismo cholo” (“Cholo Cosmopolitanism”), text exposed in the colloquium “Los laberintos de la choledad”, organized by the Masters Program of Literature at Universidad Mayor de San Andrés, La Paz-Bolivia, September, 2015 PUBLICATIONS Giovanni Bello, Carlos Zambrana, “La batalla de Bahía, 10 y 11 de octubre de 1902”, Realidades de Nuestra Historia N° 12, Año 3, 2009
  • 4. Giovanni Bello. “Censo de extranjeros. Entrevista a Ricardo Acebey y Magda Mora”, Desarchivando N° 8, July, 2010 Giovanni Bello, “Entrevista a Fernando Molina: Don Alberto Crespo y los ‘Generalistas’”, Boletín del Archivo Histórico de La Paz N° 26, 2011 Giovanni Bello, “El capitalista racional y el atesorador de libros”, La migraña N° 2, 2012 Giovanni Bello, “f/22 y el ethos de la juventud boliviana”, http://letras.s5.com/f22271112.html (Digital Magazine), 2012 Giovanni Bello, “Arturo Borda, historia desconocida de un artista boliviano de Ronald Roa Balderrama” (Review), Estudios Bolivianos No. 19, 2013 Giovanni Bello, “Un acercamiento al concepto de tradición en José Carlos Mariátegui”, La migraña N° 8, 2014 Giovanni Bello, “Buscando el de profundis en la lectura de la historia cultural boliviana”, Piedra de agua 12, 2015 BOOKS History Giovanni Bello. Contracultura-Marxismo-Indianismo. Tacna-Perú: Editorial Perro Calato, 2015. 70 Pages. Essay and Creative Literature Giovanni Bello, Mixtape. Selección de textos roqueristas 2010-2013. Cochabamba: Yerba Mala Cartonera, 2014 Agustin Guambo and Giovanni Bello (Eds.). Harawiq. Antologia de poesia boliviana- ecuatoriana. Quito-Ecuador: Murcielagario Kartonera, 2015