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Documentary Codes 
and Conventions
Narrative Structure, Themes 
 Usually single stranded to not overcomplicate and to educate 
 It depends on the subject matter if the documentary is open or 
closed 
 Most of the documentaries are non-linear, however there are some 
linear documentaries e.g. 9/11 
 The subject of the documentary depends on the channel and the 
audience
Camerawork 
 The interviewee is to the left or right off centre, usually a medium 
close-up, close-up, mid shot or a big close-up. 
 Always follows the rule of thirds – eye line is the third of the way 
down screen. 
 The interviewee is always sat on a chair that doesn’t swivel or move 
around, and the interviewee is sat stationary – this ensures that the 
framing is consistent and does not move. 
 There are a variety of different camera shots used which are tilting 
panning, zooming, tracking, crab shots and crane shots which are 
all used to keep the audience interested 
 Zoom in or out or pann across a photo or use a manual focus to 
create a shallow depth of field to draw the audience attention.
Mise-En-Scene 
 Lighting is used to highlight key points of interest. 
 The light is bright where it needs to be and low key where it needs to 
be to create the atmosphere e.g. reconstruction. 
 Background is always appropriate for the subject matter and 
interviewee. 
 Always filmed with light behind the camera never with the light in 
front of the interviewee.
Sound 
 The voiceover is the glue that holds the narrative together. 
 The voiceover links everything together, links the topics, introduces 
and concludes. 
 The delivery of the voiceover is calm, clear, the voice is not 
expressive and spoken in Standard English. 
 The music is always appropriate for the programme and is related to 
the topic.
Editing 
 Mostly standard cutting keeping effects to a minimum. 
 Dissolve, slow motion and fast motion are used. 
 The questions are cut out, cutaways are used to avoid jump cuts. 
 The answers the interviewee have to make sense without the 
questions. 
 Short segments need to be used. 
 The interviews can’t be longer than a minute at a time. 
 A roll- interview, B roll- cutaways.
Archive Material 
 A range of archive material is used to keep the audience interested 
and to demonstrate things. 
 Archive material is also used to sustain interest and to help the 
audience understand some things that are being talked about. 
 The archive material are things such as: magazines, photos, films, 
newspapers, webpages and audio footage.
Graphics 
 Set out in two lines where the first line is larger font size with the 
name of the interviewee. The second line is the subline that anchors 
the relevance to the topic. 
 The graphics are usually on the right or left hand side of the screen. 
 White is the most conventional colour for graphics. 
 Simple font style and simple colours are used. 
 The title is creative

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Documentary codes and conventions

  • 1. Documentary Codes and Conventions
  • 2. Narrative Structure, Themes  Usually single stranded to not overcomplicate and to educate  It depends on the subject matter if the documentary is open or closed  Most of the documentaries are non-linear, however there are some linear documentaries e.g. 9/11  The subject of the documentary depends on the channel and the audience
  • 3. Camerawork  The interviewee is to the left or right off centre, usually a medium close-up, close-up, mid shot or a big close-up.  Always follows the rule of thirds – eye line is the third of the way down screen.  The interviewee is always sat on a chair that doesn’t swivel or move around, and the interviewee is sat stationary – this ensures that the framing is consistent and does not move.  There are a variety of different camera shots used which are tilting panning, zooming, tracking, crab shots and crane shots which are all used to keep the audience interested  Zoom in or out or pann across a photo or use a manual focus to create a shallow depth of field to draw the audience attention.
  • 4. Mise-En-Scene  Lighting is used to highlight key points of interest.  The light is bright where it needs to be and low key where it needs to be to create the atmosphere e.g. reconstruction.  Background is always appropriate for the subject matter and interviewee.  Always filmed with light behind the camera never with the light in front of the interviewee.
  • 5. Sound  The voiceover is the glue that holds the narrative together.  The voiceover links everything together, links the topics, introduces and concludes.  The delivery of the voiceover is calm, clear, the voice is not expressive and spoken in Standard English.  The music is always appropriate for the programme and is related to the topic.
  • 6. Editing  Mostly standard cutting keeping effects to a minimum.  Dissolve, slow motion and fast motion are used.  The questions are cut out, cutaways are used to avoid jump cuts.  The answers the interviewee have to make sense without the questions.  Short segments need to be used.  The interviews can’t be longer than a minute at a time.  A roll- interview, B roll- cutaways.
  • 7. Archive Material  A range of archive material is used to keep the audience interested and to demonstrate things.  Archive material is also used to sustain interest and to help the audience understand some things that are being talked about.  The archive material are things such as: magazines, photos, films, newspapers, webpages and audio footage.
  • 8. Graphics  Set out in two lines where the first line is larger font size with the name of the interviewee. The second line is the subline that anchors the relevance to the topic.  The graphics are usually on the right or left hand side of the screen.  White is the most conventional colour for graphics.  Simple font style and simple colours are used.  The title is creative